B. Bernie & M. Pinkard "Sweet Georgia Brown" (performed by Joscho Stephan & Tommy Emmanuel)
https://www.youtube.com/watch?v=l4NvioAq1yg
A couple of greats trading impressive licks on an old jazz classic. Whew !!!
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Guitar chord forum - chordie → Posts by Tenement Funster
B. Bernie & M. Pinkard "Sweet Georgia Brown" (performed by Joscho Stephan & Tommy Emmanuel)
https://www.youtube.com/watch?v=l4NvioAq1yg
A couple of greats trading impressive licks on an old jazz classic. Whew !!!
Hilarious ... even the original artists would be grinning from ear to ear if they saw this. First class entertainment ... thanks!
Thanks for the update, Dondra ... very much appreciated. Your dear husband has become a real favorite here at Chordie, and his warm humor and discussion ideas have been a real enrichment for us all. Please give him our best, and take care of yourself also.
Good fix to a complex problem, Beamer.
When I wired my basement a number of years ago, I put in a separate IG circuit (independent ground) in the rec room where my gear was going to be, as well as a couple of GFI outlets (ground fault interrupter) on that line. Like you said, why not protect the gear. It was during the building phase, so there was no fishing wires through walls to do it ... pretty simple actually.
Welcome to Chordie, Donna!
There are lot of us here who played in the past, had years away from it, and then came back to our guitars. In my case, the return was about 7 years ago after a 20+ year sabbatical. I've found that simply staying in conversation with other guitarists (Chordie is the best place I know of) is a huge motivator. And I'll finally echo what EasyBeat said: keep the fun in what you do as top priority ... this isn't a "who's the best" competition.
A lot of amp manufacturers are putting digital modelling into some attractively priced solid-state amps these days. Line 6, Fender, Vox, and even Marshall have quite a number of them, and the few I've tried have sounded great. For someone who doesn't want to shell out for a tube amp & pedals (or lug them all around) these are terrific alternatives. Very portable, with lots of options on board.
That's a good list, Graham ...
It's been a long time since I've performed, but I always made sure to have a power bar and a 14/2 grounded extension chord. Been to a few coffee houses where the performance area had only one outlet, and was at a place once where there was no outlet close to where they wanted the performer(s) to set up.
Powerful words, Beamer ... I once read somewhere that the premiere cause of non-genetic mental illness is guilt.
Congrats, Russell ... it's got lots of built-in effects and amp modeling, too ... should be lots of fun.
ANOTHER WELL DONE PIECE ! DID YOU NOTICE THE GUITAR FRETS ( AROUND THE 2:00 MARK ) THE INLAYS WERE BIRDS FLYING - REALLY COOL
THANKS FOR SHARING
Good eye, Jim! That's a PRS Guitar (Paul Reed Smith) and the "birds" are a signature feature on a lot of their guitars:
Now ... I'm wondering what kind of unique inlays a Kenyon Custom Guitar might eventually have (nudge, nudge / wink, wink). I've often thought the 9 planets of our solar system would look cool, since most guitars have 9 fret board markers.
Quidam "Different" Katowice, Poland, 2008
https://www.youtube.com/watch?v=Shk5gRiRHJ4
Here's another track from Quidam's incredible 2008 Strong Together concert, filmed in Poland. "Different" is from their 2007 album "Alone Together", which is their 5th studio album. It doesn't have a weak song on it, and features some thought-provoking cover artwork, and the double-vinyl version features cool-looking white disks. A good portion of the album's subject matter addresses the sadness of unrealized expectations, and the all-to-common disappointment with how disingenuous relationships can be. Their drummer (Maciek Wroblewski) and bassist (Mariusz Ziolkowski) really hold this one together, providing a beautiful backdrop to the guitar, horns, vocal, and keyboards.
I tend to agree with you, CG, and also don't treat my guitars like this. That said, I truly do enjoy the combined elements of this style of playing, and Mr. Misko's execution is excellent. Some players in this genre have small pieces of wood facing attached to the areas where they're going to tap or scratch (like Mike Dawes, below), which would be my preference. But it's up to them ... they own it.
A-Ha "Take On Me" (arranged & performed by Alexandr Misko)
https://www.youtube.com/watch?v=EMxiuq_tMq0
Here's a thrilling piece of complex playing by this 20-year-old Russian sensation. Jon Gomm is the only other guitarist I know of who alters their tuning pegs - mid song - with this level of fluidity and accuracy. Lots of fun to listen and watch.
Wow ... I wouldn't have guessed that dentistry had such a storied history. Thanks to our resident "Loremaster" for all the great info, and interesting details about past usages of teeth. Some of it is almost gruesome sounding, like something out of an X Files program. Jim Unger ("Herman" comic strip) had lots of content about dentists:
That's a beautiful vintage guitar, Jim ... nice find. The inlay work on the fret board is amazing. It could well be an Ibanez as you say, but whatever it is, I hope you enjoy restoring and playing it.
Tenement Funster wrote:Wasn't able to listen because I'm not a FaceBook user. It's unfortunate that "... the star maker machinery ..." (Joni Mitchell) has encouraged performers to portray an image that quite often obscures their talent. Miley, Pink, and Aguilera readily come to mind.
TF here is a youtube link https://www.youtube.com/watch?v=wOwblaKmyVw
Thanks, Russell ... and wow, does she ever do a terrific job on this song!
Chordie holds different levels of value to different people.
Those that enjoy the sharing of ideas, asking questions, show-casing personal songs/ poems, etc. with other members are in the Forums. My main attraction to the Forum when I joined was to get advice about gear, strings, etc., and I'm eternally grateful for all of the helpful support provided.
Those that join for the Song Book only, or the Transposer only are perhaps content with that, and not inclined to join in with Chordie's social aspect and sharing of information. I guess that's okay, too. Personally, the knowledge exchange and support I've benefited from here has greatly enhanced my understanding and enjoyment of playing guitar.
Enjoy your trip, DE.
I've been out twice fly fishing for trout in the last couple of weeks, and had some great success. But it's still quite cold ... had to keep picking ice out of the rod guides. Sounds like you're making a beeline for warmer climates ... stay safe.
Thanks for checking in, Bill ... we all miss your insights, provocative ideas, and good-natured humor.
Glad you liked it, TIG. I wonder how much better this would sound on a "Kenyon Custom Guitar"?
Tenement Funster wrote:The guys that can run 32nd and 64th note arpeggios are amazing and way beyond me, but it's just speed and technical skill. It typically doesn't make me feel anything, or admire the creativity (or lack thereof) in a piece like that
Garcia could rip across the frets and occasionally would, but his real talent, in my opinion, was his ability to pull you into a song and really feel it. The soft, melodic runs, again,
Jerry Garcia is a perfect example, UJB ... amazing guitarist in every way.
Some other examples that successfully merge their high talent with soulful feel are Steve Hackett (Genesis), Nick Barrett (Pendragon), Martin Barre (Jethro Tull), Alex Lifeson (Rush), Steve Rothery (Marillion), Andy Latimer (Camel), Gary Moore (Thin LIzzy), Robert Fripp (King Crimson), Gary Greene (Gentle Giant), and Bryan Josh (Mostly Autumn) ... to name only a few.
Wasn't able to listen because I'm not a FaceBook user. It's unfortunate that "... the star maker machinery ..." (Joni Mitchell) has encouraged performers to portray an image that quite often obscures their talent. Miley, Pink, and Aguilera readily come to mind.
Pendragon "It's Only Me" Katowice, Poland, 2008
Performance: https://www.youtube.com/watch?v=oObl_zAg3Ts
Lyrics: http://www.lyricsfreak.com/p/pendragon/ … 37522.html
Guitarist / vocalist Nick Barrett wrote this amazing ballad about feeling insignificant for wanting kindness in a cruel world, yet being able to rise above being fearfully immobilized by it. This is one of those songs that almost always prods a tear or two from me, which it did while listening again last evening. His playing is both soulful and skillful, as some of us have been discussing in a thread Phill began a couple of days ago. It's from their 2008 album "Pure", and I hope you enjoy and are encouraged by this today.
Jon Gomm "Topeka" (original)
https://www.youtube.com/watch?v=uep3wZuAwZI
A beautifully written and performed piece from one of my favs ... very soulful and dreamy.
Great topic, Phill ...
Your details remind of Mark Knopfler's words in Sultan's of Swing: "Check out guitar George, he knows all the chords."
We all admire guitarists with amazing technical skill, musical precision, speed, etc. What they can do is impressive. However, my two personal priorities are (a) creativity, and (b) feel. These are the main elements which define my favorite guitarists. The guys that can run 32nd and 64th note arpeggios are amazing and way beyond me, but it's just speed and technical skill. It typically doesn't make me feel anything, or admire the creativity (or lack thereof) in a piece like that. This isn't jealousy (I know I'm incapable) but I just don't find these elements enjoyable on their own.
On the other hand, there are those guitarists who may have those abilities, but they take back burner to their emphasis on creativity and feel in their music. Take David Gilmour for example. With a bit of work, the average guitarist can learn his solos from "Time", "Comfortably Numb", "Learning to Fly", etc. But the feel he puts into those solos through bending, use of sustain, varying his pick attack, his tremolo, etc. are the truly difficult elements to master. And they are what make Gilmour stand out as a guitarist. Ian Anderson is another one with the way he plays acoustic, i. e., nothing technically difficult, but he sounds so good.
I'm reminded of Steven Wilson (formerly of Porcupine Tree) being asked about how he got Govan Guthrie to tour with him, and he said something along these lines:
Govan can mop the floor with most of the guitarists on the planet, but most of my music doesn't have anywhere for him to feature his immense talent. Concerned, I asked him if he'd be content to play simple 4-5 note segments. To which replied, of course ... because they're the right notes."
Guitar chord forum - chordie → Posts by Tenement Funster
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