1,751

(41 replies, posted in Acoustic)

If it's good enough for Shawn Lane, it's good enough for me.

http://www.youtube.com/watch?v=ENBw9F5kwhA

And Jonas Hellborg...

1,752

(10 replies, posted in Guitars and accessories)

I have it 1st hand from Jerry Douglas that the best dobro he ever had cost him $80.

I so want one.

1,753

(9 replies, posted in Acoustic)

I have problems in G unless I'm really belting it out.

1,754

(9 replies, posted in Chordie's Chat Corner)

"Plastic Jesus" is one of my all time favorites.

1,755

(8 replies, posted in Acoustic)

NELA wrote:

Em = this is the relative minor chord for G and would be played as an off chord. As an off chord it could also be played as a E or as a E7 chord depending on the sound you are looking for.

Em is the III of C major, and fits perfectly well there.    Lots of those spooky western sounding tunes you hear and think are in a minor key are actually based on this, the Phrygian mode.

Bm = this is the relative minor of D and is played as an off chord. As an off chord it could also be played as a B or a B7 chord.

Same story here.  Bm is the III of G major.  The appropriate 7 chord would be Bm7.

1,756

(3 replies, posted in Recording)

Reason isn't intended to do recording.   It's a massively sophisticated MIDI sampler.   You would use it to fill in all those other parts of the band.  I set up drum loops and samples with it, and record it's output directly in Reaper as a track.  Combined with my MR-8, it's pretty much the perfect home studio.

1,757

(23 replies, posted in Chordie's Chat Corner)

wlbaye wrote:
jerome.oneil wrote:
Zurf wrote:

I have a soft spot for people who have given their lives over to the bottle.

Indeed!  Sunday Morning Coming Down is one of my favorites.  Chris Christofferson wrote it, Johnny Cash made it famous.

"And the beer I had for breakfast wasn't bad, so I had one more for desert...."

Fantastic stuff...

Jerome, I love playing "Sunday Morning Comin Down"  another song I like that is very real to life is

Townes Van Zandt"s  "Waitin Round To Die"

http://www.youtube.com/watch?v=xTGKzWDakK8

Dude, I'm gonna get all emo and pout!  big_smile

1,758

(23 replies, posted in Chordie's Chat Corner)

Zurf wrote:

I have a soft spot for people who have given their lives over to the bottle.

Indeed!  Sunday Morning Coming Down is one of my favorites.  Chris Christofferson wrote it, Johnny Cash made it famous.

"And the beer I had for breakfast wasn't bad, so I had one more for dessert...."

Fantastic stuff...

1,759

(23 replies, posted in Chordie's Chat Corner)

Justin Townes Earle's new one called "Someday I'll be Forgiven for This."

1,760

(37 replies, posted in Music theory)

I'm seeing more of the images being broken here.  I've found that the hosting site I use is arbitrarily re-arranging the URLs, which is a generally bad thing.

1,761

(11 replies, posted in Music theory)

leodragon wrote:

Threads like this give music theory a whole new meaning.  So they really exist, kinda. Just depends on the key.

Exactly.   They exist only in a few select keys, and those keys are rarely played, anyway, so they're often overlooked.  In the other 10 possible major keys, they'd simply be C or F.  But it would *always* be that tone.

1,762

(34 replies, posted in Music theory)

lespaul69 wrote:

More about modes.
1) A mode is a varation of a scale you probably already know
it is used to ift over a chord or chords example if you are playing over a G7 chord the G major will conflict with one of the notes in the chord. The G7 chord uses a natural F note Note an F#.
What to do~ Answer You use the mixolydian  which contain all the notes of the G major except the F# it is replaced with a F natural
Inclusion you use modes to fit the key I don't think you use the modes to pick out the chords in a key


1  2 3 4  5 6  7   1            (use 1-4-5 off chords 2 & 6minor)
G A B C D E F# G                    G C D               A    E minor

P.S Thanks to all for replying I have learned form reading and replying and hope I have shared some useful information

The modes are exactly how those chords are derived. 

Lets use your example again, mixolydian over dominant 7s.

Why is it you suppose mixolydian sounds so good over a dom7 chord?  It's because the dominant 7 chord is what you get if you add that seventh from the modal scale, just like I demonstrated above.

G mixolydian (and G7) is derived from C major (or Ionian, in modal vernacular).   G is the V of that scale  and the two modes share the exact same key signature.

C Ionian        = C D E F G A B C
G myxolydian = G A B C D E F G

G7 is   the I  III  V  and VII of the G mixolydian scale, G  B  D   F.    That's why the scale works over that chord.  It makes use of the same notes as found in the modal scale.  They didn't just make it up to play over dom7.  Instead,   dom7 is derived from it.

If you know your modal scales, you'll never have to guess at how to construct a chord, nor will you ever have to guess at what scale to play over what chord progression in any song.  Those seven modal scales make up the very foundation of music.

1,763

(34 replies, posted in Music theory)

Theory is useless without a practical application, so thanks for providing that, Toney.   "Take a Load Off Fanny" is a great tune.  big_smile

For myself, it's much easier for me to remember the modal constructs because it's always the I III and V, and the modal scales are just more fretboard patterns.  Trying to remember a minor as a "flatted third" and a diminished as a "monkeyd up fifth" is often more than my brain can handle.

1,764

(13 replies, posted in Acoustic)

http://www.amazon.com/gp/product/B000EB … QKPZ180ZXW

Great investment, and will help train your ear.

1,765

(34 replies, posted in Music theory)

lespaul69 wrote:

? How many songs can you give me that is in the key of "G" that has a Bm in them. I can only think of one " Pirates look at 40" by jimmy buffett G-C-G-Am-Bm
I don't think you modes has anything to do with the chords that go with a key. how ever when you play an open "g" chord on the gutiar you  do use an open "b" string

The modal scales have *everything* to do with the chords that go within a major key.  Lets use the key of G as an example.

G major (Ionian mode)    G  A  B  C  D  E  F#   G   
Gmajor chord (I III V)     G      B       D

A Dorian (II of G major)   A  B  C  D   E  F#  G  A
Aminor chord (I III  V)     A      C       E

B Phrygian (III G major)   B  C  D  E  F#  G    A  B
B minor (III G major)       B      D      F#

C Lydian (IV G major)       C  D  E  F#  G  A  B  C
C major (IV G major)        C      E     G

D Myxolidan (V G major)   D  E  F#  G  A  B  C  D
D major (V G major)         D      F#      A

E Aeolian (VI G major)      E   F#  G  A  B  C  D  E
E minor  (VI G major)       E         G      B

F# Locrian (VII G major)   F#  G  A  B  C  D  E  F#
F# dim      (VII G major)  F#       A      C

So as you can see, if you take the I III and V of *any* of a major scales related modal scale, you'll end up with it's related chord.   Likewise, if you add the VII, you'll end up with the appropriate VII chord, rather than the triad.

That's why you have B minor and F# dim.

1,766

(11 replies, posted in Music theory)

It's a semantic issue for the most part.   F# and Gb major both use "odd" notes to account for the half step between the IV and V.   It's really a trick of notation, more than anything.

Ask yourself.  Does A really "exist" in a real sense, or is it just a label we give to a particular frequency?  And if it's just a label, why can't we give it any old label.

E# and Cb "exist" in the same way.   If you're a math geek, it's akin to using i as a number to get past the problem with negative squares.

1,767

(5 replies, posted in Acoustic)

Spending $100 to fix a $70 guitar isn't an economic winner.   One of the great things about super cheap guitars is that they are fantastic platforms for learning your own maintenance.

1,768

(17 replies, posted in Other string instruments)

Once a year I get to sit in a room with thousands of dollars worth of Dobros.  I love each and every one and play as many as I can.

1,769

(5 replies, posted in Acoustic)

Is the rattle from the strings against the fretboard, or is it buzzing somewhere deep inside the guts of it?  Tuning pegs are about $1.50 each, and if you're halfway handy with a screwdriver, you can probably replace it yourself.

Your hands are going to hurt for a little while as you build strength and dexterity.   It's actually a good thing.  Look at your early practice sessions like a trip to the gym. 

Callouses will develop quickly, if you practice.   It will seem like it's longer than it really is, though.  big_smile

Keep practicing.  And when you're sick of practicing, that's the best time to practice some more.

1,770

(35 replies, posted in Acoustic)

The 1st thing you gotta do is pick up the instrument again.  Show it some love.  Clean it up, re-string it, tune it, and have it set up, if you're into that kind of thing.

Play it.  Put it next to your couch, and touch it a lot.

Until you do that, it's just furniture.

1,771

(105 replies, posted in Chordie's Chat Corner)

I'm cooking some snacks for a church group tonight.

Green onion, garlic, thyme, all sauted in butter.  Mix that into cream cheese.  Add a can of crab meet.  Blend until smooth.

Roll a dollop of that into a Pillsbury Croissant Dough sheet, and bake.

Yum.

OK, here's the detailed layout of washtub bass engineering.

This is the $1.50 eye bolt used to connect the string to the tub.  As you can see, it is quite complicated.  The other side has an eyelet just like this one.  The line is nylon, I forget which size, but it's a 7' segment, and cost me $.25 a foot.

http://img8.imageshack.us/img8/9327/eyebolt.jpg

This is the actual tub.  There are two kinds of tub you can get.  "Hot dipped" which is shiny and stronger, and the other kind (like this one) that isn't as strong but sounds better.  This one is a 16.5 gallon tub.   Bigger is louder, or so I am told.

http://img191.imageshack.us/img191/693/tubcloseup.jpg

This is the Jerome's Not Yet Patented Goodwill Teak Delux Resonator.  Otherwise known as "a wooden plate."  This helps to transfer vibration to the tub, and it also helps to prevent from yanking the eyelet through the tub as you yank on the stick.  Stick not pictured.

http://img8.imageshack.us/img8/5936/resonator.jpg

This is the Deluxe Model Rubber Foot (a.k.a. "toilet plunger"), which helps keep the lip of the tub up, and allows it to sound out a bit more.  You can see the delicate custom fitting I cut into the top with a band saw and a metal hasp.

http://img190.imageshack.us/img190/4402/plunger.jpg

And when you put it all together, it looks like this.

http://img193.imageshack.us/img193/4681/tubtotal.jpg

I'm going to build a legitimate four string upright washtub bass the next time I get ambitious.

1,773

(3 replies, posted in Recording)

Macs usually have pretty robust audio hardware built into them.  I know the latency for Reason on Macs is usually less that 5 milliseconds (almost indistinguishable) while the same software on Windows is generally over 40, which borders on annoying.

Reason, Reaper, and Garage Band should give you pretty much everything you want on your Mac.

Guitarpix wrote:

Jerome, That does look fun smile Did you build or buy it? I'd love to see some more pics!

Built it.  Grand total of $47 in parts, and most of that was the tub, which I paid to much for because I bought it at the local small town hardware store.  If I'd have done the whole thing at Home Depot, it probably would have cost me less than $30.

I added a $0.59 teak plate I bought at Goodwill to the underside of the tub.  The string is held on with an eye bolt, and the wooden plate vibrates against the tub.    It's still out in the garage, so I'll go take some pics and see what comes out.

1,775

(14 replies, posted in Chordie's Chat Corner)

The best date system ever is the one they taught me in the military.

Today is 13-JUN-2009

"Oh" is a letter.  "Zero" is a number.  Written, zeros are slashed for clarity.  Ohs are not.