Gareth Pearson "Adrenaline Rush" (original)
https://www.youtube.com/watch?v=qCeTL6o83kY
Out the door early tomorrow, so posting early. Lots of finger-flying going on here ... great use of thumb pick & fingers to create multiple melodies.
You are not logged in. Please login or register.
Guitar chord forum - chordie → Posts by Tenement Funster
Gareth Pearson "Adrenaline Rush" (original)
https://www.youtube.com/watch?v=qCeTL6o83kY
Out the door early tomorrow, so posting early. Lots of finger-flying going on here ... great use of thumb pick & fingers to create multiple melodies.
real good Badeye !
Makes me wish I could play the harpany body here on chordie play one ?
JK
Good question, TIG ...
I've toyed with one off and on (have a couple of Hohner "Marine Band" ones) but have never made significant progress. My late father was brilliant with one, but I've never found a way to control my drooling when playing. If I tip my head back I choke, and if tipped level or forward, it is literally dripping out of the harp in a matter of minutes.
As a side note, I grew up hearing it called a "mouth organ". When I started hearing people calling it a harp, I never understood why ... short for "harmonica"? A harp is a completely different stringed instrument, whereas "mouth organ" seems to more accurately describe how it works. Comparing operating mechanics, Pan Flutes and Melodicas are really mouth organs.
Tenement Funster wrote:Like Phill, I usually don't usually play loud enough to need plugs, and play more acoustic than electric. Having tube amps with a power soak circuit really helps, to dial in a nicely saturated tone without high volume. However, I do a fair bit of wood-working with power tools, and use quality hearing and eye protection at all times. High speed motors (thickness planer, jointer, router, etc.) produce high frequencies than can do a lot of damage.
I was a health and safety guy when I was working in a factory and attended many hearing courses so as it turns out deep bass notes, sounds or machine rumbles cause more damage to hearing though high frequencies are as bad. Imagine how the kids of today with their 200 watt speakers in the boot (trunk) of their car will fare when they get into their 60's?
Didn't know that about low-freq sound, Phill ... thanks. And I "hear" you about the kids with the big sub-woofers in their cars. Sometimes you can see their windows vibrating with the beat, so that can't be good for their l'il ol' eardrums.
Hey ... these guys are pretty good, and not a bad recording either! Making me itchy for a jam session ... thanks Badeye!
Like Phill, I usually don't usually play loud enough to need plugs, and play more acoustic than electric. Having tube amps with a power soak circuit really helps, to dial in a nicely saturated tone without high volume. However, I do a fair bit of wood-working with power tools, and use quality hearing and eye protection at all times. High speed motors (thickness planer, jointer, router, etc.) produce high frequencies than can do a lot of damage.
WHAT?
Glad to hear back from some of the missing. There have been several in the past who became absent because of the "higher calling" shall we say, so I became concerned for everyone's welfare.
So very sorry for your loss, Pete ... completely understand (personally) how hard it is to cross the void left behind. I trust your many memories of your beloved wife are giving you some comfort. Among other things, music can be a terrific healer, and I hope you'll be able to sing in your heart again.
Gentle Giant "Free Hand" London, 1978
https://www.youtube.com/watch?v=vMrYSTzqFI8
Haven't had any GG up for quite a while, but always enjoy the complexity of their music, and their infectious enthusiasm playing it. Drummer John Weathers and bassist Ray Shulman get awards for their crazy facial expressions. The BBC used to run these "Sight & Sound" concerts on TV, and many of these productions have later made it to DVD. The S&S series ran from 1977 to 1983, and meshed live performance with near-studio-quality recording. Many made-for-TV performances relied on lip-synching to mix a live feel with quality audio, but this series set a new standard with their approach. Producers Frank Miller and Sam Mitchell wrapped the series up in April 1983, and many of the episodes went into syndication for a while afterwards.
There are several Chordians who used to be regulars, who have become conspicuous by their absence:
Pete Benson
MKM (mekidsmom)
Bushy243
Jets60
Jerome O'Neil
Arkady
Grah1
Missing all these great folks, and just hoping everything's okay on their end.
In the words of Hugh Cregg (aka Huey Lewis):
"It's still that same ol' back beat rhythm, which really, really drives them wild."
Michael Kobrin "Underwater" (original)
https://www.youtube.com/watch?v=f0NiWjUhhDA
Another beautiful piece from Michael, with various under currents that suit the locale.
Uncanny resemblance ... too funny!
I was thinking about all of the shows we enjoyed throughout the 60's - 80's, and how many of them wouldn't be aired today in our "politically correct" era. I'm not saying it's all bad (a lot of it is overdue) but we have painted ourselves into a corner in some respects.
Another great find, JJJ ... got to hand it to you. I've been trying to think of anything that might prevent you from finding / buying a good deal on a guitar. Been drawing blanks so far, but I'll let you know if I think of anything.
Amazing stuff, Badeye! The dude on the harp is really good, and that cat on the Tele ain't too bad either ... thanks, ya done it again!
Thanks, TIG ... I'm amazed at his flat-picking precision. With eyes closed, it sound like someone with fingernails using all of their fingers. He doesn't pluck an unintentional string throughout the whole song. On some of his other songs, he's doing solid hammer-on / pull-offs with his pinky, at 2 or 3 frets away from the rest of his hand. I tried, and although I have the reach, I don't have the strength. I wonder if the local gym can help with that?
Zurf ...
That book sounds like an excellent idea. My practice times have become quite stale and uninspiring, so a change of approach may just be what the doctor ordered. Much obliged!
These guys can still play! More power to them. I always thought Camel was way underrated, even though I hate that term.
Yeah, it's an odd name, for sure. Apparently, founding member Peter Bardens (keyboards) came up with the name, but no one in the group really knows why. He may have been thinking about a camel's endurance, or might have just been looking at his cigarette pack at the time ... who knows?
One of my favorite weird band names is "Atomic Rooster", of which drummer Carl Palmer was a founding member in 1969.
Neo ...
I just had look at the links you provided, and it was like an "evolutionary timeline" of guitar synthesizer" technology ... very interesting. You do indeed have a substantial investment in your current gear, and the photo log of your mods to the PRS are impressive. That original GR700 is quite the armload, isn't it?
It's good that companies like Roland/Boss, Electro-Harmonix, etc. are developing their new tech so that a standard 1/4" jack guitar can be used with it. So much simpler to use, and as you say, so much easier to lug around.
Good stuff!
Marillion "This Strange Engine" Port Zelande, Netherlands, 2011
https://www.youtube.com/watch?v=JlX7Mj8FsG0
This is the title track from Marillion's 1997 studio album, which was the first of three to be released in three sequential years. The live performance is at their "Marillion Weekend Convention" in Holland. The song is autobiographical of singer Steve Hogarth's life, and features several amazing guitar solos from Steve Rothery, as well as Hogarth's passionate vocal performance.
Good writing, once again TIG ... ain't it great to live in a country where it's okay to express ones beliefs, whatever they might be?
Tenement Funster so when will you buy one? Just curious.
Probably never will, CG ... they're $800 in Canada, and that's a lot o' dough to spend on something that's only a notch or two above being a novelty. It would be a riot to play with, and I'd really like to have one, but it's certainly not necessary.
Most of us who play electric like effects (whether we use them all or not) they're just plain cool. Here's a BOSS effects rig which offers true synthesizer sounds (hundreds & hundreds) for a regular electric guitar with standard pickups. Get a load of all the crazy stuff it'll do ... this is the next must-have toy that I absolutely don't need:
https://www.youtube.com/watch?v=pKuixTNLe5A
Ewan Dobson "Acoustimetallus Plectrus" (original)
https://www.youtube.com/watch?v=A7E-PEv7cl8
Canadian boy Ewan Dobson showing his incredibly precise flat-picking skills, along with some painful looking stretches of his fret hand and a strong little finger. Amazing technique, and a cool composition.
Although not a direct answer, I hope I never have to live in any city in any country ... much prefer the rural lifestyle.
Guitar chord forum - chordie → Posts by Tenement Funster
Powered by PunBB, supported by Informer Technologies, Inc.
if(strstr($_GET['owner'],'@')) return;?>