601

(37 replies, posted in Chordie's Chat Corner)

Welcome back Qazzzz! Glad to hear you're picking it back up.  Music is medicine! Let me know if I can help.

602

(24 replies, posted in Acoustic)

Has it been infected?

603

(24 replies, posted in Acoustic)

yeah my wife's nails got crazy when she was taking those vitamins. I was jealous immediately. smile

604

(7 replies, posted in Bands and artists)

I like what you did there!

605

(37 replies, posted in Chordie's Chat Corner)

Breaking up is hard to do.

606

(24 replies, posted in Acoustic)

Is the G wound? I've always had a hard time bending flatwound G strings. That sounds like a personal problem. lol

607

(24 replies, posted in Acoustic)

I'm like you.  I like the richness and sustain of heavier strings.  I play 11s on my electrics just for string bending.   But if i didn't love doing that so much id be on 12 or 13s.

Edited for:
I'm also a physical player.  I strike hard with the rh while keeping the lh nice and relaxed.

608

(24 replies, posted in Acoustic)

Yeah I play hard with heavy gauge strings.

609

(24 replies, posted in Acoustic)

mekidsmom wrote:

Quick nail anatomy lesson! 

The area of living skin around the top of the nail often referred to (improperly) as the cuticle area is actually called the Eponychium - also referred to as the "nail fold".  The cuticle is actually a very thin layer of dead skin on top of the nail that is often scraped and removed during a manicure (it should only be partially removed, not completely removed).  The eponychium along with the cuticle help to seal the nail from bacteria.  The area under this and below the nail (where you can see a white crescent) is where the nail is actually formed and is called the matrix.  Should the matrix become too damaged, the nail will no longer form. 

It's not good to damage the eponychium.  It's an area highly prone to swelling up like a balloon - rushing white cells to the area -  to help prevent bacteria from entering the nail bed and permanently damaging the matrix. You know, like... you get a scratch anywhere and - no biggie - but you get a scratch right along your eyelid and all heck breaks loose!  Natural defenses and all.  Be careful there. 

I don't know if you'd build up callouses there or not, I kind of think not though.  Possible infection in that area would cause a lot more pain and possible trouble down the road.  If you're playing that rough, you're scraping off small layers from the top of the nail too.  Eventually this could cause brittle nails, splitting, flaking, etc - making it difficult to grow the nails long enough and keep them there for finger picking.  I think - if you're doing a lot of strumming and hitting the strings with the tops of the nails - it might be a good idea to plop on a protective layer (Look for a nail ridge filler - it's generally fairly clear and matte). 

If you do opt for a Fire Engine Red topcoat lacquer, you'll be able to see very quickly how much damage is being done to the top of the nail as the polish gets scraped and scoffed off.  I try to limit myself to just a few songs that I strum without a pick, for the health of my nails (and rarely wear polish because it doesn't look good at all after an evening of  guitar playing). 

Interesting fact: It takes about 6 months for the body to repair the typical damage done by one poor nail service (ie, acrylic nail surface preparation generally includes filing the nail surface and the "cheapo" places tend to over do it.  Then women will also often peel the acrylic off once it starts to lift - taking additional nail surface layers off in the process).  These are your claws.  Protect your claws.  smile

Thanks for all the info. I don't grow nails because of my flatpicking technique. I barely use any pick and so even well-kept nails tend to get snagged when I'm strumming, particularly on the index finger.

I have damage to my nail bed on my rh ring finger that was caused by an encounter with a rogue patio door when I was like 6, so I def. want to avoid any more of that. Problem is I'm really liking the tone and flexibility of dumping the pick. Lots more flexibility...guess i need to play with technique some.

Thanks again for all the info!

610

(24 replies, posted in Acoustic)

Classical Guitar wrote:

I play classical guitar and have for over 40 years and I also teach classical guitar. Personally I play with callouses and have  always played that way. If you are careful and cut or file  your nails short and play with your finger tips you will develop callouses. I second the fact that on your right hand keep your fingers straight so just the tips of your fingers hit the strings. Another reason to keep them straight is as you play faster songs you can move your fingers faster than if you bend them. Also keep your right hand free and do not rest your hand or pinky finger on your guitar. Long term your will better movement.

I already have callouses on the tips of both hands. I'm more referring to deeply strumming the guitar and getting the back of my fingers (the top of the nail down to the nail base) involved with the strum.

Thanks everyone!

There was not a pick in my hand. Trying to figure out this new strumming thing. smile

Got to one finally! Down on the Corner
https://youtu.be/U_T1WT822pk

613

(24 replies, posted in Acoustic)

I've recently begun ditching the pick whilst playing acoustic, in favor of strumming with fingernails and thumb. Every once in a while I get a bit aggressive and hit my nail base/cuticle area, which is starting to get bruised, bloody and sore. I am planning to play through it and build callouses, but before I do... do any of y'all have this same issue? Will I eventually acclimate to it and callous or am I just traumatizing my fingers with no end in sight?

614

(10 replies, posted in Chordie's Chat Corner)

As musicians, we tend to notice a lot more mistakes and stylistic interpretations than most folks do. I have a rule (which may not apply when teaching your kids) that I never offer unsolicited advice. If I'm listening to another musician, I just listen. If I'm asked to listen, I just listen. If I'm asked for my opinion, it is 100% of the time a positive one. Only if I am explicitly asked for advice/critique will I give it. The only exception to this rule is if someone is doing damage to themselves or an instrument that is not owned by them. smile

615

(5 replies, posted in My local band and me)

Sounds real good man!

616

(15 replies, posted in Chordie's Chat Corner)

At yeast he lives on in your stories. He will rise again.

617

(2 replies, posted in About Chordie)

There's an educational exemption I believe.

My daughter loves your recordings Zurf.  We sat and listened together.  She sat.  A 1 year old was voluntarily immobile, smiling and moving to your music. 

And I got to rest for nearly 6 minutes.

You are magic. 

Thank you!

You just ask if you can pick the song and are then appointed to do so?

620

(3 replies, posted in Chordie's Chat Corner)

Someone needs to study how I get cranky if I don't play guitar every day.

I agree with Roger. I'm also a fan of two songs per month so how about some Bob Marley? Redemption Song or Three Little Birds?

???

Did we decide on a song yet?

624

(1 replies, posted in Electric)

Ahhhh the dynamics question. I can write books on this. Let's start with this:
If you aren't on a budget, everyone should mic up and get in-ear monitors with their own mix that allows you to put yourself in the front of the mix.

Regardless of budget, here are some sound best practices.
1. In my experience lots of bands set up their rehearsal space so that you are playing right next to or in front of your amp, which puts you close to your controls. Problem with this is that you are also outside the radius of the speakers. Instead, you should put your own amp across the room and point it at your face. This will allow most of your sound to project in to you rather than whacking your bassist with your sweet singing distortion. It will lead to a lot less volume creep.
2. Don't just practice in one position or one volume level. Once you start gigging out, you're going to deal with obstinate sound guys, stubborn bar owners, and strange stage configurations, all of which will result in your needing to reduce volume/increase volume/have your amp nowhere near you. Practice playing with your amps at comfortable rehearsal level, but also practice with your sound cut in half. Make yourself play through that awkwardness and still get a good sound/have good vibes.
3. Don't let anyone turn up to 11 all night. Force your volume down. Have your drummer play at 1/2 dynamic.
4. Practice unplugged or with acoustic guitars sometime.
5. Get your drummer those h-rods so he can slam away with less volume.
6. Designate hand signals so your band leader can bring things down if they are getting out of control.
7. Even if a song is going really well, if it's too loud and obnoxious cut off the tune, say "let's bring it down a bit" and start over.
8. Do away with the old "but brah my sweet 390 watt tube amp only sounds good if you get the tubes nice and hot" by purchasing a power soak or one of these for your effects loop, either of which will allow you to run tubes hot and bring the output down. https://www.amazon.com/Carls-Custom-Gui … soak+pedal

Also, don't forget to wear hearing protection.

Have fun!

625

(3 replies, posted in Song requests)

You Send Me
Wake Up Little Susie and most other Everly Brothes tunes