76

(18 replies, posted in Electric)

Anyone have the new Robotic Guitar?  I hope not.
Aside from the convenience of different tunings, I don't like the idea of robotic guitars. In my opinion, musical instruments have a long tradition and designing + playing them can be an art. Gibson is trying to come up with all kinds of gimmicks in order to stay competitive, I don't blame them. But here is a novel idea for the Gibson brand: Invent a sure-fire quality control when you build your instruments, which have a great history and tradition. How about "robotic quality control" that destroys the lemons before they hit the stores?

77

(25 replies, posted in Electric)

Ahhhh, robinrivers, my favorite question!
I've got several of both: The Strat is more versatile in the tone-department  and usually a little lighter in weight. You can get a wide range of tones out of it with the right amp. And the Strat shape just fits better to a human body. The Tele player needs to become one with the instrument over a longer time. It sounds more mellow, but at the same time can also deliver quite a sting with the bridge pickup. Its neck pickup is just ideal for the Blues, but overall the Tele is always a little mellow, whereas the Strat "chimes" almost bell-like and can deliver real "hard-rock" punches. Since you have 5 pickup combinations on the regular Strat, vs. 3 settings on the Tele, I call the Strat "more versatile", it just lends itself to a wider range of music.

My new Tele was hanging on the wall for a couple of years, because I didn't have the right amp for it to shine. Now I've got a Fender 59 Bassman LTD Reissue amp, and this amp just brings out all the power that was hiding in the Tele. With just two pickups and three switch settings, I can still dial in a whole scope of tones. I believe I also had to warm up to the guitar and grow up to play it more expressively. It seems very responsive now, but maybe that's due to the amp.

You might find that the Strat seems more "refined" in its design and overall sound, but the Tele sounds more "honest" -that's why I use it almost exclusively for the Blues. Have fun, and thank you for your post!

78

(35 replies, posted in Electric)

andros67,
22 vs. 21 frets doesn't mean that the neck is longer, just the fingerboard. The length that really matters is the distance between the nut (top of the guitar) and the bridge. On all (well most) Fenders, that length is 25.5" . Exactly half-way in between is the 12th fret. The position of the frets is calculated from a formula and the precision of the fret placement "makes or breaks" a good guitar (Check www.stewmac.com for a fret calculator). The frets cannot be closer together on a 22-fret guitar -or it would not play in tune across the fretboard. But when building a guitar, it might be possible to add a fret on the lower end of the fingerboard. This is done mainly for aesthetic reasons, because the guitar would need quite a deep cutout for the player to reach that fret and play it reliably.

Mexican or American Strat? Tuff question! I've got both and honestly I can tell the difference when I play them.  Quality control at Fender Mexico seems excellent. A few weeks ago, I played an American Highway One Strat -no good for this player. On the other hand, I don't think that Fender would compete against itself with equally well-made Strats from south of the border. Guess which guitar I take to bar gigs? The Mexican one. It's good enough for Rock'n Roll.

79

(39 replies, posted in Acoustic)

Barre Chords: I love them, because they are so "logical" musically. I remember how much my playing improved when I finally mastered them (40 years ago...).
The one thing I see beginners do wrong all the time when trying to play these chords: You need to move your arm forwards a bit more (say 3-4 inches) then you suddenly get your hand in a position so that it's no longer a pain in the rear to clamp down with your index finger. And of course, you might also try changing strings to LIGHT gauge for starters: a lot less pressure is required by the index finger (barring all strings).

Don't give up just yet. You can do anything, if you want it hard enough. Play on!

80

(8 replies, posted in Guitars and accessories)

You're looking at entry-level guitars, and I don't blame you -we all have started somewhere. I don't want to sound arrogant here, but if you can wait and save these $189 bucks, you'll probably be better off buying something that costs at least twice as much. Funny thing with musical instruments: you'll make more progress faster, if the instrument is made of good materials and someone at the factory actually cared about you as a player. I have looked at the Starcaster and the Squier Bullet, they are not well made and won't last long either. Sorry.

I can imagine that these are guitars that could get you started. Let's say you get one of these starter guitars/amps: As you find this to be a fun hobby, you can always upgrade, except don't expect to ever get the money back that you're now "investing"... Have Fun!!!!

81

(20 replies, posted in Electric)

You did good! Taking the wife to the store and having her listen to the difference did the trick. Women really aren't stupid (not all are anyway) when it comes to hearing music. They know what sounds good.

I need to share my "wife story" as well: A brandnew GC store opened up on my commuting route, and I bought an American Strat for exactly $429 (opening-day deal only) + a small Crate amp.

When I brought it home, all hell broke loose, since I had just become the proud owner of a GC credit card...

Then I plugged that beautiful guitar in, and just strummed it for about a minute. My wife asks to try the guitar as well, because it sound so nice. As she is playing a few chords, I can tell she likes it. Her comments: "Easy to play, sounds like heaven". After about 10 minutes hearing her play, I ask for the Strat back. She just turns slightly in my direction and says: "Buy yourself one, this is mine."

This is where it gets obscene: I actually jumped in the car, bought an American Telecaster for the same special price and headed back home: Wife is still playing, but as she sees the Tele, she breaks out in laughter and tells me that she was just kidding.  End of story: It's been 14 years ago. I still have that Strat, I still have that Telecaster, and yes I still have that wife. Only the strat shows signs of heavy play...

82

(19 replies, posted in Electric)

Since this is your first amp, go for affordable versatility. If you keep growing as a player, this will certainly not be your last amp...
In the meantime: Play on!

83

(11 replies, posted in Chordie's Chat Corner)

Right you are, r77727. No one gives a hoot who's name you choose when getting married in the US.
Since our government only is concerned about your social security number to collect taxes, it doesn't matter what you call yourself. My wife decided to keep her "maiden" name, because she was a known as an artist under that name. Years later, she changed it on a tax return to have a double name, now after 25 years, she's only using my last name. I was born with a German first name, changed it to an English first name, to the effect that my tax return and driver's license still have my German name, but some of my official ID cards (at work) have my English first name. There's nothing exotic about changing your name, keeping in mind that in the US we "harbor" people and identities from many cultures, including myself. I have a friend whose grandfather arrived in the US in 1939 at Ellis Island. When he was asked by the immigration officer what his name was, he thought that they asked about his origin. Ever since then, the family name is "Palermo". No one ever questioned it, until they did a little research in 1980. There you go.

84

(10 replies, posted in Electric)

Danelectro is considered a "GOOD" brand, if you know what to expect. Jimmy Page played one, if that's any indication. The way they're constructed is quite simple, with the top and back made out of Masonite -that's by no means a tonewood. But the lipstick pickups on a Dano are in their own league.

Now to the electric 12-string: Danelectro six and twelve strings always sound a little "jangly" -not exactly ideal for a blues player, but the 12-string guitars always are a little on the treble side. I have owned 12-string acoustics and still have a 6+12-string doubleneck guitar. You won't become a super lead player on a 12-string, since they lend themselves more for rhythm strumming. Overdriven 12-string electrics don't sound pleasing to me, ever. As a main axe, I cannot recommend them (Not even the $1800 Rickenbacker made out of real wood).

Since you've already played the guitar and seem to like it, ask if you can try it at home for a week... That would help you decide if Danelectro is for you.

85

(44 replies, posted in Guitars and accessories)

Becoming a luthier is a noble goal in my opinion. I'm sure you've read some books on building guitars, but the best way to start out is to just do it!  You don't need a bunch of tools to start modifying, or doing small repairs on your own, or on friend's guitars. After a while, you'll know if you want to pursue this further. I'm a part-time guitar tinkerer and since I'm already over 50 years old, I'm slowly building my shop and skills by studying everything I can get on the net, or from books to eventually start a small business.

I've started building solid-bodies first, but now I'm also building an acoustic guitar. My first project took six weeks -and the results were not great. I've made many mistakes. The second guitar took almost six months..., because I've gotten a lot more careful with planning and more patient with woodworking, electronics and finishing. Currently I have no less than four guitars in the works that I'm building from scratch (I buy the pickups and some hardware, but everything else is handmade.)  Whenever I can afford it, I also get more tools. Making small repairs for friends builds my reputation, my skills, and I get a little cash for parts.

Grow into it, don't just load yourself up with debt and find yourself later under pressure to perform. It's a craft, almost an art, but it's also very rewarding to know that you've changed your life to do exactly what you wanted to do. Check out your local woodworking store, or besides browsing the links from this forum, check out www.grizzly.com (they are located in the US). Last word: Just do it! Remember how you learned to walk? One step at a time.

86

(42 replies, posted in Chordie's Chat Corner)

We won't solve the roots of bad language, or the problems of racial inequality, poverty and crime here in this discussion forum, but I welcome the fact that we can freely talk about these issues, even on a music forum.

I have lived in Europe and the US equally long (27 years each to be precise), and when I first arrived here in the US, I was also appalled by the constant use of "Motherf..",, the "F" word, etc. Violence and violent language come from desperate people who have little self-respect, or are living under violent and stressful circumstances. Yes, it's true that a majority of criminals come from the poorest levels of society (anywhere in the world), where violence, crime and hate seem to be means of survival.

Folks, that's not limited to the US anymore, although the use of foul language in movies and music may have originated here. I watch plenty of new German, Italian and French movies with expletives all over the place. Let's not blame the sad inmates who have to live in prisons, let's not blame the kid who dropped out of school and never heard anything else besides F#$%^ and Sh*&% at home. But let's blame the greedy bastards who pepper their movies and music with foul language just to sell more records and DVDs.

87

(14 replies, posted in Guitars and accessories)

Hi folks, I can't help but chime in here. I always get excited about a good looking, good sounding guitar, but none can do it all. Single-coils and humbuckers, hollow, semi-hollow and solid body...My taste in playing has changed so many times that I ended up with about 15 different ones -and they all sound a little different. WARNING: guitars are addictive. I'm waiting for the day when my health-insurance covers this syndrome, called GAS (Guitar Acquisition Syndrome). Play on.

88

(6 replies, posted in Guitars and accessories)

I don't know about Chinese Gretsch's, but my 2007 Gretsch 5120 was made in Korea. More expensive ones come from Japan. And I can assure you that the Korean-made Gretsch guitars are a big surprise: The workmanship (and quality control) are first rate. I'm sold on low-cost Gretsch's and after the 5120, I am contemplating the brandnew Gretsch G5122 double-cut model.

Funny thing about the Gretsch's: They seem a little hard to tame initially, but with the right strings this baby sings. I'm used to sort of "slouchy", laid-back playing on my Stratocasters, because the action is so low. These hollow bodies play different, need more finger workout, but have a vibe of their own. It almost seems that Fender owns just about every major guitar company in the US. I'm waiting for Gibson to throw in the towel and maybe we'll be getting better quality out of Memphis, TN then...

Take him up on the Bassman offer!

The Bassman was one of the first Fender amp designs and has gone through many transformations. I guess your boss is talking about the Bassman 4x10 combo? Well, I have a 2007 Fender 59 Bassman LTD Reissue amp. It's got tubes throughout and four 10" speakers. It's my absolute dream amp, but then I play mostly Blues/Classic Rock. The amp is simple but absolute tops in the tone department. Since there are no effects whatsoever, I use a Fulltone Anniversary Overdrive pedal and a Holy Grail reverb in front of the amp. It loves pedals: no hum, nothing but gorgeous tone. Take a look at the amp that your boss offered, and then research the web for description, prices, etc. My 2007 amp cost $1200 new. Go get one!!

90

(2 replies, posted in Guitars and accessories)

A Fender pickguard will fit (most all) Squiers. In the worst case, the pickguard holes won't line up perfectly: Just replace the guard, put it in place. Holes that don't line up will have to be re-drilled in the guitar body (be careful not to drill huge holes!).  The neck cutout might not fit snug: use sandpaper, or even a sharp knife to gently shave the pickguard material until you get a good fit.

I usually make mine from scratch, but this requires a few tools.

Most likely, the new guard will fit just fine. Don't pay an arm and a leg for a Tele pickguard... there are plenty of inexpensive good ones on the net. My favorite: http://www.grizzly.com/products/Pick-Gu … ngle/H6008

They have others under "Luthiers Supplies". Have fun!

91

(5 replies, posted in Acoustic)

Great guitar for someone starting out: Taylor Big Baby. I bought one for my daughter this Christmas and I do pick it up to play when she's not home... This relatively small guitar has a crystal clear sound + enough low-end for a well-rounded tone. Playability is super easy. Taylors are usually expensive, but this one retails here for $400 (bag included).

Steel strings on a concert guitar will eventually ruin the neck, because these guitars don't have a metal truss-rod in the neck. The tension of the steel strings is just too much for a Spanish/Concert guitar.

92

(5 replies, posted in Electric)

Here is a quick opinion on tonewoods: Mahogany works well for a warm sound. Maple, Ash and Alder give more "snappy" tone... and then continues the long list of factors that can make a guitar sound good or bad. My favorite ingredient for good tone: precise fit, nice pickups and overall quality workmanship. That's the reason why handmade custom instruments usually sound great.

93

(19 replies, posted in Electric)

The OLP MM-1 has a very standard Strat-type tremolo bridge (bridge costs less than $20). I've played the guitar and find it "serviceable" -meaning that it is simple and has potential if you learn how to keep it in good shape.

First thing: buy a set of new strings and throw the factory ones away. Ernie Ball Regular Slinkys strings would be a good start.

Second: If you find that the bare wood neck gets dirty easily, mask everything besides the back of the neck and spray the neck lightly with clear lacquer (or put some Tung oil on it).

Third: Use a hex-key to adjust the neck angle (truss rod). The distance between the strings and the fretboard needs to be to your taste and no string should buzz.

Fourth: Go online and learn how to intonate your guitar, meaning that new strings and new guitars always are a little odd sounding if the individual bridge pieces haven't been adjusted correctly. Search for INTONATION and it's not hard to learn how to do this.

Fifth: you can later exchange the bridge for something better. In the beginning, I would even "block" the tremolo: put a small block of wood in the tremolo cavity, so as to disable the tremolo, because it will be the major reason why this guitar goes out of tune quickly.

If you buy this instrument in a store, you might be able to have a service person do all these easy, essential setups for you at no charge. And if you ever have more to spend, you'll have the OLP as a backup. Don't worry abot the "missing" tone control -your amp has plenty of adjustments. Have fun!

94

(14 replies, posted in Guitars and accessories)

Your description of the Squier really indicates that it's time you get a guitar that's serviceable -fretbuzz, warp and thin sound will kill any enthusiasm for guitar playing. Here's something I want to throw into the discussion: Your ability to maintain your instrument. I've bought guitars (for example a Mexican 70s Reissue Strat) that were obviously set up by a blind person -no offense intended. If you learn how to adjust the neck, file frets, maybe replace a nut and a pickup, you can make even a low-end guitar into a very decent player.

In the process you might get more attached to the guitar, or at least get an understanding of how these things work. After years of buying and fixing up cheapos and rejects, I've made it my hobby to build guitars from scratch... It's by no means cheaper to build than to buy new ones, but I eventually learned to prefer a beat up, serviceable player over a fancy looking bullsh#$* guitar.  I like the fact that Fenders (and others as well) have interchangeable parts that you can salvage, or buy as you have the money. Bottomline: maybe a book about guitar maintenance is a better investment than the first good-looking guitar you see in a store. Have fun on your journey, and PLAY ON!

95

(8 replies, posted in Acoustic)

I have owned a Sigma D-41 for the past three years. It was $400 with a killer TKM case. The sound was decent, but not spectacular. That's why I replaced the nut with a home-made bone nut (worked like a charm), put Elixir strings on it, and replaced the bridge pins with brass ones: Voila! The guitar sounds awesome, although it can't touch a Martin or even a Taylor. Now I know that I should have saved my money up for a Larrivee, Seagull or Taylor. The Sigma is a nice guitar for the money, but it is amost "overdone" with inlays, etc. Today, I would prefer a simpler but better-sounding acoustic. Yes, I bought my daughter a Taylor Big Baby for about the same price and that little beast sounds more precious than the huge Sigma.

96

(14 replies, posted in Guitars and accessories)

What's a moderate amount of money for you? Wild guess: under $500: you really get what you pay for most of the time. I've got two Mexican-made Stratocasters, a Japanese Tele and an American Strat. The difference is audible and the feel is substantial with the American Strat. Besides owning several cheap guitars (yes, two Squiers too), I personally find Washburns and Yamaha acceptable at relatively low prices. Another one of my near future guitars is the G&L Bluesboy Tribute for $599, but that's a Tele-style guitar. You can see that I'm not a Gibson fan, mainly because they are too pricey for me and what I've played always had a little annoying quality issue. If I have to shell out $1500 for a guitar, I want to hear quality and expect the maker to give it their best workmanship, careful design. Unfortunately many instruments below $500 are mass-produced and quality control seems to be a foreign concept when it comes to building guitars. Check out the G&L Tribute series...

97

(6 replies, posted in Guitars and accessories)

I also own the 5120 and have played the Wildcat, and the Epiphone cannot touch the Gretsch. Even though the 5120 is a "low-end" Gretsch, workmanship, tone and vibe are all superior. The Wildcat is a little smaller, and the sound is also lacking in depth. Sounded "boxy" to me, whereas the Gretsch is a bit more "open" sounding. You can easily upgrade both guitars: get some Kent Armstrong P90s for the Wildcat if that's your favorite, or (besides the cool TV Jones pickups), shell out $130 for a pair of GFS Retrotrons from GuitarFetish. I also hated the clear pickguard on my orange 5120: took it off, cleaned it real good, and sprayed the back of the clear plastic with gold spraypaint and now it looks more like a big-boy Gretsch... And yes, it took me three days to paint the interior edges of the F-holes white -not for the faint-hearted, but worth the trouble!