351

(6 replies, posted in About Chordie)

Mods:

For the "Sticky" posts at the top of each forum section, can you please change the background color to something other than dark green?

The blue text of the links against that background color makes it hard for individuals with a bit of color-blindness to read what they say.

I would suggest yellow.

Thanks for considering,
'Nom

352

(14 replies, posted in Chordie's Chat Corner)

M.B wrote:

HEY, wait a minute!! (Actualy thought process as I read your post).

NOW you're catching on.  smile

M.B wrote:

. . . because Paul could play the guitar better.

Probably true.  John could strum, but George was the real guitar player in the band.  John was (IMO) a better pianist than guitarist.  And it would not surprise me to hear that Paul was a better guitarist than John.

But back to your original story about Mick and Keith, I had heard (long before Al Gore invented the internet) that Mick and Keith met in a record store when they were both interested in buying the same Muddy Waters album.  I guess Keith's letter tells a different story.

Another story I heard one time (although it may not be true) is that when Paul Stanley and Gene Simmons were forming KISS, Ace Frehley walked into the audition wearing shoes which did not match.  They supposedly hired him without hearing him play a single note.

353

(3 replies, posted in Acoustic)

Hello John Mayer and welcome to Chordie.

OK, first off, we don't actually "post" songs to chordie.  Chordie is a search engine which goes out to the interwebz and finds songs and lists them by artist or title.  Chordie does not actually host songs.  So having said that, here is a list of "your" songs that are currently accessible from chordie:

http://www.chordie.com/song.php/songart … l?sort=all

You are right:  John Mayer is a very talented guitar player and some of his chord constructs are quite complex, but they don't necessarily have to be.  Here are a couple of tips fo you. 

1.  Don't be afraid of the name of the chord.  The complexity of a chord name does not mean the chord is complex.  For example, a Bm7b5 is easier (for me anyway) to play than a Bm.

2.  You can often get away with "cheating".  For example, instead of playing A/C#, see if A will work in its place.  Instead of E9 or E11 or E13, see if E7 will work instead.

3.  Work on this song by song.  If you have a specific song in mind and need help with it, post that request in the "Song Requests" section of the forum and you are more likley to get a helpful answer.  Then move on to the next one.

Others can weigh in with their comments if they see fit.  Good luck.

354

(11 replies, posted in Acoustic)

vicswitchblade wrote:

Has anyone any advice or tips?

Hello, vic.  First off, I admire anyone who can play in front of a crowd.  My family and friends say i should do that but I don't feel like I'm good enough (nor is it likely that I will EVER think I am good enough), but that's just me.  I always tip "buskers" because I admire their nerve.

So, having never played in front of a crowd, i can't offer advice on that, but I have been in audiences countless times.  Russell gives good advice, i.e., play what you want to play, but if you really want to engage the crowd and increase your "revenue" (tips), be prepared to play requests as well.  Get a few good (thick) fake books to cover a myriad of songs, so you might at least attempt to play some songs that you don't know if somebody asks you to.

Good luck, and be sure to stop back in and tell us how your job is going.

355

(14 replies, posted in Chordie's Chat Corner)

M.B. wrote:

Does anyone have any stories about how young musicians met up and formed legendary bands?

I'm pretty sure Ann and Nancy Wilson (Heart) met when they were very young.  Same is true for Ray and Dave Davies (The Kinks).  There are probably other stories out there like this.  The Kemps (Spandau Ballet) and the twin guys (don't know their names) in the Proclaimers come to mind.

smile

Yes, MB.  I am a smart-alek.  But you already knew that.

Seriously though, this is a bit off-topic, but I did learn something interesting recently about band membership history.  You've no doubt heard of the Eagles, but have you heard of the band called Poco? 

Those two bands are connected buy this interesting fact:  Timothy B Schmidt (bass player) replaced Randy Meisner . . . in both Poco and the Eagles.

GW1976 wrote:

I just finished something I want to share. ... . I just wanted to share cause it seemed relevant and useful.

GW:

First, welcome to the forum.  This is likely the BEST first post anyone other than Admin has ever entered on this forum.  Just guessing.

Second, This is an EXCELLENT piece of work.  Thanks so much for sharing it with us.  We have MANY more forum lurkers than forum posters, so I'd venture to guess this will help thousands of people who see it and save it, even if they don't acknowledge or thank you for it.

Third, a question:  when you enter chords into the search bar, do you need to put spaces after the commas, or does it matter?


Once again, well done, and thanks!

PS:  Chordians - if you haven't noticed yet, another cool feature about this is that if you enter an invalid chord, you get a little pop-up bubble that tells you it is invalid before you actually hit the search button.  I found this by accident when I inadvertently deleted the space and the comma between two of the chords.  It told me that "GEm" is invalid.  pretty slick!

357

(8 replies, posted in Acoustic)

zguitar wrote:

...maybe he was in drop beer tuning. I think it's tuned ABEEER.

star star star star star

That's just genius.  Well done!

358

(8 replies, posted in Acoustic)

Zurf wrote:

Was the guitarist using an alternate tuning?

Good question.  I didn't think about that, but now that I have, I don't think so.  He also mixed in familiar open and barre shapes, which likely wouldn't have worked in alternate tuning.

It was probably the beer.  I should have snapped a photo with my phone.

359

(8 replies, posted in Chordie's Chat Corner)

Five little prodigies.  Marvelous.

Why do I even try?

360

(8 replies, posted in Acoustic)

Hi gang.  Just got back from a nice vacation trip.  After visiting a number of bars one evening we stopped in a place where a pretty talented guitar player was up on the stage.

I sat close so I could watch him and occasionally I THINK I saw his fretting hand doing this:

E:  fret 3 (middle)
A:  fret 2 (index)
D:  fret 4 (ring)
G:  fret 4 (pinky)
B & e:  ?? -  Couldn't tell what he was doing on the B and high e, if anything.  I assume he was muting them.

I would call this a B5/G.  Chord finders likely have other names for it.

Anyway, I didn't have a guitar handy, but when I finally got to one and tried it out it just didn't sound right, meaning it didn't really sound like I thought it should have in the context of the songs he was playing. 

So I'm thinking I didn't really see what I thought I saw.  Again, there were several beers involved.

The only way I can describe it is that to me it sounds a lot LESS useful than he made it sound.  He seemed to use it a lot, all up and down the fretboard.  (I just used the position above as an example.)

So, the question is, have you seen or used this shape before, or was it just a case of beer goggles?

Or both?  smile

361

(31 replies, posted in Music theory)

I'm sure BGD is lurking, wondering exactly the same thing.

362

(31 replies, posted in Music theory)

Yeah.  Don't go there.  Please.

363

(31 replies, posted in Music theory)

Actually Jerome, BGD and I are the same person, and the truth is we've just been screwing with YOU.

Roses are red, violets are blue,
I'm schizophrenic . . . and so am I.  smile

364

(31 replies, posted in Music theory)

Oh yeah.  That'd be freakin' hilarious.

Although, I'd have to hand it to you if you were.  The degree of off-thread collusion you must be involved in is pretty impressive.  I'd take consolation in the fact that you spent way too much time and energy just to screw with me.

365

(31 replies, posted in Music theory)

Baldguitardude wrote:

"Yeah but then we're playing two different - dude please just play a power chord ok?"

Best laugh I've had in a while.  Thanks for that!

You guys are like my own personal theory teachers.  Thanks very much for your willingness to share your knowledge.

366

(31 replies, posted in Music theory)

Baldguitardude wrote:

I was typing on my phone and got lazy... I didn't give you a resolution.  Try this:

....

Much better.  You're right.  It needed a context.

Sorta reminds me of the first time I heard an A/B as 7x765x.  Thought it sounded really dischordant until I heard it followed by a B as 79987x.

Alternate that a few times and follow it with an Ab to A (E shape barre on  4 and up to 5) and you get the intro to "I'm Not In Love" by 10cc.  Great song with some interesting sounds.

367

(31 replies, posted in Music theory)

Baldguitardude wrote:

Play a low open e note and barre a d major above it and you'll hear color tones.  wink

Done.  Sounds kind of "sour" to me, but I'm sure there's a place for it.

368

(133 replies, posted in Acoustic)

Baldguitardude wrote:

That's not an open chord. That's a barre chord in the "C" shape.

Exactly.  The only way I know to play an OPEN Eb is to tune down a half step and play an open E.

Twangtown may know something we don't.  Maybe that's why it's such a difficult chord.  smile

369

(31 replies, posted in Music theory)

jerome.oneil wrote:

We are a country oriented punk band...

Probably not many of those around, so you may have invented a new genre of music.  You'll have to come up with a name for it.  I suggest "mash-mosh"  (Mash for corn whiskey, mosh as in pit.)

What do you guys mean by "color tones"?

370

(133 replies, posted in Acoustic)

Baldguitardude wrote:

X212xx -- That gets root, 3, and b7. Perfect voicing if you aren't sitting on it too long.

That shape is especially useful becase it works all the way up the neck.  Or, if you want the full chord, after the next fret you can get the full 7th chord with the middle four strings (C7 shape):  x3231x

371

(1 replies, posted in Song requests)

www.google.com

search:  jason mraz won't give up chords

You'll get several hits.

372

(13 replies, posted in Chordie's Chat Corner)

Detman101 wrote:

Well, this must be my introduction to Stevie Ray Vaughn....I will have to check out his music.

I always liked music, but was never a fan of the blues.  However, when I got serious about playing guitar, I quickly learned to appreciate it.  SRV is probably not the BEST blues guitarist whoever lived, but he was definitely a master.  I like his music now a lot more than i used to.

Doug_Smith wrote:

"he's not moving.... I think he's dead.........................  I hope it's not somebody I know..."

THAT'S hilarious!

dman4505 wrote:

Iowa legislature finally got wise last year and made us a "shall issue" state instead of a "may issue"
Use to be up to each county sheriff as to who got issued a CCW, some would and some wouldn't

Yeah, I heard some stories in my CHL course about those "may issue" states.  Typically when that gets challenged in court the plantiffs win because the courts rule that the county sheriff doesn't have the power to circumvent a law-abiding citizen's 2nd amendment rights just on a whim.  Until it gets challenged, though, it's not going to change. 

I was very suprised to learn that Texas wasn't a CC state until around 1996.  The weird part is that even before then (at least as early as the 1980's when I visited Texas for the first time) you could actually OPEN cary pistols that were manufactured in the 1800's.  This was a loophole in the law to allow old west re-enactors to do their thing without breaking the law, but it applies to everybody.  It's still allowed today.

375

(133 replies, posted in Acoustic)

Baldguitardude wrote:

Play [B7] as x21222 and barre the top three strings with your ring finger. That makes it a 9 chord which is going to sound find in 99.99% of pop music.

Interesting idea.  Thanks.  I'll try it.

I have also taken previous advice and muted the high e altogether.  That sounds OK too.