...venus (bananarama)
I'm a rocket Man (elton John)
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Guitar chord forum - chordie → Posts by johncross21
...venus (bananarama)
I'm a rocket Man (elton John)
mrjay
no idea
but wild guess
if you add tension to a string to raise the note then the string will sound a little flat when detuned
however i strongly suspect that the effect is marginal if you change strings regularly
of course if you had two guitars..........
Hallelujah by Jeff Buckley better than Leonard Cohen - to use it in Shrek was barking mad genuis
Hurt by Johnny cash - very different from the Nine Inch Nails version - and what a fantastic interpretation
stepping stone by the Sex pistols very different from the monkees
Easy like Sunday morning by Faith no more an interesting take on the Commodores
Comeback Matt
chasing cars by Snow Patrol
The Scientist by Coldplay
both nice songs
Its the E shaped barre chord
--6
--6
-----7
-------8
-------8
--6
The notes on the 6th fret are played with the first finger (fingers in brackets below)
--6 (1)
--6 (1)
-----7 (2)
-------8 (3)
-------8 (4)
--6 (1)
practising finger picking styles
a local pub has an open mic session but its a folk club
not really into folk but want to learn a mellower style - theres lots of rock numbers which use arpeggios ( good riddance by Green day, REM, Chasing Cars by Snow patrol, the forest by the Cure, intro to Stairway to Heaven, Tears in Heaven by Clapton)
experimenting with different arppegios and finger style (seeing what works with fingers and what works with picks).
also trying some hybrid picking - which is using pick and fingers
my practice is mainly about improving motor skills - the more I play the smoother the sound and the more accurate I am at hitting the right bass notes. also smoothing out a problem whereby snag the top string with my ring finger when playing arpeggios
its a frequent hazard
somtimes the inside of the guitar is partitioned so you need to get the pick in the right section by big time shaking then through the F hole by a gentler rockin
but there's no guaranteed cure
the reality is that no amount of practice is going to make ou a master of all guitar styles
Jimi Hendrix used to practice all the time - in the bathroom - and when cooking - impressive results but Jimi by the large didn't master folk or classical
BB King another master with a life times practice - claims not to play chords
the edge, U2 - claims he doesn't play scales
what songs do you want to play - what do you want to master - what can you safely neglect
for me the answer is
sight reading - not in this lifetime
shred, tapping, sweep picking - I'm too old
common time signatures - if you can't tap your foot to it - leave it to the jazz band
the longest sets I have ever heard played was by The Cure - the band played about 25 songs - that's all you need**
once you learn the basics you can mantain a repetoire with half an hour a day
but, of course, you will never play like Jimi
lol
john
** actually I once watched Hawkwind play all afternoon. i think they played about 7 tracks - but thats more to do with substance abuse than regular practice
seems that your interest is in electric blues. thats fine but be aware that theres lots of rural blues, jazz blues all good too but very different so choose licks relevant for songs which you like
in other word beg borrow and steal from BB king, Muddy waters and John Lee Hooker if that what you want to sound like
BB king is a good place to start because he has the BB Zone. he played his songs using part of the majo pentatonic
look on the web for turnarounds and intros he used then add them to your pentatonic
or start with a song. I always come back to "Sweet Home Chicago", "Born under a bad sign", "smokestack lightning"... after playing a bit - you can always depart from the progression and introduce some new licks - the more songs you know the easier you can incorporate riffs and whatnot into your improvised bit
don't always go up and down the pentatonic - you'll die of boredom - do some patterns 5 7 5 then back to 7 and then 7 5 7 etc.
and always start and finish on the root note of the scale. don't be tempted to start on the 6th string and go to the 1st string and back (if you play the C scale start on the C go up to the top string, down to the bottom string and then back to the C)
actually zz top did some good blues numbers ...La Grange... and for that matter skynard did plenty of bluesy numbers ...Tuesdays gone.... I'm probably just kidding you here.
Having some fun with Mr Tambourine Man
Playing bass strum style
6 V ^ V
I normally play the 6th string and then the next strum starts on the 5th string
also seen this
5 ^ V ^
how would play the first strum
would you a) play the 5th note and then strum all the strings or b) just strum the 5th and 6th
I'm surprised last rebel hasn't suggested "Me and Bobby Mcgee" - great song for a duet
the beginnner might do the chords and the intermediate player a bit of lead or a simple riff. having two musicians also means that one can focus on vocals
go the control panel and check that you have the right device for sound playback
- is it a speaker - can you listen to a cd ? does the headphone socket work ?
everybody who plays guitar for however long is still learning and learning is the fun part, don't rush it
don't file your callouses unless you have very reason, all guitarist get thick skins on the fingertips its not disfiguring or unpleasant but it will help you hold those frets, filing them (Don't know exactly what it will do but not likely to do much good)
lighter strings will be easier to fret - consider buying a light set when you replace them
my view is that exercise machines are a waste of time - a good practice regime (half an hour day upwards will provide enough finger exercise)
its broken. but you have to pass through the stages of grief. denial, anger, depression and acceptance. are you ready to let go yet ?
if not, take it to a guitar shop - get an estimate. the estimate will be free
i have had guitars fixed when buying new would be cheaper - its a musician thing
looks like a slide - all the way up to the 7th fret - from the open
I have shorter fingers than some and it prevented me playing a shuffle pattern I wanted - it reuqires a six fret stretch - however I can play it along the neck and with a bit of practice in the 5th position - a capo helps
I think the moral of the story is that everone has things on the guitar they would like to do but can't - but you may be able to find work arounds
you've already explained it properly
it usually indicates that the notes shown in the score are played an octave higher than shown. in that case it allows very high notes to be notated without too having too many additional bar lines
so if it read c you need to play the c above the one shown if it has an 8va shown
I dimly recall (tho I may be wrong) seeing this used to indicate harmonics in some scores. however harmonics usually have another flag (a diamond ?)
finally i don't think that the 8va effects the tab (only the notation part) the tab is probably played as shown
oh yes C5
E---
B--
G---5
D---5--
A---3
E -----
notice its played at the same fret as the G but one string higher
5th's sound really good on an electric guitar with loads of distortion. very common in Rock music.
These are called power chords
I hope you can read tab
Play the E shape
E---
B--
G---
D---2--
A---2
E----
Play the F
E---
B--
G---
D---3--
A---3
E --1-
Play the G
E---
B--
G---
D---5--
A---5
E --3
There also called 5ths. some one will no doubt remind me why
I'm glad I played Anarchy in the UK on the Queens 25th anniversary
I'm glad I listened to the Tom Robinson Band and the Clash sing against Nazis
I'm glad I campaigned against nuclear weapons and vivisection.
I'm glad I supported the Miners strike and went to a benefits by the Redskins and Billy Bragg.
Im glad that was 20 years ago and I'm now an accountant living in suburbia.
Reggae
---------
The key features of playing reggae are playing on the backbeat and staccato strumming
Playing on the backbeat means that you play the chord on the second beat of the bar and the fourth beat rather than the first and third beats as in Rock.
and in some reggae songs the kick and snare drums are played on the third beat of the bar (this is called a one drop groove). it also produces a slightly laid back feel.
You will see in the example below that the guitar is played on the 2nd and 4th beat
Staccato strums is where you use barre chords and lots of left hand damping. Chords which are damped are indicated with a @. This effect is achieved by releasing the pressure on the frets of the guitar with the left hand (so you mute the chord immediately after playing it)
Heres an example of a pattern
1..&..2..&..3..&...4...&
...........@..........@...
........V..n...........V......
Check out Junior Murvin and his band playing police and thieves
Another example
1..&..2..&..3..&...4...&
...........@..............@...
........V..n...........V..n.....
make sure you watch Bob Marley and Peter Tosh in action with a great groove and video - playing stir it up
You will notice that theres a lot of damping (that chicka chicka sound). It gives a very percussive sound
When I play reggae I can't resist adding a bit of extra percussion. Once every bar I slap the strings with the right hand instead of strumming the chord.
Bass strum
------------
Sometime ago I noticed that there were regular requests for strum patterns on this forum
Here is a "bass" strum pattern. It is often used in country music but can be applied to ballads in any style.
Try it with this chord progression, A D E
.......1.... 2....3....1...2...3....1...2...3.......
E............0.....0........2...2.........0...0.......
B............2.....2........3...3.........0...0.....
G............2.....2........2...2.........1...1....
D.....0..................................................
A.........................0..............................
E.......................................0................
The key to this pattern is to play the "root" note of the chord followed by the top three notes of the chord. The chords in these examples are all open chords
In the example, above, the pattern is in waltz time which means that there are 3 beats in every bar. This is quite common with bass strum. Think of Amazing Grace or Tennessee Waltz
To get the hang of those root notes try this chord progression E C G. You will notice that the root note of the C chord is on the 3rd fret. That should be easy to do if you are holding the open C chord
.1.... 2....3....4...1...2...3....4...1...2...3...4...
------0----0---0------0---0---0------3---3---3
------0----0---0------1---1---1------0---0---0
------1----1---1------0---0---0------0---0---0
----------------------------------------------------
------ -------------3------------------------------
-0---------------------------------3----------------
Its also common to vary the bass notes which are played with each chord. Try playing the root note and the next time play the 5th string
This is a two bar progression of E and D
.1.... &....2....&....3...&...4...&...1....&...2...&...3...&...4...&...
-----------2----2-----------2---2----------0---0----------0---0
-----------3----3-----------3---3----------0---0----------0---0
-----------2----2-----------2---2----------1---1----------1---1
-0------------------------------------------------------------------
-------- ------------0--------------------------------0----------------
-------------------------------------0-----------------------------------
Popular songs which use bass strum patterns include
"Me and Booby Mcgee". Janis Joplin or Kris Kristopherson did this
"I walk the line" - John Cash at San Quentin
Ska
----
Ska is a great groove because it is very distinctive
It is usually played with barre chords so that the chords can be damped with the left hand to produce a staccato sound (after you have played the chord release the pressure on the left hand slightly to stop the chord ringing)
Another characteristic of ska is that it uses mainly upstrokes and play only the top four strings when doing so . That gives the rhythm its distinctive treble sound
Here's the basic rhythm
1... &... 2... &... 3... &... 4... &...
......n...........n.........n...........n
remember the upstrokes (n) should be stacatto
a variation
1... &... 2... &... 3... &... 4... &
......n..........n...........n....V....n
and another
1... &... 2... &... 3... &... 4... &
......n....V....n..........n....V....n
famous songs include
shanty town - desmond dekker
maytalls - monkey man
specials - rudi, a message to you
check out the specials
Sixteenths and Funk
-----------------------
Many songs use 16th note strumming patterns
These pattern were originally popularised by Jimmy Nolen who played guitar for James Brown. Unlike eight note strums which are counted 1&2&3&4. A 16th note pattern is counted 1a&a2a&a3a&a4a&a. For example
1...a...&...a...2...a...&...a...3...a....&...a...4...a...&...a...
V...n...V...n...V...n...V...n...V...n...V...n...V...n...V...n..
X...X.. X..X...X..X...X...X...X...X...X...X...X...X..X...X..
Funk music tend to uses barre chords and lots of left hand damping. This is often achieved
by releasing the pressure on the frets of the guitar slightly to produce a slightly muted sound. Chords which are damped are indicated with a X
for really good examples of this style look out for Shaft By Issac Hayes or "jive talking" by the Bee Gees
Generally guitarist playing 16th patterns will skip some of the strokes.
This example is the rhythm pattern for "Good times" By Chic
Em
1...a...&...a...2...a...&...a...3...a....&...a...4...a...&...a...
V.......V....n...V...... V...n...V........V...n...V. .....V...n..
........ X....X............X..X..............X...X..X........X...X
Bm7
1...a...&...a...2...a...&...a...3...a....&...a...4...a...&...a...
V........V.......V.......V..... .. V........V........V.......V. .n....
....................................................................X...X..
The guitarist and songwriter in Chic was Nile Rodgers and there is a rather good video of him playing this on You Tube.
Guitar chord forum - chordie → Posts by johncross21
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