1,476

(34 replies, posted in Bands and artists)

There's good music out there. It just isn't Top 40 any more.   Smaller venue acts are where the talent lies.

1,477

(14 replies, posted in Music theory)

I agree with the fretboard not being the best tool to learn theory on.  I've always advocated that theory is best learned on a keyboard, where the intervals are easier to see, and the relationship with the key signature is visual.

1,478

(4 replies, posted in Electric)

Tube and spring reverb.  Nice!

1,479

(12 replies, posted in Acoustic)

I suffer from it a bit.  I just chalk it up to the price I pay to play, and suffer through.  Tylenol helps, though, when attitude alone doesn't do the trick.  smile

1,480

(27 replies, posted in Acoustic)

Before you start getting all crazy with effects, get used to your voice.  How you sound inside your own head is not how you sound to other people.   Set yourself up with a microphone and an amplifier, and start singing and talking into it.    Once you're accustomed to that sound, you can practice and you'll be surprised how good you sound after a while.

Singing well is 99% confidence, and 1% talent, and I'll argue the talent portion every time.

1,481

(12 replies, posted in Electric)

I absolutely love motorcycles, but you robbed that guy!   Holy cats what a collection!

The lap steel I would love to hear.

1,482

(11 replies, posted in Recording)

One of my favorite all time songs.  Nicely done!

1,483

(12 replies, posted in Electric)

I'm a believer in putting the fattest, gnarliest,  thickest, rudest strings you can find on guitars.  It sucks for a bit, but they sound great.

Anyway, pickups are driven by basic physics.   If you run a conductor (your guitar string) through a magnetic field (your pup), you induce electric current (into your amplifier.)   So long as the string is made of a material that can effect a magnetic field, it will drive your pickups.

1,484

(7 replies, posted in Chordie's Chat Corner)

People find it easier to play farther up the neck because the frets are closer together, so it's a more natural fit for your hand.  You have big ole' clumsy monkey hands designed for grabbing banannas and picking fleas.   Guitar player hands have to articulate in all kinds of weird directions.  The middle of the neck is about where most folks fingers lie "naturally."

1,485

(9 replies, posted in Chordie's Chat Corner)

I have that book.  It's OK. Any "how to write songs" book is going to use theory and chord structure as a basis.   They do that because theory is how you write songs!   smile

1,486

(22 replies, posted in Music theory)

expressskiphire wrote:

Do G major and E minor share the exact same key signature?

Yes they do.

The relative minor for any major scale is indicated by the sixth note of the major scale.

Some examples

C major / A minor:  Same notes, same key signature.

C Major:  C D E F G A B C
A Minor :  A B C D E F G A   


G major / E minor:  Same notes, same key signature.

G Major: G A B C D E F# G
E Minor : E F# G A B C D E

1,487

(6 replies, posted in Bands and artists)

I never figured April Wine to be loud.  That's kind of cool to know.  smile

1,488

(34 replies, posted in Bands and artists)

Metallica hasn't had a decent album since 1989.   You want awesome and heavy and complex, like Metallica used to be?

Meshuggah.   They've been doing it for 20 years, and haven't dropped a beat.

You'll never go back.

1,489

(21 replies, posted in Guitars and accessories)

Regardless of what you choose, don't buy a guitar you haven't played.  Build quality can vary from instrument to instrument.

1,490

(10 replies, posted in Chordie's Chat Corner)

How much I run is entirely dependent on who is chasing me.  smile

1,491

(7 replies, posted in Acoustic)

Russell_Harding wrote:

C7 is a very usefull chord it can be moved up the neck by muting both E strings if you keep in mind the steps in the C scale and that each fret is a half step so as an example a C7 posistion on the 3rd fret is a D7 on the 5th fret its a E7 and you can include the low E string on this chord (E7) for a fuller sound smile

Hendrix lived on that shape.

I've been trying to get moved into a new house.   Coincidently, it ended up being the hottest weekend on record here.  So I got to hump furniture is blazing heat.

All done now, mostly.

1,493

(22 replies, posted in Music theory)

winechristmas wrote:

C major and A minor is look too similar, please describe briefly the difference between them.

They look similar because they are identical.  That is the whole point of this particular exercise.  Understanding the relationship between major and minor scales.

C major and A minor share the exact same key signature, and therefore, the exact same set of notes.  The only difference is which note you start with.

1,494

(4 replies, posted in Chordie's Chat Corner)

Telluride sits at the end of a box canyon, and they shut the road into town down for the duration of the festival.   Infield camping is done by lottery, so you want to get your name in the box sooner than later.  If you don't get into the infield, and you can't' find a place in town to stay, you'll end up in one of the outlying camp grounds.  They provide shuttle service too and from, but you miss the town atmosphere, which is excellent in it's own right.   

Went drinking in the local bars, and saw members of Leftover Salmon and The String Cheese Incident up on stage jamming.  And also, four full days of Bella Fleck.

1,495

(4 replies, posted in Chordie's Chat Corner)

I've done the Telluride Bluegrass festival before, and I can tell you categorically that the amount of awesome there, if combined into a single place, would coalesce into a black hole of cool that would bore a hole through the very fabric of spacetime itself, and spew unicorns and rainbows all over everything.

I rode my motorcycle from Seattle to Telluride, camped on the infield for the whole time, and have been doing nothing other than trying to get back ever since.

1,496

(7 replies, posted in Chordie's Chat Corner)

Zurf wrote:
jerome.oneil wrote:

Was that the guy down by the market?   That guy is a great songwriter.  You should buy his CDs if you want a great laugh.

Yes.  Unfortunately, that was my one and only time in Seattle, so my likelihood of buying his CD is slim and none.  He was an amazing musician, I remember that much.  He really rocked. 

There were two other guys busking guitar, banjo, harmonica and vocals on the stairwell outside the second level I think.  (It's a big landing with enough room).  Those guys were jamming on some good bluegrass fingerpick stuff. 

I'm not much for cities, so we only stayed in Seattle for a few hours.  We took in the aquairium (incredible) and Pike Place Market (most excellently cool).  There was a LOT of live music all over the place.  I was wishing that I had more cash in my pocket to drop in the kitty. 

But we quickly tired of the city and headed north to the Cascades for a few days of hiking and then over to Yakima Valley for a few days of wine tours. 

- Zurf

We are fortunate that we have a great music scene here, and always have.   It's probably the best place in the world to be if you play originals, because there are so many places looking for it.   In fact, I'm not sure where I'd play if I played in a cover band!

Anyway, I work five short blocks from the market, so I get to see a lot of the buskers that play there.  Fortunate stuff.   

If you're ever back in this neck of the woods, let me know, and we can go see someone make some noise somewhere.

1,497

(7 replies, posted in Music theory)

All the Es... 

e---0--------------------12----------
B--------5------------------17-------
G---------------9------------------
D--2-------------------14----------
A------------7--------------19-
E---0--------------12-----------------

Now for an exercise in chords, find all the E chord shapes that make use of them.

Edit: Roger points out there is an additional E on the 17th fret of the B string.

1,498

(14 replies, posted in Acoustic)

I agree with both musicians.   And I use both when I teach.   Beginners should focus on technique and scales.  Building dexterity and strength has to be done, and scales (and chord transitions) are an excellent way to do it.   And you should always have a goal when you practice.  That goal might be "Run scales until my hands cramp" or it might be "Nail down this Andres Segovia bit perfectly."

1,499

(7 replies, posted in Chordie's Chat Corner)

Zurf wrote:

I don't have any advice, but I am curious about how he gets his piano to a busking location.  I saw a guy in Seattle once who had an upright piano on a low platform with large casters on it.  He just pushed the piano around, locked the casters when he got somewhere, and then played some neat piano boogie-woogie and other heavy left-hand funkified stuff.  He had a fishbowl glued to the top of the piano for tips.  It worked, but I've never seen it before or since.

Was that the guy down by the market?   That guy is a great songwriter.  You should buy his CDs if you want a great laugh.

So, I'm curious about how your buddy busks with a piano.

Me too.

1,500

(21 replies, posted in Chordie's Chat Corner)

For me, the most critical thing about playing with people isn't how talented they are, it's how well we get along, and how much we respect each other.  I *love* the guys I play with.  None is a virtuoso by any stretch of the imagination.  But we are all pretty good song writers, and we all take each other's input at full value.   At the end of the day, we come up with some pretty good entertainment.  I'd rather have that than a prima-donna virtuoso.  That's too much like work.

I think the best thing about your situation is that you have a director with the best title in the history of music.  I want to be the Minister of Music, too!