1,651

(11 replies, posted in Guitars and accessories)

geoaguiar wrote:
jerome.oneil wrote:

Dollar for dollar, I'll go with Takamine G series or Breedlove Atlas.   Both are great guitars at good prices, and both manufacturers have excellent service.  And if you want to go super high end, they can get you there, too.

I own a Takamine G Series A/E. Excellent plugged in or unplugged. I've had it for several years and its still my favorite

I've got one hanging on the wall right now, too.  I'm putting a new saddle in it and cutting a nut for it, so it doesn't see as much action as my Breedlove.

Lovely instrument, though.

1,652

(11 replies, posted in Guitars and accessories)

Guitarpix wrote:
jerome.oneil wrote:

Dollar for dollar, I'll go with Takamine G series or Breedlove Atlas.   Both are great guitars at good prices, and both manufacturers have excellent service.  And if you want to go super high end, they can get you there, too.

Would love to hear more of your opinions on the Breedlove. I'm shopping for a smaller bodied guitar for Slackkey and Ragtime and have been eyeing the Breedlove om/sm at Elderlys.... We don't have any locally to try and was wondering how you would compare them tonally to say martin or taylor? Also What kind of fretboard radius do they have? I like a little curve to mine, like taylor or Yairi. Do you know how well they respond to bare finger picking? I know they have pre-war style scalloped bracing so should be fairly responsive but would love some feedback prior to ordering smile

Well, I've never been a huge Martin guy, particularly with later models, but I love Taylors.  When I get three or four grand to drop on a guitar, it will be a Taylor.

The Breedloves are gorgeous instruments.  They're built in the US, except for the two low end models.  The Atlas is built in Korea, but the QA and setup is done in the states.   Tonally, they've got a sound that I would expect from a larger guitar.  Mine cost around $800 with the better pickup in it,  including a hard case.  I play the living crap out of that guitar.  It's my regular stage guitar, and sees a whole lot of use.

Breedlove's service is fantastic.   I was having problems with the stereo jack on mine.  It was just a little loose, and wouldn't carry tone unless the plug was held "just so."  This is something that you can fix in about three seconds if you pull the jack.  But that may void the warantee.

I called them (They're in Oregon) and they put me through to the head luthier.   I told him what was up, and his response was "Well, that's a pretty simple thing to do, and it seems silly to send the guitar all the way here for it.  Are you any good with a soldering iron?"

"Why, yes I am!"  (And I am. smile )

"Alright, I'll send you a new part.  Call me again if you have any problems."

"Will this effect my warrantee?"

"Nope."

Five minutes later the guitar was fixed.  Two days later, I got the new jack (which is now in my washtub bass'  pickup.)    I love those guys.

1,653

(9 replies, posted in Chordie's Chat Corner)

You gotta be some kind of extra special moron to cheat on a woman that looks like that.

But, my contribution to the Tiger follies....

Whats the difference between a Titleist and an Escalade?

Tiger can drive a Titleist 300 yards.

Wooo!

1,654

(13 replies, posted in Bands and artists)

A better question is "Is there anyone who's *not* a CCR fan?"

Followed up by "What is wrong with you?"  big_smile

1,655

(11 replies, posted in Guitars and accessories)

Dollar for dollar, I'll go with Takamine G series or Breedlove Atlas.   Both are great guitars at good prices, and both manufacturers have excellent service.  And if you want to go super high end, they can get you there, too.

1,656

(19 replies, posted in Guitars and accessories)

Our band sports a Gretsch/Bigsby combo run through a Fender tube amp, and it's the sweetest thing you've ever heard.

1,657

(9 replies, posted in Recording)

geoaguiar wrote:

Firewire seems plenty fast enough for home studio but I also thought my 20 MB hard drive from the 80's would never get filled smile  I've worked with fiber in other arenas and it can be delicate; not sure if that'll hamper it catching on.

I think that's one of the biggest problems that they'll have to overcome before it really catches on.  Well, that, and price point, but the price will drop as production increases.

1,658

(13 replies, posted in Guitars and accessories)

dino48 wrote:

Those are really some beautifull guitars in the picture you posted jerome.

I lust after that Santa Cruz arch top in the 1st pic.  Arch top guitars make me all sweaty...

1,659

(9 replies, posted in Recording)

wlbaye wrote:

I don't believe fiber optics is available in the home recording gear that I have researched . Firewire seems to be replacing USB for faster , more capabilites and less latency problems  than USB . Firewire seems to be able to handle a bigger load and seems to prevent some gliches and lockups that sometimes comes via USB.

I've got optical audio available on my TV, so I know it's coming available in the commercial electronics market.  Firewire is popular because it's cheap, fast, and reliable.   Market forces will drive the cost of the optical stuff down to the point where it's palatable to the general consumer, and then we'll all be loving life.  smile

1,660

(9 replies, posted in Recording)

Specific to recording (information, not music) fiber channel has been used on high end server systems for a number of years.   If you've ever worked with a PC to install a hard drive, imagine being able to replace that ribbon cable with a single piece of glass, and attach it to a massive amount of storage running somewhere else in the room.

A single strand of optical fiber can carry as much as 40 gigabytes of data per second.   That's like seven full DVDs per second.

1,661

(9 replies, posted in Recording)

If you look at the medium like a water pipe, it makes more sense.  The glass is like a great big pipe feeding a whole neighborhood, rather than a little skinny pipe just feeding your house.   Fiber allow more data to be transmitted in the same amount of time than you would get with USB or some other copper solution.

Digital information is transmitted the same way no matter what the format is.  Video, audio, text, whatever, it all comes across the wire as a stream of 1s and 0s.   So the more 1s and 0s you can transmit, the more data you can record.

1,662

(13 replies, posted in Guitars and accessories)

They all look the same 'cause you aren't paying attention!  The devil (or in this case, the beauty,) is in the details.

Or sometimes, it's right out in front where it belongs.

http://www.santacruzguitar.com/images-large/archtop_blnd_sm.jpg

http://www.promenademusic.co.uk/images/user/breedlove1.jpg

http://www.babiczsignature.com/photos/koa-custom.jpg

But the reality is that the beauty of a guitar is in the fine detailing on the fretboard, and the kerfing on the body, IMO.  That's where the art of the luthier really shines.

1,663

(43 replies, posted in Bands and artists)

I think DBT are pretty well known. Jason Isbell is touring on his own, and 8 albums and a Rolling Stone write up is "people know who we are" material.  Great band, though.  They've earned their popularity.

I'm gonna toss up The Avett Brothers, and The Steeldrivers.

http://s0.ilike.com/play#The+Avett+Brot … f74b2cebb1

http://s0.ilike.com/play#The+Steeldrive … :m12611713

Great groups, both.

1,664

(27 replies, posted in Chordie's Chat Corner)

This is like the 3rd or 4th time Ken has given us his "last post,"  so I have full faith and confidence that the King will return.  smile

1,665

(17 replies, posted in Music theory)

No one said we all have to agree on everything.  In fact, that would be rather boring.  I encourage everyone to disagree on something today!  wink

Anyway, the chart is useful.  It's easy to read, and it lends itself to helping understand theory better than the circle of 5ths.  But for transposing, it's missing 5 keys, so it's not the best tool for that.

One more note...  \Yyou don't want me on lead.  I'll play all the rhythm you want, or bass.  I'm pretty good for a turnaround or fill, but genuine  lead players can go on and on and on, and I can just go on, and then I get tired.  smile

1,666

(17 replies, posted in Music theory)

wlbaye wrote:

Jerome ,

You are correct but you cannot deny this is a handy tool as is the circle of fifths. I disagree on learning from it also. I'm sure a lot of new players will see a common pattern by looking this over.

No I won't agree that it's as handy as the circle of 5th, for the very simple reason that it only supplies information on 7 keys, while the circle of 5ths provides information on all of them.   It's easier to read, but its incomplete.

As I said, if you understand *why* that chart, or the circle of 5ths works the way it does, it obviates the need for them.

1,667

(17 replies, posted in Music theory)

The best tool for transposition is the circle of 5ths.  This chart is merely a tablature version of part of that.

It's a good chart, but the underlying theory that created it is applicable to all keys.  So learn the theory, and the chart will make a whole lot more sense.  If you just refer to the chart as a rote device, you'll never learn the theory.

1,668

(17 replies, posted in Music theory)

Very nice!

1,669

(19 replies, posted in Chordie's Chat Corner)

I have a 13 year old student. I just told her to pick three songs, and those would be the ones to work on.

So she did.

1,670

(11 replies, posted in Music theory)

Stonebridge wrote:
jerome.oneil wrote:

It's an inversion of B7

B major 7 is.

B D# E G#.

No,
Bmaj 7th is
B D# F# A#

The chord you give is a 2nd inversion of Emaj7

So flatten the 7 (G#) and you've got a dominant 7 chord.

The 7th (in B major) is the A#, flatten that to get the dom 7th of B
B D# F# A

I don't follow your answer at all, Jerome.

The notes in the chord given in the original post are E G B D# (E B D# G B E looking at the 6 strings)
This is clearly just E minor with a D#. From the stated context (coming between Em and Em7) the D# is almost certainly the result of a descending melody or bass line being represented in the chord of Em.

Gack.  Yer right. I got to G an stopped.  smile

1,671

(11 replies, posted in Music theory)

It's an inversion of B7

B major 7 is.

B D# E G#.

So flatten the 7 (G#) and you've got a dominant 7 chord.

1,672

(9 replies, posted in Bands and artists)

Townes was one of the great ones.  He's also the namesake for Justin Townes Earle, Steve Earle's son. 

That kid is also destined to be a great one.

1,673

(14 replies, posted in Acoustic)

Untidy wrote:

Is it possible to have fingers to fat to play guitar?

I can not get d cord with out touching other strings

It might be, but I've never seen it.  One of my good friends, and great players, is built like a beer keg with sausage hands.  The dude rips it up.

Check out a guy named Mike Marshall on the mandolin.  The dude is one of the finest mando players on earth, and he has these huge muppet hands that literally swallow the neck.

Check out these mitts!

http://www.youtube.com/watch?v=Id3B4H6KxCo

1,674

(15 replies, posted in Chordie's Chat Corner)

All guitars BB King plays are Lucile.  So in that regard, it's different that Trigger. Trigger is a guitar. Lucile is a lot of guitars.

Even the blues guys and their dom7ths are generally in key.

We tend to speak in terms of triads when we talk about chords.  The major and the minors.   But the same rules apply for 7ths as well.  While the triad appropriate for the V is a major chord, the 7th chord appropriate for the V is a dominant 7.

Its still that good old I IV V progression, but in this case, it's done with 7ths rather than triads.