1

(16 replies, posted in Acoustic)

I said <b><u>realitively</u></b> easy....


I've been working on some stuff by Tony McManus, Al Petteway, Chet Atkins and Tony Rice lately... not to mention learning Clawhammer Banjo and Mandolin recently...


It's nice when you find that way of earning a living and that time in your life when you can spend as much time learning and practicing new stuff as you want....



<font color="firebrick"><font face="Arial"><font size="1">Boredom is a personal defect

-- Lamar Stephens</font></font></font>

2

(16 replies, posted in Acoustic)

Well there you go   Dromom


You've added another fan to the guy...  The stuff he does looks fairly easy, but sounds very nice.


Thanks

3

(16 replies, posted in Acoustic)

<table border="0" align="center" width="90%" cellpadding="3" cellspacing="1"><tr><td class="SmallText"><b>drommom wrote on Thu, 18 January 2007 13&#58;26</b></td></tr><tr><td class="quote">
<font color="firebrick"><b>One of my all time favorites is <font size="2">Michael Gulezian</font>. If you want to see an amazing performance check out his You Tube channel and his web site. I have been listening to him for over 20 years!</b></font>


<a href="http&#58;&#47;&#47;www.youtube.com/MichaelGulezian" target="_blank">http://www.youtube.com/MichaelGulezian</a>


<a href="http&#58;&#47;&#47;www.timbrelinemusic.com" target="_blank">http://www.timbrelinemusic.com</a>



</td></tr></table>




Cool stuff.   Do you know what tuning he's using?..  His first bass string is at least dropped to D...

4

(10 replies, posted in Acoustic)

Man... he had said that he doesn't like anything 90's and before.


I love your list and play most of them, but was there actually any music written in the 80's and 90's?

5

(8 replies, posted in Acoustic)

I'll play a B chord differently depending upon what song I'm doing and what sound I want.


There are sometimes I play a B chord with the Index finger bar and using middle (m), ring (r) and pinkie (p) for each D G & B strings.   This is especially useful if I'm going to use a sus4th chord along with the B chord form.  And if I'm arpegiating the B chord, I'll use this form.


I've just started (after 40 years) to use my ring finger to bar across the D G & B strings.  This is quick when you change from an F chord form to the B chord form and useful if you are moving that bar form up the neck.  Yeah the high E string is a little muffled, but moving


When I'm doing some fingerstyle blues, use my index finger across the 4th fret and mute the Bass note in the chord form.  All I'm really interested in when I do this is getting some melody and passing notes off the E and B strings with my pinkie and ring fingers...  This works good when you use the heel of your strumming hand to mute the base notes...  And like all of these chord forms, they are moveable up and down the neck....


<font size="1">"Good luck and good licks..."

<i>"Boredom is a personal defect.</i>

-- Lamar Stephens</font>

6

(17 replies, posted in Acoustic)

Another good practice is going from an F form bar chord to a B form bar chord to a Bm form bar chord....


Start out with the F form up at the G position.   Then the B form bar chord at the C position  then take the Bm form up two frets and make it a Dm...  Then back down to the C bar chord.


Guess what you've got.... "Louie Louie...."  The basis for MANY MANY old rock songs.   By changing the location of that  starting bar chord you can now play in any key.


It's a basic <b>I - IV - V(minor)</b> chord progression....


Notice how the Root or base note of each chord is positioned.


The G note is on the 6th String...  Right below it is the C note on the 5th stringfor the C chord and then two frets up above that is the D note on the 5th string....  There you have your base riff... and the ability to transpose any I - IV - V chord progression into any key....  And there are litteraly THOUSANDS of songs in a I - IV - V chord progression......   all you need now is the strumming pattern and the lyrics and you are playing almost anything....



<font size="1">"Good picking and good licks."

<i>"Bordom is a personal defect."</i>

-- Lamar Stephens

</font>

7

(7 replies, posted in Acoustic)

Here are some "FREE" (this guy is a believer in open soruce stuff).  Guitar lessons that help you develope a STRONG strumming rhythm.


<a href="http&#58;&#47;&#47;www.archive.org/details/folk.guitar" target="_blank">http://www.archive.org/details/folk.guitar</a>


I've been playing the guitar for 40+ years and I learned a lot from watching him.  He makes strumming the guitar a "blinding glimpse of the obvious".  Shows a little blues...  a little folk etc.  His concepts on rhythm are that each person should develop their own strum patterns, but there ARE some basics.. From there one can expand.


I ran into his stuff when I was learning to play the banjo, believe it or not (he plays both - and gives a little harmonica lesson in this series, too). He has a couple of free books online, too (you can buy them -- I did, 'cause I can't take my computer into the bathroom  <img src="images/smiley_icons/icon_redface.gif" border=0 alt="Embarassed"> ).


His site is the HOW and TAO of Banjo and Guitar at:

<a href="http&#58;&#47;&#47;howandtao.com/books/book-index.html" target="_blank">http://howandtao.com/books/book-index.html</a>.


Check it out.


Good luck and good licks.



<font size="1">Boredom is a personal defect.

--Lamar Stephens</font>

8

(17 replies, posted in Acoustic)

Like they say above, bar chords are essential to playing up the neck.


Old delta style blues players with their HUGE hands would cover the first two strings (E and B) with their index fingers and wrap their thumb over the base string.   I use that technique sometimes when playing a delta blues song or a rag or sometimes in fingerstyle where I have to play a lot of melody notes in an F chord or B chord form.


Jazz guitarists usually don't use bar chords.  They will use a "closed" chord format where you only play 3 or 4 notes of a chord and mute the rest with your left hand fingers....  It's great when you're comping over a Jazz or Swing piece, but not too great for folk style guitar.


But when starting out, there's no substitute for barr chords.


When I was learning, I would just sit in front of the TV and practice a bar chord, then move it up a fret and practice it there... and keep moving it up and back down.  Till my hand got really tired, then I'd rest and start it over again. 


It was boring, but watching the TV could keep my mind occupied.  I still do this with left hand warm up and scale exercises every morning....  If you get to the point where you don't have to think about them... then they are yours.


Good luck and good licks.

9

(12 replies, posted in Acoustic)

Man the uke is a really cool instrument and TOTALLY under rated.


I was at the Swannanoa Gathering  <a href="http&#58;&#47;&#47;www.swangathering.org/" target="_blank">http://www.swangathering.org/</a> this summer and Del Rey was teaching a course in "Fingerstyle Uke". I didn't realize how versatile it was.  All kinds of jazz is done on it...


Well there were several girls that were out jamming and they were doing everything from Chatanooga Choo Choo to Madonna's Material Girl on the uke....   Fantastic.


When I was learning the guitar fingerstyle, I tried to get the picking similar to the origional artist.  Now copying Paul Simon was ok, because my voice was in the same range (at the time) but John Denver and Dan Fogelberg were a little high, so using a Capo saved my life there.


Anyway... Good luck

10

(16 replies, posted in Acoustic)

Cool

dwvallance wrote:

<table border="0" align="center" width="90%" cellpadding="3" cellspacing="1"><tr><td class="SmallText"><b>Quote:</b></td></tr><tr><td class="quote">
Try doing I Can See For Miles by the Who finger style and slow. It's very sinister indeed and has flashy looking and sounding but easy to play composite chords in it too. (Keep tapping that low E - shiver)
</td></tr></table>


I've never tried that song, but thanks for the idea... Sounds like a try.


Thanks

11

(12 replies, posted in Acoustic)

dwvallance said:

<table border="0" align="center" width="90%" cellpadding="3" cellspacing="1"><tr><td class="SmallText"><b>Quote:</b></td></tr><tr><td class="quote">
(I also have to transpose virtually everything into the key of C or thereabouts because my singing is so poor and my vocal range so narrow.)
</td></tr></table>


Man, a few months on the guitar and you are already transposing....  FANTASTIC. 


Have you though of getting a Capo?  Sometimes the chords you find with a song sound best with that "inversion"...  Then, you can use a Capo to get the song in a Key that you can sing in...




<font size="1">Boredom is a personal defect.

--Lamar Stephens</font>

I've been playing the guitar 40 years now and am still learning.  I've been playing semi-professionally since college in the late 60's and early 70's (the early folk movement) and always pushing the envelope of what fantastic expression the guitar gives to my soul.  From folk to blues to rock to jazz to bluegrass to Celtic music, the guitar is almost an infinte instrument.


Here are a few suggestions for those that feel they "suck" at guitar.


<ol type="1">
<li>Start with a relatively inexpensive guitar that is easy to play.  My first guitar was a Nylon String Guitar I bought in Nuevo Larado Mexico for $5.00.  Nylon Strings were easy to play (my fingers didn't bleed) and easier to learn Barr Chords on.  Eventually Barr Chords and are be backbone of learning to play up the neck.  I played my first professional gig at a coffehouse with that guitar and used the money from that to upgrade....
<li>Find an instructor for at least the first few lessons.  I took about 6 weeks of lessons and have been self taught ever since.  But the instructor could progressively guide me through learning those first few songs.  And a GOOD instructor can teach you how to pick out songs on your own.
<li>Learn to strum.  I used a thumb to hit the base notes of a chord and my fingers to strum the rest of the strings.  By starting on that type of pattern, you can learn to keep a strong rhythm with your thumb and not "flail" the guitar.
<li>Practice, Practice, Practice.  As with ANYTHING getting better only comes with practice.  But always reserve time in that practice for fun, 'cause if it ain't fun, it ain't worth doing....
<li>Once you have gotten a little instructor time under your belt, there NOW are great instructional DVD's out there that will carry you further.  <a href="http&#58;&#47;&#47;www.homespuntapes.com" target="_blank">http://www.homespuntapes.com</a> and <a href="http&#58;&#47;&#47;guitarvideos.com/video/dvd/000completedvd.htm" target="_blank">http://guitarvideos.com/video/dvd/000completedvd.htm</a>  great sites with DVD's on lots of instruments and styles.  Now days a DVD costs about $30.00 or less.  That's often as much as a complete lesson... Each DVD has months worth of material to work on AND it's always available.  And I've emailed both these sites with questions and gotten personal answers.
<li>Set a time or goal to play your stuff for people.  It took me 3 years before I had the courage to play in front of a crowd, but I was playing for neighbors and everyone that would let me (OK, I'm a ham) after about 6 months.
<li>Once you've gotten about a year's worth of guitar underneath your belt, start learning music theory.  I wish I had.  When I used to learn songs, I approached each new song as a totally new experience.  Now that I've learned a enough music theory to be dangerous, I sit in jam sessions with songs I've never heard and know where the song is going and what I should play....
</ol>

Oh well... I could go on forever.  I love guitar, but it took a while to get good.  You don't have to be "great" at first... If you are passionate about it, that passion will filter into the songs you play and sing AND THAT IS WHAT PEOPLE WILL LISTEN TO.  Good luck and good learning


<font size="1">Boredom is a personal defect.

--Lamar Stephens</font>

13

(0 replies, posted in Acoustic)

I've been playing fingerstyle for a long while and been playing gigs since the 70's.  But when I play James Taylor songs, I fake the riffs he uses 'cause when I learned his songs I just picked them of the ol' LP (that was wayyy back) and never upgraded my technique.


I'm interested in upgrading my James Taylor stuff to be more "accurate"...  does anyone know a site or something that demonstrates some of those Classic riffs like he played them?


Thanks in advance




<font size="1"><i>"Boredome is a personal defect."

                     Lamar Stephens</i></font>

14

(12 replies, posted in Acoustic)

I don't know if you know who Roy Clark was, but he was one of the best guitarist of 80's country music and a great country singer... but he never could play and sing at the same time....

15

(16 replies, posted in Acoustic)

If you are looking for songs to sing to:



Paul Simon is one to cut your teeth on.

<ul type="square">
<li>Kathy's Song
<li>April Come She Will
<li>Angie
<li>So Long Frank Loyd Wright
<li>Bleaker Street
</ul>


Jim Croce also has some wonderful songs to fingerpick and sing to:

<ul type="square">
<li>Time in a bottle
<li>These Dreams
<li>Photographs and Memories
</ul>


Gordon Lightfoot is another good one

<ul type="square">
<li> If I Could Read Your Mind
<li> The Way I Feel (in DADGAD tuning)
<li> Affair on 42nd Street
</ul>


James Taylor:

<ul type="square">
<li> Fire and Rain
<li> Carolina on My Mind
<li> Something in the way she moves me
</ul>


Some of Eric Claptons songs from the

Unplugged Album are very approachable but sound fantastic....


There are some good songs in Alternate Tunigs by Crosby Stills Nash and Young.  Some cool stuff by the Greatful Dead etc..


I play some Celtic fingerstyle sometimes...


But if you really want to have them drop their jaws, then Look up some stuff by Jerry Reed, Buster Jones or Chet Atkins.


I guess you can tell where my taste in music is centered, but you can take almost any song and do it finger style.


I've even taken some Almond Brothers stuff, slowed it down and adapted it to fingerstyle  (Melissa... After Midnight).  That's sometimes interesting... when you take a song from another genre and adapt it.  People perk up and listen, because they aren't used to hearing it in the fingerstyle genre...


Good Luck



"Boredom is a Personal Defect"

             Lamar Stephens

16

(4 replies, posted in Songwriting)

I just got back from the Swannanoa gathering (Guitar workshop) and there was a jam session with these girls playing Ukes....   And believe it or not they were doing Madonna songs... My favorite was Material Girl... they were fantastic...


If you think about it, the uke could be used to play anything.... Many Jazz Guitarists will do chord melodies or comps just on the first 3 or 4 strings.... The Bass does bass melodies and you have a total song...


Scawa

17

(15 replies, posted in Songwriting)

The best thing to play is your favorite song to play.


To impress the crowd


1)  You have to play from the heart.

2)  Play well


You can't grab a song out of thin air... and "after a few beers" doesn't do well either... you think you are playing well, but not the crowd.



Picture this.... 


After visiting an open mic for several weeks and watching the crowd... I picked 5 songs (you were given 5 songs to play)... and practiced the heck out of them...


But the guy before me didn't just play one of them, or two of them or three of them....  He played 4 of the 5 songs I had practiced hard on....


I went up next and grabbed 4 different songs from other stuff that I had worked on...  and as pissed as I was, I realized that the guy before me and I had similar taste in music.... so we got together and played gigs for about 3 years... Till I moved out of town... and we still are great friends.



Anyway...

Play what you like... Play something that touches you.. and try to relate that to the crowd.   Then, you'll impress them and you might get to play more than one song....


Take care


Scawa