51

(4 replies, posted in My local band and me)

It's another snowy day here in southern Ohio, and at the risk of causing your ears to callous, I recorded a song today that I wrote a few years ago. It's one of my favorites not only because of the subject matter but also the research I put into it and the time it took. My youngest daughter and I had been researching my father's side of our family from southeastern KY. I found an article from a 1930 newspaper that mentioned a coal mine in Haymond (Letcher county) was being shut down because after 60 years the vein had run out. At first I didn't think too much about it but then realized that the Depression had started and there was no where for the miners to go for work. I began doing more research and found out in a nearby town where there was a railroad yard, they had to lay off a bunch of employees because there wasn't any coal for the trains to haul. And two sawmills that cut timbers for the mines had to shut down, so those families were without work too. After suffering through WWI and the Spanish Flu, now they were faced with this. No doubt that those were hard times and so that's what I named the song. I had never recorded it as it's kind of a depressing song, but with the COVID problems and today's weather I'm a little bit of a "down" mood, so I felt like playing it.

Usually I just record with one mic, but today I used two mics - one for vocals and another to mic my 000 Martin so I could boost the bass a little more.

https://soundcloud.com/user-198880521/hard-times 

52

(3 replies, posted in My local band and me)

Thanks Jim.     

53

(3 replies, posted in My local band and me)

In the song writing thread, Jim Kenyon wrote a song about  girls from Texas. Years ago I wrote a song about a gunfighter who met his end in a Texas street. I called it "Pistol Don",  aka "Piss 'til  Dawn". (I never could pass up a good pun) It became one of my more popular campfire songs. My buddies John Victor (harmonica) and Jeff Hartley (bass, drums) helped on the recording.

https://soundcloud.com/user-198880521/old-man-early 

54

(2 replies, posted in Songwriting)

Nice changes Jim, I'm looking forward to hearing it.     

When I used to attend NSAI (Nashville Song Writers Association International) meetings, one of the things that was emphasized was that a key ingredient of a good song is prosody. The melody and lyrics of your song mesh wonderfully Trev.  Well done!     

In 1955, Emmett Till, a 14 year-old black man from Chicago was visiting relatives in Mississippi where he was brutally murdered for allegedly whistling at a white woman.  I tried to imagine what life was like for young black men in the south back in those days. His death was one of the events that drove the civil rights movement in the U.S.  I thought today would be a good time to post this song as Dr. Martin Luther King's birthday is January 18.
https://soundcloud.com/user-198880521/mississippi-1955

Mississippi 1955  Ken Willis


intro:


[Dm][Gm][C][Dm][C][Dm]


.




[Dm]If you're walking the streets [Gm]down in Mississippi


[C]Better have your [Dm]head bowed down[C] [Dm]


[Dm]And don't look or smile at them [Gm]pretty white women


[C]Keep your eyes staring [Dm]at the ground[C][Dm]


.




[C]Step aside and let the [Dm]white folks pass


"Yes [C]Sir", "Yes Ma'am" better [Dm]come from your mouth


[C]Always sit at the [Dm]back of the bus


[E]'Cause that's just the way [A]things are done down [Dm]South


.


[Dm][Gm][C][Dm][C][Dm]


.




[Dm]They said they found [Gm]Emmett Till's body



[C]In the Tallahatchie River, out-[Dm]side of town[C][Dm]


[Dm]Them good ol' boys said they [Gm]did it as a warning


[C]He'd been floatin' three days when the [Dm]body was found[C][Dm]


.


[C]Step aside and let the [Dm]white folks pass


"Yes [C]Sir", "Yes Ma'am" better [Dm]come from your mouth


[C]Always sit at the [Dm]back of the bus


[E]'Cause that's just the way [A]things are done down [Dm]South


.


[Dm][Gm][C][Dm][C][Dm]


(crescendo)


.


[C]Step aside and let the [Dm]white folks pass


"Yes [C]Sir", "Yes Ma'am" better [Dm]come from your mouth


[C]Always sit at the [Dm]back of the bus


[E]'Cause that's just the way [A]things are done down [Dm]South




[Dm][Gm][C][Dm][C][Dm][C][Dm][C] [Dm]


57

(6 replies, posted in Songwriting)

That's a keeper Jim . I especially like the lines  "She's just like Prince Edward Island with its tide that ebbs and flows". and "Like the rain that's gone from yesterday am I just another memory".   I'm always drawn to songs that use nature as a metaphor for human emotions.     

58

(10 replies, posted in Chordie's Chat Corner)

For me the easiest way to explain Nashville tuning is using the six octave strings that are on a 12 string. On a 12 string guitar the "extra" strings on the E,A,D and G are an octave higher and the B and E strings are tuned the same as the normal B and E.  If you bought a set of strings and split them between two six string guitars, one would be in regular tuning and the other would be Nashville tuned.     

59

(10 replies, posted in Chordie's Chat Corner)

Thanks. Those are good recommendations. Probably not Mr. Tambourine Man for me. But the others maybe. BGD recommended Del Shannon's Runaway. I gave it a quick try and it made the cut.

I'm so used to trying to play both a bass line and the strumming pattern or the picking pattern simultaneously that just strumming has been the biggest challenge for me trying to make this tuning sound good. I'm eager to try some multi-track recordings with it.

We seem to be polar opposites. I rarely strum when playing in Nashville tuning other than occasionally accenting certain notes. Like you,  I experimented with different styles but found  I like the sound of metal finger picks on the strings and the sound of the bass runs that are an octave above my other guitars.

I've occasionally been asked to play at openings of new shows at a local art gallery. No vocals, just providing some back round "ambience" while patrons are sipping wine and ogling the art work.    I usually finger pick 12-15 songs, take a break and then play the same songs on my Nashville tuned guitar. The sound is so different that no seems to notice  I'm repeating the same set.  (or my finger picking  is so bad the songs don't sound the same).

DE                                                                         .

60

(10 replies, posted in Chordie's Chat Corner)

Excellent Zurf!  I bet that Breedlove sounds great.  As you know, I've played around with Nashville tuning for years. My latest set up is on an all-mahogany Alvarez Mastercraft parlor (MPA66SHB) that just sings with those high strings on her. Besides the songs you mentioned, I suggest trying "Someday Soon", "Sounds of Silence", "Mr Tambourine Man" and "If You Could Read My Mind". Those four are probably my favorites I play in Nashville tuning. I finger pick them with metal finger picks.

I'm looking forward your video.

DE     

61

(8 replies, posted in Songwriting)

Jim, I'd be honored if you told the story to your students. I've always been fascinated with the Civil War and currently have about 65 books about the conflict in my collection. I've visited and walked around the Saltville battlefield where Pvt. George Willis fought in 1864.  Back in the summer of 2011, Zurf hosted a Chordie get-together/jam on the Shenandoah River in VA.  Those that attended had a great time getting acquainted, playing music and floating the river. It was the 150th anniversary of the Civil War, and I had an idea about writing songs to make a Civil War CD.  I had already visited Gettysburg and Antietam years ago, so I spent one day while everyone else was floating the river and drove to visit the battlefields at Fredericksburg, Spotsylvania, and the Wilderness.  I only ended up writing 4 songs (VA Snow came much later) so I gave up on the project.

One evening I was playing my songs at a campfire after spending a day paddling with a local canoe club. I was approached by a lady that said she was a school teacher that taught 8th grade in a country school a couple counties away.  They were in the midst of studying the Civil War and felt some of the students were finding it boring. She had a theory that since most kids at that age like music, it might get their attention if I would be willing to come to her school, talk about the war and play my songs. I agreed, but was a little apprehensive as my memories of the 8th grade was the bluster of smart-aleck boys and giggling girls passing notes to each other. I took several books with pictures to pass around, asked them a lot of questions about their knowledge of the war, answered a ton of questions, played my songs (plus a few other Civil War songs I know) and had an absolutely enjoyable day. I performed for three classes that day and for the next several years the school invited me back (paid me 50 bucks for expenses and fed me each time, although I would have done it for free). A couple years ago the lady retired and sadly I haven't received any calls since.     

62

(8 replies, posted in Songwriting)

Thanks for the comments Phill. The actual story of my great-grandfather's death is something you would expect to see in a movie.  When they left Virginia, the route the 39th was traveling through southeast Kentucky passed close to his farm. As the plan was to just march a few more miles before setting up a camp, he asked and received permission to stop and visit his family for a short time and then catch up with his company. I can imagine the joy his wife and children felt to see him again. Soon the dogs were barking and there were noises coming from his barn. He went to investigate and saw some Confederate guerillas were stealing horses from his barn. Seeing a uniformed Union soldier approaching, he was gunned down in his yard with the family watching.  It was listed as a battle casualty.  The trauma to the family had to be incredible.     

63

(8 replies, posted in Songwriting)

156 years ago today (January 12, 1865), my great-grandfather, Pvt George Willis, Company H, 39th KY Infantry (Union) was ambushed and killed by Confederate guerillas while returning to Kentucky after fighting in the battles at Marion Virginia (Dec 17-18, 1864) and Saltville Virginia (Dec 20-21, 1864). He had the misfortune of being the 39th's last battle casualty before the Civil War ended. He left my great-grandmother Joanna alone with 5 children and a farm to care for. I tried to imagine what he might have said if he had been able to write a letter to her on the eve of the Saltville battle.
https://soundcloud.com/user-198880521/c … ginia-snow


Cold Virginia Snow Ken Willis


Intro: G C G D G (finger picked)




Verse 1






[G]I write to you Joanna from [C]just outside of [G]Saltville


[G]We're camped on Walker mountain and it looks like it might [D]snow [D7]


'Tween the [G]marching and the fighting I [C]think about you [G]often


[G]So I send this letter [D]just to let you [G]know


Verse 2




[G]The fight we had two days ago [C]really was a [G]bad one


[G]Some good boys in blue were lost but I'm still doing [D]fine [D7]


And the [G]colonel spread the word tonight through the [C]39th Ken-[G]tucky


[G]In the morning we will join the charge a-[D]gainst the Rebel [G]lines [G7]




[C]I pray tomorrow will be a victory for the [G]Union


But should a [Em]musket ball cause me to fall and it [A]be my time to [D]go [D7]


My [G]soul will rest in heaven and my [C]heart with you Jo-[G]anna


[G]My body will lie underneath this [D]cold Virginia [G]snow


Verse 3





[G]I had never thought much about [C]snow in south Vir-[G]ginia


[G]But these mountains that surround us now are covered up in [D]white[D7]


So we [G]sit close to our fires and pull our [C]blankets tight a-[G]round us


[G]Waiting for the bugle call that will [D]come at morning's [G]light [G7]




[C]I pray tomorrow will be a victory for the [G]Union


But should a [Em]musket ball cause me to fall and it [A]be my time to [D]go [D7]


My [G]soul will rest in heaven and my [C]heart with you Jo-[G]anna


[G]My body will lie underneath this [D]cold Virginia [G]snow


Verse 4




[G]The papers say the South is whipped and this [C]war will soon be [G]over


[G]Then we can celebrate and hear the church bells [D]ring [D7]


Hug the [G]children tight this Christmas and [C]tell them that I [G]love them


[G]And if the Lord is willing I'll be [D]home again come [G]spring [G7]




[C]I pray tomorrow will be a victory for the [G]Union


But should a [Em]musket ball cause me to fall and it [A]be my time to [D]go [D7]


My [G]soul will rest in heaven and my [C]heart with you Jo-[G]anna


[G]My body will lie underneath this [D]cold Virginia [G]snow


[G]Yes my soul will rest in heaven and my [C]heart with you Jo-[G]anna


[G]My body will lie underneath this [D]cold Virginia [G] snow



{eoc} 

64

(11 replies, posted in Songwriting)

That's some darn good writing Jim.  The first two verses describe events but then the third one allows each listener to imagine  what happened next.  Its like looking at two still life paintings then at a piece of abstract art that is connected to the first two but allows the viewer (or listener in this case) several choices of what the last one portrays. (Did she steal his horse, boots and gun and then abandon him and ride away or did she remove them so she could ride a different "stallion")? wink 

Do you plan to record it? I'd like to hear your version.  You are  probably a lot like me, a self-taught guitar picker that just likes to write songs and doesn't feel like you are a "singer/performer", but I always like to hear a song straight from the craftsman that made it before it gets "dolled up" by others. Whenever I hear a song I like, the first thing I do is try to find out who wrote it and hopefully hear them play the "original" version and the vision of how they think the song should be performed.     

65

(3 replies, posted in Songwriting)

Phil recently wrote a song using a remark made by Mojo.  This is one I wrote by doing the same thing. I was playing at a Saturday morning jam with some friends. One of my buddies (also named Joe) kept playing old Hank Williams songs. When I asked him about it he said "I just woke up this morning with Hank Williams on my mind".  And I said "Joe, you just gave me an idea for a song".  Where I could, I used some of Hank's song titles in the lyrics.

https://soundcloud.com/user-198880521/h … on-my-mind

Hank Williams On My Mind  Ken Willis


Yeah, my [C]friends all tried to warn me right [F]from the very start


[C]That you were the cheatin' kind and you had a cold, cold [G]heart [G7]


[C]But I would not listen, [F]they say love is blind


And [C]I woke up this morning with Hank [G]Williams on my [C]mind [C7]




Yeah, I [F]listened to those songs Hank wrote, and [C]every word rang true


[D7]Just like when your cheatin' heart [G]finally told on [G7]you


[C]But I finally saw the light and left your [F]memory behind


[C]I woke up this morning with Hank [G]Williams on my [C]mind


[C]You ran off with some other man and [F]didn't even say goodbye



You [C]left me with the honkey-tonk blues and so lonesome I could[G]cry[G7]


[C]All I had to comfort me was [F]whiskey, beer and wine


[C]I woke up this morning with Hank [G]Williams on my [C]mind [C7]




Yeah, I [F]listened to those songs Hank wrote, and [C]every word rang true


[D7]Just like when your cheatin' heart [G]finally told on [G7]you


[C]But I finally saw the light and left your [F]memory behind


[C]I woke up this morning with Hank [G]Williams on my [C]mind


Yeah, [F] I woke up this [C]morning with Hank [G]Williams on my [F]mind [C]


 

66

(5 replies, posted in Songwriting)

I hope it's not your last song.......keep 'em coming Joe!!! That's some pretty darn good writing.     

67

(6 replies, posted in Songwriting)

Nice lyrics Phil - sounds like you might have a pretty sweet tune going their buddy. Looking forward to giving it a listen.

Could we be brothers from different mothers? A couple years ago I wrote a song called "I Like the Rain" and also ended up incorporating a little romance.  Great minds think alike I suppose. wink     

"Stripped back honest simple song" is what I like best. You get my vote. I haven't listened to any of the other entries. I noticed there are 356 semi-finalists in the amateur division. As folks around here say: "That's a tough row to hoe". Good luck and best wishes!!     

69

(9 replies, posted in Songwriting)

Did your recording cut off early? It seemed to end abruptly.  I hope I'm not over-stepping, but may I make a suggestion? Your lyrics are wonderful and I like your chord progressions but I think it may be better to slow the song down a little. At the speed you recorded it, the rhythm/melody seems too happy for the subject matter and seriousness of the lyrics.     

70

(5 replies, posted in Songwriting)

I agree with Phil that it sounds like you're having fun, but with the reverb I couldn't tell what you're singing about. Maybe my ears are just tuned to Appalachian foothill accents, sorry.     

71

(4 replies, posted in My local band and me)

Hey Peatle, your song reminds me of what we call "old timey"  or "mountain" music and definitely caught the ear of this son of Appalachia.  I've also been a bluegrass fan since I went to my first festival in '69, but I've never had the  "picking skills" to play it very well.     

Tomorrow will be my 47th wedding anniversary. Several years ago the last of our kids were gone, I had got some pretty good raises at work and had been secretly saving up some money so that we could afford to do something special for our anniversary (maybe go on a cruise or visit Europe). So with a limit of $10,000 in mind, I asked Jennifer what she would like to do for our anniversary. She thought for a while then said "How about writing me a song?". I thought Wow! This songwriting hobby is finally paying off - I'm gonna save $10,000! 

I spent the next few days really trying hard to come up with something that would tell her how I felt about our marriage.  Those that have met me at some of the Chordie gatherings know that I have spent a lot of time outdoors, hiking, backpacking, canoeing, kayaking, rafting, etc and over the years have spent hundreds of nights sleeping outdoors in a tent. To me there is no better feeling than being in a tent during a rain storm.  Knowing that outside there is thunder, lightning and pouring rain but inside my tent I'm warm, dry and comfortable, separated from all the nastiness outside by just a thin piece of coated nylon. To me, that is the way I felt about our marriage, that together we formed a barrier that blocked out all the bad things that life threw at us over the years. When I played the song for her she told me that I'm probably the only person in the world that would compare 35 years of marriage to a wet, soggy tent, but admits it's her favorite song that I've written.

https://soundcloud.com/user-198880521/s … the-rain-1 

I wrote the song in the key of A and the intro starts with an A played by barring at the fifth fret and using an  E fingering that I'll designate as an A*  and a Bbm played with a barred 4th fret using an Am fingering which I'll call Dbm*. All other chords are open (I hope this makes sense).

SHELTER FROM THE RAIN  Ken Willis


Intro


[A*] [Dbm*] [D] [A*] [Dbm*] [D] [A*] [Dbm*] [D] [A] [E] [A]


.




[A*]Watching the [Dbm*]campfire's glowing [D]embers, [A*]staring [Dbm*]at the dying [D]flames


[A*]Thunder [Dbm*]rolls across the [D]valley, [A]soon I'll need [E]shelter from the [A]rain


[D]Just an old piece of [A]canvas, [D]years of mud and dirt and [A]stain [E]


[E]But that [A]tent holds out the stormy [D]weather


[A]It brings me [E]shelter from the [A]rain


.





repeat intro




.


[A*]We once [Dbm*]stood before an [D]altar [A*]and swore our [Dbm*]love would never [D]fade


[A*]We'd stand and [Dbm*]face life's storms to-[D]gether, [A]bring each other [E]shelter from the [A]rain


[D]For many years we've been to-[A]gether, [D]shared life's joys and fears and [A]pain[E]


[A]She's the one that I can [D]count on, [A]when I need [E]shelter from the [A]rain




[D]For many years we've been to-[A]gether, [D]shared life's joys and fears and [A]pain[E]


[E]Like that [A]tent that holds out the stormy [D]weather, [A]she brings me [E]shelter from the [A*]rain


 

73

(4 replies, posted in Songwriting)

Phill Williams wrote:

Guitar and vocal works well and adds a new perspective to the song.

I hope Jim doesn't mind or is offended by my making some changes to his poem. I gave him credit for the song when I downloaded to soundcloud.  To me the poem was a dark and gloomy view of life so the I tried to reflect that in the prosody I used.  Jim posted a blues version and I'm curious what perspective you approached it from. I'd love to hear both of your versions.  That's one of the things I find so interesting about song writers - we approach the craft from different angles.     

I was impressed with Jim Kenyon's poem "Wretched Lives" and wanted to try to do a musical version in my acoustic "folk singer" style. The lyrics are a lot darker than the type of songs I normally write and I changed them a little to match my singing style.  I really liked Phill's version that had verses ending "it's a nightmare", but I'm used to "writing to the hook" which was "wretched lives" so I went back to Jim's original version and tried to emphasize the hook/title a little more.  Being a dark song I felt it needed to start in a minor chord and then "walk down" to give the feeling of dropping into gloom.  I added four lines at the end by using two lines from Jim's 1st verse, a line of my own and ending with the first line of what Jim designated the chorus but feels like a bridge to me.

I had a little time this morning before spending New Years day watching college bowl games, so I made an attempt at doing a "scratch" recording in my "usual me and and acoustic guitar" mode. I also added a lot of reverb which I don't normally do but felt it worked for the song.

https://soundcloud.com/user-198880521 

Wretched Lives  Kenyon/Willis


intro: (2X -finger picked)


[Am] [G] [F] [E]






No [Am]demon to expose your flaws


Nor [G]savage beast with bloody claws


[F]Your worst fears fall into place


You've [E]lost it all and life's a waste


The [Am] loneliness of a silent curse


The [G]constant reminders that make things worse


You [F]don't believe but yet you know


There's no [E]one to hold, no where to go


repeat intro




Bridge:




[F]Such is the fate of those wretched lives


[Am]Hopelessly waiting for their ships to arrive



[F]Scared to be bold and facing cruel facts


[E]Haunted by visions of what their lives [Am]lack




repeat intro






[Am]Heading nowhere like the aimless winds that blow


[G]Searching for the comfort that only other people know


[F]Hours passing by and faith that slips away


[E]Dreading dark of night that brings a new day


[Am]Your worst fears fall into place


You've [G]lost it all and life's a waste


No [F]one is there to say goodbye


[E]Such is the fate of your wretched [Am]life


[Am] [G] [F] [E]


[E]Your wretched [Am]life


[Am] [G] [F] [E] [Am]


 

Those are some pretty dark lyrics Jim.  As my youngest daughter used to say, punk and heavy metal "scare my ears", so I'm no help with those genres.

P.S. There's nothing wrong with being "mushy".  hmm     

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