Gravity Sara Bareilles
Dm7#5 is a difficult chord to play. I substitute the following two options:
1 0
[1]0 and [3]3
0 3
[1]1 [3]0
For more:
http://www.gootar.com/folder/guitar.html m7#5 is around halfway down the menu.
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Intro: I play D (7th fret) and then G (open) on G string to open, before chords.
It's what she plays on piano.
[Cmaj7] [Fmaj7]
[Cmaj7] [Fmaj7]
Verses I and II:
[Dm7]Something always brings me [G7]back to you
[Cmaj7]It never [C] [Cmaj7]takes too [Fmaj7]long
[Dm7]No matter what I [G7]say or do
[Cmaj7]I still feel you [C]here til the [Cmaj7]moment I'm [Fmaj7]gone[Cmaj7] [Fmaj7]
[Dm7]You hold me without [G7]touch
[Cmaj7] You [C]keep [Cmaj7]me without [Fmaj7]chains
[Dm7]I never wanted anything so [G7]much
Than to [Cmaj7]drown in your [C]love and not [Cmaj7]feel your [Fmaj7]rain[Cmaj7] [Fmaj7]
Chorus:
Set me [Dm7]free, leave me [G7]be
I don't want to [Cmaj7]fall another [Em]moment into your [Am7]gravity
Here I [Dm7]am, and I [G7]stand
So [Cmaj7]tall, [Em]just like I'm [Am7]supposed to be
But [Dm7]you're onto me, and all [Dm7#5]over me
Verse III:
[Dm7]You loved me cause I'm [G7]fragile
And [Cmaj7]I [C]thought [Cmaj7]I was [Fmaj7]strong
[Dm7]You touch me for a [G7]little while
And [Cmaj7]all my [C]fragile [Cmaj7]strength is [Fmaj7]gone
(Chorus)
...Dm7#5
...and all over me...
Bridge:
I [F]live here [G]on my knees as I [Cmaj7]try to make you [Fmaj7]see
That you're [F]everything I[G] think I need [Cmaj7]here on the [Fmaj7]ground
[F]But you're neither [G]friend nor foe, though I [Cmaj7]can't seem to [Fmaj7]let you go
[F]The one thing that [G]I still know is [Em]that [Am7]you're keeping me
[(Dm7]Down....[G7)]
[Cmaj7]Whoo...[Am7]
Keeping me[Dm7] down[G7]
[Cmaj7]yeah yeah yeah yeah[Am7]
you're [Dm7]onto me you're onto me and [Dm7#5]all over...
End:
[Dm7]Something always brings me [G7]back to you
[Cmaj7]It never [C] [Cmaj7]takes too [Fmaj7]long
[Cmaj7] [Fmaj7]
[Cmaj7] [Fmaj7]
For an optional finish, to match how the chords go an octave up on piano, I do this:
[12--12]12--10
12--10
10--10
x-- x
x-- x
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The bridge contains a progression of several chords simultaneously to add drama. I
picked the ones that worked best with the melody, the ones closest to what's on
piano, and ignored the string part as best I could.
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