This question kind of goes hand-in-hand with my previous post about American Idol.

Out here on Long Island, just about the only live music that is still viable for club owners and concert halls are "Tribute" bands that recreate - note-for-note - the music of classic rockers like Billy Joel, Bon Jovi, Bruce Springsteen, etc.  Some of these bands are so spot-on that they have attracted followings that rival the real thing.  The prevailing attitude is, why pay a couple of hundred dollars to see old, fat guys struggle through songs they recorded 40 years ago when you can pay $10 or less to see a group of young musicians in their prime play the crap out of those same songs?

I am glad to have these groups, as I can no longer afford to pay concert ticket prices for my favorite artists, but, as with American Idol, I wonder how long we can sustain any kind of music business as long as the only thing for kids to aspire to is to be able to deliver flawless copies of the same old songs year after year.

Does anybody have an opinion about this?  I suppose, on the one hand, it's good that these bands are keeping such great music alive; but, on the other, where is the incentive to make NEW great music to be emulated 40 years from now?

>>>Papa,

It's just cheap entertainment and all but a few have come and gone.<<<<

That's what I would think; however, even the worst of them seem to eventually pop up on my clock radio one morning with a "new hit."  Having been there, I understand that a record deal is far from a guaranteed career, but I also understand that it used to - and SHOULD - take a lot of work to get to even THAT point.

If American Idol weren't the ONLY thing going on in the music industry, I would agree that it's just cheap, harmless entertainment.  But, for nine years, this show has been setting the bar for aspiring young artists - and setting it very low, unfortunately.

...Which brings me back to American Idol.  Give these kids enough of a false sense of superstardom before they have even played a live gig and they will NEVER be inspired to create a great piece of music.

SouthPaw:

While I agree with what you said, I think it's important to point out that American Idol is about the only thing inspiring kids to take up music these days.  The problem is that they are taking it up to become "Idols," rather than musicians.

>>>>Even if you don't watch the show, you should check out Crystal Bowersox, she has got it figured out, what a great performer !<<<<

The odd thing is that, during the very early auditions, there were many other contestants on Crystal's level, but the judges hammered the crap out of them while showering praise on contestants I thought had only been included for comic relief.  I guess, in my original post, I should have said "Top 10," rather than "Top 11," because I don't even consider Crystal as part of the show.  She's already got some semblance of a record deal, as far as I'm concerned.

Still, I've got two kids in my roster of performers who could put up a good competition with her and about thirty who would make ANY of the others run home crying.  And I've gotta tell you, between you, me, and the rest of the few people who use the Internet, the kids I'm working with right now are not that good!

As painful as the first eight seasons of this show were to watch, I stuck them out so I could have something to talk about with my Mom.  This year, the best of the Top 11 is barely as good as the worst of the kids I have to cut from my local community talent shows each year. 

However, while I'm watching these pathetic youngsters (Crystal being the obvious exception) murdering perfectly good songs each week, I can't help but imagine that 95% of America is thinking "Wow, that kid has SOMMME voice!"

Just wondering...am I the only musician who still bothers to watch this show?  And, if you are still keeping up with it (even if just for mom's sake, like me), are you finding it as much of a chore to sit through as I am?

>>>I'd love to hear that.<<<

Check your e-mail.

I'm a uke player, although I like to adapt uncommon songs to this instrument.  My last three "new" songs were:

1.  Papa Is A Worried Man (Willie Nelson & some reggae dude)
2.  Betty Lou Got A New Pair of Shoes (Bobby Freeman, of "Do You Wanna Dance" fame)
3.  You've Got A Friend In Me (Randy Newman)
BONUS:  One More Bottle of Beer (by a very talented local singer songwriter I played drums with in the 80s named Kip Carmen.  This infectious, saloon-type song would be a major hit if played on modern country radio.)

I have to admit, I'm really glad not to be in the music business anymore.  It's got to be nearly impossible to make a living with the prevailing attitude (including my own, at this point) being that creative works should all be free.

I wonder if anyone in the recording or music publishing industry has done the math yet to try to calculate whether allowing tabs to be posted free sells enough additional records/downloads to make it a wise business decision.  I know I have personally downloaded about a dozen songs in the past year at 99 cents a pop because I got the tabs for them and wanted the recording to either play along with or use as a reference for lyric phrasing, etc.  I'm sure I'm not the only one.

Also, browsing through the tabs listed on a site like Chordie has often poked me to download additional songs that I didn't know were by a certain artist.

This may be a twisted way of justifying why tab sites should be left alone, but I think there may be some logic worth considering here.

110

(11 replies, posted in Chordie's Chat Corner)

Can somebody clarify that this does or doesn't mean this site is closing down?  I practically LIVE here!

111

(11 replies, posted in Chordie's Chat Corner)

>>>SEE YOU IN THE FUNNY PAPERS<<<<

Huh?

112

(3 replies, posted in Chordie's Chat Corner)

>>>I've just messed around with this new feature and all I can say is AWESOME!!!! <<

Fatstrings:  What feature are you referring to?  I don't see anything on Chordie called Online Tab Player.  Am I missing something?

>>>lyrics removed by moderator (topdown). In accordance with chordie policy, lyrics cannot be posted on the forums. <<<<

Well I'll be....

OK, then, the changes are C Dm F for the verses and Em Em7 Em A F Dm F G for the bridge/chorus

lyrics removed by moderator (topdown). In accordance with chordie policy, lyrics cannot be posted on the forums.

115

(24 replies, posted in Recording)

Have you tried burning with iTunes?  I had problems with  the Roxio burner AND Windows Media before I finally tried iTunes.  Now all my audio discs burn fine.

116

(7 replies, posted in Recording)

>>>>I've used an XLR to 1/4 short adapter and then cut down to 3.5MM (1/8") and used a long small coaxial cable to connect mine and have no real complaints.<<<<<<

My problem with chaining together so many adapters (I do the same XLR to 1/4" to 1/8") is that there is always strong potential for things to get loose and break up the signal.  The episode that inspired this post occurred a few weeks ago.  I had finally gotten an interview with someone I might never get another chance to speak with.  I brought along my laptop, my SM58, and the aforementioned parade of adapters.  About five minutes into the interview, I realized that the adapters were not holding tightly and that I had either no audio at all or a horrifying screech noise coming over the wires.  Fortunately, I had my little SONY digital running as a back-up, but otherwise, the whole thing would have been a bust.

As I said, I probably will not use this recorder very much for music, so I don't need GREAT fidelity.  Mostly, I need reliability.  The $39 SONY (actually, I think my last one was more like $29) is not really designed for high-quality audio, but it's always there when I need it.  So once again, the question is, do the higher-end digital recorders really make  THAT much difference for non-critical audio like voice interviews?

117

(7 replies, posted in Recording)

This is a bit off-topic, but I figured SOMEBODY out there has to own one of these for capturing licks, etc.  I'm primarily interested in the H4, which has two auxiliary mic inputs.

I would be using this to record voice-overs on the fly (i.e. testimonials and interviews to be edited into full productions later).  I would hardly EVER use it to record music (so he says NOW) so I don't need incredible dynamic range.

My question:  The price of this recorder seems so out of line with everything else available to starving musicians these days (you can STILL buy a drumset for $399???) and I wonder if it's really that much better than the $39 voice recorders you can buy at Staples.  I've used one of the office store cheapies with a Shure SM58 mic crammed into the 1/8" jack and it produced some pretty impressive results.  Of course, I'd like to avoid having to use three adapters to connect my mic... 

So, should I put the H4 out of my head, or should I go out and buy one and hope that business picks up again soon?

118

(76 replies, posted in Chordie's Chat Corner)

Used to be a professional drummer.  After living many of my "dreams," I realized I couldn't actually make a living out of thrills, so I started a little audio production company that specialized in telephone "message-on-hold" programs.  I still have that business today, but about ten years ago, I branched out into audio/video forensics, which involved traveling all over the country almost every day of the week, visiting crime scenes to collect surveillance footage, record statements, and prepare them for investigators/trials.  It was during this time that I started to miss making music and I picked up my first ukulele.  It was great for traveling and, having some previous experience with a guitar, I took to it right away.  Shortly after, the economy farted and my work came to a screeching halt.  However, being able to make music again restored my sense of purpose, cleared out my head, and enabled me to focus much more intensely on getting back to business.  I am now on my way to full-time employment as an audio-visual technician for my local township.

119

(11 replies, posted in Chordie's Chat Corner)

There's a site SORT OF like this, but it's only for Beatles songs.  Check it out at http://www.beatlesite.info/

120

(18 replies, posted in Chordie's Chat Corner)

Good addition to the conversation, GSE.  We're all ranting about the credit-fixing companies for taking advantage of the poor, irresponsible credit abusers (I referred to them as "sorry airheads" in my post). Perhaps we should be scolding those who can't control their spending, as well.

Anyway, I've passed up many enticing ukes over the past couple of years because I couldn't pay cash for them.

121

(18 replies, posted in Chordie's Chat Corner)

Years ago, I was producing lots of local radio and TV commercials here in New York.  One customer that I could not stand personally but could not resist financially was a guy who ran one of those "credit repair" companies.  He seemed to be about 23 years old and a multi-millionaire.  The guy had absolutely none of the qualities I like in a person, but at a time when I was struggling to make it as a musician, he would come through sometimes 2-3 times a week with a request for a new spot.  Best of all, if I would quote $300, he would guarantee $600 if I could get it done by the next day. 

For the next year or two, thousands of people must have taken advantage of this guy's many financial services, because he seemed to have a new one on almost a daily basis.  The checks kept clearing and padding my bank account until, one day, one of his checks bounced.  Of course, this particular check was for not one, but three jobs at a total of $1500.  Obviously, I had come to trust this guy after a while. 

I spent the next several months chasing this guy to no avail.  During one phone call, his secretary advised that she had to hang up, as the police were there and had ordered her to put down the phone.  The next day, the company phone number was disconnected.

In the end, I paid off all the talent that worked on these spots and wrote the whole thing off as a loss.  About a year later, the guy had the b-lls to call me and say "Hey, Tom, I had a rough year, but I'm back and I'm looking to work for another company and I'm just wondering if you could write me a character reference."

Totally floored by disbelief, I asked him if he was joking.  He responded that he knew he owed me money, but would pay me back as soon as he got on his feet.  I advised him that a man with "character" would have, at least, taken my phone calls and told me he couldn't afford to pay me in the first place.  Although I'm not one for drama, I ended up hanging up on the guy.

Fast forward about ten years:  I just saw one of my commercials on TV.  I can't tell you the name of the business, but he's apparently back and advertising the same sleazy credit services that got him rich and then busted a decade ago.  With so many naive credit addicts out there, he will probably do amazingly well again this time around.

My spots were produced as buy-outs, so I have no way to bring him down that way, but I sure hope somebody stops this character before more sorry airheads get ripped off!

122

(7 replies, posted in Chordie's Chat Corner)

Makes me wonder why my life has to be so complicated...

123

(16 replies, posted in Chordie's Chat Corner)

1.  The Beatles:  I Saw Her Standing There
2.  Dobie Grey:  Drift Away (original version)
3.  Lee Ann Womack:  I Hope You'll Dance
4.  Kansas:  The Wall
5.  Ringo Starr:  Photograph (that song tugs on MY heartstrings, too, Ray).

Songs #2-5 are subject to change on any given day, but "I Saw Her Standing There" is number 1 for me every time this question is asked.

I've always had a secret singing ability that I hid all the years I was playing drums in bands.  I guess I just didn't want to be one of those singing drummers who has to sit still and always focus on the mic.  Or maybe I just had too much equipment to carry, as-is, and didn't want to have to worry about lugging around a mic, too!

Anyway, the more I sing in front of people, the more confident I am.  I'm not GREAT, but I have good pitch and just the right tone and feel to sing The Beatles, Billy Joel, and other "OK" vocalists acceptably.  This helps make singalongs with my uke A LOT more fun.

Glad you've found your voice!

125

(10 replies, posted in Chordie's Chat Corner)

Here in New York, where we're more used to the stuff, we go out every hour and shovel an inch or two, right down to the sidewalk.  That way, you don't end up throwing your back out trying to lift two feet of snow at once when it's all over.

I've also found that the warmer I dress, the less tense my body is when I'm out in a snowstorm shoveling.  Looser bones and muscles usually means less chance of a back spasm!