She Comes to Me in Dreams Great Lake Swimmers
Capo 2
In the break, D is played in a somewhat abruptly manner with the use of a
distinct stroke. You can play the A and G chords barred and focus on only
strumming the bass notes of the chords. This is easier to play than the
lighter riff that is more notable on the record. In live versions I've
noticed that Tony Dekker plays it this way, and that Erik Arnesen typically
plays the riff.
Feel free to comment if you discover anything that needs to be corrected.
Intro: A G A G
[Bm]I am [D]in an [G]uproar, [A] [G] [A] [G] [Bm]are you [D]coming to [G]me[A] [G] [A] [G]
[Bm]Just want [D]to run [G]with you, [A] [G] [A] [G] [Bm]what state [D]are you [G]in now[A] [G] [A] [G]
[F#m]Guess you are [G]asleep now; [F#m]goodnight for [G]real now
[F#m]Guess you are [G]asleep now[A]
[Bm]She comes [D]to me in [G]dreams, [A] [G] [A] [G] [Bm]she comes [D]to me in [G]dreams[A] [G] [A] [G]
[Bm]She comes [D]to me in [G]dreams[A] [G] [A] [G]
Break:
[D] [G] [A] [G] [A]
[D] [G] [A] [G] [A]
[D]
[Bm]In love [D]with you [G]vision, [A] [G] [A] [G] [Bm]show me [D]where to [G]sign on[A] [G] [A] [G]
[Bm]When I [D]saw you [G]wholly, [A] [G] [A] [G] [Bm]light exp[D]loded in [G]me[A] [G] [A] [G]
[F#m]This is a con[G]vergence, [F#m]this is a con[G]vergence
[F#m]This is a con[G]vergence[A]
[Bm]She comes [D]to me in [G]dreams, [A] [G] [A] [G] [Bm]she comes [D]to me in [G]dreams[A] [G] [A] [G]
[Bm]She comes [D]to me in [G]dreams[A] [G] [A] [G]
Break:
[D] [G] [A] [G] [A]
[D] [G] [A] [G] [A]
[D]
[F#m]Guess you are [G]asleep now; [F#m]goodnight for [G]real now
[F#m]Guess you are [G]asleep now[A]
[Bm]She comes [D]to me in [G]dreams, [A] [G] [A] [G] [Bm]she comes [D]to me in [G]dreams[A] [G] [A] [G]
[Bm]She comes [D]to me in [G]dreams[A] [G] [A] [G]
/ch1ptune
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