Guess I'm getting to that age where I start to reflect back a lot.
Last week I visited with my high school sweetheart, my first Love and we hadn't seen each other in 25 years! Was a great visit and brought on all kinds of feelings.

I remembered that I had finished a song about 5 years ago when I didn't know where she was. Used to drive through the town I last saw her in and always wondered about her. The song I wrote had it's beginnings in 1976 (before we met). That's when I made the music as an instrumental piece. There's more to the back story posted with the song if you'd like to hear it:

http://gilsmusic.bandcamp.com/track/together-once-again

PS: I do have photos of me and her from back then but none together.
Only one I could find is of our backsides so I used it.

My solo acoustic take with my own made up arrangement since
I don't have a Dobro. I made up this arrangement so chords are
most likely all wrong but I never looked them up just went with
this feeling:

http://www.youtube.com/watch?v=fLqflHKAZxQ

Yes I know....I have no business even trying to sing this but what
the heck, I decided to give it a shot because I enjoy a challenge.
When I felt good enough to record it I flubbed the first take but
kept recording. Then I recorded a second take that at least got me
all the way through. I used that second take for the video.

Couple of notes about how I mixed the audio. I took the line at the
end of each verse from the first take and mixed it in to the second
take. This gives a voice doubling effect that is real. On the choruses
I recorded additional vocal with only the mic twice then adjusted
levels and mixed the additional two layers in. Some people ask me
what software I use for those vocal effects and I have to tell them
it's actually real singing, not a digital effect. All came together very
fast. I had to tune way way down to sing this.

http://www.youtube.com/watch?v=6WWf4CBqlZA

Note: see video description for Wikipedia info about the song. Never knew the history.

tubatooter1940 wrote:

A1S, I liked that a lot. You did good, buddy.
Like yourself, I am a big Cat Stevens fan. His material is a big challenge for most of us.
"Moon Shadow" is fairly easy to do but I could not get a good enough job on "Morning Has Broken" by myself being only a strummer. The chords were fun though.
"Peace Train" kicked my butt but I was happy when I made my brother cry with "Father and Son".

Hey thanks for listening and for taking the time to comment on the Tube too!  Cat Stevens has some great songs.
Always liked his stuff just never learned any. I've now covered 3: Longr Boats, Miles From Nowhere, and I Might Die Tonight.
Might work up to more. Great that you made your brother cry, means you put the feeling in.

Cat Steven's album Tea For The Tillerman looms large in my childhood musical memories and influence. I can remember still when it first came out and a hippie friend of my Mother brought it over and played it over and over again.
My Mother then got the album and it was played a lot in our house for several years. Weekend mornings tended to be music time and we put this album on the turntable quite a lot!
What a masterpiece by Cat Stevens.
Longer Boats is a deep cut on the album. The song ran through my head so I decided to learn it.

http://www.youtube.com/watch?v=pS-wbpJiCHc

It certainly is the most popular universal protest song written.
This song was written in the summer of 1967 inspired by the rioting on Sunset
Strip that summer.
Written by Stephen Stills and given a title that has nothing to do with the song
I read that Stills said "I have this song here, for what it's worth, if you want it." and they thought
he meant that as the title).

Stills could not have foreseen how much the song would resonate for its time and
beyond. The song has never lost relevance and is used universally as a protest
song. Everyone knows this song but not everyone knows the title or who did the
song but it stands the test of time.
Got together with my friends Sonya and Shuie to create our rendition
and they created real Buffalo magic here:

http://www.youtube.com/watch?v=0LCYxQGuqT0

82

(1 replies, posted in Acoustic)

For me a very sentimental song. Dedicated to my Uncle Daniel who was like a big brother to me growing up. He got drafted and went to Vietnam and thankfully made it home safely (A very happy day for me when he called me and announced he was back for good). He loved this song and used to sing it a lot back then. Cruising in his 1968 Mustang fastback listening to 8 track tapes...those were the days.... Also, special thanks to my Aunt for giving me this Elton John album for Christmas 1973.
(Wikipedia song information in video description).

http://www.youtube.com/watch?v=V6vOKwKkrqY

83

(0 replies, posted in Acoustic)

"Little Wing" is a song written by Jimi Hendrix. It was first recorded
by The Jimi Hendrix Experience on their 1967 album Axis: Bold as Love.
It is ranked #357 on Rolling Stone magazine's list of "the 500 Greatest Songs of All Time".

This is my attempt at a simplified solo acoustic cover.
"Brickfingers" is a term my friends and I used when we knew we didn't have the
chops but played the song anyway!

http://www.youtube.com/watch?v=xQamql1pE3U

.

‎"We're All BOLD AS LOVE!!!...Just...Ask...The Axis...He Knows Everything"
I faced up to the fact long ago that I will never have the guitar chops to do this great song justice.
So instead I played a dumbed down chord based version which allowed me to attempt singing it.

Video description has more info about my method:

http://www.youtube.com/watch?v=I_10-MEnA_4

I've always loved this beautiful song but never learned it. It occurred to me
that I first heard the Byrds hit version on radio when I was 6 years old and my
little boy is 6 now.

From Wikipedia:
"Turn! Turn! Turn!" is a song adapted entirely from the Book of Ecclesiastes in
the Bible (with the exception of the last line "I Swear It's Not Too Late") and
put to music by Pete Seeger in 1959. Seeger waited until 1962 to record his own
version of it, releasing the song on his The Bitter and the Sweet album on
Columbia Records. The song became an international hit in late 1965, when it was
covered by The Byrds, reaching #1 on the Billboard Hot 100 chart and #26 on the
UK Singles Chart.

http://www.youtube.com/watch?v=mi8yWRbdmKc

My solo acoustic cover of the Neil Young song Angry World from his new Le Noise album. This is the first song I heard from the album and I was blown away by it. I had an impulse to do a solo acoustic cover but also wanted to capture the raw first take on it. I listened to the song to get the feel for it then worked out some chords and then went for it.

I could not find chords for the song so I made them up by ear so I cannot vouch for accuracy. This is actually how I learned a lot of Neil Young's songs back in the day....listening carefully then figuring it out by ear.

http://www.youtube.com/watch?v=SCQsx58zZG0

.

My take on "Do I Have To Come Right Out And Say It" featuring friends
Sonya and Shuie singing harmonies + Shuie on lead.

The last video I posted featured a cut away to my friends singing
harmony and I got enough requests on how to play the song I decided
to make a new video that focuses and zooms in on only the guitar so
fellow guitarists can see my chord work and strum patterns.
(The parts I was playing during the previous cut away are now revealed).

My friend Shuie joins me and contributed an awesome lead guitar in the
middle. Wish I could play that good! (he comes in at the 1:35 mark and
its worth the wait...so smooth)

http://www.youtube.com/watch?v=3B_LINfAhmk

If all goes as planned I will be attending a Michael Moore speaking engagement tomorrow where he gets an award. A friend of mine is moderating and has me on the guest list. Some of you may remember that I submitted 3 songs to Michael Moore for his movie Capitalism, A Love Story. Unfortunatley I was too late in the game they were already in post production and decisions had been made.

So I plan on giving Michael Moore a 10 song CD tomorrow of what I call "Modern Folk Songs For Our Modern Times" I chose each of these songs because they have something to say about social issues in this country as well as our economic plight. Some, like Tent City and Child Without A Home, are even topical and straight from the headlines.

Download any or all songs for free:


http://gilsmusic.bandcamp.com/album/mod … -2008-2010

Always liked this album a lot.
Decided on the spur of the moment to learn and record this song.
Added harmony vocal after.
Tuned down one whole step.

http://www.youtube.com/watch?v=BeeRbkqPH7k

Here is a song I submitted to Somojo Radio (independent and unsigned artists radio) in December of 2009 and it
Peaked at #1 on the Rock charts on 12/23/09.
That was the acoustic version with just the lead guitar.
Since then the Charlie Betts band has backed me up with electric rhythm guitar, bass and drums.

Just posted the full band version (brand new mix) and see the song has gone to #1 (rock category) in the last 24 hours.

Song Credits:

Music: Gil
Lyrics: Sue M. w/ edits by Gil
Acoustic Guitar and lead vocal: Gil
Vocal harmonies and screams: Gil
Lead Electric Guitar: Bob Ridgway
Rhythm Electric: Charlie Betts
Bass: Will Mackett
Drums: Dave Berry

Audio Production (mixing and mastering): Gil

You can hear the new full band mix here. Thanks for listening!

http://tinyurl.com/ydvvcoq

Found this interesting stuff on Wikipedia:

"Hey Hey, My My (Into the Black)" is a rock song by Neil Young. Combined with its acoustic counterpart "My My, Hey Hey (Out of the Blue)", it bookends Young's successful 1979 album Rust Never Sleeps. Inspired by proto-new wave group Devo, the rise of punk and what Young viewed as his own growing irrelevance, the song today crosses generations, inspiring admirers from punk to grunge and significantly revitalizing Young's then-faltering career.
The song is about the alternatives of continuing to produce similar music ("to rust" or — in "My My, Hey Hey (Out of the Blue)" — "to fade away") or to burn out, as John Lydon of the Sex Pistols did by abandoning his Johnny Rotten persona.

A part of a lyric from the song, "it's better to burn out than to fade away," became infamous in modern rock after being quoted in Nirvana frontman Kurt Cobain's suicide note. Young later said that he was so shaken that he dedicated his 1994 album Sleeps with Angels to Cobain.
Because of Cobain's suicide, in live concerts he now emphasizes the line "once you're gone you can't come back".

"Out of the blue and into the black" was a Vietnam War-era phrase that originally referred to jumping out of the daylight into the darkness of a Vietcong tunnel, and was later generalized to refer to various situations, including death. This makes it one of Neil Young's darkest song.

Here's my cover:

http://www.youtube.com/watch?v=EdzG-Sr9RNQ

A solo acoustic cover of this Pink Floyd classic with additional vocals overdubbed and a simple lead guitar break dubbed in:

http://www.youtube.com/watch?v=8-RXZo7m6Y4

Always loved this song from his So album.
My solo acoustic attempt at playing it. I read someone's
interpretation of the song on the Song Meanings website
and it's the best interpretation of the song I have seen.
Here it is (this assumes you know the song already, if not
won't make a lick of sense):

"Mercy Street" is the name of a play written by Anne Sexton,
a poet who committed suicide in 1974 after a life marred by
mental illness. The first couple of stanzas play on the difficulty
she had differentiating between her successful creative life as
a poet and her failings in her "real" life as a daughter/mother/wife.

As a poet, she, in effect, had a "leak at the seam," her inward
thoughts and feelings that got expressed through her poetry.
Many poets have commented on the pain that comes through
revealing one's inner self. (Pink Floyd's whole "The Wall" album
examines this theme.)

The boat references allude to her final book of poetry,
"The Awful Rowing Toward God," about our inevitable journey
toward death and the afterlife. "Tak[ing] the boat out" refers
to her intention to accelerate her own demise. (She killed herself
just after finishing the book.)

"Corridors of pale green [aka "hospital green"] and gray could
refer to her stays in mental institutions during her manic
episodes (which alternated with her stints of "ordinary life" in
the suburbs of Boston).

"Wear your inside out" again refers to the way a poet exposes
his soul to the world. That which, for most people, remains
private and unknown is shown to all. The "daddy" allusions again
seem to refer to God, in whose arms she might find that elusive
mercy (so difficult to attain in this life, hence the reference to
the moved street sign).

All of the confession allusions have double meaning, as much
of Anne's life was spent "confessing" her innermost feelings
to psychiatrists as well as revealing them to the public through
her poetry. The shocks can doubly refer to shock therapy
administered by psychiatrists as well as the shocking things a
priest might hear in confession. Per Wikipedia, Sexton was the
epitome of a "confessional poet."

Here's my solo acoustic attempt at the song:

http://www.youtube.com/watch?v=yza-lLDf824

Thanks for listening! This must be a new forum section? I was moved from Acoustic.

This is a song on his Imagine album:

http://www.youtube.com/watch?v=nFpJ9HgmXEg

Thanks again to everyone who listened and commented!  I actually recorded a new version of this song using a fingerpick approach and changing the lyrics around:

http://www.youtube.com/watch?v=dBvz97GiJJs

97

(6 replies, posted in Songwriting)

Thank You everyone who listened and took the time to comment. Sorry I've been away. My time online has been really limitied lately!

I'm hearing a Country song here!

99

(8 replies, posted in Songwriting)

A sad song. Th loss of a loved one is very painful.
Your song captures that.

OK here's the story behind this song. I think my 3 year old daughter
is gifting these songs to me from above somehow. It has happened again.
A song came to me suddenly and fast while spending time with her
(3rd time this has happened).

Last night I took my Daughter out to dinner for a Daddy/Daughter night
and suddenly this song came to me. I asked the waitress for a pen and
then wrote it all down on a napkin. It all flowed out without hesitation.
Later on I made some music and recorded it reading directly from the napkin.
No edits, no second guessing, just exactly as I wrote it.
I ad libbed the ending and made that up as I played.
So here it is raw and unpolished but honest. After recording it in one
take I added a harmony vocal in one take. Came together very quickly.
Song is not about my daughter but I think what sparked it was looking at
her and seeing her Mom in her and then having romantic thoughts about
my Wife!

http://www.youtube.com/watch?v=YjBXWHtGDi8