26

(21 replies, posted in Songwriting)

Hi Strummerboy Bill - you're fogriven.

Aaargh - ukuleles are 'proper' musical instruments - and many are at 'proper' prices smile smile smile
I play a kala concert uke made of golden acacia which I has a pickup and preamp on board. I also have (my favourite) Okana vita-uke made of mahogany veneer with a spruce top which gives a lovely light lilting tone to it.

Also - I tried to play guitar in my teens and just managed to break nails and tangle my fingers in the strings. And I couldn't work out how to strum to save myself! So now many (many) years later I've got a second chance to make music and enjoy strumming and singing with other people, which is part of the joy of it all.

I started learning ukulele about two and a half years ago.

As beestie said, we are in a couple of local ukulele group and we enjoy challenging ourselves to learn more. We learn a lot from each other and encourage each other heaps. We are also able to laugh at ourselves (and sometimes at each other) when we make mistakes - that helps to keep it all in perspective and we achieve more by not being precious about it. When you stop trying to be 'perfect' you often end up doing much better than you thought possible. 

On a ukulele, the chords I've used aren't all that difficult. The progression of [D]-[Dmaj7]-[D7] just requires moving the little finger along one fret at a time, one beat at a time, while the index finger holds a bar chord. The two slides, [G]-[Gb]-[G] and [D]-[Db]-[D] are a simple slide back and forth using the same chord shape that you start with, so there's no mad rush to move the fingers about other than moving up and down the fretboard. Changing the chord mid-word just happens with keeping the strum going and moving to the next chord between the beats.

My other song, which is very lighthearted and a bit silly (Marian's Lament) uses some really difficult chords, and lots of them, just to keep me on my toes! But I think I prefer this simpler one.

27

(21 replies, posted in Songwriting)

bensonp - I really like your cover of Abraham, Martin and John.

28

(21 replies, posted in Songwriting)

Thankyou bensonp.
Thankyou also Grah1 for your suggestion.
The room had wood floors and glass on two walls - go figure! It's good to learn from each other.
The other problem was that I initially recorded onto a handheld tape recorder then played that while I recorded again onto an MP3-type digital recorder. Obviously not the best way to do it.
I had tried an online programme that was supposed to mix two tracks from the Mp3 thingy, but it only went 3/4 of the way and then stopped. So, I'm still working on it.
I did a recording with just one voice on the MP3 digital recorder and it came out much clearer.

29

(21 replies, posted in Songwriting)

It sounds like '65 was a very good year smile

30

(21 replies, posted in Songwriting)

Nothing to take offence about - suggestions are useful.
I've only sung my own stuff to other ukesters - but I'll be ready for the patter next time smile.
Many of us here do gigs with a large group aged 5 to 85 - numbers vary as to who is available on the day.
I'm also part of two different small groups that perform regularly in a couple of nursing homes.
Do you have any of your music on soundcloud - if so, what name do you use there?

31

(21 replies, posted in Songwriting)

Thanks for the feedback Strummerboy Bill.
The reason I used 'you' is that 'you' can also be plural, as in 'the two of you will never part from each other'.
I'll try it out on another group of people in person and see how they react to each way of putting it. It's given me something to think about anyway.
It certainly is good to get constructive feedback like this. We don't always see the awkward parts ourselves.
I'm pleased to have found this site and the helpful people here. Thanks for taking the time to look at my song.

32

(21 replies, posted in Songwriting)

Thanks for the welcome easybeat. Great to connect with more songwriters.
Thanks for the advice mojo01. The problem I have is recording the second track while the first one is playing. I haven't worked out how to lay down one track over the other. I tried an online programme but it seemed to get stuck about 3/4 of the way through and wouldn't finish the process.
Thanks for the welcome beestie. I've been enjoying listening to your songs and I'm encouraged by your perseverance to try to write some more.

33

(21 replies, posted in Songwriting)

Here's my second song. It's sort of country style. It's more serious than my first one and has a different feel to it. It's played on ukulele. I had a go at recording it with myself singing harmony in the chorus but it came out with quite an echo, so I put it up with just the one voice as well. I'm on soundcloud as mazzy catseyes.

Dear Friend of Mine
3/4 waltz time - strum - Dudd

Intro: [A]  [A7]  [D]     3/4 time

[D] You were my friend, [Dmaj7] [D7] [G] true friends are rare
[A] There are too few who [D] really care
[G] You hold such [Em7] treasures [G] in your heart
And [A] think somehow you'll never [D] part

[D] I thought our sto-[Dmaj7]ry [D7] would [G] go on and on
Be-[A]fore I was ready, [D] you were gone
[G] I thought you'd [Em7] never [G] go away
But [A] destiny called and [D] you couldn't stay [D7]

[G] Where are you now? -[Gb]-[G]  [D] Where are you now? -[Db]-[D]
[A] Dear friend of mine, [D] where are you now? [D7] 
[G] Where are you now? -[Gb]-[G]  [D] Where are you now? -[Db]-[D]
[A] Dear friend of mine, [A7] where are you [D] now?

[D] Life rushes by [Dmaj7] at [D7] a [G] startling pace
And I [A] realise how much I [D] miss your face
[G] I miss your [Em7] smile and your [G] crazy laugh
But [A] you walk a separate [D] path

[D] We shared our thoughts, [Dmaj7] [D7] our [G] joys and our pain
[A] I always hoped that [D] we'd meet again
But [G] life goes [Em7] on, or [G] so they say
[A] Maybe not in the same [D] way [D7]

[G] Where are you now? -[Gb]-[G]  [D] Where are you now? -[Db]-[D]
[A] Dear friend of mine, [D] where are you now? [D7] 
[G] Where are you now? -[Gb]-[G]  [D] Where are you now? -[Db]-[D]
[A] Dear friend of mine, [A7] where are you [D] now?

[D] You knew the ve-[Dmaj7]-[D7]ry [G] depths of me
But [A] you needed to be [D] free
[G] I could not [Em7] hold a [G] shooting star
Remember [A] me wherever you [D] are [D7]

[G] Where are you now? -[Gb]-[G]  [D] Where are you now? -[Db]-[D]
[A] Dear friend of mine, [D] where are you now? [D7] 
[G] Where are you now? -[Gb]-[G]  [D] Where are you now? -[Db]-[D]
[A] Dear friend of mine . . . where are . . . [A7] you [D] now?

34

(5 replies, posted in Songwriting)

I'm new to the forum. I'm enjoying playing ukulele and I've been encouraged by friends to join up here. Here's my first song. It's a lighthearted piece with allusions to many songs I am familiar with. I'm on soundcloud as mazzy catseyes.

Marian's Lament - No Song for Marian
4/4 time

Intro: [Eb] dDUdd -slide- [Cm] -slide- [Eb] x 2
               
[Eb] I guess I was a [Ebmaj7] beauti-[Eb7]ful [Ab] baby
And [Eb] now I'm a [Ebmaj7] mighty [Eb7] fine [Ab] lady
But I [Fm7] must be doing something [Fdim7] wrong  (shimmy)
'Cause [F7] no-one's ever [G7*] written me a [Eb] song  (sli-ide) [Cm] [Eb]
                                 
I [Eb] broke my share of [Ebmaj7] hearts a-[Eb7]long the [Ab] way
But [Eb] no-one seemed to [Ebmaj7] care e-[E7]nough to [Ab] say
So I [Fm7] haven't got a song that's [Fdim7] mine  (shimmy)
[F7] No-one's even [G7*] written me a lousy [Eb] rhyme  (sli-ide) [Cm] [Eb]
       
I [Eb] wasn't mean; I [Ebmaj7] did no-[Eb7]body [Ab] wrong
If I [Eb] did, may-[Ebmaj7]be they'd [Eb7] write me a [Ab] song
I [Fm7] tried to develop an air of myste-[Fdim7]ry  (shimmy)
But [F7] what you get is [G7*] what you [Eb] see  (sli-ide) [Cm] - to [D]
       
There's [D] songs for [Dmaj7] Annie, [D7] Suky and [G] Daisy
[D] Alice, Pearl, [Dmaj7] Donna - it [D7] drives me [G] crazy
I [Em7] should have worn chantilly [Edim7] lace  (shimmy)
Or [E7] had a more [F#7] angelic [D] face  (sli-ide) [Gmaj7] [D]
     
** I [D] didn't mooch a-[Dmaj7]round like [D7] poor old [G] Minnie
And Ka-[D]tie wouldn't [Dmaj7] teach [D7] me to [G] 
I [Em7] robbed no banks with a boy named [Edim7] Clyde  (shimmy)
No [E7] faithless man died [F#7] by my [D] side  (sli-ide) [Gmaj7] [D]

I'm not [D] called Rhonda, [Dmaj7] Lucy or [D7] Peggy [G] Sue
Not [D] Georgy or [Dmaj7] Frankie, and it's [D7] making me [G] blue
[Em7] All I want is just one [Edim7] song  (shimmy)
It [E7] doesn't have to [F#7] be all that [D] long  (sli-ide) [Gmaj7] [D]

There's [D] songs about sweet [Dmaj7] Georgia and [D7] Cleman-[G]tine
But [D] I don't [Dmaj7] have a [D7] song to call [G] mine
[Em7] Leonard wrote for Marianne, with a double-n-[Edim7]-e  (shimmy)
I'm [E7] tired of pretending he [F#7] sang it for [D] me  (sli-ide) [Gmaj7] - to [Eb]

(soft strum through) Won't [Eb] someone [Ebmaj7] end my [Eb7] mise-[Ab]ry?
And [Eb] write an [Ebmaj7] itty bitty [Eb7] song about [Ab] me?. .
Even [Fm7] Prudence and Grizelda have their own melo-[Fdim7]dy (shimmy)
Oh, won't some-[F7]body write a [G7] song about [Eb] me - I really mean it!
(DDDD) [F7] Won't somebody write a [G7] song about [Eb] me-e-e-e (slide-slide)