1,051

(1 replies, posted in Song requests)

Hello krishanu - I just checked the Dire Straits catalog (under Artists) and there are over 20 listings for 'Romeo & Juliet'.  It is a great song and uses a pretty common set of chords - the rhythm is the tricky part for me.

Check out all the listings and you may find one that suits your taste.
Here is one that has just the lyric and basic chords:
http://www.chordie.com/chord.pere/getso … iet.chopro

1,052

(4 replies, posted in Songwriting)

Here's a little song of love with a country flavor . . .

Your Loyal Right of WayJames McCormick, July 18, 2007


Your [C]crumple zone is dented, your [Em]airbags deployed


There's [F]glass upon the highway and your [G]paint job is destroyed


[C]Everybody's wondering if you're [Em]gonna be OK


That [F]bastard sure did violate your [G]loyal right of [C]way.


Honey - [F]I don't have the know-how or [C]tools to make it right


It's [G]all so complicated and I [F]never was that [G]bright


Honey - [F]take my hand I'll tow you out on-[C]to the big dance floor


That [G]bastard now is history he don't [F]matter any-[C]more.


Your [C]dreams have all been sideswiped your [Em]heart it has been rammed



That [F]trip down lovers' lane did not [G]turn out like you planned


But [C]I will be here for you to [Em]get you on your way


That [F]bastard sure did violate your [G]loyal right of [C]way.


Honey - [F]There is no insurance for [C]big romantic wrecks


But [G]he will get what he deserves I [F]truly do ex-[G]pect


Honey - [F]Take my hand we'll have a twirl u-[C]pon the big dance floor


That [G]bastard now is history he don't [F]matter any-[C]more.



1,053

(3 replies, posted in Chordie's Chat Corner)

Ken - It is good they now know precisely what is there and are able to do something for it.

Regarding the voice training - in my mind I envision a 'My Fair Lady' sort of situation with a Professor Henry Higgins sort of guy coaching you on how to say, "The rain in Spain falls mainly in the plain."  A very amusing image . . .

But actually, I am truly curious to know just what the voice training will be.  Let us know what it is all about when you do that.  James

1,054

(2 replies, posted in Song requests)

A little bit of sleuthing turned up this info:
The artist is a Norwegian electronica duo called Royksopp and their website is here:
http://www.royksopp.com/
There is a Wikipedia article about the band:
http://en.wikipedia.org/wiki/R%C3%B6yksopp
You can also hear the song in the background of this cool Geico Caveman site:
http://www.cavemanscrib.com/
OK?  So please don't go insane . . . James

1,055

(6 replies, posted in Songwriting)

There is a long tradition in classical music to include the chosen key in the name.  So, how about something like 'Trio in D Major' or 'Opus 14 in E Minor' or 'Instrumental One in G Major'.  Naming an instrumental piece is hard - many jazz composers seem to just randomly pick words for names.  Get it written and by the end some appropriate name will probably obvious to you.  James

1,056

(8 replies, posted in Songwriting)

Thank you gentlemen!  I really enjoy riding my recumbent bicycle - I ride a Trek R200 and it is wonderful machine: 40 speeds of human-powered fun.  Here is a link to show what the bike looks like:
http://images.google.com/imgres?imgurl= … n%26sa%3DG

1,057

(2 replies, posted in About Chordie)

Hi drantle - 'Til It Shines' is a great song.

The best way to fix a song is to edit the listing right here in chordie.  Here is one way to do that:
1) Log in first and go to the song.  Move the song into your songbook.
2) Go to your songbook.  Open the song using the green "edit" button at the end of it's listing.
3) You will now see two panes on your screen.  The upper one is where you can correct lyrics and chords and make your improvements.  There is often lots of 'chaff' or extra junk there that can be deleted.  {Note: do not change the song's title or subtitle!}
4) As you are changing things you can hit the 'save' button between the panes to see how it will look.  The lower pane gives you the formatted view of the song.
5) After your changes are done, hit 'return to songbook' then open the song again by clicking on it's name.  Check to make sure everything is correct, make sure the transposer works and that everything is lined up correctly.  If not then go back to the edit mode again.
6) Once everything is correct copy EVERYTHING in the edit pane, then go back to the original listing in chordie's index.  At the bottom of the page is a 'correct song' button - hit this to open the main listing for editing.
7) Mouse off and delete all the stuff in the edit window (completely zap the old version) and paste in your improved version.  Be sure to hit the 'save' button between the panes before leaving the edit mode.

I know this seems complicated - but it is not really that difficult.  The main trick is learning how to use the chordpro coding so that everything gets formatted correctly.  Editing and correcting songs is a great way to really learn a tune and it helps everyone to have a correct version available.  James

1,058

(8 replies, posted in Songwriting)

I ride my recumbent bicycle everyday - it is a great way to get around and get happy.  'Regular' upright bikes are often referred to as 'Wedgie Bikes' by recumbent riders (for painfully obvious reasons).

Wedgie TortureJames McCormick; July 17, 2007


I [G]ride to work and to the store, I ride all over [C]town . . . .


I [C]ride that crazy [G]bicycle, I'm locally re-[D]nowned.


I'll [G]pedal here and pedal there, ride wherever I [C]like . . . .


But [C]I won't do it [G]nosiree u-[D]pon a wedgie [G]bike.


My re-[C]cumbent bike is beautiful, comfortable and [G]sweet,


A [C]high-tech light re-[G]cliner zooming down the [D]street.


My re-[G]cumbent bike is sexy with looks that can't be [C]beat,


I [C]gave up wedgie [G]torture for an [D]ergonomic [G]seat.


I [G]settle in and lean right back, and wear a big old [C]smile . . . .


This [C]bike is made for [G]cruising mile after [D]mile.


I [G]gaze around, relax a bit, enjoy the scener-[C]y. . . .


The [C]world is such a [G]pretty place with-[D]out the big wed-[G]gie.


My re-[C]cumbent bike is beautiful, comfortable and [G]fast,



[C]Dreadful bodily [G]aches and pains are of the distant [D]past.


My re-[G]cumbent is efficient and riding is a [C]treat,


I [C]gave up wedgie [G]torture for an [D]ergonomic [G]seat.


I [G]raced the dreaded wedgie bikes oh way oh way back [C]when . . . .


The [C]day I got my [G]'bent is the day the fun be-[D]gan.


I can [G]ride for hours pushing hard and spin those miles a-[C]way . . . .


And [C]later on I [G]feel so good with no [D]wedgie-butt dis-[G]may.


My re-[C]cumbent bike is beautiful, comfortable and [G]sweet,


A [C]high-tech light re-[G]cliner zooming down the [D]street.


My re-[G]cumbent bike is perfect, it makes my day com-[C]plete,


I [C]gave up wedgie [G]torture for an [D]ergonomic [G]seat.


Yes, I [C]gave up wedgie [G]torture for an [D]ergo-[C]nomic [G]seat.



Bullseye!  Profound & poingant . . . this is what songwriting is all about.  James

1,060

(13 replies, posted in Songwriting)

I'm so glad you like this one, Old Doll.  Yes, I do think of and thank Him/Her, the great I Am - whatever your chosen belief system might call it.

Please don't think that my little diatribe above regarding money-grubbing TV preachers means that I am anti-belief or anti-religion.  I am not.  Actually, I am an Episcopalian and have been an active member of our local parish for 20+ years.  I sing in the choir, have served on the Vestry, and enjoy being part of an active worshipping community.

Like most families here in The South, our church is an important part of our daily lives.  It is one of the main ways we are connected to the larger world around us.  However, I take a very dim view of anybody who claims that their chosen 'flavor' of belief is the one-and-only-path - that is just utter nonsense.

I deliberately kept 'Sparkling Chains' free of any overt references to a particular diety or 'ism' because it is not a song about any particular religion - it is a song about the connections between people.  James

1,061

(5 replies, posted in Songwriting)

Thank you, Old Doll - What happened to Lillyroo? . . . . Don't know for sure yet, but I have pondered that very thing - - - I'll let you know once I decide.

Maybe she moves to Ireland and lives a full life with a family and many many friends?  James

1,062

(5 replies, posted in Songwriting)

Thanks, Roger.  I shall get this one recorded soon.  It is mighty long so maybe there won't be a 17 minute drum solo in the middle.

Speaking of recording, Johnny Vitalis (who had been active on the songwriting forum) is nearing completion in the construction of his recording studio/practice hall.  He'll be back online soon.

1,063

(13 replies, posted in Songwriting)

Thanks Jeff!  Old Doll really liked the lyrics also and she honored me by reading the words to the guests gathered at a wedding in Ireland - she says it was well recieved!

I have recorded a version of this song and have sent it to Roger for posting on the Friends of Chordie site.  Should be up there in a day or two.  Separating the verses with a little interlude is good idea.  James

1,064

(5 replies, posted in Songwriting)

Here is a story in song - sort of epic in length, but I wanted to tell sort of a different frontier tale. 

Usually frontier stories are all about a cowboy riding through town and changing lives (sort of like the movie 'Shane').  However, in this song the main character is a young girl who pauses in her journey west toward Hollywood and her presence causes quite a stir in a little town.

LillyrooJames McCormick, July 1, 2007


In 6/8 time, a frontier ballad


Some [G]guys just got goofy [C]when she was near, Some [G]guys just got quiet and [D]froze.


Some [G]guys would strut and be-[C]have like a nut, Some [D]guys would just [C]look at their [G]toes.


Her [C]figure inspired, her [G]posture required the [C]once-over twice to be-[D]hold. . . .


Her [G]smile bedazzled, her [C]hair never frazzled, And her [D]voice was [C]like liquid [G]gold.


[F]Lilly-[C]roo, [G]proud and tall, [F]Lilly-[C]roo, my [G]queen.


[F]Lilly-[C]roo, de-[G]termined to make it [F]Onto the [D]silver [G]screen.


I was [G]working dad's truck stop, [C]pumping that gas, [G]Washing those windshields [D]too.


That [G]dusty old town was [C]strangling me, I dreamed [D]where that [C]highway led [G]to.


That hor-[C]izon was flat and [G]far and wide, My [C]life was somewhere be-[D]yond. . . .


But [G]I lacked the gumption, the [C]utter presumption, To cut [D]loose and [C]break family [G]bonds.


[F]Lilly-[C]roo, [G]charming and bold. [F]Lilly-[C]roo, my [G]friend.


[F]Lilly-[C]roo, [G]chasing that dream, [F]Out where the [D]highway [G]ends.


[G]Business was good, [C]Dad did repairs, [G]Mom ran the motel ca-[D]fe.


Our [G]days were long but we [C]did pretty good, A [D]proud prairie [C]fami-[G]ly.


That [C]Trailways Bus stopped [G]twice every week, For [C]passengers, meals and [D]fuel. . . .


That [G]driver talked funny, but he [C]had lots of money, Always [D]sat in the [C]very same [G]stool.


[F]Lilly-[C]roo, in-[G]trepid and fierce.[F]Lilly-[C]roo, all a-[G]lone.


[F]Lilly-[C]roo, [G]never did talk, a-[F]bout her [D]people back [G]home.


The [G]wind blew her dress like a [C]bright signal flag, As she [G]stepped off that bus, purse in [D]hand.


The [G]money she saved had [C]bought her a ticket, Just [D]halfway to [C]Hollywood-[G]land.


She [C]fetched a suitcase from up [G]under the bus, Then [C]twirled to go on in-[D]side. . . .


But her [G]case popped open, like a [C]rodeo gate, And that [D]wind blew her [C]stuff far and [G]wide.


[F]Lilly-[C]roo, [G]graceful and kind, [F]Lilly-[C]roo, just a [G]kid.


[F]Lilly-[C]roo, [G]helping her out, Was the [F]best thing that [D]I ever [G]did.


I was [G]dodging that traffic and [C]chasing her clothes, As they [G]fluttered like birds in the [D]dust.


I was [G]risking my life to [C]chase down her things, But a [D]guy's got to [C]do what he [G]must.


Like [C]soft sacred relics ca-[G]ressing my hands, Like [C]gossamer veils for a [D]shrine. . . .


Like a [G]cowboy hero I [C]chased down those strays, imagi-[D]nation [C]goin' double [G]time


[F]Lilly-[C]roo, [G]vulnerable.[F]Lilly-[C]roo, in the [G]dust.


[F]Lilly-[C]roo, [G]tender and tough, She was [F]someone [D]I could [G]trust.



[G]Folks were just staring as she [C]walked in the diner, [G]conversation went [D]dead.


She [G]smiled a just a little, sur-[C]veying the scene, then [D]forged [C]right on a-[G]head.


She [C]walked to where Momma was [G]tending the till, and said, [C]"Ma'am I'm looking for [D]work." . . .


[G]Momma just smiled and [C]gave her an apron sayin', [D]"Honey, watch [C]out for the [G]jerks!"


[F]Lilly-[C]roo, [G]slinging that hash.[F]Lilly-[C]roo, so [G]fine


[F]Lilly-[C]roo, [G]raking those tips, Being [F]paid just [D]like triple [G]time.


The [G]church ladies oh they did [C]mutter and cluck, Specu-[G]lating about all her [D]sins.


The [G]feed store geezers and [C]tavern wheezers, Just [D]leered with [C]big stupid [G]grins.


She was a [C]local sensation the [G]talk of he town, al-[C]luring, exotic, and [D]bold. . . .


What a [G]glamorous stigma such a [C]great big enigma, so [D]hot yet [C]so very [G]cold.


[F]Lilly-[C]roo, [G]siren of myth, [F]Lilly-[C]roo so [G]cool


[F]Lilly-[C]roo, [G]swaying those hips, [F]making those [D]yokels [G]drool


Her [G]hair was flowing like [C]bright northern lights when she [G]boarded that Trailways [D]bus.


We [G]stood there like family [C]seeing her off and [D]making a [C]big silly [G]fuss


For [C]forty-two days she [G]worked the cafe, a [C]goddess of posture and [D]poise. . . .


In the [G]time that I knew her, the [C]sky was much bluer, I stopped [D]thinking [C]like a [G]boy.


[F]Lilly-[C]roo, [G]tough as nails, [F]Lilly-[C]roo no [G]tears


[F]Lilly-[C]roo, in-[G]spiring me to [F]live be-[D]yond all my [G]fears


[G]"Thank you for everything! [C]Love, Lillyroo" was [G]all the postcard did [D]say


Momma [G]taped it up there be-[C]hind the till, it [D]hangs there [C]still to this [G]day


It was [C]soon after that I [G]took off myself, [C]destination un-[D]known. . . .


The [G]horizon was calling, the [C]stars were falling, the [D]highway [C]sang a sweet [G]song


[F]Lilly-[C]roo, wher-[G]ever you are, [F]Lilly-[C]roo my [G]friend


[F]Lilly-[C]roo, [G]fierce and free [F]out where the [D]highway [G]ends


Some [G]guys just got goofy [C]when she was near, Some [G]guys just got quiet and [D]froze.


Some [G]guys would strut and be-[C]have like a nut, Some [D]guys would just [C]look at their [G]toes.


Her [C]figure inspired, her [G]posture required the [C]once-over twice to be-[D]hold. . . . .


Her [G]smile bedazzled, her [C]hair never frazzled, And her [D]voice was [C]like liquid [G]gold.


[F]Lilly-[C]roo, wher-[G]ever you are, [F]Lilly-[C]roo my [G]friend


[F]Lilly-[C]roo, [G]fierce and free [F]out where the [D]highway [G]ends



1,065

(1 replies, posted in About Chordie)

Hello flester and welcome to chordie!  Take a look on the 'Resources' page for info on adding songs to chordie's index.  The FAQ's section also has some useful information.  James

1,066

(1 replies, posted in About Chordie)

Hello tom456 and welcome to chordie!  I have also noticed the alignment glitch and it is frustrating because it seems to happen at seemingly random places.  If it is any consolation, this is a relatively new bug . . . there was a major upgrade of hardware and software a couple of months ago and this oddity seemed to start occuring about that time.

This is the sort of thing that the one and only 'Mighty Admin' must handle as he is the programmer with all the special incantations.  I shall send him a heads up and it will probably be easily rectified by sacrificing a fatted calf under a full moon (or whatever it is that programmers do).

Glad you are finding chordie to be a useful resource.  Spread the word.
James

1,067

(13 replies, posted in Songwriting)

Thanks, Roger!  I am planning on recording this tomorrow (Sunday).  Thought I would get to it today, but couldn't find a quite moment.
James

1,068

(13 replies, posted in Songwriting)

Thanks Old Doll!  I had read that poem years ago and enjoyed being reminded of it.  It has a great message in the story.

However,  the video link is to a short film by Trinity Broadcasting Network (TBN).  These are  the 'Give-us-your-money-because-we-have-shiny-hair' TV preachers.  The woman who wrote the poem (Myra Welsh) published it anonymously because she didn't want it's message to be obscured.

Unlike the poetess, the TBN people are all too eager to thrust their egos and images and avarice into their fundamentalist, fear-mongering 'ministry'.  I still like the poem, but am saddened (but not surprised) that this money-grubbing, theocratic juggernaut has tried to use it to further their own radical political agenda and promote their simplistic take on faith.
James

1,069

(1 replies, posted in Song requests)

Hello northernmusic & welcom to chordie!  Great idea - hope you are able to sustain the effort and continue having great success.

Check out a band from Belfast, Northern Ireland called Stiff Little Fingers.

I had never heard of them until I saw their stuff discussed here on chordie.  It's good, straight ahead punk and they actually have something to say beyond "**** you, I'm cool".

1,070

(6 replies, posted in Songwriting)

I like it!  Glad you finally got the song to post.

Hope that the obvious bitterness from the break up is subsiding . . . makes me wonder what the other side of the story might be like!  James

1,071

(4 replies, posted in Songwriting)

Hello Matt - Sorry for the frustration, it is probably one of those situations where something very very simple is being done incorrectly.

I'm no techno-whiz either, but the format of the file should not matter - both .txt or .doc files should work fine.  I have used both successfully. 

Be sure to 'mouse off' or 'mark' all the text that you want to copy and paste into your message (avoid coppying extra, blank lines at beginning and end of text).  If you are trying to paste in just the file's name, that will not work. 

Other than that, I am stumped also . . . hope we can get this fixed, would love to see your song.  James

1,072

(3 replies, posted in About Chordie)

Hello xmusic - That disclaimer is included in some songsheets merely to point out that the copyright to the song is owned by somebody other than the maker of the tab.  Learning the song and playing it is no problem.

However, if you were to try and make 'big bucks' off the song that would be considered 'improper use'.  For instance, if you were to cover a song and then sell a recording, the copyright owner would be owed some of the money generated.

Some internet tab sites are currently battling it out with the Music Publisher's Association.  Since the sites make money selling advertising targeted at the users of the tabs, the music publishers feel they should recieve compensation from the tab site owners.

Copyright laws, 'fair use' and other topics are complex legal issues.  The copyright police will not swoop down on you and put you in shackles for learning and performing a song (unless you are making big big bucks and are truly worth going after).

1,073

(13 replies, posted in Songwriting)

There is an African ideology called 'Ubuntu' which is based on the idea that our humanity comes only from our connections to those around us and that our interdependence defines our individuality.

This song is about the joys of being connected.  The accompianment is simple and the melody is based on a lovely traditional Irish tune.  I see the song as being both celebratory and elegiac. 

A recording is now on Friends of Chordie.
Note: I dropped it one whole step for recording, so the chords are actually Bb, C, Gm.
Thanks to Roger for putting it up on FoC: http://www.myspace.com/friendsofchordie 

Sparkling ChainsJames McCormick, July 12, 2007


set to Irish traditional tune for "She Moved Through The Fair"


In 6/8 time, melody in Mixolydian mode


Intro: ..[C]......[D]......[C]......[D]......


May you [C]sing a new [D]song in the [C]choir's cas-[D]cade


May you [C]find your own [D]place in the [C]grandest pa-[D]rade


May you [C]stride strong and [D]steady with-[C]in our do-[D]main


May you [C]be a proud [Am]link in the [C]sparkling [D]chains


....


May your [C]path be il-[D]lumined with [C]passion's em-[D]brace


May your [C]humor be [D]etched in the [C]lines of your [D]face


May the [C]lives that you've [D]touched con-[C]tinue the [D]train


May you [C]be a strong [Am]link in the [C]sparkling [D]chains


....


May you [C]taste a full [D]measure of [C]bitter and [D]sweet


May you [C]see the world [D]clearly and [C]add to the [D]beat


May you [C]laugh and you [D]twirl in the [C]waltz of the [D]days


May you [C]link with the [Am]many in the [C]sparkling [D]chains


....


May you [C]blossom and [D]thrive, may you [C]see the world [D]clear



May your [C]sorrows and [D]grief be [C]tempered with [D]cheer


May you [C]understand [D]honor and [C]mercy and [D]pain


May you [C]cherish your [Am]place in the [C]sparkling [D]chains


....


May your [C]labors be [D]fruitful and your [C]dreams be ful-[D]filled


May you [C]blaze a new [D]trail with [C]vision and [D]skill


May you [C]find simple [D]pleasures and [C]wisdom ob-[D]tain


May you [C]pull your own [Am]weight in the [C]sparkling [D]chains


....


May you [C]learn from the [D]past and [C]live in the [D]now


May you [C]strive for the [D]future as [C]talents al-[D]low


May the [C]seeds that you [D]sow all [C]bear worthy [D]grain


May you [C]find such sweet [Am]succor in the [C]sparkling [D]chains


....


May you [C]reach out your [D]hand to [C]help with the [D]needs


May your [C]legacy [D]be not a [C]quest filled with [D]greed


May the [C]love that you [D]make your [C]spirit sus-[D]tain


May you [C]add you own [Am]links to the [C]sparkling [D]chains



1,074

(2 replies, posted in Song requests)

Hello Marya and welcome to chordie!
That's not much to go on for finding a song - would you happen to know who sang it, or when it was made, or where, or if it was part of a Christmas show?  Any more background info would really help track it down.  James

1,075

(7 replies, posted in About Chordie)

Greetings Paul and welcome to chordie!  "Hey Jude" may well have been originally recorded in F#, but that only matters if you want to want to play along with the original recording.

There are umpteen versions of 'Jude' in the index.  Find one that looks about right and then use the transposer tool to shift it into whatever key you like.  If you spot an error in a version you can always move it into your songbook and edit it to your satisfaction.  James