Run to the Hills Iron Maiden

 
 |----------------------------------------------------------|

 
 |----------------------------------------------------------|

 
 |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|

 
 |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|

 
 |----------------------------------------------------------|

 
 |----------------------------------------------------------|

 
 |-------------------------------------------------------------------|

 
 |-15-15b17-15b17-15~---13-13b15-13b15-15b17~---11-11b13-11b13-13b15~|

 
 |-------------------------------------------------------------------|

 
 |-------------------------------------------------------------------|

 
 |-------------------------------------------------------------------|

 
 |-------------------------------------------------------------------|

 
 |-------------------------|--------------|------------------------|

 
 |-------------------------|----------3---|-----------------13b15~-|

 
 |--10-10b12-10b12-12b14~--|-x-0--0---2---|--10-10b12-10b12--------|

 
 |-------------------------|-x-0--0---0---|------------------------|

 
 |-------------------------|--------------|------------------------|

 
 |-------------------------|--------------|------------------------|

[D] [C] [C] [B+5] [C] [B+5] [D] [C] [C] [B+5] [C] [B+5]

 
 |-------------------------------|---------------------------------|
 |-------------------------------|---------------------------------|
 |-------------------------------|---------------------------------|
 |---7--------5------5--5--5--5--|---7--------5------5--5--5--5----|
 |---5--------3------3--2--3--2--|---5--------3------3--2--3--2----|
 |-------------------------------|---------------------------------|

[A] [C] [F] [D]

 
 |---------------------------2---|
 |---------------------------3---|
 |---2--------5--------2-----2---|
 |---2--------5--------3-----0---|
 |---0--------3--------3-----0---|
 |---------------------1---------|

CHORUS:

[G] [F] [C] [G] [E] [F] [F#]

 
 |---3----------1--------------------------3--------------|
 |---3----------1--------------------------3--------------|
 |---4----------2---------5----------------4----1--2--3---|
 |---5----------3---------5----------------5----2--3--4---|
 |---5----------3---------3----------------5----2--3--4---|
 |---3----------1--------------------------3----0--1--2---|

Run to the Hills Run for your lives

RHYTHM FOR SOLO:

[E(m] [F#m] [G] [C]

 
 |-------------(2)-(3)--------------------------------------|
 |-------------(2)--3---------------------------------------|
 |-------------(2)--4---------------------------------------|
 |---2---------(4)--5----------5----------------------------|
 |---2---------(4)--5----------3----------2-3-2-3-2-3-2-3---|
 |---0------------------------------------------------------|

BRIDGE:

I'm just showing the basic fingerings. Listen for the

strumming and muting.

[A] [B] [C] [D]

 
 |-------------------------------------------------|
 |-------------------------------------------------|
 |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
 |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
 |-------------------------------------------------|
 |-------------------------------------------------|

ENDING:

C let ring B G strum fast

 
 |--------------------------------3--------------|
 |--------------------------------3--------------|
 |---5------------------4---------4--------------|
 |---5------------------4---------5--------------|
 |---3------------------2---------5--------------|
 |--------------------------------3--------------|

Run for your lives

Played with Phaser: rate ~ one quarter note.

[E5] [F#5] [G5]

 
 |---------------------------------------12------12-----12--12-----|
 |--15b(17)--r15---15b(17)-r15-b(17)~------------------------------|
 |-------------------------------------------12------14------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|

[C5]

 
 |----------12---------------------------------------------|
 |--15b(17)----12--15p12h15p12------12---------------------|
 |------------------------------14------14b(16)--14b(16)~--|
 |---------------------------------------------------------|
 |---------------------------------------------------------|
 |---------------------------------------------------------|
 |--------------------------------------------------------|
 |--------------------------------------------------------|
 |--14b(16)--14--12--14--12--12-----------------------12--|
 |------------------------------14~~~-----------12h14-----|
 |--------------------------------------------------------|
 |--------------------------------------------------------|

[E5]

 
 |--------------------------------------------------------|
 |----------------------------------15--15-----12h14--12--|
 |-----------------------12--14--12---------14------------|
 |--14--12---------12h14----------------------------------|
 |----------14p12-----------------------------------------|
 |--------------------------------------------------------|

[F#5] [G5]

 
 |--------------------------------------------10h12p10----|
 |--12h15p12h15p12------12h15--15-s\-2-s/-12--------------|
 |------------------14------------------------------------|
 |--------------------------------------------------------|
 |--------------------------------------------------------|
 |--------------------------------------------------------|

[C5]

 
 |--10h12p10h12-----12p10h12p10--10h12p10-----10h12--12b(15)~~--|
 |---------------12------------------------12-------------------|
 |--------------------------------------------------------------|
 |--------------------------------------------------------------|
 |--------------------------------------------------------------|
 |--------------------------------------------------------------|

[E5]

 
 |--12b(15)-s\-1-s/-7---------12h15p12h15p12h15p12--12h15p12--|
 |------------------------------------------------------------|
 |------------------------------------------------------------|
 |------------------------------------------------------------|
 |------------------------------------------------------------|
 |------------------------------------------------------------|

[F#5] [G5]

 
 |-----------------------------------------------------------|
 |--15p12h15p12h15p12h15-------------------------------------|
 |------------------------12h14p12h14p12h14p12h14p12---------|
 |----------------------------------------------------12h14--|
 |-----------------------------------------------------------|
 |-----------------------------------------------------------|

[C5]

 
 |----------------------------------------------|
 |--------------15--------------------------15--|
 |--12h14p12----14b(16)--HOLD-BEND---r(14)--14--|
 |----------------------------------------------|
 |----------------------------------------------|
 |----------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |--12-Tbar\-(9)-/-(12)-\-(9)-/-(12)-\-(9)-/-(12)-\-(5)-/-(12)-\---|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|

[E5]

 
 |---------------------------15--17-Tbar-\-(16)-/-(17)-\-(16)-/----|
 |-----------------------------------------------------------------|
 |--(9)-/-(12)-\-(7)-/-(12)----------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |--(17)-\-(16)-/-(17)---------------------------------|
 |-----------------------15-shake with Tbar as before--|
 |-----------------------------------------------------|
 |-----------------------------------------------------|
 |-----------------------------------------------------|
 |-----------------------------------------------------|

[G5]

 
 |-----------------------------------------------|
 |--17-Tbar shake---------------------------PH---|
 |------------------------14-Tbar shake-----16~--|
 |-----------------------------------------------|
 |-----------------------------------------------|
 |-----------------------------------------------|

[C5]

 
 |----0----12--15b(18)--r(16)-r15--15--Tbar-\---(12)--\--(10)-s\---|
 |--0----12--------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|

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Rate #9 of 12 versions

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Run to the Hills

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{t:Run to the Hills}
 {st:Iron Maiden}
 
 #
 #Received: from salmon.maths.tcd.ie (salmon.maths.tcd.ie (134.226.81.11)) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id GAA05047 for <JamesB@nevada.edu>; Fri, 25 Mar 1994 06:10:13 -0800
 #From: Edmund Breslin <caladan@maths.tcd.ie>
 #Date: Fri, 25 Mar 1994 14:10:06 +0000
 #X-Mailer: Mail User's Shell (7.2.5 10/14/92)
 #To: JamesB@nevada.edu
 #Message-ID: <9403251410.aa17301@salmon.maths.tcd.ie>
 #
 # Run To The Hills
 # by Iron Maiden(Steve Harris)
 # Transcribed by Eddie Breslin(caladan@maths.tcd.ie)
 # (Solo Copied)
 #INTRO:
 #
 #Gtr I (Adrian)
 # 
 {sot}
 |----------------------------------------------------------|
 {eot}
 # 
 {sot}
 |----------------------------------------------------------|
 {eot}
 # 
 {sot}
 |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|
 {eot}
 # 
 {sot}
 |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|
 {eot}
 # 
 {sot}
 |----------------------------------------------------------|
 {eot}
 # 
 {sot}
 |----------------------------------------------------------|
 {eot}
 #
 #Gtr II (Dave)
 #
 #All these notes are played using the third finger so there are
 #also grace notes due to changing position but I've just shown
 #the basic fingerings. Most of the bends should be "overbent" and
 #shaken heavily.
 #
 #Neck Pickup
 # 
 {sot}
 |-------------------------------------------------------------------|
 {eot}
 # 
 {sot}
 |-15-15b17-15b17-15~---13-13b15-13b15-15b17~---11-11b13-11b13-13b15~|
 {eot}
 # 
 {sot}
 |-------------------------------------------------------------------|
 {eot}
 # 
 {sot}
 |-------------------------------------------------------------------|
 {eot}
 # 
 {sot}
 |-------------------------------------------------------------------|
 {eot}
 # 
 {sot}
 |-------------------------------------------------------------------|
 {eot}
 #
 # To Bridge
 # LAST TIME pickup
 # 
 {sot}
 |-------------------------|--------------|------------------------|
 {eot}
 # 
 {sot}
 |-------------------------|----------3---|-----------------13b15~-|
 {eot}
 # 
 {sot}
 |--10-10b12-10b12-12b14~--|-x-0--0---2---|--10-10b12-10b12--------|
 {eot}
 # 
 {sot}
 |-------------------------|-x-0--0---0---|------------------------|
 {eot}
 # 
 {sot}
 |-------------------------|--------------|------------------------|
 {eot}
 # 
 {sot}
 |-------------------------|--------------|------------------------|
 {eot}
 #
 #RHYTHM FOR VERSES:
 #
 [D] [C] [C] [B+5] [C] [B+5] [D] [C] [C] [B+5] [C] [B+5] 
 {sot}
 |-------------------------------|---------------------------------|
 |-------------------------------|---------------------------------|
 |-------------------------------|---------------------------------|
 |---7--------5------5--5--5--5--|---7--------5------5--5--5--5----|
 |---5--------3------3--2--3--2--|---5--------3------3--2--3--2----|
 |-------------------------------|---------------------------------|
 {eot}
 [A] [C] [F] [D] 
 {sot}
 |---------------------------2---|
 |---------------------------3---|
 |---2--------5--------2-----2---|
 |---2--------5--------3-----0---|
 |---0--------3--------3-----0---|
 |---------------------1---------|
 {eot}
 CHORUS:
 [G] [F] [C] [G] [E] [F] [F#] 
 {sot}
 |---3----------1--------------------------3--------------|
 |---3----------1--------------------------3--------------|
 |---4----------2---------5----------------4----1--2--3---|
 |---5----------3---------5----------------5----2--3--4---|
 |---5----------3---------3----------------5----2--3--4---|
 |---3----------1--------------------------3----0--1--2---|
 {eot}
 Run to the Hills Run for your lives
 RHYTHM FOR SOLO:
 [E(m] [F#m] [G] [C] 
 {sot}
 |-------------(2)-(3)--------------------------------------|
 |-------------(2)--3---------------------------------------|
 |-------------(2)--4---------------------------------------|
 |---2---------(4)--5----------5----------------------------|
 |---2---------(4)--5----------3----------2-3-2-3-2-3-2-3---|
 |---0------------------------------------------------------|
 {eot}
 BRIDGE:
 I'm just showing the basic fingerings. Listen for the
 strumming and muting.
 [A] [B] [C] [D] 
 {sot}
 |-------------------------------------------------|
 |-------------------------------------------------|
 |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
 |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
 |-------------------------------------------------|
 |-------------------------------------------------|
 {eot}
 ENDING:
 C let ring B G strum fast
 
 {sot}
 |--------------------------------3--------------|
 |--------------------------------3--------------|
 |---5------------------4---------4--------------|
 |---5------------------4---------5--------------|
 |---3------------------2---------5--------------|
 |--------------------------------3--------------|
 {eot}
 Run for your lives
 Played with Phaser: rate ~ one quarter note.
 [E5] [F#5] [G5] 
 {sot}
 |---------------------------------------12------12-----12--12-----|
 |--15b(17)--r15---15b(17)-r15-b(17)~------------------------------|
 |-------------------------------------------12------14------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 {eot}
 [C5] 
 {sot}
 |----------12---------------------------------------------|
 |--15b(17)----12--15p12h15p12------12---------------------|
 |------------------------------14------14b(16)--14b(16)~--|
 |---------------------------------------------------------|
 |---------------------------------------------------------|
 |---------------------------------------------------------|
 |--------------------------------------------------------|
 |--------------------------------------------------------|
 |--14b(16)--14--12--14--12--12-----------------------12--|
 |------------------------------14~~~-----------12h14-----|
 |--------------------------------------------------------|
 |--------------------------------------------------------|
 {eot}
 [E5] 
 {sot}
 |--------------------------------------------------------|
 |----------------------------------15--15-----12h14--12--|
 |-----------------------12--14--12---------14------------|
 |--14--12---------12h14----------------------------------|
 |----------14p12-----------------------------------------|
 |--------------------------------------------------------|
 {eot}
 [F#5] [G5] 
 {sot}
 |--------------------------------------------10h12p10----|
 |--12h15p12h15p12------12h15--15-s\-2-s/-12--------------|
 |------------------14------------------------------------|
 |--------------------------------------------------------|
 |--------------------------------------------------------|
 |--------------------------------------------------------|
 {eot}
 [C5] 
 {sot}
 |--10h12p10h12-----12p10h12p10--10h12p10-----10h12--12b(15)~~--|
 |---------------12------------------------12-------------------|
 |--------------------------------------------------------------|
 |--------------------------------------------------------------|
 |--------------------------------------------------------------|
 |--------------------------------------------------------------|
 {eot}
 [E5] 
 {sot}
 |--12b(15)-s\-1-s/-7---------12h15p12h15p12h15p12--12h15p12--|
 |------------------------------------------------------------|
 |------------------------------------------------------------|
 |------------------------------------------------------------|
 |------------------------------------------------------------|
 |------------------------------------------------------------|
 {eot}
 [F#5] [G5] 
 {sot}
 |-----------------------------------------------------------|
 |--15p12h15p12h15p12h15-------------------------------------|
 |------------------------12h14p12h14p12h14p12h14p12---------|
 |----------------------------------------------------12h14--|
 |-----------------------------------------------------------|
 |-----------------------------------------------------------|
 {eot}
 [C5] 
 {sot}
 |----------------------------------------------|
 |--------------15--------------------------15--|
 |--12h14p12----14b(16)--HOLD-BEND---r(14)--14--|
 |----------------------------------------------|
 |----------------------------------------------|
 |----------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |--12-Tbar\-(9)-/-(12)-\-(9)-/-(12)-\-(9)-/-(12)-\-(5)-/-(12)-\---|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 {eot}
 [E5] 
 {sot}
 |---------------------------15--17-Tbar-\-(16)-/-(17)-\-(16)-/----|
 |-----------------------------------------------------------------|
 |--(9)-/-(12)-\-(7)-/-(12)----------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |--(17)-\-(16)-/-(17)---------------------------------|
 |-----------------------15-shake with Tbar as before--|
 |-----------------------------------------------------|
 |-----------------------------------------------------|
 |-----------------------------------------------------|
 |-----------------------------------------------------|
 {eot}
 [G5] 
 {sot}
 |-----------------------------------------------|
 |--17-Tbar shake---------------------------PH---|
 |------------------------14-Tbar shake-----16~--|
 |-----------------------------------------------|
 |-----------------------------------------------|
 |-----------------------------------------------|
 {eot}
 [C5] 
 {sot}
 |----0----12--15b(18)--r(16)-r15--15--Tbar-\---(12)--\--(10)-s\---|
 |--0----12--------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 |-----------------------------------------------------------------|
 {eot}

Run to the Hills Iron Maiden

Rate #9 of 12 versions

Jango Player

Song added to songbook

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