Always Worth It Sarah Blasko
This is essentially the same as one of the other versions here. However, instead
of putting in the actual chord names, I put the chord (shapes) relative to the
capo. The capo is on the 4th fret. I figure it'd be easier to figure out.
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[E] [A] [D] [G] [B] [E]
x 3 2 0 0 0 CM7
x 3 0 0 0 0 CM7sus2
x 3 2 0 3 3 Cadd9
0 2 0 0 0 3 Em7
1 3 3 2 0 0 FM#11
x 0 2 0 1 3 Am7
[C]Half fo[Cm7]rgotten things
[C]In the [Cm7]depths of tim[CM7sus2]e they li[Em]e[FM#11]
[C]With si[Cm7]gnificance
[C]Waiting[Cm7] for the simp[CM7sus2]lest sign[Em] of lif[FM#11]e[F]
[C]See the [Cm7]evidence
[C]That ex[Cm7]pense is part[CM7sus2] of life [Em]in time[FM#11] [F]
[Cadd9]Always worth it i[Am7]f only to [Em7]reali[FM#11]se[F]
[Cadd9]Not always perfec[Am7]t but s[Em7]omehow[FM#11] deservin[F]g of time
[C]Disconne[Cm7]cted things
[C]You exi[Cm7]st within a k[CM7sus2]ind of tr[Em]uth[FM#11] [F]
[C]And the[Cm7] consequence [CM7sus2]is a cons[Em]ummated[FM#11] trail of [F]time
[Cadd9]Always worth it i[Am7]f only to [Em7]reali[FM#11]se[F]
[Cadd9]Not always perfec[Am7]t but s[Em7]omehow[FM#11] deservin[F]g of time
[G]You've no way out, no path i[Am]n
Set on [G]paper, half in stone
You're on your o[Am]wn
[Em] [FM#11] [F]
Always worth it if only to realise
Not always perfect but somehow deserving of time
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