I don't think so. I think the chord progression would be more a function of the melody, not the rhyming scheme.
If you want to be cute you can try matching the melody (and chords) to the rhyming scheme itself:
A, A, Bm, Bm, Cm, Cm.
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Guitar chord forum - chordie → Posts by Baldguitardude
I don't think so. I think the chord progression would be more a function of the melody, not the rhyming scheme.
If you want to be cute you can try matching the melody (and chords) to the rhyming scheme itself:
A, A, Bm, Bm, Cm, Cm.
What the automatic dialers are doing is criminal. No amount of regulation will help. They are generally off shore and aggressive.
A half rhyme.
Great point. Another option is c add 9 which will sound good in a lot of songs.
0
3
0
2
3
X
Nothing wrong with blocking strings as long as you sound like you're trying to do it.
Yeah try fretting the root C with your pinky instead. or whatever is in that video, if that works for you. I can't watch it as I'm on a plane at the moment.
One note on the long c - you really need to pull your elbow in and get the outside of your palm (near the base of your pinky knuckle) around in order to make that work. It takes some work.
Options below. Even if they don't work for you they are great drills.
1. use your pinky instead of your ring finger. (Not sure if that'll work but it's a great exercise either way. See my other response to you.)
2. 3rd fret barre chord.
3. The good ol' long C, which looks something like this:
x
5
5
5
x
8
You play the 555 as an index finger barre chord and stretch that pinky up to the 8th fret low e.
There is no such thing as double jointed. It's just hyperflexibility and dexterity. You can doooooooo it. Here are some tips:
1. Stretch before and after you play.
2. Don't over-fret. Using too much pressure restricts your range of motion and also decreases dexterity. (Also decreases sustain and makes strings go sharp.) Practice playing single notes by using the least amount of fret hand pressure as possible while still allowing the string to sound properly. Lots of beginners correct for bad technique by clamping, as they (we - I did it too) improve, they forget to go back and review the fundamentals of fret hand pressure, pick hand pressure, etc. So make sure you're doing that.
3. See rule #1.
4. Practice moving chord shapes without playing (left hand only). What lots of players think of as poor mobility or poor flexibility is actually underdeveloped dexterity. Just practice fretting C/G/C/G/C/G over and over again without playing a song. Do that with all the important chord shapes you use on a daily basis.
5. Same thing goes for your fingers. Practice chord shapes using all fingers. Omit your index finger and try playing C, G, D with your middle, ring and pinky fingers. It sucks when you start but it gets easier.
6. As a last step, capo 2 or 3. Distance between frets gets shorter as you go up the neck. You might just need a little bit of help. Or play a gibson-scaled instrument.
-JL
Is it the ring finger that gives you the problem, or the stretch between the index and ring finger or what?
I used the spring thingy when I was young. I don't think they are very useful, but then again I have a few years left until arthritis strikes. (Hopefully).
Message me your email. I'll send a screen shot.
It's after the first set of these
====
And it is in the (i) and (/I)
Except using brackets obvs
You have some bad code in the blog post amigo. Might only be on my phone, might want to check it on a mobile device.
I believe the songwriting and poem section(s) are designed for this. We have a lot of people who post works in progress in both of those.
Trite lyrics and marketing dollars?
C
If sunshine were mine,
I'd give it to you
G G7
If moonshine were wine,
C
I'd pour it for you,
F Am7
If lovin' you Honey, was all I could do
G C
I'd do it, I'd do it for you.
I love crappie fishing so much. I just got a canoe so I can explore mountain lakes and ponds. Hoping to get in to some crappie out here.
We should do our own version of misunderstood lyrics.
I've just closed my eyes again
Climbed aboard the green beaver train
Driver take away my worries of today
And leave tomorrow behind
That's why I go for that sausage roll music
Any old way you choose it.
It's got some back meat you can't lose it
Any old time you use it.
It's gotta be sausage roll music.
If you want to dance with me.
If it has the cam you should be fine. Maybe just 1 winding will suffice?
I'll be interested to see how that works with the whammy since you still need to wrap the string.
Look here at 12 bar examples.
Two more questions:
What do you mean when you say names are "unsuitable?" Can you give me examples of those names?
What are some names you guys liked that are already taken?
Ooooh I love these projects. What kind of vibe are you going for?
Love me some guild.
--- I'm curious what BGD was taught ???? Stomach breathing, or chest breathing? ---
"Stomach breathing" is a misnomer. We can't breathe out of our stomachs - our lungs aren't located there. Stomach breathing just refers to the idea that you need to let tension go and allow air in to your entire lung space, not just the top, which is where we place our breath when we suck in and "chest breathe." You also need to drop the diaphragm and really let it do it's job. Lot of the time our need to have a perceived flat belly gets in the way of our breathing. (Bill can probably confirm this but I think my understanding is correct.)
Anywho, I was taught to use all of my lungs, which is what some people call stomach breathing, but really isn't.
Guitar chord forum - chordie → Posts by Baldguitardude
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