1

(24 replies, posted in Acoustic)

Hey Jude - Beatles
Technically it has D7 and A in there too but it's there or thereabouts for your purposes!

Shane

Hi

Suzanne and Sisters of mercy by Leonard Cohen are worth the effort.

Also:

Landslide by fleetwood mac
Ride on - Christy Moore
If you could read my mind - Gordon Lightfoot
Streets of London - Ralph McTell

All songs I've found rewarding to learn!

Shane

3

(3 replies, posted in Acoustic)

Hi Zurf,

I've noticed the same problem, especially with Barre chords of the A minor shape. The finger bends at the knuckle and slips off the string.

I'm starting to think it might be some kind of double jointing thing. I have'nt a clue what to do about it to be honest.
Has anyone else noticed this?

Shane

I recently heard Westlife and Mariah Carey's take on Phil Collins' "Against all odds" and nearly crashed the car.

I've consulted the larger Oxford dictionary and I can't find a word adequate to describe it's awfulness.

Why isnt there a law against this kind of thing?

Shane

5

(24 replies, posted in Acoustic)

Needle and damage done - Neil young - sounds harder than it actually is
The Blower's Daughter - Damien Rice -  open easy strum and sounds very nice. Cannonballs's great too.

Shane

6

(12 replies, posted in Acoustic)

Hi corleone,

I checked my Tanglewood last night and noticed (for the first time!) that the action looks exceptionally high on it. I also noticed that the edges of the fretboard at the neck are quite sharp (as opposed to my previous guitar where they were more rounded) and both conspire to make barring a bit of a challenge.
I dont know to what extent these apply to your model but you can certainly have the action lowered which should make things a bit easier!

I remember a very experienced guitarist telling me that Tanglewoods are as good as guitars selling at €1,000 plus and for their price range they are the best deal going. This was from a guy who had a couple of top level Martins!

Shane

7

(12 replies, posted in Acoustic)

I've had a tanglewood for a few years now and I'm very happy with it. Couldnt tell you the model but it is spruce and mahogany one piece dreadnought body.

Compare with my first acoustic - a yamaha - it is more difficult to barre chords but the sound is much better, it has a very good deep strong yet mellow sound, so much so that I often use very light picks so that I can hear my own voice!
It's lovely to play finger style on.
Its a good guitar to get your hand strength up to speed on - I picked up a yamaha recently the comparison was striking. It was like playing a toy guitar in comparison. Stick with it, Tanglewoods are lovely guitars and they reward patience!

Shane

8

(8 replies, posted in Acoustic)

One bad habit you can easily get into is not keeping a steady rhythm - not playing in time. This you can teach yourself by counting along or getting a metronone.
Once your timing is good you are half way home and you can work on the rest - but I think it is the most important thing. As others for their opinion because it can be hard to hear your own flaws!

Shane

9

(21 replies, posted in Acoustic)

Mrjay I know what you mean about Nick Drake.
I love his music but practically all his songs I want to learn are in awkward tunings (From the morning, parasite, place to be)
I'm very reluctant to tune up the B or high E string for fear of snapping them.
You can do Northern Sky and river man in normal tuning - the latter is especially nice (if you can get the rhythm down).

Shane

10

(25 replies, posted in Acoustic)

I came across a version of "Northern Sky" which strictly speaking has three chords but basically has two (you dont have to move your fingers much between chords) and was thrilled because

-it's a great song and sounds lovely played with these chords
-I finally found a Nick Drake song I can actually play!!

(It's listed on this site - in key of D)

Shane

11

(16 replies, posted in Acoustic)

Good question - I have a few:

"Cannonball" by Damian Rice - still my favourite song to play
"Suzanne" by Leonard Cohen - a finger picking pattern I found here
"If you could read my mind "by Gordon Lightfoot - ditto
"Landslide" by Fleetwood Mac - worked for literally years on this one

I would love to be able to do
"Layla" - the unplugged one tabbed here.
"Here comes the sun"- Beatles

..and any one of many songs by the incredible Nick Drake.

Shane

12

(25 replies, posted in Song requests)

I'd put "yesterday" in there too but I'd have to mention "Desperado" by the Eagles which gets more and more magnificent every time I hear it....

Shane

13

(25 replies, posted in Acoustic)

"Horse with no name" by America has only two chords..

There are ways of cheating with the "B" chord! If you do an "A" shape on the fourth fret and hold down the high "E" string on the second fret with your index finger you get a kind of "B Lite" - you dont get the bass note of the chord but it sounds reasonable enough. Make sure you only strum the firstfour strings though!
Alternatively you can train the pad of your little finger to fret the D,G and B strings on the fourth fret and hold down the A string on the second fret with your index finger. This is trickier but you get the bass note which makes it a bit more genuine! Make sure you mute the high "E" string though (this usually happen anyway given the hand position).

You could also do another voicing of "B" - using the "E" shape barred on the 7th fret. Takes practice but it's still easier than the usual B barred on the 2nd fret!

Shane

14

(3 replies, posted in Song requests)

Hi,

I play that one like this:

verse:
down - down,down,up,down,down,up - up,down,up  - and back to the start (change chord at the first down).

In the middle bit ("bound with all the weight...") - down - down - down,up,down -

Rest of it is variations of the above - play around with it and see what sounds best. Works ok for me .

Lovely song this, greatly overlooked. Sounds great too on solo acoustic!

Shane

15

(13 replies, posted in Acoustic)

I use one of two ways , depending on whether I really need the bass note in the chord.
The first way is as already set out above - do an "A" shape third fret and bar the high E string first fret, avoiding the low E and A strings.
Other way is where you need the bass note - do an A shape again but bar the A string second fret and deaden the high E string (this happens automatically in my experience).
If you have a flexible little finger joint you can practice flattening the top of your little finger over the strings on the third fret. gets easier after some practice.
I cant do the full barre either so I understand your frustration. Horrible, horrible chord. And B flat is even worse!

Shane

16

(2 replies, posted in Song requests)

Hey,

The site link didnt show up - could you send it again?

Thanks!

Shane

17

(6 replies, posted in Acoustic)

Hi John,

I have a Tanglewood too and have used both martin and D'addario strings on it, mainly because they were the most convenient to get. Although I cant say there was any huge difference between them, If I were to give advice on  it I'd say go for the coated strings, the more mellow sounding ones, whatever they are called (cant remember off the top of my head) . I think mellow suits this guitar better. But again it depends what you are doing with it - finger picking or playing loud in front of a crowd and so on.

Tanglewoods rule by the way - good choice!

Shane

18

(4 replies, posted in Song requests)

Woops,

I checked and theres a slight mistake that I made in the Starwood in Aspen chords!

Third line should be :

G                   Em           D               Bm
"Long way home to starwood in aspen...."

ie. no A7 in that line!

S

B flat .... the chord from hell.

Shane

20

(4 replies, posted in Song requests)

Hi,

You can do an easier version of "Starwood in aspen"  in Em - capo on the second or third fret depending on your voice.

From memory chords are:

Em - A7 - D
G - D - G
Em - A7 - D - Bm
D - G - D
G - D (A7) - D

That last A7 is quick , ie the third beat  on the D strum goes to A7 and then back to D

A nice strum pattern in 3/3 is down, down , down, up - but note that the last "up" is a "flick back" and doesnt count as a beat.

I hope this helps!- it's a lovely song

Shane

Hi,

I think song this works well in a 3 time strum, ie, down, down, up, down , up, down, reasonably fast.

Shane

22

(4 replies, posted in Song requests)

Hi,

If you are doing Leonard Cohen's version of Hallelujah, try it in G with capo on the third fret.


Finger pick it in arpeggio (?) style , as in Bass, 3,2,1,2,3 - ie six beats on each chord, then hit the bass note for the next chord on the change.


The exact order of strings you pick on the way up up and down you can adjust to your preference but I think it sounds nice this way!

Shane

23

(2 replies, posted in Song requests)

Hi,

Does anyone have a TAB for "Gaye" by Clifford T Ward?
Nice one to finger pick I reckon.

Thanks,

Shane

24

(16 replies, posted in Acoustic)

Someone mentioned Oasis - try "Cast no shadow" from their second album . It's a very nice song and sounds great strummed with just five or six open chords.

Shane

25

(59 replies, posted in Guitars and accessories)

Since nobody's mentioned 'em I thought I'd get a  plug in for Tanglewood - they do very nice mahogany and cedar acoustics in the 300 - 700 euro (and higher) price range and have a very strong but subtle sound. I'm informed by much better players than me that they are as good as many much more expensive models. I love my one anyway, but I suppose I would say that.
Dont know how widely thay are available outside Europe though...

Shane