726

(5 replies, posted in Chordie's Chat Corner)

Hi last-rebel - it is not a stupid question.  The lingo of music is confusing because there are multiple words for the same thing.

A semitone is one-half step - that would be one fret.
A whole step is two half steps - that would be two frets.

Now, just to further delight your curiosity here are some other terms for musical intervals:
Root = tonic = the starting note of a scale or chord
b2 = flatted second =  1 half step above the root
2 = second = 2 half steps above root
b3 = flatted third = 3 half steps above root
3 = third = 4 half steps above root
4 = fourth = 5 half steps above root
b5 = flatted fifth = 6 half steps above root
5 = fifth = 7 half steps above root
b6 = flatted sixth = 8 half steps above root
6 = sixth = 9 half steps above root
b7 = flatted seventh = 10 half steps above root
7 = seventh = 11 half steps above root
octave = 12 half steps above root

727

(8 replies, posted in Songwriting)

Good gracious, Rhiannon!  Such a complex state of affairs . . . I'm glad that I am a shallow individual and largely untroubles by such conflicted emotions.  There is no guy worth so much complicated trauma.

Sometimes I'm tired.  Sometimes I'm hungry.  Sometimes I am both tired and hungry - and that is about as complicated as my emotions ever get . . . maybe that's because I am a male?

Very nice song - would love to hear a recording of it on Friends of Chordie or somewhere.

728

(10 replies, posted in Songwriting)

Hi last_rebel - glad you like that line.  My favorite is the "like frosting on pizza, like anchovy cake".  The idea for this song came from a piece of folded up paper that somehow ended up in a little-used pocket of a briefcase I carry sometimes.

Scribbled on the paper was 'famine or feast'.  I have no memory of writing it down, but after finding the paper I decided to ponder the phrase and use it.

This song is mostly about one particularly fiery relationship many years ago.  It was a tumultuous, exciting, never-boring, and ultimately unsustainable pairing.  When it finally ended for the last time, I was tremendously relieved - together, we were truly like 'frosting on pizza or anchovy cake'.

729

(9 replies, posted in Songwriting)

Hi ardstech & welcome to chordie's forum!  Just dive right in and write your own lyrics.  So what if your first few are not as good as think they should be - just write some more, and you will get better with practice.

Start a songwriting notebook where you can keep ideas and phrases and lines to work on.  We are immersed in a sea of potential song ideas - it's just a matter of recognizing them.  Songwriting takes effort and patience.

You hear sometimes about how a certain great song took 'just a few minutes' to write.  Well, that only happens when people spend many many hours writing other songs that maybe weren't so good.  The moral to the story is that you need to get into the habit of writing songs before those rare gems will finally emerge.

Dive in - dare to create.

730

(11 replies, posted in Songwriting)

Nice song based on one of my all-time favorites, Ken.

The actual name for the song is "Spanish Pipedream", but everyone knows it as the 'blow up your TV' song.  "For I knew that topless lady had something up her sleeve" is one of John Prine's best lines.

Funny thing is, I know some grown men and women who never matured mentally beyond the age of about 15.  Likewise, I have met a few (very few) 15-year olds that are wise beyond their years.

731

(10 replies, posted in Songwriting)

Hi all - I've just posted a recording of "Famine or Feast" to my MySpace Music page.
See the website link to the left under my forum avatar to get there and give it a listen.

Can't really say I'm getting any better at recording - but I am getting better at not worrying about trying to make it perfect!

732

(15 replies, posted in Chordie's Chat Corner)

I'm chuckling right now after reading upyerkilt's remarks about his YouTube stuff.  Months ago he posted a song there called "Little Black Flea" which really motivated me - not because it was so perfect, but because it was so brilliantly imperfect!

It is a dandy little song and Ken had the guts to make and post the video in all it's raw glory -  I saw that little video and thought, "Hey, if Ken can do that well then so can I . . ."

It was a moment of clarity for me.  I realized we are all trying to get better at playing or writing.  This site is a wonderful resource both for the index of music and the forums. 

I have gotten more serious about songwriting since becoming involved in chordie.  I have also made many great friends.  I have definately improved my playing/songwriting since finding chordie.

733

(17 replies, posted in Chordie's Chat Corner)

Like Southpaw41L, I'll cast my vote for "Whipping Post" by the Allman Brother's Band - that track on 'Live at the Filmore East' is sheer genius.  The band was at a creative peak then - after Duane Allman and Barry Oakley (bassist) died in separate motorcycle accidents, they never recaptured the raw energy and creative flair.  Dickie Bett's guitar playing has always been great, but something about that original line-up with 2 drummers and all that talent just made for powerful music.

Lynyrd Skynyrd's "Freebird" would have to be a close second.  Here is an article in today's Jackson Mississippi paper about the plane crash 30 years ago:
http://www.clarionledger.com/apps/pbcs. … 40334/1023

734

(5 replies, posted in Electric)

There are many systems of musical notation - none of them are perfect.  Any notation system is merely an attempt to make tangible something that is inherently intangible.  It is like trying to teach somebody a new dance without really being there to show them how to move.

Our Western system of note names and symbols is far from perfect although it can convey a wealth of information once you learn how to interpret and use all the symbols.  As to why alphabet letters were assigned to different tones - I'm guessing it was simply easier to use symbols that were already in use rather than invent a completely new group of symbols.

Knowing how to 'read' music is an acquired skill.  You certainly don't need to 'read' to be able to play, create, or enjoy music.  However, with some patience and practice anybody can begin to understand how to read music.  Some people get so good at it they can 'sight read' beautifully.

Here are other articles in Wikipedia on this topic:
http://en.wikipedia.org/wiki/Musical_notation
http://en.wikipedia.org/wiki/Guido_of_Arezzo

735

(5 replies, posted in About Chordie)

Wow - 5 years - - - certainly worthy of some celebration.  I shall ponder this and offer ideas later.

736

(10 replies, posted in Songwriting)

Hi selso - glad you like this one!

Here is a tip I got from somebody else on chordie's forum (wish I could remember who) - 6/8 time is "Apricots Oranges".  Say that over and over with the main emphasis on the 'A' of apricots and a lesser emphasis on the 'O' of oranges.  Get the feel of that into your bones (it helps me to sway back and forth a bit).

Hope this helps . . . waltz-time stuff is really fun and well worth the effort to break the old 4/4 habit.

737

(5 replies, posted in Songwriting)

Hi alvee33 - it works both ways for me.  Usually, I start with the words and the general rhythmic meter of the lines.  Then, the chords and melody will fall into place.

Sometimes, I start with a general chord sequence or melody and then come up with the words.

There is no set formula - it is mostly just bold trial and error . . . don't be afraid to try anything and keep on trying until you come up with something that pleases you.  But, don't be too picky.

Keep in mind that songwriters write many many songs . . . most of them are gravel, with maybe just a few gems every now and then.  The first song is the hardest - it gets easier with practice and patience.

738

(5 replies, posted in Songwriting)

Hi daddycool - I really would love to hear this one played and sung by it's composer.  We shall have to bring pressure to bear to get you to make a recording for Friends of Chordie . . .

739

(1 replies, posted in Chordie's Chat Corner)

Hi DavidGrant - Yes, I have some experience with this general system.  Solfa is a one version of a system generally known as Solfege (soal-fej) or Solfeggio (soal-fej-eeyo). 

It is a very useful tool to help understand musical notation and sharpen your listening ability.  I first was exposed to it as a kid when playing baritone and learning how to read music.  Our teacher would have us sing our parts using the syllables.

To this day, I can still 'hear' and identify certain intervals very clearly because of this form of training.  It works.  I think this system is great.

740

(5 replies, posted in Songwriting)

Hey daddycool - happy dogs are some of the best people I've ever known!

741

(7 replies, posted in Electric)

Hi deaken316 - I have also seen this odd notation.
I believe that 'h' is used by Scandinavians and Germans to symbolize 'b'.
Why?  I don't know, but I'm sure there are fascinating historical reasons . . .

So, basically you are looking at a standard tuning for your guitar: EADgbe
The upper-case letters denote a lower octave and the upper-case letters indicate a higher octave.

Does anyone know why the 'h' is used to symbolize 'b'?

742

(19 replies, posted in Chordie's Chat Corner)

I read also - just started "Quicksilver" by Neal Stephenson (1st of an 8-volume opus).  Also reading "Gulliver's Travels" by Jonathon Swift with my son.  For fun I mostly read science fiction with some classics thrown in (can't really go wrong reading stuff that has stood the test of time).

Read with my 12-year old son almost every day - we read Phillip Pullman's 'His Dark Materials' series recently (Golden Compass, Subtle Knife, Amber Spyglass) and are anxiously awaiting the movie of the first book this December.

Will also read some serious non-fiction occasionally (read "Gun, Germs, and Steel" a few months ago).  I am a big fan of our local libraries . . . checked out a tome recently entitled, 'The Stories of the Great Operas' thinking it would be a nice quick summary of story lines - turned out to something else, so that one was a 'don't finish' book.

Obviously, I love to read . . . always have at least a couple of books going.

743

(10 replies, posted in Songwriting)

Thank you Roger and jasonhague321!  As far as rich tapestry of life goes - I'm glad I eventually learned that love should be based on mutual respect and simple joys rather than constant emotional drama.

I just played it through and realized I had left out a chord in the second verse - oops - I've now corrected that mistake.

I do intend to record this one soon, but would really like it if Emmylou Harris would just drop by and help me on the chorus . . . but that probably won't happen.

744

(10 replies, posted in Songwriting)

Way back when I had more hormones than sense I had some very intense but lousy relationships.  This little waltz is about such ill-fated pairings.

Famine or FeastJames McCormick, October 2, 2007


6/8 time, a waltz of bitterness




Our [G]drama is real like [C]stink on your shoe


Are we [G]up, are we down, are we starting or [D]through?


Are you [G]darling or demon, are you [C]kitten or beast?


Is it [G]passion or penance, is it [D]famine or [G]feast?


[F]Famine or [C]feast, [G]famine or feast


If there [F]ever was [C]love, it [G]must be deceased


[F]Famine or [C]feast, [G]famine or feast


It's [F]gettin' to [C]where I [D]don't care in the [G]least . .[D7]




It [G]feels like I'm strapped in a [C]big scary ride


Where the [G]wheels are all loose and I'll crash off the [D]side


Fall [G]kicking and screaming in-[C]to the abyss


This is [G]romantic hell, not [D]domestic [G]bliss


[F]Famine or [C]feast, [G]famine or feast



If there [F]ever was [C]love, it [G]must be deceased


[F]Famine or [C]feast, [G]famine or feast


It's [F]gettin' to [C]where I [D]don't care in the [G]least . .[D7]


[G]Maybe to together we [C]are a bad mix


Like a [G]recipe that should never get [D]fixed


Like [G]frosting on pizza, like [C]anchovy cake


Let's [G]call it all off, we [D]are a mis-[G]take


[F]Famine or [C]feast, [G]famine or feast


If there [F]ever was [C]love, it [G]must be deceased


[F]Famine or [C]feast, [G]famine or feast


It's [F]gettin' to [C]where I [D]don't care in the [G]least . .[D7]


Our [G]drama is real like [C]stink on your shoe


Are we [G]up, are we down, are we starting or [D]through?


Are you [G]darling or demon, are you [C]kitten or beast?


Is it [G]passion or penance, is it [D]famine or [G]feast?


745

(30 replies, posted in Chordie's Chat Corner)

And now for something completely different:
Rasputina - cellos, drums, vocals, and attitude.
Plus, a 'look' that is somewhere between Elizabethan England and well, I don't quite know what . . .
http://www.rasputina.com/index.html
http://www.myspace.com/rasputina

How about it Ken - does this qualify as original?

746

(13 replies, posted in Songwriting)

Hi Toney -
How goes it with trombone?  Hope your lips are holding up to the strain.  I noticed your message yesterday, but was just popping onto the forum to delete spam, so I didn't take time to respond.

Thanks for the harmonica tips - I understand what you mean with the key stuff.  I tend to sing mostly in F, so guess I'll be getting myself F and a Bb harps to start.  Regarding ease of play - autoharp is also very easy to play - it's like chess, the basic moves are simple but putting them all together well is the challenge.

Finding a harmonica halo that doesn't interfere with the top edge of my autoharp will be a challenge since the instrument is strapped right up across my collar bone and almost against my neck.  (Actually, now that I think about it one of the nicest things about playing autoharp is that sits right against your sternum and the sound resonates in your chest).  Maybe I'll just have to do so some radical surgery on one to make it work - I'll figure something out.

Again, thanks for the idea!  James

747

(13 replies, posted in Songwriting)

Roger, thanks for your encouragement all along the way - you and Ken (Upyerkilt) have been major inspirations in helping me have so much fun writing and recording songs.

There was a posting here yesterday (can't remember from whom,  and I don't see it here now?) suggesting that I learn some harmonica to further accompany my songs - it is an excellent suggestion and I shall give it a go!  Thanks for the great idea!

First, I need to find somebody here locally who can give me some practical tips.  Have already found several websites that offer suggestions - but I want to find a mentor who can ease the initial learning process.

748

(2 replies, posted in Songwriting)

Hi sumelton1 - We were once without internet service for several days (long story) but I got feeling so deprived, I would go to my office late at night just to surf the web and get my net fix.  Great little blues number - is this the first song you've posted here, or did I miss previous ones?  James

749

(7 replies, posted in Songwriting)

Another nifty idea and a dandy song, last_rebel - somebody needs to make you sit down in front of a microphone and record these gems.

Maybe we can arrange a Songwriter's Intervention like they do for alcoholics and drug addicts?  We could get a bunch of fellow songwriters sitting in a circle, put you in the middle, and then proceed to one-by-one tell you how much you have hurt us by depriving us of hearing your songs.  Then, we could quickly bundle you off to a quiet room with your guitar and a microphone where you would spend at least 30 days recovering from your lack of recording. 

Seriously though, pick a song, record it, and send it Roger Guppy to put of the Friends of Chordie page!

Very touching, legate.  A 2-minute song can be a far more moving eulogy than a 20-minute speech.  I can see why people request this often - it is so very honest.