251

(7 replies, posted in Guitars and accessories)

I'm not, but I thought I'd throw another name into the mix.  For the $300-350 range I think Simon & Patrick might deserve a look.  I have one and love it--the action was a little high so I had that lowered, and the cedar construction is beautiful, but its soft so you want to be carefull banging it around or you'll wind up with a bunch of dents, but the sound is much more resonant than a lot of gutars that I've played at this price point.  It's hard to find a guitar that puts out sound with some character for $300 and I think the S&P's do.

252

(19 replies, posted in Acoustic)

This thread has some spunk to it! 
Zurf, congrats on the breakthrough!  First time I played a clean barre chord, I never wanted to take my fingers off the strings--figured it might be the only time I got it.  I'm working on this song now with this intro progression that could be some good practice; E (at the 7th fret), B (at the 7th), A (5th), C#m (4th), Bsus (3rd), A2.  As recorded, it's capo 2 so you wind up on the 9th fret trying to squeeze out that E.  Good song--"This is a Call" by Thousand Foot Crutch.
And I never liked Zep either--I know this could be sacralidge to some, but Plant's vocals are like nails on a chalkboard to me.

OK, I know next to nothing about this, but from what I understand, electric amps are open, or partially open in the back for....I don't know why.  And Acoustic amps are closed in on all sides--something about how much the guitar vibrates...causing feedback something along those lines, how a closed in amp helps--I don't know.  I've also heard that an acoustic amp sort of acts as a PA, just increasing the signal the same across the spectrum, and an electric amp treats different parts of the signal differently.  All I know is I have the same problem when I plug my acoustic into my Hartke, and I don't when I plug it into my Crate Acoustic amp.
Told you I know nothing about this topic...why I'm writing....beats me.

I learned with Night Moves...gool 'ol CGF about a million times...barre the G and the F (of course), and practice till it hurts!

For what it's worth, I love the sound of coated strings but hate playing them...even the nanoweb's feel slick to me.  And I personally don't think they are worth the price--I see people keeping them on way beyond their life span because they had to sell a kidney to buy 'em.  I've been stuck on the DR's for a while now.

256

(11 replies, posted in Guitars and accessories)

I have a Hartke GT60C--it's a hybrid so it has a tube preamp.  I love the thing--serious crunch, can play very clean, and with 60 watts it disturbs the neighbors.  I paid $199 at Sam Ash--blew another $20 on a footswitch, but I'm set for $220...not bad.

257

(25 replies, posted in Electric)

Man, how many times have I felt that EXACT same way...usually when I've been locked up playing by myself--I think the cure is to get a couple friends over, get a pizza, play loud & very bad and have fun!  Don't wory so much about getting better, and just relax and have some fun!

258

(17 replies, posted in Bands and artists)

Deken, this is a fun site to check out for band names:
http://www.bandnamemaker.com/

Whenever I go to the guitar store & start playing their high end insturments--I always think I'm going to fall in love with a Martin or Taylor, but always wind up with a Laravee.  Canadian guitar's...beautiful insturments with an incredible voice.

260

(15 replies, posted in Guitars and accessories)

I like the tone out of the Elixer's, but I hate the way they feel... even the nano's feel slick to me.  And they cost so much--I know they last longer, but...I don't know...I like changing my strings anyway, it's like special time with my guitar--polish her up some...anyway I like DR's med-lights. Good strings, $6-7 bucks.

261

(12 replies, posted in Guitars and accessories)

When my guitar is in tune, but I just don't like the way it sound, it's just not right...I change my strings--about every 2-3 weeks for me. I love the DR 11's.  Has anyone tried the DR Zebra's?

262

(9 replies, posted in Acoustic)

The way I figure is that lessons themselves without practice don't much.  I LOVE hockey, so what I did when I first started is, pick out a couple chord changes, and the entire game, I'd just switch between 3 chords--just a little don't worry about some crazy strum...keep your eyes on the game, not the neck...ok, peek every now and then....and get the muscle memory down.  I used to dream of making it all the way throuh a song without messing up....and I remember when I finally did it--The River by Springsteen!  Keep working, you'll get it!!

263

(32 replies, posted in Acoustic)

Ok, they're not challenging songs, but I love to bust out a little Folsom Prison Blues...kick it up a notch, fun song to play.  Keep on Rokin' in the Free World is fun to bust out....other end of the spectrum, capo 5, over the rainbow is fun too.  Oh, Hot Legs--little Rod Stewart...and while we're at it, Stay with Me...good stuff...

264

(4 replies, posted in Acoustic)

Thanx for your help Al V--it's like a light bulb just went off, makes sense for the first time...

265

(4 replies, posted in Acoustic)

I THINK so....

I'd play a G for my Bb, an F for my Ab, etc....

If I'm wrong, feel free to roll your eyes at the guy who doesn't know, but needs to learn, some of the basics of music theory.

266

(4 replies, posted in Acoustic)

OK, I play in a band at church, and I have this song for Sunday in the Key of Bb-C.  My progression is Bb / Ab / Ebm6 / Bb....and then goes on....there's a Gb, Ab, F, Fsus in this thing too...

Can just use bare chords and hit my Bb at 6, then, just slide down to 4, etc.

OR I could capo the thing....transpose and keep it in the same key & make it a lot easier--so my question is...how do you do that.  In general terms, is there some "formula" for doing that?

Thanx for the help Chordies!

I like the Tortex thin's--they're only .5, but they don't feel like paper like the fender .5's...you don't get the noise or breakage out of them...get more sound than other thins.

268

(33 replies, posted in Acoustic)

man am I jealous!! you people have some guitars!
I love the two I have--started with a Simon & Patrick...cedar construction...very cool guitar.  And my Carvin is my #1 guitar...I love that thing.
Thinking about selling a kidney to get an electric...a PRS SE at Sam Ash has been calling to me....

269

(8 replies, posted in Acoustic)

Sweet Child of Mine--G 'n R  is a breeze...just played it last night, and I played it good so you know it's easy!

270

(20 replies, posted in Acoustic)

I'm with MaverickMel on this one--I think consentrating on the pattern makes the music sound wooden...feel the music...what is it telling you to play?

And I think light pics are nice and forgiving & you'll get an even sound...problem is if you're really digging into a piece, they'll break.  I like the tortex lights--they're only .5, but feel a little thicker and you can't break 'em to save your life.

I'm with KramL & sanguine too--the first 3 years I played I was afraid of barre chords...I was "good", but if a song involved a barre I'd cheat or just couldn't play it.  What wound up happening is that I played in my room a lot but had no confidence to play with anyone.  Sure, you can capo...but then you have to transpose if you're playing with a band...want to do that?

Make sure your action is low enough--I play a Carvin which is set up with a fantastic, low action, and then just practice.  I made myself try to do barre chords for 30 minutes a day...then I could go on to other things.  What helped me a little, was I found myself trying to "push" with my index finger, instead of "pinch" with my thumb on the back of the neck and my index finger.  Once you get 'em--you can do so much from a chord & rhythm standpoint.  Everyone you see playing fantastic guitar on stage or video's or wherever, went through the same thing you're going through--just work and fight through!

272

(133 replies, posted in Acoustic)

Trippy, DON'T GIVE UP ON THE F!!"  I'll never forget the first time I strummed an F and it wasn't all muted and nasty sounding, I kept my fingers on the strings, and ran downstairs to "play" for my wife...then I didn't want to take my fingers off the neck because I didn't think I'd ever be able to do it again!  I printed out Bob Seager's "Night Moves" and played that G F C progression a million times--sliding the F down to the third fret to get your G...and slowly but surely, I got it & you will too.

273

(71 replies, posted in Acoustic)

OK, I'm getting in on this late...just joined.

Stay away from Hot Legs & Stay with Me by Rod Stewart...definitely not good.

I'd go with More than Words...who did that...Extreme?  is that right?  Fun song to pick.

And an oldie, but packs a punch, a little "Unchained Melody" is a winner...good luck singing along...but, this from a guy who can't sing.

274

(5 replies, posted in Acoustic)

I used to just jam, but I found myself gravitating to songs that I could do easily and that sounded good--I wasn't challenging myself to improve.  So I printed out some songs with a lot of D to Bm--that transition always killed me for some reason, and I made myself play those songs every day.  I also made myself start playing the chords in different positons on the neck so even if I was playing an easy song, I'd play my Am and D at 5--that opened up a new world for me.  And I don't know how long you've been playing, but when I started barre chords terrified me---make yourself play them!  Use the whole neck--heck, then you start playing a chord on a couple different neck positions, doing a little muting and a whole new world will open up!  Have Fun!