76

(7 replies, posted in Chordie's Chat Corner)

>>>Case in point: Willie Nelson<<<<

I was thinking Willie, too.  But Willie's guitar did not get that way from being pounded on; it got beat up from being on the road all these years.

My thing is not about old instruments vs new ones as much as it is about cheap ones vs expensive ones.  All my ukes are within 3-4 years old, as I've only been playing for that long.  They all look pretty new.  But none of them cost enough to worry when one of my grand kids picks it up and starts to bang it on the floor!

Mostly, none of them cost enough to worry when I, myself, decide to pick it up and start to bang it on the floor!  smile

77

(7 replies, posted in Chordie's Chat Corner)

I was AFRAID some people might think I'm some kind of non-musical "brute" who aspires to the uke gig with Kiss or Def Leppard.  Nah, when I said I was a hard hitter, I meant in the Liberty DeVitto (Billy Joel) sense. 

I don't use my ukes to tenderize eggplant or anything; I just like the freedom of knowing that, if the moment calls for a little bending backwards of the neck for tremelo effect, I can do so without seeing dollar signs.

78

(7 replies, posted in Chordie's Chat Corner)

Am I the only musician out there who prefers cheap, beat up instruments over expensive, newer ones?

Even as a professional drummer for many years, I always brought one of my home-made kits (usually made from stock shells and beginner-quality hardware) on even the biggest gigs, forgoing the fancy S.I.R. rental gear and leaving my "good" drums at home.  Today, I own a bunch of cheapo ukuleles, all under $100, and I wouldn't think of owning a better one.

A lot of this comes down to the way I generally attack my instruments.  I was a very hard-hitting drummer.  My snare drum heads generally had to be re-stretched with a heat gun several times during shows.  The way I strum my uke is similar; hard and relentless, as if the motion and intensity is powering a locomotive.  A lot of this comes from not worrying about damaging an expensive instrument, while trusting that the instrument is going to deliver when I need it to.

Does anyone else feel this kind of creepy attachment to their junker instruments?

79

(5 replies, posted in Chordie's Chat Corner)

Carry On Wayward Son, by Kansas

Ringo Starr:  Richard Starkey
Elvis Costello:  Declan McManus
Elton John:  Reginald Dwight

Too many to name.  I just thought I'd drop my nickel in this game.

81

(33 replies, posted in Chordie's Chat Corner)

>>>...(if I remember right) that I was playing "Keep it loose, Keep it tight" by Amos Lee<<<

Wow, what an unexpected surprise.  I've become so desensitized to "real" music in this American Idolicious world that I forgot there might still be kids out there writing actual songs.  Thanks, Guitarpix, for introducing me to Amos Lee, however unintentional it was.  I think I'm going to go shake out my penny jar and drop a few buck twenty nines on his music! 

See the great thing you've done, Mekidsmom_son?  smile

82

(33 replies, posted in Chordie's Chat Corner)

>>>Think it'll work alright if we just knot the ends or should we head back to the store and pick up ball ends?<<<

Funny thing is, for the few years I've been playing the uke (my first stringed instrument, having been a drummer all my life) I've been stringing it with knots.  Recently, I was told this is incorrect.  It works for me, though!

83

(10 replies, posted in Chordie's Chat Corner)

>>>Hi there - I don't feel it's "confrontational" when you defend yourself after a public statement has been made that is wrong.<<<<

'Just saying that you can defend yourself without attacking the integrity of the other person.  Now I'm out of this conversation.

84

(10 replies, posted in Chordie's Chat Corner)

Robyn:

Good luck with your site, but, girlfriend, you've gotta learn how to be much less confrontational if you want people to do stuff for you!

85

(33 replies, posted in Chordie's Chat Corner)

>>>PapaTom - Don't even think about it. <<<

Thanks.  But anyway, this post was about mekidsmom_son.  Thanks for inspiring this thread, "son!"

In a documentary about the making of The Seeger Sessions, Bruce Springsteen (whom you may be too young to know) talks about how "folk" music was made to be played on acoustic instruments that people could carry anyplace they went and how this could lead to a magical, impromptu jam session at any time.  It sounds like you and your Mom created that same kind of magic on the beach, regardless of who seemed to be listening.  Oddly, people are much less uptight about watching a dancer or an acrobat than they are about watching someone sing or play an instrument.  You probably touched more people that day than you know.

86

(33 replies, posted in Chordie's Chat Corner)

>>Cool, Papa Tom<<<

Sorry my stories tend to be a little long-winded.  I never realize how long they are until I see them in print!

87

(33 replies, posted in Chordie's Chat Corner)

Last summer, I had a night to myself (my wife was away) and I wanted to do something atypical, so I packed a sandwich and took my junker uke and a sand chair to the local beach just around dusk. 

I'm good enough at the instrument now that I can noodle around with some "pretty" chord changes and produce a pleasant effect.  The beach was fairly empty, but there were a few people scattered about.  I made sure I was far enough away from them all so I wouldn't intrude on their peaceful sunset.  Then, I began to play, softly.

My fantasy, as I drove to the beach, was to attract a little crowd, light a campfire, and have a singalong until the Public Safety people chased us away.  Instead, people just sat and stared at the water - never even acknowledging that there was live music playing.  Eventually, I sensed that it was time to pack it in and let them all have their peace.

To my surprise, the minute I stopped playing and there was a period of silence, heads started popping up from blankets and voices came out of the dunes saying "Don't stop!" "Ahhh, that was so soothing I was just falling asleep" and "Thank you, that was beautiful!"  Suddenly, I didn't feel like the annoying jerk on the beach with his instrument anymore.  I decided to stay and play for the seagulls and the waning tide until about an hour after sunset.  As people left the beach, they all thanked me for a calming end to their day.  One Asian man, obviously new to America, saw my empty iced tea cup and put a dollar in it!  I gave it back and told him I stopped getting paid to play music many years ago.  He smiled and translated for his wife and children and they all laughed.

That night, by the beach with my $40 ukulele, I  remembered why I started playing music in the first place.

>>>In my neck of the woods...classic rock radio programming killed that song by playing it for 20 years 2 times a day.<<<

Exactly.  "Stairway" is one of those songs I never let play past the few first bars of intro.  That's all I need to remind me that the song existed and had its place and time.  By the time it gets to "There's a laaa-dy who's sure.." I'm already on to the next track or another radio station.

>>>Stairway is one of those songs that defines what a good band is.<<<<

But like The Beatles' "Golden Slumbers/Carry That Weight/The End," it isn't necessarily the best song the band ever recorded.

My favorite Zep song is probably "Livin' Lovin' Maid."  It's hard to judge "Stairway" anymore because it has become such a "caricature" of a rock song, like "Free Bird."

"I Saw Her Standing There" by the Fab Four

Hey, here's a twist to my story. I received my new Aquila Nylgut ukulele strings lickety split and put them on this afternoon. I was really excited to hear my uke come back to life after months and months of the same old oily strings, but it sure hasn't.

I know a new set of strings takes a while to stretch, but these just don't have the "fire" that a new set usually produces right out of the package. I've been using Aquilas since I started uking a few years ago and have never had this experience with them.

Could something have changed?

Thanks, Guitarpix.  I just ordered two sets from Dr. Clucks and my total shipping was about 89 cents.  The other guys wanted more than a dollar more per set AND were charging $6.50 for shipping.  You saved me more than the cost of a third set!

Now, if the guy doesn't come through, I'm gonna come lookin' for ya...  smile

It's time to order a couple of sets of these primo strings for my ukes.  They run anywhere from about $6.30 to $8.50 a set.  However, the online dealers I know of all charge around $6.50 just for shipping, even though it should only cost the price of a postage stamp to send these first class.

On principal, I won't pay more for shipping than the actual price of the product.  Unfortunately, these are very hard to buy in a retail music shop, even here in New York.

Does anybody know of an Aquila dealer that is reasonable with shipping?

95

(9 replies, posted in Chordie's Chat Corner)

Good time to start a thread about misheard lyrics, like ""Scuse me while I kiss this guy."

The first time I heard Let It Be, I'd swear McCartney sang "Although the baby farted, there is still a chance that they will see."

Good ones are kind of hard to come by.  Most of what's free out there is MIDI and kind of "stiff."  I found one good free Chicago Blues backing track I'd be glad to share with you, but you'd have to e-mail me for it.

Other than that, I think the reason you haven't had any other responses is that nobody knows of any good FREE backing tracks.

97

(11 replies, posted in Chordie's Chat Corner)

This is one of those posts that makes me wonder if I've been intruding on a private party all this time.  Is this some kind of "insider's group?"  If so, forgive me for trespassing.

And happy birthday, Marcalan!

>>>PapaTom - You said a mouthful...<<<

Yeah, I know...sorry, but lately, I can't seem to say what I need to say in fewer than a gazillion words!

>>>A downside to tribute bands is when they peter out so does your money.<<<<

Even more tragic, in my opinion, is that, when being someone else stops being profitable, you've also lost several years of your life that could have been spent being yourself.  If just ONE of the guys who spent the last 35 years milking their short stints in the cast of BEATLEMANIA had been successful at creating NEW music in the spirit of The Beatles, perhaps we wouldn't all be missing The Beatles so much!

>>>>My husband gets terribly flustered with songs because they just aren't "perfect" compared to the original<<<<

Talk about eloquent...that little statement says it all!  With creating the "perfect" copies as their primary goal, it seems there is little incentive for musicians to try to create perfect ORIGINALS any more.