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Should be arriving any time now....with a couple of additional slides.

Using your fingering is a great way to increase hand strength and dexterity in the less used fingers. Try playing a G without your index finger, as well!

that is most likely the bridge pulling. Happens from string tension. I'm not sure what you can do about it....clamping it may help but only in the very short term.

Hendrix.

Bump - I'm still sitting on the picks box!

Was trying to rip off your post, should've said "the east part of the USA" but I guess I butchered that mofo all up.

There's some really cool stuff in here. I'm adding a few things including something uniquely Vegas. Question: is the box the same box that has been used on the whole trip? If so, I might re-wrap this thing using a newer, less beat up outer box and put the old box inside there...the box was pretty ratty when I got it.

Someone message me with where this thing needs to go next!!!

Verse is in A but there's some interesting flavoring going on. Instead of playing the 3rd scale degree as a C#m or C#m7, they lower the root of the chord to feature the flatted 3rd scale degree, which makes it a C7 chord. (Shout out to the blues scale.)The G chord represents the b7 of A. So it's actually a I-bIII-bVII progression.

Then the mofo changes key on ya.

Good for you bro. I created the same monster a few years ago with boating. Can ya say "remote office?"

PS Whatcha do for  a living?

Three pieces are a lot thinner with less options than larger groups. IMO most listeners will relate to hooks, which is typically any signature leads and also melodies in the vocals. You're just going to have to figure out what the most important hooks in a song are and play around 'em.

you might also have to do some arrangement and play covers "your way," not anything like the originals, due to the thin instrumentation.

I've taught on and off, mostly for fun more than anything.