wlbaye wrote:

I added a B-Band 2 pickup to my Masterbuilt and it works great. I have added my own pickups to nearly all my guitars. I just don't like a lot of the pickups that are factory installed and I prefer the less intrusive ones that do not require chopping holes in the guitar.

Wayne P

Thanks for the advice. I hadn't heard of this brand before. Any other recommendations regarding add-on pickup?

Thanks everyone for your input, but my concern is not with the guitar but with the pickup. Here's an example of Esonic problems described on a Gibson forum:

"I've had an Epiphone AJ-500RE for almost a month now and have had it well set up in that time. I'm impressed with the build quality of the guitar itself as well as with the tone. It's a lovely guitar. There seems to be a problem with the eSonic2 pick-up system though. Like many on the forum, I'm getting a mains type grounding buzz at times... it seems to happen when I'm playing the bass strings very heavily and the buzz just cuts in. Sometimes it just goes away quickly and at other times it stays. When it stays it goes away temporarily when I touch the strings so it would seem to be some kind of grounding problem. So far I've just used the middle end-pin jack that should be providing the blended signal. Even when there is no buzz, there is such a low signal from the Mag pick-up and it's hard to blend the two together successfully. If I slide the blend right over to the Mag pick-up there is very little signal then I only have to slide it over towards the other side a little and the bridge pick-up comes in very loudly and I can hardly hear the Mag pick-up."

The esonic system is about 10 times more advanced than the simple but problem free pickup on my cheapo Applause (no battery required and just two faders, one for tone and one for volume). IF I ever got the money, I was thinking I could buy an acoustic Masterbilt and then add some kind of simple pickup on my own. Any thoughts?

p.s. Naolager, I've tired some Recording Kings and think they are very nice, it's just that I like the feel, style, and sound of the Masterbilt Jumbo best.

I've been admiring the Epiphone Masterbilt Advanced Jumbo. It's an all solid wood guitar, and comes as either a straight acoustic or acoustic/electric. The question I have is about the esonic 2  preamp system that comes with the acoustic/electric model. I've been reading that a lot of people seem to have problems with the Esonic 2--has anyone on Chordie had similar problems? What do you think of the Masterbilt line? Any recommendations?

129

(148 replies, posted in Acoustic)

So Roger, is it the case that over time, doing the kind of exercises you describe, I'll be able to not only get greater strength in my pinky, but be able to separate it farther away from my index finger?

sweetmix4u wrote:

Going direct into the amp using a microphone to amplify the guitar is not the ideal situation for live application. I'd recommend getting an actual acoustic guitar pickup. While using high quality mic's are great for studio recording, live use is a completely different situation. by using a pickup, you'll have much greater control over all the amplifiers parameters like, gain before feedback, tone, volume and, with some higher quality pickup's, you'll actually enhance the natural resonating tone of the wood. simply put, combining a good amp and pickup is a hard combo to beat for a live performance with an acoustic guitar.

I don't know for sure if you were talking to me, but my guitar is an acoustic/electric with a built in pick up. The microphone is for my voice, not my guitar.

131

(148 replies, posted in Acoustic)

Roger Guppy wrote:
M.B. wrote:

For me, the F seems to be easier to do than a Bm--my nemesis!

Ignore the barre finger and think of the F as an E played with different fingers. Move those fingers playing the E up one string to the Am position (so you are actually playing Bbm) and practice the change back and forth. You should soon find that the Bbm becomes natural enough to play independantly and you can then move it up the fretboard for the Bm, Cm etc.

Roger

Thanks for the good advice, Roger; I'm working on that. Now, can you give me an exercise to get separation with my pinkie when doing an E7? My little finger doesn't want to separate from from my ring finger, and my muscles don't seem to work to get it to move away.

Thank!

132

(148 replies, posted in Acoustic)

auxi wrote:

Good to have you joining us, Steelystrings. I totally agree with what you said. My hands were so twisted and cramped the first time I tried a simple C chord, but practice makes perfect. The best advice I ever got was to not cheat on my F. (But I'm a stanch rule follower smile )

I began as a cheater and gradually worked my way up to a barre F. At first, all I could manage was an F#7. Then I began to try to do an F where you use  your index finger to fret the B and high E. After at least a year, I finally began to try to do a fully barred F. For me, the F seems to be easier to do than a Bm--my nemesis!

Thanks Tuba and BGD, I'll look for the Schure Sm58. I appreciate your advice about this a lot!

Well as long as you're offering, sweetmix, could you recommend a good microphone for an amateur player? The mic will be plugged into a Kustom Sienna 16 watt amp. I don't do performing for audience . . . yet, but I would like to get some practice about what it's like to sing and play through a single amp.

Thanks!

135

(11 replies, posted in Acoustic)

Thanks for your words of advice everyone. Eventually Henry woke up and got a cup of coffee and came out to the porch. He plays a lot better than me. That's why I've got a second hand Ovation/Applause and he's got a Martin. But I got to play him a song I wrote called "Just a Young Cowboy." He liked it! So I told I would learn how to format it and put it on the forum.

and that means I get to play his Martin! You know college students, they sleep like logs. And that allows me to sneak in his room, grab his guitar case, and sneak away with it . . . . but where to? The kitchen? No, Mom's listening to NPR. Living room? No, Dad's reading the paper. Basement? No, little brother's playing video games. Front Porch! Just me and daffodils, who bob their heads like an audience. Dad comes out, "Hey, your finger picking is getting good." I grin like fool. "Does Henry know you're playing his guitar?" he asks. "Um . . ." I mouth idiotically. "I won't tell," says Dad, "just be careful with it."  "Ok!" I reply. The Martin booms and rumbles against my body--it's like having a living thing on your lap. Today is going to be a good day.

137

(24 replies, posted in Electric)

"mb glad too see another George Harrison fan here,he was my favorite Beatle. I just saw a bio/movie about him,it was done by Martin Scorsese. Also George did play alot of acoustic music,he also really liked the ukalie."

Hi Dino!

I didn't know that about the ukalie, thanks. There's so much about George Harrioson that I admire . . . I liked his quiet mastery of the guitar, and I liked how he was able to play different instruments and different styles of music. I'm working on "While My Guitar Gently Weeps," and I love the chord changes that go from A to C#m to F#m to Bm--it's so challenging, at least to me.

But the thing that really really just . . . just devastates me, is that opening line. Gosh, I'm tearing up just thinking about. "I look . . . at you all . . . see the love . . . there that's sleeping. . . while my guitar gently weeps." That just kills me.  Maybe because we are all filled with sleeping love, love that's been numbed by materialsm and greed and selfishness and racism and nationalism and the lust for power, and if our LOVE could just be awakened, if it could be roused and nurished and attended to, what a transformation would occur.

And I think that George was weeping because he wanted  music to awaken people but he knew that most would continue to slumber or just smile at the pretty music and tap their feet but not get it. And I think of what Jesus said about how he used parables and why and he said,

"To you it has been granted to know the mysteries of the kingdom of heaven, but to them it has not been granted. For whoever has, to him more shall be given, and he will have an abundance; but whoever does not have, even what he has shall be taken away from him. Therefore I speak to them in parables; because while seeing they do not see, and while hearing they do not hear, nor do they understand."

And I think about what Emily Gibbs says in the play "Our Town"  -- "Oh Earth! You're too wonderful for anyone to realize you!" And then she asks, "Do any human beings ever realize life while they live it? - every, every minute?" And the Stage Manager says, "Saints and poets maybe. They do. Some."

And George Harrison was a saint and poet. And it doesn't matter to me if George was a Christian or an athesit or a Hare Krisna or anything else, because titles don't matter; what matters is wisdom and understanding, and no religion or god or person or nation has a monopoly on that.

And I think what has my generation offered that matches "While My Guitar Gently Weeps" . . . . "Tears on my Guitar"? "Poker Face?" WTF!! Just melodramatic clap-trap or auto-tuned spectacle. And all done with a ironic snear that says, "Of course it's all about the money; what else is there, baby?"

Whew! You know I really appreciate the fact that you guys take the time to read these comments and care enough to reply. So much of everday life is just filled with baloney and you don't always get to tell people what you feel. I got a little carried away maybe. But you know what I mean, right?

138

(12 replies, posted in Chordie's Chat Corner)

Roger Guppy wrote:

Sorry M.B. I could not resist the edit to your song. Looking forward to seeing, and hearing, the finished work.

Roger

You guys are awesome!!!! Wow, a little encouragement goes a long way and really puts a smile on your face.

Here's a chorus maybe,

C                 
There might be a song in that
                G
But the sound is kinda’ flat
C
One day I’ll get my wish:
        D                                G
A guitar that’s made in Nazareth.


Roger, I'll learn to do a real format, thanks to your inspiration.

139

(12 replies, posted in Chordie's Chat Corner)

Zurf wrote:

I don't want the lyrics Toots.  I want to hear it!  PLEASE play that on one of the Skype calls. 

- Zurf

Yeah, me too! I love that song "Jenny, I got your number" you do with your grandson.  YOu can send me the lyrics for your song on email, I think just click on my email thingy by my name.

BTW, Toots, I always thought the line was "Take a load off, Annie." Not, "Take a load off, Fannie!" Sounds like the punch line to a joke! Even my brother did too, and he was the one who taught me the song. I looked up the song on Wikipedia, and it said that Robbie Robertson got the name "Nazareth" from the label on his Martin guitar. (I bet you already knew that!) Now if I were to be inspired by a location on the label on my guitar it would read "Made in China"!

Hey, there might be a song in that . . .

Song In Thatby M.B.


[G] This laminate guitar


Has [Bm] come from very far,


[C] Designed in Carolina


But [D] made by kids in Indo[G]china. [G7]




                 

[C]There might be a song in that



But the [G]sound is kinda’ flat,


[C]One day I’ll get my wish:


A gui[D]tar that’s made in Naza[G]reth.



140

(49 replies, posted in Acoustic)

Beautiful guitar . . . rustic, simple, classic.

141

(13 replies, posted in Chordie's Chat Corner)

auxi wrote:

Okay, I'll give it a shot. Not for sure if I've got Windows LG, but I'll check.
BTW, like your avatar.

If you've got a Window's-based computer just go to My Pictures

Next, put your cursor over the picture or graphic you want, and press the "right click" button on your mouse. A menu will appear with over a dozen options. About half way down the list of options is one called, "Open With"--click on that. When you do, you'll get four options; choose
"Microsoft Office Picture Manager."

The picture will now open with tools that allow you to manipulate the image. At the top of the screen, you should see an option that reads, "Edit Pictures . . ." Click on that title. A variety of editing tools will appear on the right hand side of the picture.

To get the picture small enough for Chordie's standards, you  first want to crop the image, which means you cut away unwanted parts of the picture. If you click on the "Crop" tool, the image will be surrounded by eight, evenly spaced, bold black lines. These are Crop handles. Click on a crop handle (start with the upper right hand corner handle) and move your mouse toward the center of your image. As the handle moves towards the center of the picture, you'll see the outer edges of the image become a little foggy--that represents the part of the image you'll be cutting away. Move different handles to cut off diffrerent parts of the picture. Don't worry if you cut too much, the original image will be unaffected. You can also start over without doing any damage to the original.

When you've cut down the image, save it. The Save button is located under the "File" pull down menu at the top of the screen. Call it, "Chordie Avatar." Now you'll have the original image on your computer, plus your Choride image.

Probably the cropped image is still too big for Chordie, so you'll use another editing tool to shrink it down even more. Click on the "Edit Pictures . . . " again, and your tools will reload on the right side of your screen. Now click on "Resize"and then click on "Percentage of original width x height." You'll see 100 in a little box. That means your image is full size. If you click on the little down arrow, you can start to reduce the size of the image. Under "Size setting summary" the computer will tell you in terms of percentage and pixels, just how small the image is getting. Keep shrinking it until you get it to the size you want, and then click "Ok" and save the image again.

If the image meets Chordie's size limits, it can now be uploaded.

142

(30 replies, posted in Music theory)

Baldguitardude wrote:

Yes exactly. Be aware that the word "suspension" means something specific in music theory, so be careful with that term. But you're right on in terms of understanding the idea.

Play a song and end it on the V chord. Just stop early and end it there. Listen and feel it. Your ears will be begging you to resolve to the I.

So BGD, is this effect something we learn, like is it simply a convention of Western music, or is it part of, I don't know, some natural law of music?

143

(6 replies, posted in Music theory)

Whoops! Not the fifth fret, the fifth string--sorry about that confusion BGD!

Thanks for the description, Bass Viking--it was clear and I think I can copy it.

145

(24 replies, posted in Electric)

"Exactly and very well said may I add.  Tell us a little of what type of music you play the most of."

Well, I don't know how to play the electric guitar, but if I did, I'd like to be able to create a sound like George Harrison . . . and I'd like to marry Dhani Harrison! Have you seen him in this video??? Also, I think Prince is totally cool in this.

http://www.youtube.com/watch?v=ifp_SVrlurY

Complete cuteness. And he looks so much like his dad, circa 1965. We could go to swingin' London town!! And I could get my hair done like Marianne Faithful.

http://www.youtube.com/watch?v=FhPPJ5dolxU

146

(12 replies, posted in Chordie's Chat Corner)

tubatooter1940 wrote:

In the 60's I owned a Mosrite twin neck solid body guitar with twelve strings on the top neck and six on the bottom. Both necks sounded great but the thing weighed 40 pounds. Even a wide shoulder strap had me getting numb in my left arm standing up at a four hour gig.
It was stolen from my house by a former band member.

http://www.ebay.com/itm/Mosrite-Joe-Map … 671wt_1037

40 pounds! Jimminy Christmas, I bet when you played "The Weight" you knew what you were singing about. (That's a song by The Band--you probably know that . . . I like to play it cuz it's got a Bm once in ever verse line.)

147

(9 replies, posted in Chordie's Chat Corner)

When I was unsuccessfully trying to learn the cello, which is of course, fretless, my teacher put masking tape at the point where the frets would be. Over time, muscle memory led me to put my fingers, more or less, at the right point. Listening helped make adjustments in pitch. I've thought about what it would be like to play a fretless guitar--I'd kinda like to see how it would be to play one.

148

(12 replies, posted in Chordie's Chat Corner)

Amazing pictures. I can't begin to think about how to play one of those. The thought makes me dizzy. I know people can do it, I just don't want to consider how much practice and patience it takes.

149

(7 replies, posted in Guitars and accessories)

Thanks everyone--I've learned a lot!

150

(30 replies, posted in Music theory)

Thanks Auxi and BGD for all the information. I've got a chord wheel handy, so I was able to play the different chords sequences you had described BGD, and I got a lot out of what you were saying about build, tension, and resolution. You can definitely hear it. So the D7 is like a suspension, almost as if the music is on tip-toe saying, "Don't-stop-listening-there's-more-to-come-"

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