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Red Flags  Sondre Lerche

INTRO
C G/C | C9 Dm7/C | Fm/C C | F#o/C F/C | G
VERSE
[C]Red flags are [G/C]vying for [C9]my at[Dm7/C]tention
[Fm/C]Nothing adds [C]up
F#o/C F/C G
Getting by on old goodwill
[C]Backtracking [G/C]thoughts from their [C9]desti[Dm7/C]nation
Fm/C C F#o/C F/C G
I closed my eyes thinking I could keep up still
[Am]How do you [Bb]know your [C]limits, [D]honey?
[Dm]How do you [G]walk the [Fm/C]line?
CHORUS
My [F]vision was blurry as [G]dawn faded in
But I [C]saw you [G/B]on the [Bb]roof [A7]tonight[Em7b5]
I [F]wouldn't just say this to [G]mess with your head
C G/C C9 F/C Fm/C C F#o/C F/C G
I saw you on the roof tonight
VERSE
[C]You have a [G/C]gift for com[C9]pelling [Dm7/C]defense
Fm/C C F#o/C F/C G
Even tonight I considered every word
[C]But I can't [G/C]summon the [C9]needed [Dm7/C]credence
Fm/C C F#o/C F/C G
Once off the hook you dissolve and I concur
[Fm/C]And so it [C]goes
[Am]You [Bb7]re - [C]main unat[D]tainable
[Dm7]I'm high then [G]low but [E7/G#]tell me just
[Am]How did you [Bb]know my [C]weakness [D]honey?
[Dm7]How do you [G]walk the [Fm/C]line?
CHORUS
Turns [F]out I'm a witness, what's [G]your alibi?
[C]I saw you [G/B]on the [Bb]roof [A7]tonight[Em7b5]
I [F]wouldn't just say it to [G]mess with your head
I [C]saw you [G/B]on the [Bb]roof [A7]tonight[Em7b5]
My [F]vision was blurry cause [G]dusk used to run the show
[Dm7]Fading [G7]in, [Dm7]fading [Gsus]in[G7]
BRIDGE
[Gm/C]All the [F]footwork
F#o7 Em
All the charades
Fm F#o7
What's it for?
Fingers [Fm]crossed
Once I've [C]lost [G/B]all [Bb]trust in [A7]you
Dm7 G Fm/C | Fm/C | Cmaj7 | Cmaj7
I can't lose you anymore
CHORUS
And [F]so I've decided to [G]stick to my guns
I [C]saw you [G/B]on the [Bb]roof [A7]tonight[Em7b5]
It [F]seems I'm a witness, what's [G]your alibi?
I [C]saw you [G/B]on the [Bb]roof [A7]tonight[Em7b5]
My [F]vision was blurry but [G]I can't deny
That I [C]saw you [G/B]on the [Bb]roof [A7]tonight[Em7b5]
I [F]swear I don't say this to [G]mess with your head, ohh --
[Cmaj7]000000|000000|[Fm6]111111|111111|
101010|101010|333333|333333|
000000|000000|111111|111111| *-my interpretation of the fast section
222222|222222|333333|333333| with the B string doing the note-changes.
333333|333333|xxxxxx|xxxxxx|
xxxxxx|xxxxxx|xxxxxx|xxxxxx|
[Dm7]Fading [G7]in, [Dm7]Fading [G7]in
[Cmaj7]000000|000000|[Fm6]111111|111111|
101010|101010|313131|313131|
000000|000000|111111|111111|
222222|222222|333333|333333|
333333|333333|xxxxxx|xxxxxx|
xxxxxx|xxxxxx|xxxxxx|xxxxxx|
Dm7 | G7b9 | Dm7 | G7b9 | Dm7 | G7b9 | Fm/G | G7
[Am]How do you [Bb]know your [C]limits, [D]honey?
Dm7 G Am Am/G F C/E Ebo7 D7
How do you walk the line?
OUTRO
C G/C C9 Dm7/C Fm/C C F#o/C F/C G | C

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A7 Am Bb Bb7 C C9 Cmaj7 D Dm Dm7 Dm7/C E7/G# Em7b5 F Fm Fm/C Fm6 G G/B G/C G7 Gm/C Gsus
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