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Signe Eric Clapton
|-------------0--|-----0---------||---------|-------------| |-----2----0-----|--2--------0---||----2----|----------0--| |-----2----1-----|--2--------1--o||----2----|-----1h2-----| |-----2----2-----|--2--------2--o||----2----|-------------| |--0-----0-------|--0-----0------||----0----|-------------| |----------------|---------------||---------|--0----------|
[A] [F#] [Bm] [E]
||-----0----------|-----2-------------|-----2----------|-----0------------|| ||--2--------2p0--|----------------2--|--3--------3p2--|--0--------3p2-0--|| ||o-2--------2----|--3--------3h4-----|--4--------4----|--1--------------o|| ||o---------------|--4----------------|----------------|-----------------o|| ||--0-----0-------|-------------------|--2-----2-------|------------------|| ||----------------|--2-----2----------|----------------|--0-----0---------||
Part Two:
[A] [D9/F#] [D9/E] [E7/A]
||-----0--------0--|-----0--------0--|-----0--------0--|-----0-------------|| ||--2--------2-----|--3--------3-----|--3--------3-----|--3--------3p2-0---|| ||o-2--------2-----|--2--------2-----|--2--------2-----|--1---------------o|| ||o----------------|-----------------|-----------------|------------------o|| ||--0-----0--------|-----------------|-----------------|-------------------|| ||-----------------|--2-----2--------|--0-----0--------|--0-----0----------||
(Repeat Part One (only the stuff between ||: :||) and then Part Two)
Part Three:
....................
1. |
C#m7 F#m7 Bm E ||
||--------4--4--|-----2--------2--|-----2----------|-----0------------|| ||-----5--5--5--|--2--------2-----|--3--------3p2--|--0--------3p2-0--|| ||o----4--4--4--|--2--------2-----|--4--------4----|--1--------------o|| ||o-------------|-----------------|----------------|-----------------o|| ||--4-----------|-----------------|--2-----2-------|------------------|| ||--------------|--2-----2--------|----------------|--0-----0---------||
....................
2. |
E | C#m7 F#m7 Bm E
|-----0------------|--4--4--4--|-----2--------2--|-----2----------|-----0--- --------| |--0------------0--|--5--5--5--|--2--------2-----|--3--------3p2--|--0------
--3p2-0-|
|--1--------1h2----|--4--4--4--|--2--------2-----|--4--------4----|--1------ --------| |------------------|-----------|-----------------|----------------|--------- --------| |------------------|--4--4--4--|-----------------|--2-----2-------|--------- --------| |--0-----0---------|-----------|--2-----2--------|----------------|--0-----0 --------|
(Repeat Part Two)
Part Four:
[A] [D9/F#] [C#m7] [F#m7] [Bm] [E]
|-----0-----0-----4-----2--|-----3----------|-----0------------| |--2-----3-----5-----2-----|--3--------3p2--|--0--------3p2-0--| |--2-----2-----4-----2-----|--4--------4----|--1---------------| |--------------------------|----------------|------------------| |--0-----------4-----------|--2-----2-------|------------------| |--------2-----------2-----|----------------|--0-----0---------|
[A] [F#] [Bm] [E]
|-----0----------|-----2-------------|-----2----------|-----0------------| |--2--------2p0--|----------------2--|--3--------3p2--|--0--------3p2-0--| |--2--------2----|--3--------3h4-----|--4--------4----|--1---------------| |----------------|--4----------------|----------------|------------------| |--0-----0-------|-------------------|--2-----2-------|------------------| |----------------|--2-----2----------|----------------|--0-----0---------|
Ending:
.....................
1.2.3.4.5 |
A D9/F# D9/E E7/A |
||-----0--------0--|-----0--------0--|-----0--------0--|-----0-------------|| ||--2--------2-----|--3--------3-----|--3--------3-----|--3--------3p2-0---|| ||o-2--------2-----|--2--------2-----|--2--------2-----|--1---------------o|| ||o----------------|-----------------|-----------------|------------------o|| ||--0-----0--------|-----------------|-----------------|-------------------|| ||-----------------|--2-----2--------|--0-----0--------|--0-----0----------||
......................
6. |
E7/A |
|-----0--------------|--5--|| |--3--------3--2--0--|--2--|| |--1-----------------|--2--|| |--------------------|--2--|| |--------------------|--0--|| |--0-----0-----------|-----||
Date: Fri, 4 Apr 1997 08:05:53 -0500 (EST)
From: Scot Cunningham
Subject: Signe tablature (fwd)
The tablature you submitted to OLGA for Clapton's Signe
was a great improvement over the unplugged_album.tab!
I tried it out last night and it really sounded more
like what's on the CD. I tried one thing different
with it. In Part Four, you had this:
[A] [D9/F#] [C#m7] [F#m7] [Bm] [E]
|-----0-----0-----4-----2--|-----3----------|-----0------------| |--2-----3-----5-----2-----|--3--------3p2--|--0--------3p2-0--| |--2-----2-----4-----2-----|--4--------4----|--1---------------| |--------------------------|----------------|------------------| |--0-----------4-----------|--2-----2-------|------------------| |--------2-----------2-----|----------------|--0-----0---------|
Instead of the D9/F#, I tried a G#7. It sounded better to me:
[A] [G#7] [C#m7] [F#m7] [Bm] [E]
|-----0-----------4-----2--|-----3----------|-----0------------| |--2-----4--7--5-----2-----|--3--------3p2--|--0--------3p2-0--| |--2-----5-----4-----2-----|--4--------4----|--1---------------| |--------------------------|----------------|------------------| |--0-----------4-----------|--2-----2-------|------------------| |--------4-----------2-----|----------------|--0-----0---------|
It's a quick jump from the A to the G#7, but I made it easy after
a few tries. I tried the A as a bar on the 5th fret, but went
back to the standard chord because it just sounded better and
played smoother.
Try it out and let me know what you think.
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