Rubina Joe Satriani
RUBINA (INTRO) (Live) (From the 2001 Video LIVE FROM SAN FRANCISCO) Music by Joe Satriani Arranged by Joe Satriani This is a nice and easy piece. The pattern in which your fingers play the arpeggio, is repeated for the first 6 bars. You just need to change your root note and play the same pattern again. Dynamics: Accent the first note of each bar and the 2 notes at the peak of the arpeggio (in the first bar you accent 6(10) and 2(15) 1(17)). Build in volume as you scale up the arpeggio, then soften the volume as you scale down (crescendo/decrescendo respectively). You don't need the music to play this piece, all the notes are 16th's (semi-demi-quaver) Gtr I (E A D G B E) Moderately Q=80 bpm [4/4] Gtr I |----------------------------17-------------------| |----------------------17-15-------17-------------| |----------------14-14----------14-------14-------| |----------14-12----------------------12-------14-| |----12-12----------------------------------12----| |-10----------------------------------------------| Fingering 1 3 1 3 1 3 1 4 1 4 1 4 1 3 1 3 |---------------------12--------------| |---------------12-10------12---------| |-----------9-9----------9------9-----| |-------9-7-------------------7-----9-| |---7-7---------------------------7---| |-5-----------------------------------| |------------------------14-----------------|-------------------9-------------| |------------------14-12-------14-----------|---------------9-7-----9---------| |------------11-11----------11------11------|-----------6-6-------6-----6-----| |-------11-9----------------------9------11-|-------6-4---------------4-----6-| |---9-9--------------------------------9----|---4-4-----------------------4---| |-7-----------------------------------------|-2-------------------------------| |--------------------10--------------| |---------------10-8------10---------| |-----------7-7---------7------7-----| |-------7-5------------------5-----7-| |---5-5--------------------------5---| |-3----------------------------------| |----------------------------17-------------------| |----------------------17-15-------17-------------| |----------------14-14----------14-------14-------| |----------14-12----------------------12-------14-| |----12-12----------------------------------12----| |-10----------------------------------------------| [2/4] pause pause |-------------------------|---------------------| |----------------------19-|------------------14-| |----------------16-16----|------------11-11----| |----------17-14----------|-------12-9----------| |----14-14----------------|---9-9---------------| |-12----------------------|-7-------------------| [4/4] |---------------------------------| |---------------------------------| |-----------7---6---7---6---7---6-| |-------7-5---7---5---7---5---7---| |---5-5---------------------------| |-3-------------------------------| Fingering 1 3 1 3 1 4 3 2 1 4 3 2 1 4 3 2 |---------------------------------|------------------------------------------| |---------------------------------|--------------------------------------19--| |-----------7---6---7---6---7---6-|-----------7---6----------------16-16-----| |-------7-5---7---5---7---5---7---|-------7-5---7------------17-14-----------| |---5-5---------------------------|---5-5--------------14-14-----------------| |-3-------------------------------|-3---------------12-----------------------| ~~~~ \2.5 |----17-------------------------------|------------------*| |-15-------17-------------------------|------------------*| |-------14-------14----------11tr12---|-(11)----(11)-----*| |-------------12-------14-------------|------------------*| |-------------------12----------------|------------------*| |-------------------------10----------|-(10)-------------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic (n) - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend -----------
Important: The song above is NOT stored on the Chordie server. The original song is hosted at www.azchords.com. Chordie works as a search engine and provides on-the-fly formatting. Chordie does not index songs against artists'/composers' will. To remove this song please click here.