501

(12 replies, posted in Music theory)

steelstrings wrote:

Then it would be: C, F7, G, D, A7.

If you have any more trouble, try this site:
http://www.don-guitar.com/transpose.html

Steelstrings - Unless I'm missing something, I think you went the wrong way.

Jools said "without the capo; D G7 A E B7."

So then WITH the capo on fret 2, wouldn't the chords be:  E, A7, B, F# and C#7?

If I'm wrong, please let me know.

Late add:  OK, I see what you did was provide the finger shapes to get the same chord with a capo on fret 2.

What i did was provide what the new chords would be using the same finger shapes.

I guess either of us could be right depending on what Jools was actually asking for.

502

(4 replies, posted in Acoustic)

steelstrings wrote:

Here, try this.

http://www.youtube.com/watch?v=eAXWyLoeQFw

There is also a tab at ultimate guitar which matches the video.

Props to the guy for trying, but I think he makes it bit harder than it needs to be.  This may not be perfect, but FWIW here's how I play it:

Intro:
A - pick 5, 4, 3, 2
A9 (x02320 - it's a D shape on strings 2 thru 4) - pick 4, 3, 2, 1
Bm - pick 4, 3, 2, 1 and 1 again on fret 5
E - pick 4, 3, 2 and 1 on fret 4

Verse: chord (word)
A (all) -- A9 (showed) -- Bm (ruined) -- E (last one to know) --  A (last one you thought)
A (saw) -- A9 (fear) -- Bm (I) -- Dm (-pagne)
E (I toasted)

Chorus chords:  A -- Bm -- E -- (optional E7 after OK) --  A -- A6 (on O-asis, strum X02222 and let it ring) -- Bm -- E -- A

Anyway, that's my 2 cents.

503

(15 replies, posted in Acoustic)

jayceelynn16 wrote:

I'm having a really hard time getting my fingers to play the F chord. Is there another way of doing this? if u answer can you simplify it as to which finger on which string in which fret...   thanks in advance to any possible answers.

In addition to the "small F" that others have talked about, you can make what I call a wraparound F.  It's easier than a full barre, but a bit more difficult than the small F. The good thing about it is that tonally, it's identical to a full barre.

It involves holding the neck across the palm of your hand and using your thumb on the low E.  It helps if you have big hands.

From high to low:

e and B = barre on fret 1 with index finger
G = fret 2 with middle finger
D = fret 3 with little finger
A = fret 3 with ring finger
E = fret 1 with side of thumb

So what you end up doing is using fingers 2, 3 and 4 on the G, D and A strings, just as you would for a full barre.  You then use your thumb as the "barre" for the low E instead of your index finger.  Like everything else it takes practice.  It works all the way up the neck and can be modified for minor chords (barre the bottom 3 with your index and raise your middle finger), but it doesn't adapt very well to 7ths or sus's.

504

(19 replies, posted in Chordie's Chat Corner)

You know . . . when you're driving in your car listening to the radio, and a song you can somewhat play on the guitar comes on.  You are listening intently when your wife asks:  "What's wrong with your hand?"

You look down and realize that you're making "air chords" with your fretting hand along with the song.

505

(4 replies, posted in Song requests)

I did a Google search.  Looks like there are plenty of choices:

http://www.google.com/#sclient=psy& … 135e135c2e

506

(5 replies, posted in Chordie's Chat Corner)

Thanks all.


MKM:  No video yet.  (Notice I didn't say no beer.)  All I can do right now is plunk around on the root notes, which doesn't make for very exciting viewing.

Zurf:  Get one.  They were on sale at GC last weekend and may still be.  I got it for $300 (regularly $350).

Pete:  The bass sounds good.  A bit of buzzing from time to time, but it's probably my technique (or lack of it).

dino:  Thanks man.  Bass players look like they have a lot of fun.  Maybe one day I can call myself one.

507

(32 replies, posted in Chordie's Chat Corner)

tubatooter1940 wrote:

I'm in shape.
Round is a shape. sad
toots

I hear ya.  Some guys have a six-pack.  I like to think I have a keg.


Hope you feel better soon, Zurf.

508

(54 replies, posted in Acoustic)

bensonp wrote:

Martins will do that to you.

Dang right they will.  Taylor is a fine instrument, but there is a reason why Martins have been around since 1833.

I'm admittedly biased (check my avatar and my signature lines), but to me there's no comparison.  Martin just exudes class IMO.

509

(54 replies, posted in Acoustic)

SWEEEET choice, Pete.  Martin don't make no duds.  That sunburst is spectacular.

Name suggestion:  Camille.  A bit vintage, but sexy.

510

(5 replies, posted in Chordie's Chat Corner)

After thinking and talking about it for several months (and after recommendations from a friend of my son's and ZURF in this thread:  http://www.chordie.com/forum/viewtopic.php?id=16812 -- see post #4),
today I took the plunge and bought one of these:

http://www.ibanez.com/BassGuitars/model-AEB10EBK

Now all I gotta do is learn how to play the bloomin' thing.

'Nom

511

(5 replies, posted in Chordie's Chat Corner)

I always thought it would be fun to learn how to play bass.  ("God's instrument", as I once heard my son's band director refer to it.  He was a bass player, of course.)

Anyway, I'm still looking for a good low-end AE.  One of my son's friends is adamant that I need to get an Ibanez; specifically one of the AEB series here:

http://www.ibanez.com/BassGuitars/Series-aeb

(I would probably go with the AEB10EBK or AEB10EDVS.  I think my son's friend has the AEB5EBK.)

Anybody have any experience with these?  From what I can glean from reviews, people are pretty high on them as far as value and sound for money, as long as you can put up with a little bit of fret buzz from time to time.  My guess is that's correctable through adjustment.

Anyone?

512

(6 replies, posted in Acoustic)

christopaul wrote:

A 002220,  A/G  302220 A/F# 202220 A/E 002220 I'd play the F# with my thumb.

Me too.  I'd also play the G in the A/G with my thumb.

513

(11 replies, posted in Music theory)

You're welcome.

I've thought about it some more.  "CaddG" may not be an 'official' way to name a chord (I don't know if it is or not), but it is reasonable to assume that players would want some way to denote the difference between x32010 and x32013.  Both are technically C major chords, but the latter has an extra G added. 

So in that regard, CaddG makes some sense if you take it to mean "C, but add an EXTRA G".

514

(11 replies, posted in Music theory)

auxi wrote:

are C/G and CaddG the same thing?

Maybe, but  I've always seen "add" followed by number (as in "Gadd2").  I don't think I've ever seen "add" followed by a letter.

In the case of my Gadd2 example, you play a normal G but leave the A string (the "2" of G) open, so you are in effect adding a 2 (an A) to the G:  300003.

However in the case of CaddG, G is already part of the C chord (hence the open 3rd string), so to me, CaddG doesn't make much sense.


Late addition:
I did a Yahoo search and it so happens that someone asked the question:  "How do you play the CaddG chord on guitar?  I can't find it."

The answer given was:  "Probably because there's no such thing.  The C major chord is made up of the C, E, and G notes already. Adding another G is superfluous, from the standpoint of naming the chord."

Anyway, I hope this helps.

'Nomikal

PS:  Another thing - your original chord tab you asked about was x32013.  This is simply another type of C chord, but has an extra "G" in it on the high end (first string, 3rd fret).  So I'm thinking that "CaddG" may be a cool way to differentiate that particular C chord from x32010.  In short, maybe CaddG = C but add another G on high.  Topdown is correct in that x32013 is definitely not C/G.

515

(3 replies, posted in Music theory)

I posted this question in another thread and it never got answered because it was off topic.

When you see a chord notation "sus" by itself (as in "Gsus") instead of Gsus2 or Gsus4, is it normally assumed that it means sus4 and not sus2?

In other words, how do you know it's not calling for a sus2?

516

(8 replies, posted in Acoustic)

I actually get string grooves across my callouses which remain hours after I stop playing.

Your callouses are your friends.  Take care of them.  That includes using an emory board or light-grit sandpaper to smooth off the rough bits from time to time, otherwise they will catch on your strings or will peel too much and you'll be tempted to pull or cut them off.  (Don't do that or you'll hurt like a newbie all over again.)

Use moisturizer on your fingertips before you go to sleep.  Your fingers should regain some normal shape by the time you wake up, but will still be as hard as little hammers.  That's a good thing.

517

(5 replies, posted in Chordie's Chat Corner)

No colorful remarks, but here it is (around the 3:46 mark):

http://www.youtube.com/watch?v=sPqgkkiBfy4

According to the news, he was "blinded by the lights".

And that's not even one of his songs.

518

(61 replies, posted in Chordie's Chat Corner)

Matt:

Guaranteed winner:  "Crazy for this Girl" by Evan & Jaron  It's just what you're looking for.

http://www.youtube.com/watch?v=C67qgIdBdDA

http://chordie.com/chord.pere/www.guita … 27746.html

Good luck,
'Nomikal

519

(2 replies, posted in Music theory)

Hi Blue-Ray and welcome to Chordie.

As Russ says, you've run across what are called "slash" chords.  It basically means you play the chord to the left of the slash, but the root note of the chord will be to the right of the slash (something other than the name of the chord itself).

Example:  G = 320003, but G/B = x20003 (don't play the low E string, so that the chord is a G with the B as the lowest note).

A couple more more common ones:
C/B = x22010
D/F# = 2x0212

They are usually used as transition chords to provide a bass note walkup or walk down.  For example, C/B works well between C and Am.


Now, to your A/D, you said this:  >>"This chord is shown with  the B and E strings fingered on the secong fret.  You dont play the E or A, and the D and G are open."<<

I interpret this as:  xx0022.  If so, I don't see that as an A/D.  To me, an A/D would be xx0220. 

If you actually played the A string as part of it (x00220) I think it would be an Aadd4. (Russell or Jerome, please check me on this.)

520

(9 replies, posted in Acoustic)

Just when I think I'm doing well, I see something like this:

http://www.youtube.com/watch?v=ErBRuh_Mwnk

The talent some people have is wondrous.

521

(11 replies, posted in Acoustic)

Question:  When you see "sus" by itself (as in "Gsus") instead of Gsus2 or Gsus4, is it normally assumed that it means sus4 and not sus2?

In other words, how do you know it's not calling for a sus2?

522

(5 replies, posted in About Chordie)

Hi, Eric, and welcome.

I know exactly what you're saying.  Topdown's point is that as a search engine, Chordie goes and grabs what is out "there", whether it be right or totally wrong.

One thing to do is when there are multiple versions of songs, look at the Accuracy rating for the song and go for the higher-rated ones first.  While highly rated songs aren't necessarily 100% accurate, they're usually close.  With a few tweaks here and there you can get them sounding right.

Another thing to do is scroll down to the bottom and look and see if there are any comments entered for the song.  That is one place where chordie users can suggest changes/improvements to a version of the song that the search engine finds.  Here is an example of one that I commented on a while back:

http://www.chordie.com/chord.pere/www.h … %20you.txt

523

(76 replies, posted in Chordie's Chat Corner)

Chemical Engineer here.  Currently an Associate Director of Process Safety for a large chemical company.

524

(12 replies, posted in Chordie's Chat Corner)

Russell_Harding wrote:

yes Kenny Lavern and Shirley did work in a brewery in Milwaukee on the show I dont remember the name but it was a takeoff on Schlitz beer company smile

Shotz brewery.

http://www.wisconsinhistory.org/museum/ … 002403.asp

525

(35 replies, posted in Chordie's Chat Corner)

Just my luck.  This location is only about 90 minutes from where I used to live, and now I'm half a country away.

If you ever plan anything down closer to the gulf, I'm in!