My guess is that Concerned Parent (with all of one post) is another cheeky beggar making light of my pentatonic wankery.
2,477 2007-11-14 22:12:56
Re: BLUES: the scales (31 replies, posted in Electric)
jerome.oneil wrote:You'll play the chord progression as such. Chords only change on the beginnings of the measures. I've included the notes in the key of E major as an example. You should use the chords appropriate for your favorite key.
One I E
Two I E
Three I E
Four I E
Five IV A
Six IV A
Seven I E
Eight I E
Nine V B
Ten IV A
Eleven I E
Twelve I EOnce you play it, you'll immediately recognize it. It's the basis for literally thousands of songs.
There's also a version which ends with:
Twelve V B
The rest is the same.
You could do that as a grace note into the first verse, but I think that would leave the progression pretty unresolved if you ended on the V.
2,478 2007-11-14 16:45:59
Re: Deep Dish Gravity (20 replies, posted in Bands and artists)
We are not fussy at all. In fact, we have very low standards.
Everyone is welcome.
2,479 2007-11-14 09:45:24
Re: Deep Dish Gravity (20 replies, posted in Bands and artists)
Thursday's Child is up on the mySpace, for anyone that cares. I do the solo and show off my pentatonic wankery.
2,480 2007-11-14 00:17:26
Re: help (9 replies, posted in Chordie's Chat Corner)
you can play C6 by holding C, and rolling your middle finger up to cover two strings.
Its also a substitute for Am, (actually I think it IS an Am technically)
C and Am share a common key signature, and therefore all of the same notes. Any note you can play in C, you can play in Am as well.
2,481 2007-11-14 00:14:06
Re: BLUES: the scales (31 replies, posted in Electric)
Alright.
A 12 bar blues is a I IV V chord progression played over 12 bars.
A bar for our purposes, is one measure of 4/4 time. You count common time as thus.
One Two Three Four
One Two Three Four
In tempo. Because we are playing 12 bars, we will want to count our progression like this.
One Two Three Four
Two Two Three Four
Three Two Three Four
Four Two Three Four
Five Two Three Four
...
Eleven Two Three Four
Twelve Two Three Four
Simply strum on each beat for right now.
You'll play the chord progression as such. Chords only change on the beginnings of the measures. I've included the notes in the key of E major as an example. You should use the chords appropriate for your favorite key.
One I E
Two I E
Three I E
Four I E
Five IV A
Six IV A
Seven I E
Eight I E
Nine V B
Ten IV A
Eleven I E
Twelve I E
Once you play it, you'll immediately recognize it. It's the basis for literally thousands of songs.
2,482 2007-11-10 19:33:06
Re: a problem with playing barre chords (29 replies, posted in Acoustic)
Good point.....and can't you use some alternate tuning so you can play power chords with one finger?
Power chords are just intervals of a perfect 5th. "Drop D" tuning will give you that between the low D (used to be your E) and A string. You can then just barre the two strings, and you've got power chords.
Any alternate tuning that takes the interval from a fourth to a fifth will give you the same thing. Tune your A down to G, and you have a 5th between that string and D, for example.
2,483 2007-11-07 09:10:31
Re: stupid question (13 replies, posted in Acoustic)
alvee33 wrote:No such thing as a stupid question.
Oh sure there is. But that wasn't one.
- Zurf
I prefer to believe that there are just stupid people asking questions.
But to your point, this isn't one of them, either.
2,484 2007-11-06 05:06:47
Re: a problem with playing barre chords (29 replies, posted in Acoustic)
I have the perfect answer to playing barre chords. Use a capo !.
It might be the perfect answer, but it's the wrong question.
Cappo isn't a barre.
2,485 2007-11-04 00:59:56
Re: Deep Dish Gravity (20 replies, posted in Bands and artists)
Somewhat of a disaster, but still some good points.
So, the guy doing the recording for us couldn't get the four track to record four tracks, so we ended up doing two track recording again. But since we were in a larger room, we were able to mic everything better, and I was able to plug into a proper bass amp. Then there was a misunderstanding of what we were looking to do. We had planned on putting down four tracks, and printing a demo. He though we were looking to put down 30 second segments of all our tracks, and make the demo out of that.
So in the end, we got two pretty good mixes of "I Miss Me" and "Circus Song" and a half assed mix of another track we do called "Price of Love."
Now the CD reader on my computer is busted, so I can't get them up on the myspace. We've got enough to promote ourselves with, so we're going with it. Drummer was sick last week, and I gave my tuner to the pretty waitress at the pizza joint we eat at. So things are tough.
New plan is we're going to use the MR-8 we have to do mulit-track recording. We'll end up having to play each song three times to get it completely mixed, but I guess that's OK.
2,486 2007-11-03 18:09:43
Re: Practicing scales/chords in keys , need help with transition picking? (3 replies, posted in Acoustic)
The hint you referred to , implied I wanted to change to another key while playing a song.
The case I referred to was staying in the same key ( say Key of G) and doing a sort of bass note walk of notes , from Chord of G , To C Chord,To D Chord , Back To G Chord etc as dictated by a songs Chord progression.
It doesn't change anything. Chords are derived from the scale that shares their root. If you know that scale, you'll never have a missed note if you play it over that chord. If you're wondering what to play while you transition from one chord to another, play a note common to the scale of each chord.
If you're transiting from C to D, that would be
D E G A or B
In this instance, your best bet would be the G, as it's the V of C, and the IV of D, so it's going to fit in your progression no matter what.
2,487 2007-11-03 06:05:06
Re: Practicing scales/chords in keys , need help with transition picking? (3 replies, posted in Acoustic)
If you know the common notes of the two keys, then you can pick them. A is common to both G and C, so that's a safe one.
In fact, G and C share all the same notes, except for F and F#.
C D E G A B will work in both keys.
2,488 2007-11-02 20:09:35
Re: How many of you are Football(soccer) fans and also like drinking?... (1 replies, posted in Chordie's Chat Corner)
I like soccer. On ice. With sticks. And a puck.
2,489 2007-10-29 22:01:51
Re: Amps: Watts vs. Decibels (5 replies, posted in Guitars and accessories)
Tube amps are more efficient, and will give you more decibles per watt than a solid state device. They sound better, too.
2,490 2007-10-29 21:48:57
Re: How to play different chords (14 replies, posted in Acoustic)
I don't look at it as learning chords all over again but as learning different ways to play the same chord.
Ding! Winner.
For the most part, you should be within three frets of any chord, no matter where you are on the fretboard. All you gotta do is find 'em.
2,491 2007-10-26 19:21:00
Re: Most lyrical description of a person's beauty (22 replies, posted in Chordie's Chat Corner)
I never said you looked alright.
I never said you'd be Mr. Right.
And if I said "Hey! Spend the night!"
It was the alcohol talking...
2,492 2007-10-26 19:19:44
Re: Most lyrical description of a person's beauty (22 replies, posted in Chordie's Chat Corner)
OK, it's not a lyric, but I'll throw it out there anyway--Shakespeare's sonnet "My Mistress eyes are nothing like the sun"....talks about how imperfect she is...how normal she is, but she's still the most wonderful thing ever in his eyes.
My mistress' eyes are nothing like the sun;
Beat me too it. The Bard pretty much has the final word on everything.
2,493 2007-10-26 19:18:14
Re: Intro to CAGED Theory (7 replies, posted in Acoustic)
Now I'm confused, I thought C.A.G.E.D. was the chord grouping for a certain key. Please help.
CAGED applies to all keys, and is a great way to learn the entirety of the fretboard. You can use CAGED to be within three frets of any chord on the neck.
It's a great system.
2,494 2007-10-23 21:20:34
Re: Playing by ear (14 replies, posted in Acoustic)
Jerome, at times I can hear the IV & V when they're together. I must admit that I've never learned scales. Too lazy I guess. How does knowing the major scale help. I'd persevere in learning them If I knew how I'd use them.
When they talk about the IV and the V, they're talking about the fourth and fifth note of the scale in which key you're playing in.
So if you know which key you're in, play that scale, and the 4th and 5th notes you play are the related IV and V chords.
Example, in C.
C D E F G A B C
The 4th and 5th notes of the C major scale are F and G. So if you were playing in the key of C, you could count on F and G major chords showing up.
Same with any other major key. In fact, almost all common chord progressions can be derived this way.
2,495 2007-10-23 21:16:12
Re: . (1 replies, posted in Electric)
It's not the Gibson, but I love my Dot. You've put a pretty accurate review, I think. I get good tone out of my bass strings, though. You're not going to get a growly crunchy sound out of it, regardless. The ES-335 on which it's modeled doesn't give you that, either. It's supposed to be more of a blues/jazz axe than a grider's tool.
I'm going to restring mine with some heavier .12 guage strings, and see if I can't fatten up the top end a little.
2,496 2007-10-22 22:35:59
Re: UNDERESTIMATED FAMOUS GROUPS (15 replies, posted in Bands and artists)
Little Feat. Most awesomest live band you'll never see.
2,497 2007-10-22 03:57:49
Re: most outrageous guitar solo (4 replies, posted in Bands and artists)
For sheer outrageous value, Hendrix doing The Star Spangled Banner.
http://www.youtube.com/watch?v=F6_dkoow5TM
Eddie Van Halen doing "Eruption" pretty much changed the way we think about guitar forever.
http://www.youtube.com/watch?v=z_lwocmL9dQ
But just for pure "WTF was that!" outrageous, Shawn Lane never ceases to amaze.
http://www.youtube.com/watch?v=WhTHxkIllvU
Just to clarify, he's not playing hammer ons, there. He's picking every note.
2,498 2007-10-22 03:44:10
Re: Playing by ear (14 replies, posted in Acoustic)
If you know what key it's in, you should at all times know the IV and the V for that key. Odds are pretty high they'll be in there someplace. It would also help to know each of the triadic chords for the entire key. Learning the major scales is eminently useful for this.
2,499 2007-10-22 03:37:27
Re: PORN (2 replies, posted in About Chordie)
There really isn't a whole lot you can do from a legal standpoint. I've always advocated that no one be able to start a thread as a first post, or at least put their first post in an "introduce yourself" thread. I've seen both methods work to reduce the amount of spam on boards. Ultimately, though, it requires the vigilance of good moderators, and the cooperation of the board membership.
2,500 2007-10-21 01:17:41
Re: Deep Dish Gravity (20 replies, posted in Bands and artists)
Finger pickin' over C7.
Casey is a pretty good finger picker, and it's the only song he's written. We nag him to write more, as we like Circus, but he's all shy about it.
We're finally going to some multi-track recording next Saturday. We're sticking the drums in the basement to keep them from bleeding into everyone's mic, and we're going to dub the vocals on a second take, so we should have a full multi-track demo to master.
Thanks for the comments. I expect all them mySpace friend requests to be forthcoming.