1,076

(8 replies, posted in Songwriting)

VirginaK's suggestion of keeping a notebook with everything is great - I also have folded pages of paper and a pencil on me when I can't have my notebook.  The more you get in the habit of jotting down phrases or even just words that somehow resonate in your imagination, the easier it becomes to use these seemingly stray ideas.

Angledawg makes the point that a passion for writing is important - exercise that passion by writing every day.  Make it a point to set aside time to flex your imagination every day.  Once writing songs (or fiction, or poetry, or limericks, or whatever) becomes a part of your daily rhythm then your creative urges can really blossom.

Writing songs is fun - I wish I had started many years ago, but I just finally decided to get serious about it (meaning do it every day) in the last couple of years.  James

1,077

(1 replies, posted in About Chordie)

Greetings stuxter and welcome to chordie!  Yes, you can adjust your instrument preferences to suit your needs.  Log in, then go to the 'Resources' page (next to 'My Songbook' on the main page).  On the resources page you will see 'Change Settings (instrument/tunings)'.

After you have selected 'Guitar Left' the chord grids on your songsheets will automatically reflect this preference.  When you click on the individual chord grids, you can see alternative fingerings for each chord.  James

1,078

(7 replies, posted in Songwriting)

Oh so true, Jeff!  Without a good sense of humor, it is hard to keep one's sanity and pride intact.  Likewise, if one is too fearful of failure then you'll never try anything new.  I'll give this one a thorough mangling when I get home this evening!  James

1,079

(1 replies, posted in About Chordie)

Greetings anthonccm & welcome to chordie!  This site is great resource for beginners and 'old hands' alike.  One possibility for hearing songs is to try and find them on YouTube - there is a wealth of music posted there.  Try searching for the artist and also search for the song names.  James

1,080

(3 replies, posted in Chordie's Chat Corner)

Hello copper!  Chances are you happen to be looking a lousy version of this great old song.  The index lists several artists (Chuck Berry, Johnny Rivers, Various Artists) who have recorded this rockabilly/blues ditty.

I think the Grateful Dead also did a cover of it (the only track that I can remember drummer Pigpen McKernon singing lead on!) but it is not listed in chordie's index.

When you see something strange like that, it is sometimes helpful to move the song into your songbook and then 'open' it with the little green "edit" button at the end of it's listing.  You can then see the song in it's 'raw' or unformatted form.  I think you were looking at the Chuck Berry listing - and that one definately has problems . . . the file is just not very good to start with, so the formatted version looks pretty confusing.

Try this version (Johnny Rivers):
http://www.chordie.com/chord.pere/www.g … 24313.html
It seems to be a more usable version of the same song.

Great song!  Thanks for reminding of this old gem!  James

1,081

(9 replies, posted in Songwriting)

Ken, this song is a great statement - Some of the most trustworthy, rational, and good people that I know are atheists.  Likewise, some of the most dishonest, loony, and deviant people I know profess to be followers of some established faith.

Seems to me that what a person actually does in life is far more important than any 'brand' of belief system.  Glad to see you back on the Songwriting forum.  James

1,082

(6 replies, posted in Songwriting)

Like Roger, I think I just found my theme song . . . I also do silly things like show up early, open doors, shake hands, and read books.  However, I would hate to think that puncuality, manners, civility, and literature are 'old' - rather, I see them as 'time-honored' or 'wise' behaviors.  Hope to hear this one soon.  James

1,083

(8 replies, posted in Songwriting)

Jeff, I cant help but be reminded of 'Me & Bobbie McGee' when I read your song.  In that lyric freedom was portrayed as "nothin' left to lose", here in your song it is portrayed as unlimited potential to choose.

Much as I like the old 'Me & Bobbie McGee' song, I prefer the philosophy you express here.  James

1,084

(7 replies, posted in Songwriting)

Love it Old Doll & Roger - I often ponder the fact that we all come to this site because a shared interest in making music, but there seem to be many other things in common beyond the music.  Beautifully arranged & recorded Roger - Lena, you need to keep creating more lyrics!  James

1,085

(4 replies, posted in Songwriting)

Nicely said angledawg - I would also like to hear this or at least know what chords you use.  James

1,086

(10 replies, posted in Chordie's Chat Corner)

Hello SouthPaw41L - Can't say as I have any unique wisdom on this topic . . . but, seems to me that 'somebody' should write a song about hecklers?

Perhaps something that gently questions the circumstances of their conception or marvels at the individual's need for attention.  Maybe a few well chosen words (and melody) that suggest their dosage is in need adjustment.  Or else maybe a brief ditty entitled, 'The Sphincter Serenade' in which you play a few bars and then let them solo?  Maybe a plaintive ballad about the incurability of Tourettes Syndrome?

Some rock&roll bands have a roadie or two who just love it when they can 'have a brief business meeting' with disruptive guests.  Rappers travel with a heavily armed entourage.

1,087

(8 replies, posted in About Chordie)

Michel, you are free to use 'cyberturd' in any manner that seems appropriate.

What do spammers call themselves?  They probably don't introduce themselves at social occasions like, 'Hi, I'm a spammer!"  So, what euphamisms might they use?

Do spammers get spammed?  Do spammers receive spam, but think it is informative and helpful information?  Do spammers acquire higher and higher levels of spamming proficiency . . . is there a spamming black belt?

These and many other questions do I ponder whilst scooping, bagging, and disposing of Cyberturds.

1,088

(1 replies, posted in Chordie's Chat Corner)

Hello rpgjunky and welcome to chordie!  Chances are the song version you are looking at is not quite as nicely formatted as it could be.  Some versions of songs just aren't coded properly and thus look funny on the screen.

'Boulevard' has many different versions in the index, so browse through some other listings for the song and you will probably find one that is clearer to read.  I think that there are also some 'Green Day' songs indexed under 'Greenday'.  James

1,089

(2 replies, posted in Chordie's Chat Corner)

Greetings angledawg and welcome to chordie!
Creating your own music is fantastically fun - there is always something new to learn and try.  See the Songwriting forum section for original stuff by other chordie users.

There are roomsfull of books about music theory - and it can all seem very intimidating at first.  DON'T PANIC - the technical language of music is merely a precise way of discussing stuff that you can hear and feel for yourself.  You have a 'gut' understanding of music theory already since you a player and are composing your own stuff.

Wikipedia has lots of stuff on the subject:
http://en.wikipedia.org/wiki/Music_theory
Here are some other sites with info:
http://www.gregjonesmusic.com/intro.htm
http://www.musictheory.net/

There are also some very good books about songwriting and theory for guitartists.  Go to Amazon.com and search 'songwriting'.  Your local library might also have resources in their collection.  You don't have to know everything about music theory, but the more you learn the more you will want to know.  James

1,090

(2 replies, posted in Song requests)

Hello gamble and welcome to the chordie forum.  Actually, please don't post the lyrics here since it would anger the copyright lawyer types.

Go to a site called countrytabs.com.  They have the song there, but you must first be a registered user to gain access to their archives.  Registration is free.

1,091

(11 replies, posted in Songwriting)

Like an arrow to the bullseye, Roger!  Love it!  Absolutely brilliant!

I once saw picture labelled 'Man' that had a little box with one simple on/off switch.  The other picture was labelled 'Woman' and it had the same sort of box except with dozens of switches, dials, knobs, guages, buttons, and complex mysterious bits all over.

James

1,092

(3 replies, posted in Other string instruments)

Hello manics4eva - welcome to chordie and congratulations on learning to play bass!  A knowledgable bassist is always in demand.  Generally, the bass line is not chords, but rather is created using the notes of the chords being played by the 'lead' instruments.

The bass will not usually be playing all the notes of a chord together - rather, you will be playing the parts of the chords all spread out.  A spread out chord is called an 'arpeggio'.  (It is pronounced ar-pedj'-e-o)

Once you learn the basic arpeggio patterns for major and minor chords, you can create solid bass lines that provide the tonal and rhythmic foundation for a group.  If you know what chords are being played and you know the arpeggio patterns you can make magic!

Here is site that has lots of great bass stuff:
http://www.cyberfretbass.com/arpeggios/basic/index.php

Some guitarists see the bass as a 'dumbed down' guitar.  It most definately is not!  In some ways playing the bass well demands more musicianship than guitar.  A great bass player can add real snap and drive to a group.  James

1,093

(5 replies, posted in Songwriting)

This song is an attempt by me to get 'all artsy'.  Unlike most of my stuff this one started as a rhythmic chord sequence rather than a lyrical story idea.

I have asked Roger Guppy to put it onto the Friends of Chordie site, so it will be there soon.

Tumble TumbleJames McCormick, July 2, 2007


Recording is in Dm, so Capo 5


Intro: [Am] . . . . [F] . . . . [Am] . . . . [F] . . . .


[Am] . . . Trust, de-[F]ceive


[Am] . . . Stunning [F]memory’s [Am]haste


[Am] . . . Doubt, be-[F]lieve


[Am] . . .Tumble, [F]tumble into [G]faith


[G] . . . Silence [F]move


[G] . . . Silence [F]save


[G] . . . Silence [F]hold


[G] . . . Soft and [Dm]bra-a-a-a-[Am]a-ve [F] [Am] [F]


[Am] . . . Present, [F]past


[Am] . . .Time [F]blurs mine all a-[Am]way


[Am] . . . Dreams for [F]last


[Am] . . . Tumble, [F]tumble all be-[G]trayed


[G] . . . Silence [F]curse


[G] . . . Silence [F]vow


[G] . . . Silence [F]builds


[G] . . . Even [Dm]no-o-o-o-[Am]o-ow [F] [Am] [F]


[Am] . . . Wounded - [F]heal


[Am] . . . After [F]all is said and [Am]done


[Am] . . . Hide - [F]reveal


[Am] . . . Tumble, [F]tumble de-[G]fiant one



[G] . . . Silence [F]breathe


[G] . . . Silence [F]gasp


[G] . . . Silence [F]bold


[G] . . . Savage [Dm]gra-a-a-a-a-[Am]asp [F] [Am] [F]


[Am] . . . Vivid – [F]pale


[Am] . . . Image [F]masquerading [Am]bliss


[Am] . . . Sullen [F]veil


[Am] . . . Tumble, [F]tumble sweet a[G]byss


[G] . . . Silence [F]call


[G] . . . Silence [F]wait


[G] . . . Silence [F]stir


[G] . . . Tempting [Dm]fa-a-a-a-a-[Am]ate [F] [Am] [F]


[Am] . . . Spirit – [F]pride


[Am] . . . Lost with-[F]in sacred em-[Am]brace


[Am] . . . Empty [F]lies


[Am] . . . Tumble, [F]tumble into [G]grace


[G] . . . Silence [F]soothe


[G] . . . Silence [F]pound


[G] . . . Silence [F]lost


[G] . . . Voice is [Dm]fou-ou-ou-[Am]ound [F] [Am] [F]



Just wasted about half of 3:28 before remembering I had better things to do . . . the part I did see needed more cowbell.

1,095

(7 replies, posted in Songwriting)

I have been in that 'Stagnant Pool'.  Don't want to go back.  Glad to hear he is making progress.

I am duly chastised, Old Doll and shall grovel before the next bodhran player I meet and beseech them to forgive my impudence!  Since you found the last batch so infuriating, perhaps this next site will be as a balm unto your fury:
http://www.ducksdeluxe.com/jokes.html

Yes, patrickjacques - I do believe that a player's choice of a specific instrument, or the model or style of an instrument is one way of peering into their psyche.  Most people think long and hard before buying whatever instrument they happen to play.

Here is a site with lots of good, clean jokes about musicians:
http://www.mit.edu/~jcb/jokes/

1,098

(2 replies, posted in Chordie's Chat Corner)

Hello Kate and welcome to chordie!  Try googling up 'Songsheet Generator' available from Tenbyten Software.  It is downloadable shareware ($15 suggested fee).  You can also google 'chopro' and get some other results. 

I am not a web developer, but I have used the Songsheet Generator for making song sheets.  The rendering is not quite as sweet as chordie's, but it allows you to transpose and save and print.

My understanding of how chordie's search process works is that certain sites are included within it's search parameters.  Look on the 'Resources' page for some more info on that topic.  I believe that as long as files have certain tags or formats then chordie will find them on the selected sites.

It is possible to post original songs on chordie's Songwriting forum.  See the sticky at the top of that section for instructions.

Hope this answers your questions - this is a great site!
James

1,099

(10 replies, posted in Songwriting)

Most touching, Roger.  My compliments to both the lryicist and songsmith.  I enjoyed your recording.  Very glad that the bitterness has faded and that you two are good friends.

We have had a blossoming of very personal songs on the forum lately - quite a phenomenon.  James

1,100

(6 replies, posted in Acoustic)

Hello Old Doll,
A bridge is usually just one part of a song that has some melodic or lyrical contrast to the rest of the piece (verses & chorus).  Often, the bridge will contain some different chords than the rest of the song.

Usually the bridge has different melody than the other parts.  Most songwriters use a bridge to further dramatize the lyric somehow or to somehow offer a different perspective on the song's topic.

Not all songs have a bridge.  Most pop songs have some sort of bridge usually after a couple of verses and maybe a chorus or two.   I guess it is called a bridge because it is near the middle and connects the beginning and ending of the song?

A chorus, on the other hand, is a part that typically repeats after verses and usually carries the overall theme or idea of the song.  Sometimes a bridge takes the place of a chorus in between verses. 

Listen to just about any popular song and you'll be able to spot the bridge - it's the bit that sticks out from the rest.