2,476

(20 replies, posted in Bands and artists)

My guess is that Concerned Parent (with all of one post) is another cheeky beggar making light of my pentatonic wankery.

2,477

(31 replies, posted in Electric)

Tibernius wrote:
jerome.oneil wrote:

You'll play the chord progression as such.  Chords only change on the beginnings of the measures.   I've included the notes in the key of E major as an example.  You should use the chords appropriate for your favorite key.

One        I     E
Two        I     E
Three      I    E
Four       I     E
Five        IV   A
Six         IV   A
Seven     I     E
Eight       I     E
Nine       V    B
Ten        IV   A
Eleven    I     E
Twelve    I    E

Once you play it, you'll immediately recognize it.  It's the basis for literally thousands of songs.

There's also a version which ends with:

Twelve  V  B

The rest is the same.

You could do that as a grace note into the first verse, but I think that would leave the progression pretty unresolved if you ended on the V.

2,478

(20 replies, posted in Bands and artists)

We are not fussy at all.  In fact, we have very low standards.   big_smile

Everyone is welcome.

2,479

(20 replies, posted in Bands and artists)

Thursday's Child is up on the mySpace, for anyone that cares.  I do the solo and show off my pentatonic wankery.  big_smile

2,480

(9 replies, posted in Chordie's Chat Corner)

last_rebel wrote:

you can play C6 by holding C, and rolling your middle finger up to cover two strings.
Its also a substitute for Am, (actually I think it IS an Am technically)

C and Am share a common key signature, and therefore all of the same notes.  Any note you can play in C, you can play in Am as well.

2,481

(31 replies, posted in Electric)

Alright.

A 12 bar blues is a I IV V chord progression played over 12 bars.

A bar for our purposes, is one measure of 4/4 time.  You count common time as thus.

One Two Three Four
One Two Three Four

In tempo.  Because we are playing 12 bars, we will want to count our progression like this.

One Two Three Four
Two Two Three Four
Three Two Three Four
Four Two Three Four
Five Two Three Four

...

Eleven Two Three Four
Twelve Two Three Four

Simply strum on each beat for right now.

You'll play the chord progression as such.  Chords only change on the beginnings of the measures.   I've included the notes in the key of E major as an example.  You should use the chords appropriate for your favorite key.

One        I     E
Two        I     E
Three      I    E
Four       I     E
Five        IV   A
Six         IV   A
Seven     I     E
Eight       I     E
Nine       V    B
Ten        IV   A
Eleven    I     E
Twelve    I    E

Once you play it, you'll immediately recognize it.  It's the basis for literally thousands of songs.

2,482

(29 replies, posted in Acoustic)

25Frankster wrote:

Good point.....and can't you use some alternate tuning so you can play power chords with one finger?

Power chords are just intervals of a perfect 5th.  "Drop D" tuning will give you that between the low D (used to be your E) and A string.  You can then just barre the two strings, and you've got power chords.

Any alternate tuning that takes the interval from a fourth to a fifth will give you the same thing.  Tune your A down to G, and you have a 5th between that string and D, for example.

2,483

(13 replies, posted in Acoustic)

Zurf wrote:
alvee33 wrote:

No such thing as a stupid question.

Oh sure there is.  But that wasn't one. 

- Zurf

I prefer to believe that there are just stupid people asking questions.

But to your point, this isn't one of them, either.

2,484

(29 replies, posted in Acoustic)

Stop911 wrote:

I have the perfect answer to playing barre chords. Use a capo !.

It might be the perfect answer, but it's the wrong question.

Cappo isn't a barre.

2,485

(20 replies, posted in Bands and artists)

Somewhat of a disaster, but still some good points.

So, the guy doing the recording for us couldn't get the four track to record four tracks, so we ended up doing two track recording again.  But since we were in a larger room, we were able to mic everything better, and I was able to plug into a proper bass amp.   Then there was a misunderstanding of what we were looking to do.  We had planned on putting down four tracks, and printing a demo.  He though we were looking to put down 30 second segments of all our tracks, and make the demo out of that.

So in the end, we got two pretty good mixes of "I Miss Me" and "Circus Song" and a half assed mix of another track we do called "Price of Love."

Now the CD reader on my computer is busted, so I can't get them up on the myspace.  We've got enough to promote ourselves with, so we're going with it.  Drummer was sick last week, and I gave my tuner to the pretty waitress at the pizza joint we eat at.  So things are tough.  big_smile

New plan is we're going to use the MR-8 we have to do mulit-track recording.  We'll end up having to play each song three times to get it completely mixed, but I guess that's OK.

bluesfreek wrote:

The hint you referred to , implied I wanted to change to another key while playing a song.
The case I referred to was staying in the same key ( say Key of G) and doing a sort of bass note walk of notes , from  Chord of G , To C Chord,To D Chord , Back To G Chord etc as dictated by a  songs Chord progression.

It doesn't change anything.   Chords are derived from the scale that shares their root.   If you know that scale, you'll never have a missed note if you play it over that chord.   If you're wondering what to play while you transition from one chord to another,  play a note common to the scale of each chord.

If you're transiting from C to D, that would be

D E G A or B

In this instance, your best bet would be the G, as it's the V of C, and the IV of D, so it's going to fit in your progression no matter what.

If you know the common notes of the two keys, then you can pick them.  A is common to both G and C, so that's a safe one.

In fact, G and C share all the same notes, except for F and F#. 

C D E G A B will work in both keys.

I like soccer.  On ice.  With sticks.  And a puck.

2,489

(5 replies, posted in Guitars and accessories)

Tube amps are more efficient, and will give you more decibles per watt than a solid state device.  They sound better, too.

2,490

(14 replies, posted in Acoustic)

alvee33 wrote:

I don't look at it as learning chords all over again but as learning different ways to play the same chord.

Ding!  Winner.

For the most part, you should be within three frets of any chord, no matter where you are on the fretboard.  All you gotta do is find 'em.

I never said you looked alright.
I never said you'd be Mr. Right.
And if I said "Hey! Spend the night!"
It was the alcohol talking...

25Frankster wrote:

OK, it's not a lyric, but I'll throw it out there anyway--Shakespeare's sonnet "My Mistress eyes are nothing like the sun"....talks about how imperfect she is...how normal she is, but she's still the most wonderful thing ever in his eyes.

My mistress' eyes are nothing like the sun;

Beat me too it.   The Bard pretty much has the final word on everything.

2,493

(7 replies, posted in Acoustic)

jcellini wrote:

Now I'm confused, I thought C.A.G.E.D. was the chord grouping for a certain key. Please help.

CAGED applies to all keys, and is a great way to learn the entirety of the fretboard.   You can use CAGED to be within three frets of any chord on the neck.

It's a great system.

2,494

(14 replies, posted in Acoustic)

jeffnvon wrote:

Jerome, at times I can hear the IV & V when they're together. I must admit that I've never learned scales. Too lazy I guess. How does knowing the major scale help. I'd persevere in learning them If I knew how I'd use them.

When they talk about the IV and the V, they're talking about the fourth and fifth note of the scale in which key you're playing in.

So if you know which key you're in, play that scale, and the 4th and 5th notes you play are the related IV and V chords.

Example, in C.

C D E F G A B C

The 4th and 5th notes of the C major scale are F and G.  So if you were playing in the key of C, you could count on F and G major chords showing up. 

Same with any other major key.  In fact, almost all common chord progressions can be derived this way.

2,495

(1 replies, posted in Electric)

It's not the Gibson, but I love my Dot.  You've put a pretty accurate review, I think.   I get good tone out of my bass strings, though.  You're not going to get a growly crunchy sound out of it, regardless.  The ES-335 on which it's modeled doesn't give you that, either.  It's supposed to be more of a blues/jazz axe than a grider's tool.

I'm going to restring mine with some heavier .12 guage strings, and see if I can't fatten up the top end a little.

2,496

(15 replies, posted in Bands and artists)

Little Feat.  Most awesomest live band you'll never see.

2,497

(4 replies, posted in Bands and artists)

For sheer outrageous value, Hendrix doing The Star Spangled Banner.

http://www.youtube.com/watch?v=F6_dkoow5TM

Eddie Van Halen doing "Eruption" pretty much changed the way we think about guitar forever.

http://www.youtube.com/watch?v=z_lwocmL9dQ

But just for pure "WTF was that!" outrageous, Shawn Lane never ceases to amaze.

http://www.youtube.com/watch?v=WhTHxkIllvU

Just to clarify, he's not playing hammer ons, there.  He's picking every note.

2,498

(14 replies, posted in Acoustic)

If you know what key it's in, you should at all times know the IV and the V for that key.  Odds are pretty high they'll be in there someplace.  It would also help to know each of the triadic chords for the entire key.   Learning the major scales is eminently useful for this.

2,499

(2 replies, posted in About Chordie)

There really isn't a whole lot you can do from a legal standpoint.   I've always advocated that no one be able to start a thread as a first post, or at least put their first post in an "introduce yourself" thread.  I've seen both methods work to reduce the amount of spam on boards.  Ultimately, though, it requires the vigilance of good moderators, and the cooperation of the board membership.

2,500

(20 replies, posted in Bands and artists)

Finger pickin' over C7. 

Casey is a pretty good finger picker, and it's the only song he's written.  We nag him to write more, as we like Circus, but he's all shy about it.

We're finally going to some multi-track recording next Saturday.  We're sticking the drums in the basement to keep them from bleeding into everyone's mic, and we're going to dub the vocals on a second take, so we should have a full multi-track demo to master.

Thanks for the comments.  I expect all them mySpace friend requests to be forthcoming.    big_smile