2,676

(31 replies, posted in Electric)

Detman101 wrote:
jerome.oneil wrote:
Detman101 wrote:

I usually play the A minor pentatonic scale (I think that's what this one is called).
That pattern can be played anywhere on the neck.

Dm

That's "pattern 4."  The fourth of five minor pentatonic patterns.    It's only Am when you start on the 5th fret.  If you start on the 7th, it's B minor pentatonic.  Start on the 3rd, and it's G minor, etc.

SWEET!! Thank you! Can you tell me what all the different fret positions for "Pattern 4" are please.
That will help me so much you couldn't understand it!!!


Thank you thank you thank you thank you,
Dm

http://www.tonart.com/Main/ScaleLessons … terns.html

The thing about this chart is that it has the pattern you described as pattern 2, but that's no big deal.   

The important thing to remember is that despite what it says at the top of the page, these are only A minor pentatonic because they start on A.  The root of each of these scales is indicated with the little circle.    Set the root wherever you want, and it will be that scale.  These are completely portable all over the neck.   B minor is *exactly* the same pattern, with the root on B.

To take this notion a little further,  *all* scales have these kinds of patterns.  Complete major and minor scales do.  Major pentatonic do.   Diminished and dominant scales do.  The fretboard is layed out in patterns.  It just takes practice and study to find them.

Good luck!

2,677

(9 replies, posted in Chordie's Chat Corner)

If you're looking for the historical beginnings, there are a couple of legends you shouldn't miss.

Son House.
Leadbelly.
Robert Johnson.

Those guys pretty much birthed the thing.

2,678

(31 replies, posted in Electric)

Detman101 wrote:

I usually play the A minor pentatonic scale (I think that's what this one is called).
That pattern can be played anywhere on the neck.

Dm

That's "pattern 4."  The fourth of five minor pentatonic patterns.    It's only Am when you start on the 5th fret.  If you start on the 7th, it's B minor pentatonic.  Start on the 3rd, and it's G minor, etc.

2,679

(9 replies, posted in About Chordie)

The problem with chordies listings is that they always give you the chord diagrams from the nut.  Most of those three and four chord ditties are way easier to play barred, which means that transposing them is as simple as moving your hand a few frets one way or another.

I agree that songs listed in a key other than what the original was played in is frustrating.  A cappo isn't the tool I'd use to fix it, though.

2,680

(9 replies, posted in About Chordie)

upyerkilt wrote:

yer right, transposition is not hard but a capo is still good to use, especially if when it is transposed it uses a chord you do not like to play. i.e it is easier to put a capo on the third fret rather than change a C chord to D# etc.

Ken

Well, if that's the case, I'd argue that you learn to barre and use the A form of those chords.  big_smile

2,681

(9 replies, posted in About Chordie)

Transposition isn't hard.  I think this could be a good opportunity to learn just a little theory, and how it applies to the fretboard.

2,682

(3 replies, posted in Electric)

"Active" pickups require a battery, and are more like the standard pickups you see in your electric guitars.  I have them in my bass, and I like the immediate crunchy sound you get from them.  That is different than a "Piezo" or pieziotic pickup, which is usually akin to a tiny microphone in your guitar.

Soccer is only interesting when it's played on ice, with sticks and a puck.  big_smile

2,684

(18 replies, posted in Chordie's Chat Corner)

I've hated music videos for as long as I can remember.  I've hated pretty much everything on TV for about that long, too, so it's not as if they're different somehow.

I just think trying to turn music into some visual dramatic thing is dumb.  I can tolerate the ones that are concert footage, but I just can't stand there watching musicians try to act.

When I'm watching a ball game I often like to turn the volume off to tune out the idiocy of the announcers.   With music videos, I wish I could do the same.  Turn off the tube so I don't have to watch.  Just listen.

2,685

(5 replies, posted in Acoustic)

You can substitute in any 7 chord variant for a 13.    7, 9, or 11 chords will work just as well.  They're all variants of the 7, so they switch in and out nicely.

2,686

(8 replies, posted in Electric)

Tone_Obsession94 wrote:

Gotta love those modes huh!  My favorite two are Dorian and Mixolidian.  Put them together and stringing them around is fun and it sounds awesome.  Another reason why I think the minor pentatonics are so cool is because one, they have a lot of full step gaps(come to think of it, there is no half step gaps in any of the patterns, they are all a full step or full step and a half) and two, they are extremely easy to fit into anything and solo around in without thinking at all. 

Tone_Obsession

That's how you can build a pentatonic from any modal scale.  Remove the half step gaps, and you're left with five notes.

Dorian pentatonic?  You got it!  smile

2,687

(25 replies, posted in Chordie's Chat Corner)

Here is an absolutely true story to amuse you. This happened to me, so I was there, and I couldn't make this up anyway.  Besides, random strangers on the internet would never lie to you.

So, this happened in the early 90s when I was in the Army, just after the 1st Gulf War.  The hostilities had ended and we were taking a little R&R (we being me and my friend Theibedoux) by going on a tour of the desert sands around Riyadh.  Theib was a big dumb Cajun from Louisiana.  I'm from Enumclaw, so we shared the "redneck" gene somewhere, which is why we got along so well.  So anyway, we're with this tour group, and we are way way out in the middle of the sand looking at some Bedouin artifact or another.   Theib and I wander off a bit, and before you know it, we're lost as lost can be.  And in the Saudi desert, that's seriously lost.

So we do what solders do. We started walking.  And I think we may have marched half way around the damn subcontinent, because it was getting late, and we were about out of water.   So off in the distance, we see a bunch of palm trees and what appears to be a group of Bedouins making themselves comfortable underneath it.  The closer we get, the bigger the camp site looks like, and when we finally get there, there had to be 300 people setting up for some kind of party.  We couldn't believe our luck!   So we walk in, and because we've just personally saved Saudi from the menace of Saddam Hussien,  we're welcomed in as guests, and got the meet-and-greet from all the head honcho Bedouins. They had everything there.  It was like a circus!   Piles of grub, lions on chains,  silk and wool blankets hanging everywhere, there were a pair of elephants, and a gorilla, too.   You've never partied until you've partied with the Bedouins.

So what was happening is one of the wealthier Bedouins had something like 9 daughters and it was finally time for the youngest to get married.  This dude was loaded, so she had lots of suitors.    The idea was that he would have all the young men compete for her hand, and the guy that could handle his business the best basically got to take her home, and became the son-in-law of the head honcho.    I thought that was kind of weird, but Thieb decides he's gonna marry her, and wants to enter the contest.  I guess he figured being a Bedouin-in-law was better than being a hog farmer back in Bunky, LA. At first they laughed at him but once he convinced them he was serious, and due to his status as a Genuine War Hero, they all kind of shrugged, and the honcho signed off on it.  I don't think any of them thought he had a shot, but at least it would be good for a laugh.

So anyway, the setup.  There were three tents.  The first tent was open to view.  It had nothing other than a table, a chair, and a big assed jug of this liquor that the Saudi's make themselves, because liquor is otherwise banned in the country.  I don't remember what it was called, so I'm just going to call it grog.  This stuff would take paint off walls and I think it substituted for jet fuel in a pinch.  The object of the contest:  Drink as much as you can as fast as you can.

The second tent held that gorilla I mentioned earlier.   This gorilla hadn't eaten for three days.  And it had a mouth full of bad teeth.  The object of the contest:  Pull a tooth.

In the third tent was the honcho Bedouin's most experienced, ahhh, concubine?  According to what I was told, she ate men, and spit them out in little pieces, preserving their spines for trophies.  Evidently, Honcho wanted to make sure daddies little girl was well provided for.  Ms. Concubine would prove to be the final judge of winners and losers, and ultimately select the champions for the Honcho Bedouin.   The object:  Satisfy her every need.

So the first three entrants never got passed the grog.  Theib, being a big dumb Cajun from Louisiana, had a distinct advantage over all those Arab boys who might see alcohol once or twice in their lives.   They would down a good sized tumbler full, and promptly puke it back up. Thieb had the servants running for more, as he drained the remainder of the bottle in about three gulps.  So anyway, he drinks until he's not thirsty any more, wipes off his chin, and releases the most awe inspiring belch you've ever heard, which duly impressed the shit out of everyone,  including me.

So he barrels into the second tent, and ties closed the door flap behind him.  Then it gets really quiet.  We're all wondering what is going on in there it's so quiet.  Then all of a sudden all you hear is this huge ROAAAAAAWWWWR!!!!    The earth starts to thump and dust is coming up from under the tent eaves and you'd swear to God the Devil himself is getting ready to come pouring out of that tent good an pissed off.   Then it all gets quiet again.

Out comes Thieb, and he's not looking so well.  He's bleedin' out his ears and his face is scratched and dirty, and I think he may have lost a tooth or three in the bargain.   But he's got his big dumb Cajun grin on, he hitches up his pants and says ..."OK!  So where's that gorilla?"

2,688

(8 replies, posted in Electric)

When I'm playing a solo, I prefer to use the entire neck, and only worry about resolving the solo on the chord roots.   I don't think in terms of "Well, this song is in C so I'm going to solo in Am"  It's more "This song is in C and I can play that scale at these various places on the neck."   The pentatonics come out a lot because they are so easy to play,  so that's not a conscious decision I make, it's just an artifact of how my mind works in translating the fretboard.   

I think it is important to learn scales not just across the neck, but down the neck as well.   I want to be able to play any major or mintor scale at any position on the neck.  Knowing how the intervals in scales works helps that a great deal.  I can play C major, for example,  but because I know the interval patterns, I can also play D dorian, E phrigian, F lydian, G mixolidian, Am, and B locrian.  It's all the same scale.  It's just a matter of where you start playing.

And in case we have forgotten,   baseball is vastly superior to cricket.

2,690

(8 replies, posted in Electric)

Because it's easy.  The five pentatonic patterns fit the hand naturally.

Each major scale has an associated minor with it that you can play all day long over the top of the major.  It's the sixth not of the scale.

So for G major, your example, you would play E minor pentatonic.  E being the sixth note of the G major scale.

G A B C D E F# G

There are also pentatonic major scale patterns.  You should learn them as well.

Learn them scales!  Makes playing a ton easier.

2,691

(30 replies, posted in Acoustic)

A is at 440.  To tone it down a full step, you would tune each string like thus.

E    ->   D
A   ->   G
D   ->   C
G   ->   F
B   ->   A
E   ->   D

Although I don't know I'd agree that it is a good idea.   You need to develop hand strength, so you might as well just keep it tuned to standard.   I do think lighter strings would be a good idea, though.

Zurf wrote:
jerome.oneil wrote:

The government has only those powers that are granted to it specifically, and none else.

If that were true in fact as well as theory our lives would be ever so much simpler.

- Zurf

All governments will seize as much power as they can.  That is a true fact born out since the dawn of civilization.  That isn't the issue, though.  The issue is recognizing from where a government's power stems, and how that power is checked.   We have three bodies of government that are theoretically supposed to act as checks and balances against each other.  In reality, we have two political parties that do that.

While both nations have elections and peaceful transfer of power,   we have, as a final option, the 2nd Amendment.  As I'm sure young squire Sanguine will now be able to tell you,  it exists for the sole purpose of defending the citizen against the federal government.   Jefferson was quite explicit when he wrote that letter to King George III in 1776.  He stated categorically that it is not just the right, but the *obligation* of free men to throw off tyranny and oppression.

We are not subjects to the government as a result.

I recognize that.  I even noted that the Monarchy is largely symbolic.  The issue isn't whether the Monarch wields power (we all know She doesn't) it's what the very existence of a Monarch symbolizes with regards to the position of the government in relationship to that of the people.

The American Constitution asserts that all power stems from the people. It is, in essence,  an express grant of power to the government from the people.  The government has only those powers that are granted to it specifically, and none else.   All other rights are reserved to the states, or to the people.    The British Constitutional Monarchy works the opposite way.  The government has inherent powers that it may wield over the people, and that the people have no control over.

2,694

(6 replies, posted in Electric)

You might be surprised at how small the setup of players like that can be, particularly if it's a more intimate player.  Bill Frissel plays through a 40W Fender.   The house system mics off of it, which is where the volume comes from.

You can have huge stacks of amps, but that doesn't always have to be the case.

2,695

(30 replies, posted in Acoustic)

trippy wrote:

i pratice a lot, and should be able to play like you said "just playing the bar and striking the notes one by one"

but i stil cant even do that! sad

well should say could not,
now i´m at least able to play a couple of notes that sound medium decent, but i could not get out my mind that i whas doing someting wrong, and also think a lot about the strings that came with the guitar. i´m really starting to think that soft string may help me...

What that says to me is "more practice!"

It will come.  Just be patient and persistent, and some day you'll wonder what all the fuss was about.

2,696

(6 replies, posted in Electric)

Clapton could put six pieces of twine on a cigar box and still rock the house.

Equipment doesn't matter when you're that good.

sanguine wrote:

hmmm ive never looked at it like that what is the difference im not up on foreign government.

In America, we recognize that governments are instituted amongst and by the governed, for the benefit of the governed.  In England, it is it is Her Majesty's Government.  That is, the government is headed still by the Monarch.   Today it is symbolic, as they are a real democracy, but that does not change the view of the Divine Right of Kings to rule.  They are subjects to the crown.     We are citizens of our nation, and our government is subject to us.

We wrote a letter to them about that in 1776, expressing our displeasure.  big_smile

2,698

(30 replies, posted in Acoustic)

Practice, man.  That's the only real answer.

Try just playing the bar, and striking the notes one at a time.  Adjust the barre accordingly, then ad the other frets.

Play lots of minor 11 chords, too. 

But mostly it's practice.

Wibble wrote:

2 - As SouthPaw said, its priceless entertainment hearing them two bickering over something as stupid as the interpretation of the american constitution. As a Brit its teaching me something about america

Yes.  It should be teaching you the difference between being a "citizen" and a "subject."

Zing!

2,700

(5 replies, posted in Acoustic)

A "turnaround" is a short lick that ties to sections of the song together, generally leading from the bridge or chorus back into the main verse.