I love the sound of acoustic guitars. I find it fascinating how the different body shapes, tone woods, construction techniques and string materials/gauges can produce such a variety of sounds. I've got a new one coming next week and today I started thinking back on how many acoustics I've owned over the last 40 years. I've never been the type to get all sappy and sentimental over my "toys" unless they're something handed down or given to me by a friend or family member. I consider my guitars sort of like tools which produce particular sounds I'm looking for while playing music. As my musical tastes have changed, I've bought/sold/traded acoustics to try to obtain the sound I was looking for. Also physical changes due to injuries, arthritis, hearing loss, etc has had me experiment with various body shapes, neck widths and tone woods. I've tried to compile a list of the acoustics I've owned. I may have missed some but I think my next one will be #22. Here's the ones I remember:
Fender Newporter: all mahogany, sounded like strings stretched over plywood (first acoustic I owned) sold to a fender collector
Fender JG12-CE 12 string acoustic/electric: spruce/mahogany, nice sound but terrible neck - traded in on another acoustic
Sigma DM-2: my 2nd acoustic and real nice sound/player (spruce/mahogany if I remember correctly) sold to friend
Samick C2CE: nylon acoustic electric, easy player great sound ( I think it was cedar/mahogany) sold on-line
Samick ST91: all mahogany 3/4 size travel guitar - donated to local music preservation group (Foothills Folk Society or FFS)
Epiphone classical: all mahogany nylon string, bought hoping my wife would try to learn, ended up giving to son
Alvarez: spruce/mahogany dreadnaught that I played for many years and then passed on to my son (don't remember model number,it was similar to the RD8)
Alvarez 5014: folk-sized spruce/mahogany guitar I got in a trade. Sold to guy who promised to pay me next day but he sold it for drug money and skipped town
Guild F212XL - jumbo 12 string, absolutely great playing and sounding, used it for several years but it became painful to play due to shoulder injury
Johnson - 2 cheap dreadnaughts bought to use on raft trips (not sure of models numbers) gave one away to friend trying to learn to play, donated other to FFS
Ibanez MA travel guitar 3/4 size, replaced nut and use it for Nashville high-tuning (still have it)
Blueridge BR-73: Absolutely superb 000 size spruce/rosewood guitar and one of my favorites, played it for several years then gave it to my son as he liked it even more than me
Taylor Big Baby: 15/16 size spruce/mahogany, easy player with nice sound but a little too light on the bass for my taste, traded it in
Kona: thin body spruce/mahogany acoustic electric I bought on impulse, intonation was terrible, traded it
Recording King ROS16: 12-fret spruce/mahogany slothead copy of a 1903 Martin. Clunky neck but great sound. Bridge came un-glued, braces beginning to buzz still have it
Breedlove OM/ER: sweet little guitar but I was looking for wider neck width, sold it to Zurf
Martin 000-16GT - nice small-bodied spruce/mahogany guitar but not much bass or over-all volume. Sold it
Martin D-16: nice spruce/mahogany dreadnaught, traded it for studio time for recording one of my Cds
Martin 000SRGT - sweet custom spruce/rosewood 12 fret slothead I bought from "My Favorite Guitars" still have it and one of my favorites
Takamine GS430S: cedar/mahogany NEX size, killer sound, excellent volume, best value of any guitar I've ever bought. So impressed I ordered an EG430s-TOS which is a simlar but acoustic-electric with a cedar top/laminate maple back & sides (supposed to arrive Monday)
That's my story, how many many acoustics have some of my fellow Chordians owned? I'm interested in your stories.
DE