626

(19 replies, posted in Chordie's Chat Corner)

Thanks Russ. I need to practice more.

I watch two sports events per year. 1. The Georgia versus Georgia Tech football game (I'm a Tech fan.) and 2. The Superbowl (only for conversation purposes). I generally don't even know whose playing until the kick-off. No, I don't live under a rock. I just prioritize sports viewing very low. There are so many other things more rewarding to me.

Once again I probably asked the wrong question. I do understand why pick guards exist. I don't understand how someone carves up the soundboard like it was a whittling contest. If you are strumming at such an angle to dig into the soundboard I think you should change your angle of incidence. In my amateur opinion the idea is to strings as "flatly"as possible not like some dive-bomber.

629

(143 replies, posted in Chordie's Chat Corner)

On my way to Europe yesterday I met another American at the Amsterdam airport. I had my guitar and he was carrying a TROMBONE! Talk about a commitment to music, I've seen many guitars in airports but never a trombone. I struck up a conversation with him - how could I resist? He told me he always travels with his trombone and plays regularly as a "drop-in" wherever he goes. We were both waiting on a plane to Tbilisi, Georgia where i'm sure he will find somewhere to play. How cool is that?

There are several venues here where one could plug-in and play but I'm not quite ready for that. Although all the local "pub" music is American and British and sung in English even though the singers don't always know what they are singing and sometimes are reading the lyrics. Always a good time though and you have to give them credit, they are playing and singing and I am watching.

Okay, I've got to rant about this. I am a beginner. I don't gig, busk, etc. I play for me...at least for now. I'm not necessarily a fan of pick guards but I do own one or two. But what kind of playing, what style causes someone to damage a guitar like this? (http://cgi.ebay.com/Martin-2000-D-15-Ac … 500wt_1182).

I would think someone would have to try to inflict this on a guitar. Please don't mention Willie Nelson's guitar which I am convinced is a contrived part of his allure and image. (I do like his music.)

I suppose with a few more years experience under my belt I will understand?
DJ

p.s. Yes, I'm on eBay again.

I'd love to abandon TV! Jerome you are right on about women and TV purchases, my experience too.

Yes, I have a "guitar fund". Just dipped into it for a surprise Mother's Day gift - not a guitar.

Mekidsmom,
Good strategy.
dj

Oh, and I'm frugal. I own three acoustics (and only acoustics) and I have a grand total of $527 invested. Every time I veer above about $300 for a guitar I suffer from extreme buyer's remorse. Even though I could probably afford a $1k guitar (D-15, D-16, or Larrivee OM-03) I can't seem to pull the trigger on one. I guess I'm not comfortable with that much money tied up in a single instrument and then there's the thought that my playing doesn't warrant it either.

So pricing is part of the source of mystique for me.

635

(18 replies, posted in Chordie's Chat Corner)

Back in the 1980s I obtained (10) 8th row tickets to see him perform in Atlanta. I gave a pair of tickets to my friend (he took my sister to the concert) and I SOLD the rest! Still scratching my head on this one.

In retrospect I suppose my question should have been about the mystique of the entire Martin line and not just the D18. I've wanted a Martin since I started this quest to learn to play about 2 years ago. I just haven't found the right one I suppose although I did buy one (kept it for about 30 days) and I did order a second (but rejected it upon inspection). The good news I get to keep looking. One thing that always turns me away is the tortoise shell binding. This may be the traditional material and it may even be naturally-occuring but for the price of the instrument it appears out of place to me. To avoid this material I am painfully attracted to the 15 series. This is a notion that will not subside.

Jerome +1 on the HD comparison. I suppose the un-scalloped bracing makes them LOUD and therefore suitable (or required) for Bluegrass?

638

(17 replies, posted in Acoustic)

Welcome SS and Brenn. This is one of the few guitar/music sites that doesn't get bogged down in brand wars. Instead the them seems to revolve around music and helping others. What a concept.

639

(143 replies, posted in Chordie's Chat Corner)

Two more days.

The Martin D18 receives an embarrassing amount of praise. It can do no wrong. And its un-scalloped braces are a selling point? Why is that when many, if not most, of the rest of the guitar population is touting scalloped bracing? What is it about this guitar? I'd love to jump on the D18 bandwagon but I just don't get it. Maybe it's just a Martin thing. And that I can understand. I'm not bashing, just curious.

I'm not a member of the UMGF so I post here.

641

(19 replies, posted in Guitars and accessories)

The Martin 15 series is my favorite! Congratulations, I'm sure you will enjoy this new instrument. Pics please!

642

(22 replies, posted in Chordie's Chat Corner)

Okay guys, I'll say it: Grey's Anatomy AND Private Practice. The fact that I even know these shows exist is an embarrassment but marriage is a complicated animal. Maybe I should consult Dr. Doolittle!

643

(143 replies, posted in Chordie's Chat Corner)

GAS attack! Can I make it out of the country before I quench this with a purchase?

Mine is always within reach.

Passed on a used (pretty old for S&P) Simon & Patrick Spruce/Rosewood Dreadnought. It had been sitting a long time, needed a little work, and if it had been satin I might have bought it. I actually told the seller how to re-word her ad on CL to improve interest. I also suggested she increase her price! And because I broke the (very old) G string trying to tune it I gave her a new set of strings. By the way: no E, No cut-away.

646

(22 replies, posted in Chordie's Chat Corner)

Where do I begin? I can count on one (maybe two) hands the shows I like!

647

(30 replies, posted in Chordie's Chat Corner)

My wife is fascinated by the Royal Wedding. She was up at 4am on Friday to watch. I watched about five minutes of it - the vows, etc. I figure I will get a chance to see the other parts over the course of the next month or so. I think it is a significant historical event and I am happy for the British people but I cannot really understand what it all means.

I travel to Europe next week where I will see a English business associate. I've already exchanged emails with him regarding this (and the game of Cricket). I told him I'd buy the beer if he answered my questions.

Alvee: it's on EVERY channel in the U.S. as well.

648

(10 replies, posted in Chordie's Chat Corner)

Where is this Wyoming again?

I prefer my acoustic guitars unadulterated: no cut-away, no electronics, open-back tuners, and satin finish wood bindings (when the price permits). The only “luxury"  is a pick guard. I also prefer curvy bodies so the dreadnought is not my first choice but I do own one.

Satin finish – I like the look, smell, and FEEL of wood.

No cut-away: I don’t play the upper frets and the cut-away looks like some animal has taken a bite out of the instrument.

No electronics: I play alone and for myself (at least for now). No need for amplification and not interested in effects. I like the sound of an acoustic guitar not some transistor or notch filter. Besides many electronics suites are cut into the body of the guitar destroying the look and craftsmanship in my opinion.

Open-back tuners: I like the simplicity and the appearance of the gears, etc.

Do I always comply with these traits? No: Just my preference.

I’m curious to hear what others prefer.

650

(54 replies, posted in Acoustic)

Pete,
It's been a month or so since NGD and the initial purchase luster (IPL) has likely passed. What says you now about your new instrument?
DJ