Topic: Welcome to insomniac theatre.

It's 4:08AM.  The alarm is set for 6:30.  And I'm awake trying to figure out places to work in hammer-ons to the finger pick pattern I use on Landslide.  It's working out, too. 

It's all job related stress, but I'm glad to have a good-paying job in this economy so that's not a complaint.  Just a statement. 

I hope I can remember these patterns when I'm supposed to be awake. 

- Zurf

Granted B chord amnesty by King of the Mutants (Long live the king).
If it comes from the heart and you add a few beers... it'll be awesome! - Mekidsmom
When in doubt ... hats. - B.G. Dude

Re: Welcome to insomniac theatre.

Well... I hope you didn't just get up and tell us about this and leave it at that... you did play a little right?  Next time I get up too early I think I might try to use that time wisely for guitar since I don't get enough time during my "supposed to be awake" hours!

Art and beauty are in the eyes of the beholder.
What constitutes excellent music is in the ears of the listener.

Re: Welcome to insomniac theatre.

I found a couple decent spots where it helps the transition from G to Am or from C to G.  Those changes happen a lot in the song, so it's easy to overdo the hammer ons.  Fleetwood Mac uses a capo on 3 with those chords, but I put it on 1, so I have no idea what chords are really being played, but I'm fingering C, G, and Am.  I guess that makes it C 1/2, G 1/2, and Am 1/2. 

- Zurf

Granted B chord amnesty by King of the Mutants (Long live the king).
If it comes from the heart and you add a few beers... it'll be awesome! - Mekidsmom
When in doubt ... hats. - B.G. Dude

Re: Welcome to insomniac theatre.

Zurf putting a capo on and playing an open C chord or any open chord can be figured out like this without a capo its an open C if you capo the 1st fret its a C# or Db 2nd fret its a D 3rd fret is a D# or Eb and so on it just accends the scale in half steps the same as your frets so a capo on the third fret open C G Am is D# Cm A# smile

Zurf wrote:

I found a couple decent spots where it helps the transition from G to Am or from C to G.  Those changes happen a lot in the song, so it's easy to overdo the hammer ons.  Fleetwood Mac uses a capo on 3 with those chords, but I put it on 1, so I have no idea what chords are really being played, but I'm fingering C, G, and Am.  I guess that makes it C 1/2, G 1/2, and Am 1/2. 

- Zurf

"Growing old is not for sissies"

5 (edited by wlbaye 2010-01-21 14:15:18)

Re: Welcome to insomniac theatre.

Zurf,

Just wondering are you using a G or a G/B for this song. It kinda gives it a kinda unique sound. The G/B to the Am7 sounds cool.
The G/B is the same chord as the G only the 6 string isn't used and use the B note on the 5th string for your bass note. I just leave my pinky planted on the 1st string third fret when switching from the G/B to the Am7.

Later, Wayne P

Re: Welcome to insomniac theatre.

I generally play alternating bass note or bass shuffle (especially with C and G), so I'm probably using G/B some.  How's that for playing a song instead of playing guitar?  I wasn't using Am7, just regular old Am, but I think one of the hammer-ons I figured out kind goes from G to Am7 to C/B to Am if I had to write it out.  Or maybe not.  I just play the open A string and hammer on the second fret then move to the Am chord but hammer onto the second fret of the D string.  I think.  It's real similar to that.  Sometimes.  Not every time because that would get too busy. 

In short, I have no idea what chords I'm using to get between the chords I go from and to.  I just get between them in some sort of way that doesn't usually sound too terrible. 

- Zurf

Granted B chord amnesty by King of the Mutants (Long live the king).
If it comes from the heart and you add a few beers... it'll be awesome! - Mekidsmom
When in doubt ... hats. - B.G. Dude