Star Spangled Banner Jimi Hendrix
|------|----------|--0--|-(0)-----2/4---2--|-0----------|------------**----| |-0----|------0---|-----|-(0)--------------|------------|------------------| |----1-|---1------|-----|------------------|----1-(1)-3/|4~~~(4)~~~-3/4--4-| |------|-2--------|-----|------------------|------------|------------------| |------|----------|-----|------------------|------------|------------------| |------|----------|-----|------------------|------------|------------------| *=read intro and legend before starting **=this note sounds as the result of high volume,distortion & effects full full let ring |------------------------|------------|-0--0--------|--------|-------| |--7b--7pb-(7)rb---5-h7p5|-4---4\2--4-|-------0-----|----0---|-----0-| |--7b--------------------|------------|----------0h1|------1-|---1~--| |------------------------|------------|-------------|--2~----|-2~----| |------------------------|------------|-------------|--------|-------| |------------------------|------------|-------------|--------|-------| let ring____ tr~~ tr~~ 1/2 1/2 |-0----|-(0)-2/4--4h5-4\2h4-2p|0------------|-------------------------| |------|-(0)------------------|-------------|-------------------------| |------|----------------------|-----1/3\1/3/|4/7\6--6/8b-rb(8)b--rb---| |------|----------------------|-------------|-------------------------| |------|----------------------|-------------|-------------------------| |------|----------------------|-------------|-------------------------| hold bend________ fdbkF# full grad. release fbdkF# |---------------------------------------|-----------|------------------| |---------------------------------------|---7b------|-(7)----(7)rb-----| |(8)\6h8p6h8p6\4h6p4--(4)~~~--(0)--4--4-|-----------|------------------| |---------------------------------------|-----------|------------------| |---------------------------------------|-----------|------------------| |---------------------------------------|-----------|------------------| 1/2 poco accel. |----------------------------|-------------|-0--0--------| |--5--5h7--(7)b--(7)rbp5h7p5\|4~~--4\2--4--|-------0-----| |----------------------------|-------------|----------1~-| |----------------------------|-------------|-------------| |----------------------------|-------------|-------------| |----------------------------|-------------|-------------| ***w/wah-wah ±fdbk |---2/4-4-4--(4)--5------|-7--7--7--------7--| |------------------------|-------------------| |------------------------|-------------------| |-2----------------------|-------------------| |------------------------|-------------------| |------------------------|---------(0)-(0)---| ***=wah creates ±=g# generated by impression of sympathetic vibration re-attack of the low E string full w/bar w/bar______ |--grad release-|--------------------------| |-/17b--(17)rb--|-0-----(0)---0--(0)---0---| |---------------|-0-----(0)-X-0--(0)---0---| |---------------|-0-----(0)-X-0--(0)---0---| |---------------|-----------X--------------| |---------------|--------------------------| -2 1/2 -1 -1-------| 1/2 slight trem but not too fast w/bar trem_____ trem_ w/bar harm. |-------/17----------17----------------------------------0-X--| |-(0)---/18----------18---------------------------0------0-X--| |-(0)---/19----------19-----------------------3---0-4/15-0-X--| |-(0)----==----------==-----------------------3---------------| |-----------------0---------------------------3---------------| |-------------------------15-15-15-15-0-h15\--0---------------| 1 1/2 w/bar fdbk 1 1/2 [-1] [-1] full |----------------------------------------------------------------------------| |-15b--------(15)rb------15b-rb----------------------------------------------| |----------------------------------------------------------------------------| |---------------------------------------------p0-----p0-----p0------X-13bp0--| |-------------------(0)-----------------------p0-----p0-----p0------X--------| |--------------------------------10/12-16\0/19p0h7/16p0h7/19p0h7/13-X--------| -1 -1 -1----------------------------------------------------------------| grad. release 1 1/2 2 2¼ full 2 full |------------------------------X--------------------------| |----15b--(15)-(15)---(15)rb---X-17--(17)b-(17)(17)(17)rb-| |---x-------------------------0X--------------------------| |--x-------------------------(0)--------------------------| |-x-------------------------------------------------------| |---------------------------------------------------------| î § 1/2 harm ΘT § harm fdbkF# w/bar fdbk 1 1/2 |-------------13----13----X---------------------------------X--------------| |-~2p0--------13----13----X------------12----(12)----(12)------------------| |-~3p0------0-13----13----X--------------12--------------------------------| |-~4p0---X\-0-==--12==----X------------------------------------------------| |-~4p0---X\-0-------------X-----------------------------------/14b(14)\----| |------0-X\------------12-X-11-11-11-12-----------------------/14b(14)\----| ΘT=thumb on 6[-1] [-2] §=mic. fdbk:not string vib î="choke" stgs w/ fret hand |-------------4/5-4-|-2---4----5--|--5--|--------------------------| |-------------------|-------------|-----|-----------8p0h8p0h8p0h8p-| |-------------------|-------------|-----|-----------8p0h8p0h8p0h8p0| |-------------------|-------------|-----|-/8h--8h7h-8p0h8p0h8p0h8p0| |-0----(0)----------|-------------|-----|----7h--7h----------------| |-0----(0)----------|-------------|-----|--------------------------| w/[-1]bar[-2]___[1/2]_____________________________________________________________ -2 1/2________ |-----------------------------------------------------------------------| |-----------------------------------------------------------------------| |-(0)(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)-(0)(0)(0)(0)(0)---| |-(0)(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)-(0)(0)(0)(0)(0)---| |-----------------------------------------------------------------------| |-----------------------------------------------------------------------| (-2)(-3)(-3)(-5)(-3)(-3)(2 1/2)(-3)(-1 1/2)(-3)(-1---------------------| 1/2) w/bar ßw/bar-1 -1 1/2 |--------0--------|--------------------------------| |--------0----/13-|-(13)h---13h---13h---13h--------| |-(0)/18----------|------12h---12h---12h---0/13h---| |-(0)/18----------|-----------------------------12h| |-----------------|--------------------------------| |-----------------|--------------------------------| -2 -1 ß=depress bar while hammering on from nowhere. poco accel. w/bar(very wide vib.) |-------------------------------------------------------------------------| |-------------------------------~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~| |13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p| |-------------------------------------------------------------------------| |-------------------------------------------------------------------------| |-------------------------------------------------------------------------| w/bar w/bar__ fdbkC# w/bar |------------------------------------------0-------------------------| |~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~------0----0-(0)-----------h17--| |0h13p0h13p0h13p0h13p0h13p0h13p0h13p0-0----0-13p0------------0-------| |-------------------------------------0----0-----------------0-------| |------------------------------------------0------------0-(0)--------| |------------------------------------------0------------0-(0)--------| -2 slack B-1 -1 1/2--------| w/bar_________________ ╖ |h0-(0)-(0)-(0)---(0)------------------------------| |h0-(0)-(0)-(0)---(0)--0--0------------------------| |----------------------0--0------------------------| |----------------------0--0------------------------| |----------------------0--0-----------h16p0h16p16--| |---------------------------h16p0h16-0-------------| -1 1/2 -1 1/2 ╖=univibe creates the impression of re-attack w/bar(vib. & desend simult- aneously) w/bar 1 1/2 Þ fdbkG# 2/full fdbk |------------------------------p0--/17b--(17)rb--------------0------------| |-----0-------------------------0---==----------17pb--(17)~--0-16b--------| |-----0-----------------------------------------------------0--16b--(16)--| |-h15p0---h16pXh16pXh16pXh16pX--------------------------------------------| |---------h16pXh16pXh16pXh16pX--------------------------------------------| |---------h16pXh16pXh16pXh16pX--------------------------------------------| -2 1/2 Þ=1st/2nd string bent simultaneosouly w/ 3rd finger w/bar full__2 ╝ w/bar w/bar |-------------------------------------------4/5-| |---17b------(17)~----0-(0)---------------------| |-0-------------------0-(0)------0------(0)-----| |------------------X/h0-(0)--h11h0------(0)-----| |------------------X/h0-(0)---------------------| |------------------X/h--------------------------| ╝=other pitches -2 1/2 -1 created by effects rit____ |-4------(4)\2/4\2\0---|---------------------------|----------| |----------------------|--4------------------2---4-|-5--------| |----------------------|---------------------------|----1/3---| |----------------------|---------------------------|----------| |----------------------|---------------------------|----------| |----------------------|---------------------------|----------| fdbk univibe & fdbkC#______ A wah-wah off |----------------------------------------| |-------------------------------/12--12--| |-3/4--(4)--------(4)-------(4)----------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |---12------------12--|--16~~~~~~~~------12-|-16~~----12--16~~-----12-| |-------------12------|--------------12-----|------12----------12-----| |---------------------|---------------------|-------------------------| |---------------------|---------------------|-------------------------| |---------------------|---------------------|-------------------------| |---------------------|---------------------|-------------------------| wah on & off wah on |-16~~~-----|-0-----0-----0----0--|---------------0---2-| |--------0--|------------------4--|-2---2---2--4--------| |-----------|---------------------|---------------------| |-----------|---------------------|---------------------| |-----------|---------------------|---------------------| |-----------|---------------------|---------------------| δ=rock wah back n' forth quickly creating rhytmic effect of sixteenth note triplets -1/2 wah off |-4--5----4---2h4p2---|-0--------------------|-----|-----------------| |---------------------|----4b~~~~~(4)~~~~~~~-|-4---|(4)~~~~~~~~~~~~~~| |---------------------|----------------------|-----|-----------------| |---------------------|----------------------|-----|-----------------| |---------------------|----------------------|-----|-----------------| |---------------------|----------------------|-----|-----------------| poco rit. fdbk_____ -1/2____________________-1_______________________ w/bar |------------------------------------------------| |(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------| fdbk___________________________________________________ -1_____________________ -1 -2-----------------|________ |---------------------------------------------------------------| |▼(4)(4)---------------(0)--------------------------------| |-(4)(4)(4)(4)(4)(4)(4)---(4)(4)(4)(4)(4)(4)(4)(4)(4)(4---------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| ▼=fret B silently -1 1/2_______ & allow it to feedback fdbk____________ -2______________ σ fdbk w/bar_ |-----------------X------------|--0-----2-2/4---5--|-7-----(7)-----~~~~~| |-----------------X-----0---0--|------------0------|--------------------| |(4)(4)(4)(4)(4)--X------------|-------------------|--------------------| |----------X-------------------|-------------------|--------------------| |----------X-------------------|-------------------|--------------------| |------------------------------|-------------------|--------------------| σ=don't pick w/bar_______ |~~(7)\----0------0--2/-| |----------0------------| |----------0------------| |----------0------------| |----------0------------| |-----------------------| [-1] w/bar__ w/bar____ fdbkB T |-/4~~~h5p4h5p4\2h4p2h4p2p0~|~(0)~~(0)--(0)------|-5--| |---------------------------|--------------------|-5--| |---------------------------|-----------------X/-|-6--| |---------------------------|-----------------X/-|-7--| |---------------------------|-----------------X/-|-X--| |---------------------------|-----------------X/-|-5--| w/bar T T fdbkG# F# |/8-----10----------|-0------(0)---------| |/8-----10----------|-0------------(0)~~~| |/9-----11----------|-X------------------| |/10----12----------|-2------------------| |-X-----X-----------|-2------------------| |/8-----10-----(10)\|-0------------------|
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