Topic: Proper Palm Muting method
Greetings,
i've been having a bit of a fit getting my palm muting technique down good.
What i'm noticing is that the same placement of the edge of my hand on the lower strings will not give the same effective muting when moved to the top strings.
And when I move to the top strings there doesn't seem to be any middle ground. It's either wholly unmuted or overmuted/deadened and not audible.
What is the secret to properly palm-muting the top three strings?
Should I even be attempting to palm mute these strings?
Does palm-muting only apply to the E-A-D strings?
confused,
Dm
but mediocrity knows nothing more than itself."
-Sir Arthur Conan-Doyle