I have a Jumbo Takamine acoustic/electric that I paid $650.00 for about a year ago. The other night a group of us were playing when one of the guy's asked ne if he could play my guitar. We swaped for a while, him with my Takamine and me with his MARTIN. Later that night when we were kinda taking a break he questioned me about how good my guitar sounded and how he wished he could get the same sound outta his MARTIN. As we were discussing the qualities of both guitars we got into what kinda amp we were using. He was using a 90 watt PEAVEY electric guitar amp and mine was a ROLAND AC-60 acoustic amp. When we went back to playing he plugged into my amp and the difference in sound quality was amazing. What we finally figured out was the acoustic amp was making the difference. BUT his last comment to me was that he had over $2000.00 invested in his MARTIN and if he had known how good the Takamime sounded he would have saved himself a lotta $$$$$$$. I guess the basis of this story is that big dollars spent does not necessarly mean you done got better quality. Always buy the best product you can afford but do your homework first. Aslo, check out what amp works best with the electric / asoustic guitar you buy. There are several makes and models out there, try them as well. No need to amp up a high dollar guitar to a cardboard box and expect to put a smile on your face.

Nela

1,152

(25 replies, posted in Acoustic)

Dirrerent strokes for different folks. Have you tried using the other hand?

Nela

1,153

(20 replies, posted in Acoustic)

Same thing with the "C", "F" & "G" progression. Play an open "C", leave ring finger down and form a "E" shaped barre chord (1st fret) for a "F" chord, leave ALL fingers down, slide 2 frets down with index finger barring 3rd fret and you have a "G" chord. I know the barre chords are a lot harder to form but if you practice this progerssion slowly, over and over, it will not only help you in making chord changes but it will help strengthen you fingers for barre chords. Make up your own changes for practice. Open "C" chord- 4 down strums, barre "F" chord - 4 down strums, open "C" chord - 4 down strums - barre "G" chord - 4 down strums - open "C" - chord. Just keep repeating ( i know it will become boring but it will help in the long run) You can do the same with the progression "G", "C" and "D". Open "G" chord, "A" shaped barre 3rd fret ("C" chord) keep all fingers down, slide 2 frets barring 5th fret and you have a "D" chord. Again it is practice, practice, practice. Use any chord progression you want, keep in mind the common finger to be used as a pivot, mix in a few barre chords when you can and practice.


Nela

1,154

(35 replies, posted in Acoustic)

Maybe not the best way but here's how I do it. I start by making sure my "A", "D", "G", "B" & "e' string are in tune. I then remove my low "E" string and replace it. After replacing it  tune that string to the "A" string. Then  remove the "A" string, replace it and tune to my "D" string. I continue with all strings until all strings are replaced. All that's left is a final tweak to complete tuning.

Also, when I am replacing srtings I place my guitar in a stand, facing me. This seems to be the easier method of all I've tried.

NELA

1,155

(47 replies, posted in Acoustic)

When playing a song  with 2 or more acoustic guitars playing rythem, I think it sounds good if one guitar is capo'ed up playing the same key but in an higher octave. (in the background) . But that's just me.


On a Willie Nelson CD (listen to the CD as an example) he sings / plays the song Uncloudy Day in the Key of "F". Now in the Key of "F" using an E-shaped barre chord the song doesn't sound right. Now form a D-shaped barre chord on the 3rd fret and it is spot on. Now my ole hands can't make a D-shaped barre Chord for CACA. (or a G-shaped barre chord, either) By using a capo, 3rd fret and playing an open D chord, the song just became a whole lot easier to play and if it is easier that makes it more fun to play. "Nuff said.

Nela

1,156

(22 replies, posted in Chordie's Chat Corner)

Why not start off small and do things per region. I don't know how things lay out across the big pond but here in the states you could have several "MINI CHORDIE STOCKS" all in different locations. IE: Texas, Oklahoma, Arkansas, Louisiana, Mississippi. Or, North Carolina, South Carolina. Georga, Florida. Or, any others. Just a thought.

NELA

1,157

(14 replies, posted in Electric)

Uncloudy Day - Willie Nelson

Silver Wings - Merle Haggard

Sing Me Nack Home - Merle Haggard

Turn out the lights and love me tonight - Don Williams

Tulsa Time - Don Williams

Nela

1,158

(47 replies, posted in Acoustic)

Any song in the key of "Bb" is a killer for me. By using a capo on the 1st fret (it now becomes my index finger for a barre or nut) I can play an open A chord, an open D chord and an open E chord to the song. Now even though I am now playing simple open chords I am still playing in the key of Bb. To play a song in the Key of Bb without a capo and using only barre chords you would have to make an A shaped barre chord, a D shaped barre chord and a E shaped barre chord. My old fingers just ain't built that away. 'Nuff said.

Nela

1,159

(23 replies, posted in Guitars and accessories)

I have been using his tuning technique for many years, now. For an open tuning I sometimes turn the knob things the opposite direction from what he showed. When I really take the time to make sure all the little knob things are perfectly lined up on the end of the thingy my guitar sounds simply amazing. When I am playing with our little "get together" group all they can do is just sit and stare. They will just completely stop playing so they can listen to me. I completely outshined them so much at our last practice that the next time they got together they did not ask me to come play. They said they needed the practice just so they could keep up wuth me. Can't wait until Ash Browne's advanced lessons come online.

Nela

This is a topic that  am interested in, myself.  I have an AC-60 Roland acoustic amp, as well, that I use with my Takamine acoustic/electric guitar. I also would like to ubnderstand more about the chorus functions. This is a GREAT small amp, has a lot of features and can really pack a punch. Roland now has a AC-90 acoustic amp and I have heard a lotta good thing about it. Small package with a whole lotta sound.

Nela

1,161

(25 replies, posted in Chordie's Chat Corner)

weedjie, what's the problem? (down strum = 6 strings) + (up strum = 6 string) Total 12 strings played.

Never heard the expression "scunnered" before. Does it hurt?

Nela

1,162

(25 replies, posted in Chordie's Chat Corner)

Old dumb me but I started on a hard one (and a long one, too). The 1st song I learned to play, beginning to end (rhythm) was Lyin' Eye's by the Eagles. After learning this song I strared staying with the simple 3 chord songs.

Nela

Still looking for ant information on this song.

nela

Listen to the Don Williams song "Tulsa Time" it has a good beat and only uses 2 chords - E and B7.

Now by playing the same strum pattern and changing the chords to D and A7 you will be playing Achy Breaky Heart.


That's 2 songs for the price of 1.

Nela

1,165

(7 replies, posted in Electric)

I got to play a Michael Kelly "HYBRED" guitat when I was working in Oklahoma City, Ok at a music store. This guitar is unique in that while having the appearance of an electric guitar (kinda semi hollow body) you can get sounds you would expect from an acoustic and by flippin' a switch you get the screaming eletric sounds you expect from a lead "ROCK" guitar. Really unique. Just do a search for Michael Kelly Guitars to find out more. They make all kinds of stringed instrument, electric, acoustic guitars, mandolins, acoustic basses, etc. Check them out.

Nela

1,166

(8 replies, posted in Guitars and accessories)

Also, find out ahead of time if tou can carry the guitar on as a "carry on". I do quite a bit of flying and have been able to do this. It helps if you are a frequent flyer and get early boarding privileges while there is plenty of overhead space, as well. In most hard shell guitar cases there is a small storage area where you can keep small "gear" items such as tuners, capo's , cleaners, polish, etc. - LEAVE THE POLISH AND CLEANER AT HOME. You may be asked what the capo is since it is a strange looking device. Have an anser ready. If you will not be needing something then leave it at home.

If you have to check the guitar case as luggage then expect to have some new "battle scars" on it when you get where it's going. Things are not handled very gently by the baggage handlers. If you place a "fragle" sticker on the case they will use it as a "bullseye" and hold target practice. You will not be allowed to lock the case, either, since it may have to be inspected as it goes thru the process of being loaded on the plane. If you have a "day / date camera I would take a photo of the case / guitar prior to boarding (along side of that day's newspaper) so the condition of the guitar can be determined at that point in time. (You said you were flying to Ireland but you did not say from where. The more stops and planes changes you have the more the case / guitar will be handled. Keep in mind that the cargo holding area is not heated in any way. Always loosen the strings several turns as the change in altidude will affect the guitar. Have a safe trip and NEVER / EVER carry more than 4 oz's of toothpaste with you while flying!

Nela

1,167

(12 replies, posted in Acoustic)

I try to use a full barre "F" chord when I can but I do find myself going to the xx3211 fingering. Sometimes it just depends on the song as to which way I make the chord. In a normal chord progression of C, F & G it seems to be a little easier for me to get back to a C chord from either the F chord or the G chord position if I use the xx3211 fingering. But thats just me.

nela

1,168

(1 replies, posted in Electric)

Lookin' good, yeah.

One thing I do that has helped me a lot with my timing is to keep a thin pick on the console of my truck and strum (across my chest) to songs being played on the radio, while driving. Since I drive approximately 40,000 miles a year I get to do a lotta struming. By listening to the bass (beat) of a song it helps me find the strum pattern while counting in my head. Since I have XM Radio and like the older country music it gets kinda easy once you've learned 6 or 5 strum patterns.

In 4/4 time:(D = Down & U = Up)

1  &  2  &  3  &  4  &
D U  D U D  U  D  U

1  2  &  3  &  4  &
D D U  D  U  D U  (I find this pattern is used a lot)

1  2  &  3  4  &
D  D U  D  D U

In 3/3 time:

1   2  3
D  D  D

1  2   &  3  &
D  D  U  D  U

Lets don't even go into "Triplets".

Nela

1,169

(6 replies, posted in About Chordie)

Yeah, I know what you are saying about a songs chords being incorrect as to the key. One of the problems I have is that my wife sangs, a little, and even though I download the songs per the key of the CD, (hopefully)  then have to try to transpose the song into the key of her voice. ( and she kinda sings by ear through her nose) Sometimes this can be difficult since my "ear for music" is not as good as it needs to be. I am finding a lotta song on this board that  feel is incorrect and I am trying understand what needs to happen in order for me to make the corrections that  I need to play the song. I am aware of the "Circle of Fifths", am able to use it but sometimes I find it easier (at least for me) to write out all the notes starting with the key and circle the chords to be played. Directly underneath that I write out the notes begining with the key I am transposing the song to. This way it becomes easy to actually see the changes. Some of what I am finding in the I, II. III, 1V, V, VI AND VII progressions is a chord that falls halfway between the VI and VII chords. This is where I am getting confused. Many thanks for your comments.

nela

The last guitar I bought I went in the music store with a firm price range already in mind and played for several hours. I was looking for an electric acoustic and spent the time playing everything within that price range. When I had finished I had 4 to 6 guitars that I liked so I went home and thought about it, overnight. The next day I went back to that music store and played only the ones I had selected the previous day. Again I played for about 2 hours and finally decided on which one I wanted. I went home, confirmed my decision, then went to a different music store, played the exact same guitar for about $40.00 less, got the salesman to kick in a hard shell case and made the purchase. Also, it didn't hurt that the 2nd music store had the guitar in a Flamed Maple finish (back and sides) that was WAY better than the other store. Also, this was a "Mom & Pop" type of store who prided themselve on their service. They bent over backwards to help in everyway to set up the guitar and make sure I was satisified. Anyway, I am the proud owner of a Jumbo Takamine Electric Acoustic.

Nela

1,171

(3 replies, posted in Electric)

Really like the sound of going from a G chord to a G7 chord then a C chord. It fits.

nela

Good article. There are too many music stores (or just general businesses) who treat potential buyers as if they were on an assembly line. Get'em in the store, put product in hand, smother them in "BS", get'em outta the store, wave goodbye and then laff their butts off about the sell they just made. I am still learning but at my age and experince I can easily reconize the smell of hot air blowing over a turd. When I feel that I am not being respected by a salesman (anywhere) I'm outta the door in a hurry. I work in the construction industry and I am a Vice President for our company. My salary level allows me to be able to purchase items (within reason) when I want them (by this I mean that there are a few times when I don't have to ask my wife if it's ok). When I ask the salesman a question, most times I've already done my homework, I can tell if I am being answered correctly or only told what I want to hear. Either respect me and what I have to spend or I will go elsewhere.

Nela

PS: The line about "hot air blowing........." could be a "hook" for a new country song. Don't anyone try to steal it.

As  I understand the Nashville numbering system it goes like this;

Whole Step, half step, whole step, whole step, whole step, half step, whole step

Key of "A"

A......A#/Bb......B......C......C#/Db......D......D#/Eb......E......F......F#/Gb......G......A......
[.....................][......][.....................][.....................][................][..........][......]
       WS               HS            WS                   WS                 WS           HS       HS
1.....................2.......3......................4......................5................6...........7......1

In a 1 - 4 - 5 progression 1 = A, 4 = D and E = 5.

The 1st, 4th and 5th chords will be majors, 2nd, 3rd and 6th chords will be minors and the 7th chord will be a diminished chord. (keep in mind the 5th chord of a key could be a shown as "57". If / when this happens, as in the key of "A" that chord will be played as a E7 chord. Also, a minor chord could be shown as a seventh chord. If a chord, in any key is shown as "27" then that chord would be as a seventh (Key of "A" a chord listes as "27" would be played as a "Bm7" chord) Anyway, that's the general idea. Chords for any key can be determined by writing out the notes, as I did above, then using the Whole Step, Half Step, Whole
Step principle then applying the numbers 1 thru 7.

Nela

1,174

(22 replies, posted in Acoustic)

Acoustic / Classical Guitars.

I anyone ever gets the chance take a good look at what Willie Nelson is playing. You just might be surprised. And he does some amazing things with his music.

Nela

1,175

(6 replies, posted in About Chordie)

Thanks for the reply, Jerome. Sometimes the chord progressions can be as difficult as Chinese arithmitic. An example of what I am asking about can be seen in a Randy Travis song "Pray for the fish". This song is in the key of "B" and by using a 1, 4, 5 progression the chords would be "B", "E" and "F#". As shown on the song an "A" chord is also used. Now by using the whole step, whole step, half step, whole step, whole step, whole step, half step progression a "A" chord falls half way between the 6th and 7th chords. I sure hope I'm explaining this correctly. If a "A" chord is to be used, how should it be played? (as a Major chord or a Minor chord) I have been seriously been playing guitar for just a little over 2 years so my skills still needs improvement. I am basically self-taught and my "ear" for music is not as good as it could be. Since I started playing at the young age of 54 I know I'm never going to become rich or have a problems with groupies following me around. With the group of people I do get to play music with I stick with playing rythem. Any help you or anyone else can provide concerning this will be greatly appreciated.

Nela