You Better Go Now Jeri Southern
Y[A]ou [A9]bet -[Asus4] ter [D9]go n[D]ow, [Bm7]
Bec[A7]ause I l[D9]ike y[D]ou much too [Gdim]much,
You h[B7]ave a [Em7]way with y[A7]ou;
Y[A]ou [A9]ought[Asus4] to k[D9]now n[D]ow [Bm7]
Just w[A7]hy I l[D9]ike y[D]ou very [Gdim]much --
The n[B7]ight was [Em7]gay with y[A7]ou.
Bridge:
T[Em7/6]here's [A7sus4] a m[D]oon a[A7]bove,
And it [Em7]gives my h[Bm7]eart a lot of s[F#7]wing;
[Em7/6] In [A7sus4] your e[D]yes, there's l[A7]ove,
[Bm7]And the way I [F#m]feel it m[Em7]ust be sp[A7]ring.
[A]I w[A9]ant[Asus4] you [D9]so n[D]ow -[Bm7]
You [A7]have the [D9]lips I l[D]ove to [Gdim]touch,
You b[B7]etter [Em7]go now.[A7]
You [Edim]better [DM7]go, bec[B7]ause I l[G6]ike [D6/9/F#] you m[Em7]uch [Edim] too m[D]uch.
Instrumental interlude: First three lines of second verse.
Coda:
You [Edim]better [DM7]go, bec[Cdim]ause [B7]I l[G6]ike [D6/9/F#] you [Em7]much [Edim] too m[D]uch.[F#m] [B7]
[B7/F#] I l[G6]ike [D6/9/F#] you [Em7]much [Edim] too m[D]uch.
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