Topic: Saddles- Bone?/Radius?/Compensation?
Do any of you players have a preference on saddle style or material?
I used to make my own and was very happy with cow bone. Then when I made one from Fossil Walrus tusk.WOW What a difference. I made one from ebony once for a J50 Gibson. He liked it!
If I'm finger picking,a radius matching the fret board's, doesn't seem to make much difference. For flat picking, I get a more even volume with almost no radius.
Most saddles are compensated for the 2nd string. I usually check all my strings and adjust if needed. More often than not they end up as follows.
1st string crown-center of saddle
2nd string crown-back towards string pins
3rd & 4th strings- forward towards sound hole
5th & 6th strings-back towards string pins
To check a string for perfect intonation. Do a harmonic on the 12th fret,adjust tension to read zero on that note. Fret the same string gently on the 5th fret and see if that note reads zero. If it reads low, tighten just a little and re-check. You should be able to get both notes to read zero if the saddle is compensated correctly.