1

(24 replies, posted in Music theory)

Hey my Friend S.B.Bill big smile here 'cause we always share the music that we love.

Yea, you do see just fine what the symbols represent in the exercises.
With the key... string, Fret, Finger
0 will be played open with x because no finger.

I wonder if you're really enjoying your music time as much as you really can?
Sounds like you might be doing lots of work and it's robbing you of simple joy.
With rhythm, it's very easy to play and sing any of your favorite songs by strumming chords.
Our fingering exercises will teach individual note progressions to accompany a fill-in for each chord.

May I ask how accomplished you are at playing rhythm and do you know the chords?

One little trick for helping callouses.
Put a small drop of crazy-glue on your finger tips, right where you push the strings at.
This will make a larger pad to push against the bone.
It will reduce pain and cutting, allowing you to play for much longer sessions. 
Of course it will seem odd to begin with but the results pay-off really fast.

I should be working on my newest song. The words and music are still on paper.
I'm practicing up really good with acoustic and will get instruments layed-out on each track.
Then insert vocals and mix and master everything, burn a CD and up-load a sound file.

This strange old movie called Forrest Gump is distracting me though.

"Me and Jenny was like peas and carrots again!"

2

(24 replies, posted in Music theory)

Hey friends and lovers.
The holiday was wonderful and our entertainment was spectacular.

Now... Getting back to the exercises! 
Since the fret spacings grows tighter and smaller with each step up the guitar neck,
we must develop the ability to accurately change the width and stretch of our hand
and finger placements, whyle maintaining our focus on proper fret locations.

With this pattern, our fingers will become accustomed to the feel of the fret board changes.
This pattern runs very quickly on every string at every fret.
Teach your fingers to feel each bar as they slide across without looking.

Key; string, fret, finger...

311/ 333/ 222/ 244/ 111/ 133

Use this same pattern everywhere to gain a command of the guitar neck.

Keep filling the world with beautiful sounds. Bax

3

(24 replies, posted in Music theory)

Yeaaa, I usually grab my G chord real fast that way. The reach is ez!

Didn't that Fogarth, John Dude who made all the stink about his sound being copied
base his original style on that intonation...
The Real Red-Neck Bayou beer drinking Bam-a-lam

Got'ta love those Neck Grab Chords!
You can Never lose your place!

See "Born On The Bayou" Shiii I can hold this E7th all Nite Long!
Pluck a few... Tip A Brew... Smile at You and 'da Chickies too!

All he's doing is plucking two down and two up huh?
Ohhh Yeaaa! pluck 3 on the end!

Yeaaa... RoooOh lin Wid some CaaJuun Queen!!

OOps gotta run BBsoon! Bax!

4

(24 replies, posted in Music theory)

Thank You for adding the classical theory references BGD.
As you see, my blue-print here is very basic and all new input for clarification is needed
to continue and add to the grand discussion of music theory that we have going here.

I believe that you are seeing the same pattern that I am, the 211/ (string, Fret, finger)
would leave bottom E open for Fmj7 but what might have blurred the reception is just using 3rd finger on both strings.
You Are Correct at the point where Dmj7 falls, a simple one finger bar across three bottom strings of fret two.

I did Name the second part of the pattern improperly on yesterday's reply, because The D7 is 1st and 2nd frets not a bar but...
The exercise is played on the second and third frets so that it steps into the Fmj7. 

It's noted good in the original exercise but impossible to play in the fashioned reply because all of your fingers
would be piled on 2nd fret with your middle finger flying wild in the wind between them.
Use the Dm no btm E when progressing, It was unintentional so disregard that awful part, ok.

Here's the second part of the exercise: Key; string, fret, finger

133/ 222/ 333 (step with third finger)

This is actually an Eb7th with open 4th string.
Which would become an Eb Diminished when held on the 1st and 2nd frets with 1st fret 4th string included.
We'd have a  Gb m7th flat5 , when the 2nd fret 4th string is included.
Can't say that I understand your F#m but bar on the 1st fret like a Dmj7 and we have a Fm or
F minor sixth with an open 4th string included. Oh Yea, Now I See why it's Sharp!

Hey! I forgot to mention... I Think that One of my All Time Favorite songs,
"Silly Love Songs" by Paul McCarthey also uses that Fmj7 in the chorus runs.

Later Bro, get finger callouses!

5

(24 replies, posted in Music theory)

Hello Again Brudda!

This is just a simple pattern, a finger position.
When placed 433/ 322/ 211 you have an Fmajor7th chord.
A very beautiful tonal sound which leads-in vocals on many soft songs.
Such as the one which brought me here to Chordie, "Falling" and also, "Wild Fire"

The second pattern when played 323/ 221/ 124 is a D seventh chord or
when played 433/ 322/ 234 is a D minor, no 1st string.

A natural scale will normally sound each note of an octave in sequence.
An arpeggio does the same but at broken intervals covering many octaves.

See how you like this progression off of Dm
It's the beginning of the AEROSMITH song, Dream On

Play the common Dm with 1st string, 1st finger... using 111/ to make change.
On 6th strum use 134/ holding 233/ 322/ and slide to 5th fret as intro gains finger notes.

6

(24 replies, posted in Music theory)

Hey Music Lovers!

Here is another choice up and down pattern set to develop your finger mobility and fret recognition.

Key; string, fret, finger

333/ 222/ 111/ 133/ 222/ 333

Slide up two frets and repeat the pattern, repeat, repeat... run back down.

Play the pattern on the 4th 3rd 2nd strings... 5th 4th 3rd... 6th 5th 4th

Learn to do this as fast as you can without looking, and...
When you get good at this one your friends will say that you're an expert!

7

(24 replies, posted in Music theory)

Tiz' my humble Pleasure Strummerboy Bill. Too Much of my life is absorbed in the daily-grind and
our contact here is enriching to my love of music and my goals for it's full growth.

I skipped a few days of posting, due to getting new pc stuff and now still setting-up everything... seems ok, huh?

I've had this ol' KISS rhythm going thru my head too. I was skeptical about showing it because it's long.
I played it awhile and enjoyed it, so I synced it with a percussion and bass. It's a great low-fret exercise!

Anyone familiar with KISS has heard the song, "Detroit Rock City". 
Gene Simmons hits this reprise before the chorus parts and with fill ins...
If I remember the song correctly... Seems they're about 150 BPM.

We'll start out at our own feel and pick pace and speed-up as we get into it, ok?

Key: string/ fret/ finger 
+ means, the next measure ... means, sustained note

40x/ 433/ 322/ 30x/  +30x/ 333/ 322/ 30x/ 333/ 322/ 30x/ 433...

+433/ 322/ 333/ 322/ 433/ 411/ 40x/ 411... +411/ 30x/ 433/ 411/ 30x/ 433/ 411/ 40x...

If you've got the drift of the song, you can tell where to repeat two measures and end here,

411.../ 40x.../ 444/ 30x...

Even without copying the original it makes for a sweet exercise progression and
gradual cross over at 5th string, 5th fret... ooPs, no 5th finger! smile ~Bax!

8

(24 replies, posted in Music theory)

Hey Las Vegas! Long time No-See!
I can't claim to be the creator of this notation language
BaldGuitarDude. Thank You for Trying it and sharing your smile!

Somewhere along the line, when people are digging into music theory they always eventually begin to relate the six (or 7) guitar strings to numbers. In our case, we always know which string we're on by the number representing it.

Actually... this is borrowed from the KEPATHIAN Notation Method, which uses
numbers to represent written notes. Mostly by countries with different sheet-music than our Western Notation of Lines and spaces, left to right.
To play without looking at paper, we just show each note placement this way.

Starting this can be really slow until your hand has memorised the pattern.
So we just keep doing it over and over again until it's fast and smooth.

Did you try it enough to not look but just feel the string and Fret Bars?
I mostly do this stuff with an accoustic because they really work the fingers. After you gain control, you can really "Rip" an electric BaldGuitarDude!

Lets run another exercise to work the middle finger, ok?
~Bax!

Standard numbering system; Key = string, fret, finger

632/ 554/ 432/ 421/ 332/ 321/

Repeat until it's easy... then step-up two frets, repeat... step repeat.
Try to get to 120 BPM and then run it in reverse.

Before you know it you'll be carrying any song on vocal breaks.

9

(24 replies, posted in Music theory)

Hey Doug! Kawabunga! It must have been Roger who made the clean-up then because
I'm still just sharing the alphabet here so far. Thanks Maestro!

Doug_Smith wrote:

Well Bax, just lay the guitar flat across my knees and the staff kinda matches the strings.

02.) Fingering Exercise; and a lil' theory.

"Staff" is the set of horizontal lines and spaces for writing music notes on.

This will be in the standard numbering system:
Fret and finger are common and unchanged
Bottom E string is 1/ Up to B is 2/ Up to G is 3/
Up to D is 4/ Up to A is 5/ Top E string is 6

Remember Key is string, fret, finger

632/ 654/ 532/ 554/ 421/ 454/ 321/ 354/ 232/ 254/ 132/ 154

Repeat and play in reverse bottom to top.
Move up the neck two frets and copy the pattern.
Repeat and keep going... Work the fingers and don't look at 'em.

For my leftie with her strings upside-down...

132/ 154/ 232/ 254/ 321/ 354/ 421/ 454/ 532/ 554/ 632/ 654

After you do this for about five minutes 
you'll be saying, 'Guitar Isn't That Hard!", too!

10

(22 replies, posted in Recording)

I'm in the low-country Dino, we're just having lots of rain.
My Sis and her Hub were here this past wk. end.
They're living in that, Piedmont mid-state area.
The warnings are often taking over radio stations here.
Is Cali. still hurting for water?
and, are insert effect patches note worthy?
Could be you're one of the techs who burn-out on em' all day, each day?

11

(24 replies, posted in Music theory)

You got me fellas!
My only defense is simplicity.

I'll really need your coaching on new posting at old thread Doug.
Is a full delete here comfortable by you? "You da' Boss, I'm just Ross!"
LOL, Ross Perot joke. smile

I Really Like Your Scale Roger! Playing open that way made me laugh joyfully.

It took me awhile to get over the "one-up" hang-up.
I don't frown on that, it's what everyone has used successfully.
My concept is the natural flow for me, any'hoo, neophites grasp it better. 

One-up shows how a measure of notes is placed on the staff but...
Noticed how their placement is reversed from all we hear?
Low sounds down, high sounds up.
Imagine how much "one-down" transforms music theory.

If the World Were a Village of 100 People

12

(24 replies, posted in Music theory)

Get back into your music and take it to levels you never dreamed possible.

Fingering Exercises will move those great solo leads from your brain to your hand movements and back to the understanding of music as a whole.

I will use a numbering system to represent a right handed player.
In this fashion, O1-01-01 With the guitar neck in your left hand,
the first 01- is strings, top to bottom, (1 2 3 4 5 6)
second -01- is frets on the neck, from tuning nut to bridge.
third -01 is your fingers. Index 1, second 2, ring 3, pinkie 4.

Now try a G major scale with 8 notes
1-3-2/ 1-5-4/ 2-2-1/ 2-3-2/ 2-5-4/ 3-2-1/ 3-4-3/ 3-4-4/
PLay it up and down, the more you do it the better you'll get.
The noter are G A B C D E F# G
Play it with a track or a friend strumming a Gmaj chord until it's smooth and fluid. You're well on your way to getting that solo gig.

In the future, I'll only be showing scales, patterns and notes.
For now, practice this little A minor arpeggio also.
1-5-1/ 1-8-4/ 2-7-3/ 2-12-4/ 3-10-2/ 4-9-1/ 4-14-3/ 5-13-2/ 6-12-1/ 6-17-4

All that I intend to share here has been thoroughly written and taught by many so if I am trudging through old waters please inform, so that we may move ahead.

13

(25 replies, posted in Music theory)

Thanks Dino, I'm go'na start a new thread because I like this topic and think it may benefit someone whos in a slump and wanting to start regular practice sessions but not knowing where to begin. Let's call it...
"Fingering Exercises for Guitar" (and Key-Bd)

14

(22 replies, posted in Recording)

Hey Guys, thought I'd keep this chat going by sharing one of my favorite aspects of recording. Effect Modules, Algorithms and the Master Fader. As a
new-bee, I can only pray that my insights won't offend or step on any toes.
Do you agree with me, that this is where the warmth and heart are added to make your sound, "Big"? Oops, being paged now... so I'm gona run. Later Guys.

15

(25 replies, posted in Music theory)

Ok, it looks like a new slate, four years later. I was introduced to music as a young child. They taught us Twinkle Little Star and Happy Birthday. Recorder and Autoharp. Notes, tablature and composition. It began a life long pathe. One day when someone said, "You have the gift". I figured, I'd learn all that I could and you know what? Much of the music we play today is found in old classical compositions from long ago. Just a different spin, different instruments.
I found Basic Chords were easy to sing with and play 3 note phrase scales.
I guess before I go wild with this, not yet knowing whats where at Chordie...
Maybe someone comes here and wants to practice fingering exercises. Those can lead to an understanding of music theory and all else follows.

16

(25 replies, posted in Music theory)

Hi Jerome,
Mostly wondering if #20 posting is as far as this forum has progressed.
I'm go'na enter this and see what happens... We have a world of topics to visit here and theory shouldn't appear as some mystical realm that we'll never know.
To simplify the connection from brain to braun, I'll begin this way.
Um... First of all, if one wants to play guitar or key-board better. Don't look at your fingers. Learn to feel your way. This is My Theory, this is how theory should be interpreted. Not over there but as mine. When it comes to rules, mostly they go-out the window but progressions and patterns can quickly be learned. So, here's where the "withs" and "what-fors" come into what you're doing. Bax



This is My Theory.

17

(22 replies, posted in Recording)

Greetings to Moderator Doug and Honoured Dino,
Yes by your smiles, you seem to say so... Much thanks for SOP site protocol Doug.
Without guidance my travels here would not be as pleasurable or prudent. But, where with would you hide from me? T'was only me sifting mountains of sand.
I bought my first guitar in San Francisco in 87 Doug, when stationed at Presidio. Both Hardeeville and Guyton are in my neck of the woods Dino. Have you been there? Today, I'm being lazy. The weather is gloomy. Grapes of Wrath is on.
I dreamed again of beautiful music and beautiful ladies. Love those nice dreams.
Think I'll look around town a bit now. Stickies huh?
Thanks for being here and for sharing the love.
New Friend, Bax. Here for you.

18

(22 replies, posted in Recording)

Hello Fellow Music Lovers, so Glad that I've found you!
I was searching a beautiful ol' song that I can't see or hear but I remember it.  You guys have it catalogued and show it! 
I'll be checking in lots more, for my old and new faves.
Others show this... Leblanc n Carr... They did Great with this!
["Falling appears on the album Super Hits of the '70s:
Have a Nice Day, Volume 25."]
It's tune is like what I've been doing on guitar... But my progression starts with bass of open A and D once each, use Dmj, 2nd-fr no high E, sync the three strings with a smooth rhythm. Second bar is open A once to B note x4, open D once to E note alternates. (Basically, an Em chord 2nd-fr.) and add the Gm note. (It's 4th-fr, 3rd string) Run back down. Repeat. Now start your fingering tricks with Em9th, IE, Gmj7th. Which is a sweet and easy pattern smile To Dmj7th, sliding to that Gm with your pinkie, at about 110bpm. Lots of harmonious changes are possible all around, when advancing.
People notice and applaud this cheerful melodie instantaniously!
Hope you can get it to enjoy it too.
Hope that I can make friends here also and talk about our commonalities. 
I'm eager to tell of my experiences in practices, rehersals, performances.
About instruments, notaion, writing, recording gear... and what I love.
Best Wisher To All! See Ya' ~Bax!