251

(3 replies, posted in Electric)

it depends how sensitive the finish is

mines a pretty tough polyurethane finish so i just use window cleaner but it is not recommended for more sensitive finishes

I occasionally play with a wah pedal but i find it difficult to get the timing of the foot right - unlike distortion it is quite a subtle effect

I am beginning to get the hanhg of it by listening to tracjs which use Wah

my favorite tracks are "tales of brave ulysesses" by cream

http://uk.youtube.com/watch?v=rHMCfEhdX … mp;search=

I also like the theme from shaft by Issac Hayes  which has a very different effect.

253

(15 replies, posted in Acoustic)

I have an Ozark travel guitar which serves the same purpose as a backpacker

Its a nice guitar - and I like taking it on walks - however it does lacks bass and volume so I wouldn't want to play it in an ensemble.

try the guitar in the shop is my advice

254

(2 replies, posted in Electric)

vamping ? whaddya mean ?

255

(3 replies, posted in Acoustic)

Guitardocphil

I posted some advice on Reggae and Ska

http://www.chordie.com/forum/viewtopic.php?id=3102

http://www.chordie.com/forum/viewtopic.php?id=3583


incidentally -

I think that when playing reggae you are better counting 1.2.3.4. The point in the Video is I think that the strum can be emphasised on the third beat.

However my preference is to put the accent on the second and fourth beat

256

(17 replies, posted in Electric)

thanks

some really good ideas here.

when I started playing I bought a fender squier and twenty year later still play it

some people knock them and I don't know whether the quality of the newest models is quite what it is was - but with a entry level guitar by a respected manufacturer you will always get an instrument that beginners can learn with - although the tonal quality may not be all that great

257

(11 replies, posted in Acoustic)

abishop wrote:

Hey guys, I am just beginning with guitar and have a novice question. How do you know the strum pattern for a song? I mean the "up-down-up" part?" Is there anywhere that gives this or should you just know it?

try this thread

http://www.chordie.com/forum/viewtopic.php?id=2117

258

(8 replies, posted in Electric)

at the risk of confusing everyone including myself some thoughts

when you play a minor pentatonic lick over the "relative" major chord progression it will sound fine but it have a bluesy sound. it will sound odd if you use it to accompany upbeat pop songs

you can use the same shapes you learn for the minor pentatonic to play the major pentatonic scale its just the same shapes three frets lower.

in general if you want a bluesy sound use the minor pentatonic and resolve to the A. if you want a major sound use the major pentatonic and resolve to the C.

the blue note for the Am blues scale is the bV which is Eb

There are other blue notes. I never use them but my lead guitar book suggests the II, III and VI of the A major scale which are B C# and F#.  Don't ask me why.

259

(8 replies, posted in Songwriting)

I don't know too many songs about germs but there was a little number called "Germ Free Adolescents" by X ray specs which I loved when I was a lad

great lyrics

260

(2 replies, posted in Electric)

I have posted a number of strumming patterns here and hopefully have covered  a range of styles.

I have one left in my bag of tricks.

I post a ska strum a while ago. This time I will try reggae. 

The key features of playing reggae are playing on the backbeat and staccato strumming

Playing on the backbeat means that you play the chord on the second beat of the bar and the fourth beat rather than the first and third beats as in Rock.

and in some reggae songs the kick and snare drums are played on the third beat of the bar (this is called a one drop groove). it also produces a slightly laid back feel.

You will see in the example below that the guitar is played on the 2nd and 4th beat

Staccato strums is where you use barre chords and lots of left hand damping. Chords which are damped are indicated with a @. This effect is achieved by releasing the pressure on the frets of the guitar with the left hand  (so you mute the chord  immediately after playing it)

Heres an example of a pattern

1..&..2..&..3..&...4...&
...........@..........@...
........V..n...........V......


Have a look at Junior Murvin and his band playing police and theives

http://uk.youtube.com/watch?v=19dP84Q4Qus

Another example

1..&..2..&..3..&...4...&
...........@..............@...
........V..n...........V..n.....    

make sure you watch Bob Marley and Peter Tosh in action with a great groove and video  - playing stir it up

http://uk.youtube.com/watch?v=r0RcXRmqT_k

You will notice that theres a lot of damping (that chicka chicka sound). It gives a very percussive sound

When I play reggae I can't resist adding a bit of extra percussion. Once every bar I slap the strings with the right hand instead of strumming the chord.   

Tell us what you  favorite reggae songs are and how you play them.

cickan

tell us how you get on

John

262

(3 replies, posted in Songwriting)

I thought that I would post an upbeat song to cheer you all up. and what could do that more than a song about trees and stuff.

however if you are going to give it a shot - make sure you play it using barre chords at 5th and 7th or you might just upset yourselves again smile

deep down we all love trees. look after them and enjoy, lol

Trees by John Cross


[A] Willow [D] Oak [E] and Beech [D]


[A] everything [D] in the [E] gardens [D]green


[A]Willow[D] Oak [E] and [D] Elder


[A] piles of [D] old [E] and shredded [D] paper


[A]Willow[D] Oak [E] and [D] Papayas


[A] planted [D] by [E] frequent [D] flyers


[A]Willow[D] Oak [E] and [D] Hazel


[A] clearing [D] in the [E] Amazon [D] Jungle


[A] deep [Bm] deep and [D] deeper


[A] green [Bm] and the [D] gray




[A] love the [D] trees like [E] family [E]


[A]chains of [D] love [E] around us both [E]


[A] grow[D] ourselves a [E] forest home [E]





[A] Holly [D] Cherry and [E] Yew [D]


[A] Oxy [D] gen and [E] Co2 [D]


[A] Holly [D] Cherryand [E] Willow [D]


[A] Maple [D] necks and [E] Rosewood [D] inlay


[A] Holly [D] Cherryand [E] Bananas [D]


[A] plant one [D] for my [E] darling [D] daughters


[A] Holly [D] Cherry and [E] Rowan [D]


[A] apple [D] dropped on [E] Issac [D] Newton


[A] deep [Bm] deep and [D] deeper


[A] green [Bm] and the [D] gray


[A] love[D] trees like [E] family [E]


[A] chains of [D] love [E] around us both [E]


[A] have[D] ourselves [E] a tree top jam [E]



263

(7 replies, posted in Songwriting)

James

    Everything is crumbling, rusting, rotting away
    Pipes and roads and bridges steadily decay

That why your taxes are so high (......probably)

I like it - I have soft spot for your blues numbers

John

264

(12 replies, posted in Songwriting)

do you have a tractor daddycool or are you just teasing us ?

great song

265

(6 replies, posted in Chordie's Chat Corner)

how could you miss Classical Gas by Mason Williams

my preference would be for

-distortion or overdrive - you need some sort of distortion for most rock tracks - however many modern amps come with a separate overdrive channel and then -

phasers are cool for funky stuff or slightly psychedelic effects 

one option is to  get a multieffects pedal - Zoom do different priced pedals - one for about £50

267

(5 replies, posted in Chordie's Chat Corner)

I have a zoom multitracker

if I want to transfer the recored data to a Computer I also use cubase which is a sequencer which does displays the audio files with sine waves

normally i prefer to use the multitracker (the equivalent of Boss) as its good enough to get a decent sounding track and rather easier to use.

zoom has a "punch in and out" function which allows you to correct small errors in the singing or guitar track by recording over them.

its often easier to record the track from scratch. If you alter the vocals it does not  mean you have to record the other tracks. You get used to recording them seperately.

You can also keep different versions of the tracks in the memory  (they are called virtual tracks)

268

(41 replies, posted in Chordie's Chat Corner)

a banjo player buys a new and very expensive banjo and is driving home with it on the back seat of his car. He has to stop for two minutes at another shop but worries that someone will steal his new pride and joy. Thinking that he'll be very quick he decides to take a chance, locks the banjo inside the car and disappears.

Two minutes later he reappears and, you've guessed it, the window is broken and...

There are two banjos on the back seat!

269

(10 replies, posted in Electric)

try

http://www.harmony-central.com/Guitar/tab-notation.txt

270

(3 replies, posted in Acoustic)

I teach my eight year old daughter

What works for me
  * finding a book with some songs and which shows the chords

1st lessons
  * explain how to hold the guitar
  * explain the names for parts of the guitar
 
then
* learn some simple melodies/licks and after a while when they feel comfortable with that
* show a simple chord (key of A is a good starting place)

trick is to provide ideas, suggestions and encourgement but if some one wants to learns to play most of the activity has to be self motivated practice. in the end guitar can't be taught it has to be learnt - and pratice is everything

271

(13 replies, posted in Acoustic)

lexibabe wrote:

i am also begining to learn but i only know the up and down strum...
i wanted to learn how to play the bass with the alternating treble strings. how to do it?

Do you mean alternating bass. If so, I just posted some examples on the electric forum

For those who never visit I've posted patterns for ska, punk, blues, funk and fingerpicking in the past few months . Have a look and add your tips/suggestions/songs

272

(1 replies, posted in Electric)

Sometime ago I noticed that there were regular requests for strum patterns on this forum

Here is a "bass" strum pattern. It is often used in country music but can be applied to  ballads in any style.

Try it with this chord progression, A D E


.......1.... 2....3....1...2...3....1...2...3....... 
 
E............0.....0........2...2.........0...0.......
B............2.....2........3...3.........0...0.....
G............2.....2........2...2.........1...1....
D.....0..................................................
A.........................0..............................
E.......................................0................


The key to this pattern is to play the "root" note of the chord followed by the top three notes of the chord. The chords in these examples are all open chords   

In the example, above, the pattern is in waltz time which means that there are 3 beats in every bar.  This is quite common with bass strum. Think of Amazing Grace or Tennessee Waltz

To get the hang of those root notes try this chord progression E C G.  You will notice that the root note of the C chord is on the 3rd fret. That should be easy to do if you are holding the open C chord

.1.... 2....3....4...1...2...3....4...1...2...3...4... 
 

------0----0---0------0---0---0------3---3---3
------0----0---0------1---1---1------0---0---0
------1----1---1------0---0---0------0---0---0
----------------------------------------------------
------ -------------3------------------------------
-0---------------------------------3----------------


Its also common to vary the bass notes which are played with each chord. Try playing the root note and the next time play the 5th string

This is a two bar progression of E and D

.1.... &....2....&....3...&...4...&...1....&...2...&...3...&...4...&... 


 
-----------2----2-----------2---2----------0---0----------0---0
-----------3----3-----------3---3----------0---0----------0---0
-----------2----2-----------2---2----------1---1----------1---1
-0------------------------------------------------------------------
-------- ------------0--------------------------------0----------------
-------------------------------------0-----------------------------------

Popular songs which use bass strum patterns include

"Me and Booby Mcgee". Janis Joplin or Kris Kristopherson did this - but see waylon jennings on an electric guitar

http://uk.youtube.com/watch?v=wE8JKMjpuAw

"I walk the line" - John Cash at San Quentin - great video

http://uk.youtube.com/watch?v=bCftkirSpHE 

get strumming - and post your tips and song suggestions here.

273

(13 replies, posted in Acoustic)

lexibabe

don't worry about callouses they are not very visible - they are just a bit tougher

get yourself a good book to practice from - something with chords - if you want to be a singer songwriter

if there is a class nearby consider joining it - its a good way to meet people with a shared interest

it takes time to learn so don't be in a rush and enjoy it

274

(5 replies, posted in Chordie's Chat Corner)

i do take my guitar to the beach

could get stolen - by those guitar thief/pirate people. if possible take nubile young lady (or hunky chap) to look after it while you are in the sea. 

sand other problem - it will scratch the varnish

neck unlikely to warp due to humidity

275

(10 replies, posted in Chordie's Chat Corner)

More difficult than I thought it would be but heres my contribution

Green day started 1987. Produced indie records from 1989 until 1994 Dookie was a mainstream success. Three core members in place in 1990

Radiohead formed 1986 - all original members working on new album.