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Impact Is Imminent   Exodus

 
 
 Exodus
 Impact is Imminent
 Impact is Imminent
 Transcribed by Mike Kimball
 [bloodmetalcontent@yahoo.com]
 [geocities.com/bloodmetalcontent]
 
 As with all guitar tablature, a mono-spaced font
 (e.g. Courier or Monaco) is required to display properly...
 
 Fig. 1
 |---------------------------------------------------
 |---------------------------------------------------
 |---------------------------------------------------
 |--------------------------------5------------------
 |----------------7-------------5-----------------7--
 |--0-000-0-0-6-5---0-000-0-3-6-----0-000-0-0-6-5----
 
 |---------------------------------------------------
 |---------------------------------------------------
 |---------------------------------------------------
 |----------------5---------------5------------------
 |--8-5---------5---------------5---------------7----
 |------6-0-3-6-----0-000-0-3-6-----0-000-0-0-6------
 
 |-----------------------------------
 |-----------------------------------
 |-----------------------------------
 |----------------5-8----------------
 |--------------5-----7-0-----5------
 |--0-000-0-3-6-----------0-6---3-6--
 Fig. 2
 |-----------------
 |-----------------
 |-----------------
 |--------------0--
 |--8-5-0-------0--
 |--------0-6-0----
 Fig. 3
 |-----------------------------------------------------
 |-----------------------------------------------------
 |-----------------------------------------------------
 |-----------------------------------------------------
 |--2-----9-8-----8-7-------5---3---2-----3-5-----5-7--
 |--0---0-7-6---0-6-5---0-0-3-0-1---0---0-1-3---0-3-5--
 
 |-------------------------------------------------------------
 |-------------------------------------------------------------
 |-------------------------------------------------------------
 |-------------------------------------------------------------
 |------8---9---2-----9-8-----8-7-------5---3---2-----9-8---5--
 |--0-0-6-0-7---0---0-7-6---0-6-5---0-0-3-0-1---0---0-7-6---3--
 
 ||-------------------||------------------
 ||-------------------||------------------
 ||-------------------||------------------
 ||-------------------||--8---------------
 ||-------------------||----7-0-----5-----
 ||--0000000000000000-||--------0-6---3-6-
 |__||__||__||__|
 Fig. 4
 [solo 1]
 |------------------------------------------------------
 |------------------------------------------------------
 |------------------------------------------------------
 |--------------0---------------0---------------0-------
 |--2-----2-5---0---2-----2-5---0---2-----2-5---0---2---
 |--0---0-0-3-------0---0-0-3-------0---0-0-3-------0---
 
 |--------------
 |--------------
 |--------------
 |----4-3-------
 |----2-1---5---
 |--0-------3---
 
 [solo 2]
 |--------------------------------------------------
 |--------------------------------------------------
 |--------------------------------------------------
 |--------------3---3-----3-3-------------------3---
 |--2-----2-5---0---1-----2-1---5---2-----2-5---0---
 |--0---0-0-3-----------0-------3---0---0-0-3-------
 
 |------------------
 |------------------
 |------------------
 |--3-----3-3-------
 |--1-111-2-1---5---
 |--------------3---
 


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