Effects Loop on Amplifier

Funny how reading the instructions makes it easy to understand, I know because I have had many "aha" moments myself glad ya got it sorted out it will make playing a lot more fun and easier

I remember that long ago I didn't want the wah influence the distortion that much.  So I experimented with putting even the wah into the effect out-in line and being pleased about the outcome. I was pleased as well to have it behind the loop delay, so that the loop could be wah't. After all the wah ended again in the first place after the guitar, just because it was the morley and had the volume function in it, which creates crazy effects together with the loop. I didn't use the delay functions of the loop at all, because before delaying there should be the preamp distortion.

By  the way: is this diagram supposed to be a realistic setting or is it a setup order suggestion? As long as these effect pedals don't have really true bypass i would never stick so many together, furthermore, I would try to bypass some of them by using a loop-switch-pedal. In the effect line of the amp I ended up using just one multieffect virtual-room rack delay with some effects like delay and flanger, but at a very low level - so low that you wouldn't hear the effect as such. The sound was amazing because the character of pure tube amplification was preserved. The amp sound still reacted to any slightest action on the instrument but was somehow enhanced. People in the audience, even players themselves, were very impressed by the sound of this ensemble of throughout definitely only old middle-class gear. And I was the melodic player of an instrumental trio with bass and drums and had to amuse the audience several hours with this very one setting, because on stage I didn't want to get distracted by thinking of the sound at all so that I would leave the entire thing as it was for the whole concert.