My old man is fighting a very nasty and aggressive form of leukemia right now - would like to throw a blood cancer foundation in to the ring for consideration as far as charities go. smile

927

(6 replies, posted in My local band and me)

does anyone on Chordie play this bad boy as written and sing at the same time? I've been practicing this thing for a week and still don't have it down.

928

(6 replies, posted in Songwriting)

What instrument are you playing?

929

(17 replies, posted in Guitars and accessories)

I knew what wntma meant before I clicked the link to this thread. LOL. Great minds.  Nice buy!

I'm not speaking as a mod, just a guy. I would be a bit uncomfortable with this. One of the draws of Chordie is the open, inviting, fun atmosphere. I would be concerned that introducing competitiveness would make the vibe weird. And as a self conscious songwriter I would not want to know that my tune finished dead last. wink

931

(3 replies, posted in Guitars and accessories)

What make and model did you lose? I'm not familiar with an rp250

932

(10 replies, posted in About Chordie)

Your SPAM folder. What email service are you using?

933

(10 replies, posted in About Chordie)

I just added a message. What happened?

Yeah I was bummed. I haven't been able to listen to him since. I have a hard time supporting dbags.

I've heard a ton about him stealing material from up and comers.   This article changed my opinion of him and I've had a hard time enjoying his music since.

http://ultimateclassicrock.com/los-lobo … land-snub/

http://www.jambase.com/Articles/9391/LO … EVE-BERLIN

As usual I stand with Zurf.  I've been playing since I was 5 and I still play on my $200 used guitar that I got for Christmas in 1983. 

Brands, schmands (except for guild. I do love guild.)

937

(67 replies, posted in Chordie's Chat Corner)

Zurf email me and I'll send you instructions.  Not gonna post am here for obvious reasons. wink

938

(5 replies, posted in About Chordie)

you might have more luck checking font websites. I just looked through a big'n and couldn't find it, although I found a few that are similar.

939

(67 replies, posted in Chordie's Chat Corner)

You can drop them on my soundcloud or media server if you want.

940

(11 replies, posted in Acoustic)

Crap. I just found out that I need all new cords.

Great idea.  I'm in.

942

(13 replies, posted in Chordie's Chat Corner)

USA Rugby 7s is my favorite event of the year here in my home town. I missed this year due to proximity of Ella's birth. I highly suggest it if you're looking for a fun time in Vegas.

943

(3 replies, posted in Electric)

They likely would. Think about using standard strings on a regular scale guitar but tuning it up to a > a.

Also from E down to B is a fourth, not a fifth. wink

944

(8 replies, posted in Electric)

https://www.youtube.com/watch?v=OGGh7wxEN4E

Im a seymour duncan guy till i die.

I don't really think finger patterns are musical so the utility in learning patterns is somewhat limited unless you know how, why and when to use them. I've never been a big runner of arpeggios or modes...which is def. reflected in my playing (for better or worse).

Said another way, the magic isn't in the patterns. It's in how the notes are applied.

I would suggest that choosing where to place a chord extension is about a lot more than finding a scale degree to move. You also need to think about proximity to your root note, what the other instrumentation is doing at that time, and voice leading (if you're in to that sort of thing.)

For example in a large band with keys and another guitar I might only play color tones and let the bass and other instruments fill out the chord. I can get through blues tunes playing 3rds, 7ths and 9ths only. That won't work in a smaller group or solo environment, where I may choose to play a more basic chord but focus on walking the bass, etc.

The above also disregards rootless voicings and inversions. For example, chords like D/F# (dominant chord with 3 in the bass) in the key of G or G/B in the key of C (dominant chord with 3 in the bass) are important because they help with that walking bass line down to the vi, or up to the I from the vi, etc.

947

(109 replies, posted in Chordie's Chat Corner)

Zurf wrote:
Baldguitardude wrote:

Anywhere near Altoona?

Nothing is near Altoona.


Well.  Maybe Bedford.  But what's near Bedford?  Just Altoona.  And frankly, they aren't that close.

Lilly is near Altoona. State College is near Altoona.

I suppose one needs to define "near."

948

(2 replies, posted in Bands and artists)

What type of device?

949

(109 replies, posted in Chordie's Chat Corner)

Anywhere near Altoona?

950

(2 replies, posted in Electric)

For my electrically-minded friends:

I need new 6L6s due to a freak accident that occurred while loading out for rehearsal. Groove Tubes have several ratings for their 6L6s...low, medium, and high. They state that the low rating is dynamic and breaks up earliest, which is best for blues solos and such, the middle rated are, well, in the middle, and the high rated ones stay clean at higher outputs and are best for bass amps and jazz guitar.

I use a lot of distortion but I don't want my amp to clip unless I hit the little button by my foot....so for that criteria I'm expecting to purchase the high rated tubes. Is that correct?

Also what's with this rating system? I figured a tube was a tube was a tube. (Unless it's one of those vintage Sovtek fellas.)