...venus (bananarama)

I'm a rocket Man (elton John)

177

(7 replies, posted in Acoustic)

mrjay

no idea

but wild guess

if you add tension to a string to raise the note then the string will sound a little flat when detuned

however i strongly suspect that the effect is marginal if you change strings regularly

of course if you had two guitars..........

Hallelujah by Jeff Buckley better than Leonard Cohen - to use it in Shrek was barking mad genuis

Hurt by Johnny cash - very different from the Nine Inch Nails version - and what a fantastic interpretation

stepping stone by the Sex pistols very different from the monkees

Easy like Sunday morning by Faith no more an interesting take on the Commodores

my guess is that it means harmonic

have a look at this

http://www.guitarnoise.com/article.php?id=44

180

(61 replies, posted in Chordie's Chat Corner)

Comeback Matt

chasing cars by Snow Patrol
The Scientist by Coldplay

both nice songs

181

(2 replies, posted in Electric)

Its the E shaped barre chord

--6
--6
-----7
-------8
-------8
--6


The notes on the 6th fret are played with the first finger (fingers in brackets below)


--6 (1)
--6 (1)
-----7 (2)
-------8 (3)
-------8 (4)
--6  (1)

182

(21 replies, posted in Chordie's Chat Corner)

practising finger picking styles

a local pub has an open mic session but its a folk club

not really into folk but want to learn  a mellower style - theres lots of rock numbers which use arpeggios ( good riddance by Green day,  REM, Chasing Cars by Snow patrol, the forest by the Cure, intro to Stairway to Heaven, Tears in Heaven by Clapton)

experimenting with different arppegios and finger style (seeing what works with fingers and what works with picks).

also trying some hybrid picking - which is using pick and fingers

my practice is mainly about  improving motor skills  - the more I play the smoother the sound and the more accurate I am at hitting the right bass notes. also smoothing out a problem whereby snag  the top string with my ring finger when playing arpeggios

183

(5 replies, posted in Electric)

its a frequent hazard

somtimes the inside of the guitar is partitioned so you need to get the pick in the right  section by big time shaking then through the F hole by a gentler rockin

but there's  no guaranteed cure

184

(15 replies, posted in Acoustic)

the reality is that no amount of practice is going to make ou a master of all guitar styles

Jimi Hendrix used to practice all the time - in the bathroom - and when cooking - impressive results but Jimi by the large didn't master folk or classical

BB King another master with a life times practice - claims not to play chords

the edge, U2 - claims he  doesn't play scales

what songs do you want to play - what do you want to master - what can you safely neglect

for me the answer is

sight reading - not in this lifetime

shred, tapping, sweep picking - I'm too old

common time signatures - if you can't tap your foot to it - leave it to the jazz band

the longest sets  I have ever heard played was by The Cure - the band played about 25 songs -  that's all you need**

once you learn the basics you can mantain a repetoire with half an hour a day

but, of course, you will never play like Jimi

lol

john





** actually I once watched Hawkwind play all afternoon. i think they played about 7 tracks - but thats more to do with substance abuse than regular practice

185

(15 replies, posted in Electric)

seems that your interest is in electric blues. thats fine but be aware that theres lots of rural blues, jazz blues all good too but very different so choose licks relevant for songs which you like

in other word beg borrow and steal from BB king, Muddy waters and John Lee Hooker if that what you want to sound like

BB king is a good place to start because he has the BB Zone. he played his songs using part of the majo pentatonic

look on the web for turnarounds and intros he used then add them to your pentatonic

or start with a song. I always come back to "Sweet Home Chicago", "Born under a bad sign", "smokestack lightning"... after playing a bit - you can always depart from the progression and introduce some new licks - the more songs you know the easier you can incorporate riffs and whatnot into your improvised bit

don't always go up and down the pentatonic - you'll die of boredom - do some patterns  5 7 5 then back to 7 and then 7 5 7 etc.

and always start and finish on the root note of the scale. don't be tempted to start on the 6th string and go to the 1st string and back   (if you play the C scale start on the C go up to the top string, down to the bottom string and then back to the C)

actually zz top did some good blues numbers ...La Grange... and for that matter skynard did plenty of bluesy numbers ...Tuesdays gone.... I'm probably just kidding you here.

186

(1 replies, posted in Acoustic)

Having some fun with Mr Tambourine Man

Playing bass strum style

6 V ^ V

I normally play the 6th string and then the next strum starts on the 5th string

also seen this

5 ^ V ^

how would play the first strum

would you a) play the 5th note and then strum all the strings or b) just strum the 5th and 6th

187

(5 replies, posted in Chordie's Chat Corner)

I'm surprised last rebel hasn't suggested "Me and Bobby Mcgee"  - great song for a duet   

the beginnner might do the chords and the intermediate player a bit of lead or a simple riff.  having two musicians also means that one can focus on vocals

188

(8 replies, posted in Chordie's Chat Corner)

go the control panel and check that you have the right device for sound playback

- is it a speaker - can you listen to a cd ? does the headphone socket work ?

189

(10 replies, posted in Acoustic)

everybody who plays guitar for however long is still learning and learning is the fun part,  don't rush it

don't file your callouses unless you have very reason, all guitarist get thick skins on the fingertips its not disfiguring or unpleasant but it will help you hold those frets, filing them (Don't know exactly what it will do but not likely to do much good) 

lighter strings will be easier to fret - consider buying a light set when you replace them

my view is that exercise machines are a waste of time  - a good practice regime (half an hour day upwards will provide enough finger exercise)

190

(12 replies, posted in Acoustic)

its broken. but  you have to pass through the stages of grief. denial, anger, depression and acceptance. are you ready to let go yet ?

if not,  take it to a guitar shop - get an estimate. the estimate will be free

i have had guitars fixed when buying new would be cheaper - its a musician thing

191

(1 replies, posted in Electric)

looks like a slide - all the way up to the 7th fret - from the open

192

(11 replies, posted in Chordie's Chat Corner)

I have shorter fingers than some and it prevented me playing a shuffle pattern I  wanted - it reuqires a six fret stretch - however I can play it along the neck and with a bit of practice in the 5th position - a capo helps

I think the moral of the story is that everone has things on the guitar they would like to do but can't - but you may be able to find work arounds

193

(1 replies, posted in Electric)

you've already explained it properly

it usually indicates that the notes shown in the score are played an octave higher than shown. in that case it allows very high notes to be notated without too having too many additional bar lines

so if it read c you need to play the c above the one shown if it has an 8va shown

I dimly recall (tho I may be wrong) seeing this used to indicate harmonics in some scores. however harmonics usually have another flag (a diamond ?)

finally i don't think that the 8va effects the tab (only the notation part) the tab is probably played as shown

194

(4 replies, posted in Acoustic)

oh yes C5

E---
B--
G---5
D---5--
A---3
E -----

notice its played at the same fret as the G  but one string higher

5th's sound really good on an electric guitar with loads of distortion. very common in Rock music.

195

(4 replies, posted in Acoustic)

These are called power chords

I hope you can read tab

Play the E shape

E---
B--
G---
D---2--
A---2
E----


Play the F


E---
B--
G---
D---3--
A---3
E --1-


Play the G


E---
B--
G---
D---5--
A---5
E --3


There also called 5ths.  some one will no doubt remind me why

I'm glad I played Anarchy in the UK on the Queens 25th anniversary

I'm glad I listened to the Tom Robinson Band and the Clash sing against Nazis

I'm glad I campaigned against nuclear weapons and vivisection.

I'm glad I supported the Miners strike and went to a benefits by the Redskins and Billy Bragg.

Im glad that was 20 years ago and I'm now an accountant living in suburbia.

197

(17 replies, posted in Acoustic)

Reggae
---------

The key features of playing reggae are playing on the backbeat and staccato strumming

Playing on the backbeat means that you play the chord on the second beat of the bar and the fourth beat rather than the first and third beats as in Rock.

and in some reggae songs the kick and snare drums are played on the third beat of the bar (this is called a one drop groove). it also produces a slightly laid back feel.

You will see in the example below that the guitar is played on the 2nd and 4th beat

Staccato strums is where you use barre chords and lots of left hand damping. Chords which are damped are indicated with a @. This effect is achieved by releasing the pressure on the frets of the guitar with the left hand  (so you mute the chord  immediately after playing it)

Heres an example of a pattern

1..&..2..&..3..&...4...&
...........@..........@...
........V..n...........V......


Check out Junior Murvin and his band playing police and thieves

Another example

1..&..2..&..3..&...4...&
...........@..............@...
........V..n...........V..n.....     

make sure you watch Bob Marley and Peter Tosh in action with a great groove and video  - playing stir it up

You will notice that theres a lot of damping (that chicka chicka sound). It gives a very percussive sound

When I play reggae I can't resist adding a bit of extra percussion. Once every bar I slap the strings with the right hand instead of strumming the chord.

198

(17 replies, posted in Acoustic)

Bass strum
------------

Sometime ago I noticed that there were regular requests for strum patterns on this forum

Here is a "bass" strum pattern. It is often used in country music but can be applied to  ballads in any style.

Try it with this chord progression, A D E


.......1.... 2....3....1...2...3....1...2...3....... 
 
E............0.....0........2...2.........0...0.......
B............2.....2........3...3.........0...0.....
G............2.....2........2...2.........1...1....
D.....0..................................................
A.........................0..............................
E.......................................0................


The key to this pattern is to play the "root" note of the chord followed by the top three notes of the chord. The chords in these examples are all open chords   

In the example, above, the pattern is in waltz time which means that there are 3 beats in every bar.  This is quite common with bass strum. Think of Amazing Grace or Tennessee Waltz

To get the hang of those root notes try this chord progression E C G.  You will notice that the root note of the C chord is on the 3rd fret. That should be easy to do if you are holding the open C chord

.1.... 2....3....4...1...2...3....4...1...2...3...4... 
 

------0----0---0------0---0---0------3---3---3
------0----0---0------1---1---1------0---0---0
------1----1---1------0---0---0------0---0---0
----------------------------------------------------
------ -------------3------------------------------
-0---------------------------------3----------------


Its also common to vary the bass notes which are played with each chord. Try playing the root note and the next time play the 5th string

This is a two bar progression of E and D

.1.... &....2....&....3...&...4...&...1....&...2...&...3...&...4...&... 


 
-----------2----2-----------2---2----------0---0----------0---0
-----------3----3-----------3---3----------0---0----------0---0
-----------2----2-----------2---2----------1---1----------1---1
-0------------------------------------------------------------------
-------- ------------0--------------------------------0----------------
-------------------------------------0-----------------------------------

Popular songs which use bass strum patterns include

"Me and Booby Mcgee". Janis Joplin or Kris Kristopherson did this

"I walk the line" - John Cash at San Quentin

199

(17 replies, posted in Acoustic)

Ska
----

Ska is a great groove because it is very distinctive

It is usually played with barre chords so that the chords can be damped with the left hand to produce a staccato sound (after you have played the chord release the pressure on the left hand slightly to stop the chord ringing)

Another characteristic of ska is that it uses mainly upstrokes and play only the top four strings when doing so . That gives the rhythm its distinctive treble sound

Here's the basic rhythm

1... &... 2... &... 3... &... 4... &...
......n...........n.........n...........n

remember the upstrokes (n) should be stacatto

a variation

1... &... 2... &... 3... &... 4... &
......n..........n...........n....V....n   

and another

1... &... 2... &... 3... &... 4... &
......n....V....n..........n....V....n

famous songs include

shanty town - desmond dekker
maytalls - monkey man
specials - rudi, a message to you

check out the specials

http://uk.youtube.com/watch?v=TGDQ85Dg-ss

200

(17 replies, posted in Acoustic)

Sixteenths and Funk
-----------------------

Many songs use 16th note strumming patterns

These  pattern were originally popularised by Jimmy Nolen who played guitar for James Brown. Unlike eight note strums which are counted 1&2&3&4. A 16th note pattern is counted 1a&a2a&a3a&a4a&a. For example

1...a...&...a...2...a...&...a...3...a....&...a...4...a...&...a...
V...n...V...n...V...n...V...n...V...n...V...n...V...n...V...n..
X...X.. X..X...X..X...X...X...X...X...X...X...X...X..X...X..       

Funk music tend to uses barre chords and lots of left hand damping.  This is often achieved
by releasing the pressure on the frets of the guitar slightly to produce a slightly muted sound.  Chords which are damped are indicated with a X

for really good  examples of this style look out for Shaft By Issac Hayes or "jive talking" by the Bee Gees

Generally guitarist playing 16th patterns will skip some of the strokes.

This example is the rhythm pattern for "Good times" By Chic

Em

1...a...&...a...2...a...&...a...3...a....&...a...4...a...&...a...
V.......V....n...V...... V...n...V........V...n...V. .....V...n..
........ X....X............X..X..............X...X..X........X...X       


Bm7

1...a...&...a...2...a...&...a...3...a....&...a...4...a...&...a...
V........V.......V.......V..... .. V........V........V.......V. .n....
....................................................................X...X..

The guitarist and songwriter in Chic was Nile Rodgers and there is a rather good video of him playing this on You Tube.