| C | D | C | D | |
| Look outside the | window there's a | woman being | grabbed |
| C | Em | F | G | |
| They've | dragged her to the | bushes and | now she's being | stabbed |
| E | Am | |
| Maybe we should call the cops and | try to stop the pain |
| F | Am | Dm | G | |
| But | Monopoly is | so much fun I'd | hate to blow the | game |
| C | Am | Eb | |
| And I'm | sure it wouldn't | interest | anybody |
| Cm | F | |
| Outside of a small circle of f | riends |
| C | D | C | D | |
| Riding down the | highway yes my | back is getting | stiff |
| C | Em | F | G | |
| Thirteen cars are | piled up | they're hanging on a | cliff |
| E | Am | |
| Maybe we should pull them back | with our towing chain |
| F | Am | Dm | G | |
| But we | gotta move and we | might get sued and it | looks like it's gonna |
| rain |
| C | Am | Eb | |
| And I'm | sure it wouldn't | interest | anybody |
| Cm | F | |
| Outside of a small circle of | friends |
| C | D | C | D | |
| Sweating in the | ghetto with the | colored and the | poor |
| C | Em | F | G | |
| The | rats have joined the | babies who are | sleeping on the | floor |
| E | Am | |
| Now wouldn't it be a riot if they | really blew their tops |
| F | Am | Dm | G | |
| But they | got too much | already and | besides we got the | cops |
| C | Am | Eb | |
| And I'm | sure it wouldn't | interest | anybody |
| Cm | F | |
| Outside of a small circle of | friends |
| C | D | C | D | |
| Oh there's a | dirty paper | using sex | to make a | sale |
| C | Em | F | G | |
| The Supreme Court was | so upset they | sent him off to | jail |
| E | Am | |
| Maybe we should help the fiend and | take away his fine |
| F | Am | Dm | G | |
| But we're | busy reading | Playboy and the | Sunday New York | Times |
| C | Am | Eb | |
| And I'm | sure it wouldn't | interest | anybody |
| Cm | F | |
| Outside of a small circle of | friends |
| C | D | C | D | |
| Smoking | marijuana is more | fun than drinking | beer |
| C | Em | F | G | |
| But a | friend of ours was | captured and they | gave him thirty | years |
| E | Am | |
| Maybe we should raise our voices | ask somebody why |
| F | Am | Dm | G | |
| But demonst | rations are a | drag | besides we're much too | high |
| And I'm sure it wouldn't interest anybody |
| Outside of a small circle of friends |
| C | D | C | D | |
| Look outside the | window there's a | woman being | grabbed |
| C | Em | F | G | |
| They've | dragged her to the | bushes and | now she's being | stabbed |
| E | Am | |
| Maybe we should call the cops and | try to stop the pain |
| F | Am | Dm | G | |
| But | Monopoly is | so much fun I'd | hate to blow the | game |
| C | Am | Eb | |
| And I'm | sure it wouldn't | interest | anybody |
| Cm | F | |
| Outside of a small circle of f | riends |
| From Phil Ochs "Pleasures of the Harbor" |
| A & M Records 1967 |
| Barricade Music(ASCAP) |
| http://www.rhino.com/features/liners/73518lin4.html |
| Ochs might have lamented that "Changes" was never the hit it should've |
| been, but here he encountered something far more frustrating: |
| a hit that almost was. "Small Circle Of Friends" was an immediate |
| staple of "underground" FM radio and looked set to cross the |
| message over to the less discriminating masses who still understood |
| only what Top 40 radio tattooed on their consciousness. |
| The single was all over the AM airwaves in Los Angeles and actually |
| cracked the Top 10 in Seattle. Then the FCC weighed in |
| with the opinion that the record was objectionable because of the line |
| "smoking marijuana is more fun than drinking beer." Never |
| mind that in context the line was part of an explicitly antidrug |
| message; that was a subtlety the FCC could not fathom. By the |
| time A&M Records could get an "acceptable" edit on the market, the |
| momentum of the early airplay had been lost. And in the |
| Top 40 game, momentum is everything. Phil Ochs would never have that |
| hit single. And the tragedy was that had it become the |
| hit it seems certain it would have been, the Pleasures Of The Harbor |
| album would have reached the new audience for which it |
| was intended. In losing the momentum of the single, they lost the |
| whole album. |
| This song, still a hit around my house, was inspired by the Kitty |
| Genovese murder in New York, which was witnessed by several |
| people who rather than become involved allowed the woman to die. But |
| Phil saw the Genovese incident as only the screaming headline |
| of a story that included -- and indicted -- everyone. At precisely the |
| moment when the "counterculture" was exploding, Phil saw instead |
| the underlying disease that was eating away at the foundation of all |
| American life. He liked to say that he "died" during the |
| demonstrations |
| at the '68 Democratic Convention in Chicago. But in this song, |
| recorded a year earlier, he had already diagnosed the cancer -- |
| the avoidance of involvement -- that would take the life of the |
| artist/activist. |
| "It's always been a question of: Will it stand the test of time?" Phil |
| later said of topical music and in particular of "Small Circle Of |
| Friends." |
| "That was one of the things in the very early days, before Dylan left |
| politics, when he and I were writing political songs. There were two |
| attacks: You can't write folk music, and you can't use folk music for |
| propaganda. Besides it's topical and it'll be meaningless two years |
| from |
| then. And so to sing 'Small Circle Of Friends' seven years later and |
| still get the same response gives the lie to that attack. Whether the |
| audience is hearing it for the first or the fifteenth time, it holds |
| up. It could be nostalgia for some people, but on the other hand, |
| there's some |
| essential truth locked up in that song. A thirteen-year-old kid that |
| hears it today responds to it because the truth is there. In a way |
| it's more |
| there than ever, than even when I wrote it."10 |