Nanci Toad the Wet Sprocket
<br/>
<br/>
NOTE: I did not TAB this myself. <br/>
<br/>
Nanci<br/>
By: Toad The Wet Sprocket<br/>
Transcribed By: Walter Tien<br/>
<br/>
Capo 4th fret <br/>
<br/>
Intro<br/>
||------6--6-----6--4--|--4-----4--------4--|-----6--6-----6--6--|<br/>
||------7--7-----7--7--|--7-----7--7-----7--|-----7--7-----7--7--|<br/>
||*-----6--6-----6--6--|--6--6--6-----6--6--|-----8--8-----8--8--|<br/>
||*--4--4--4-----4--4--|--4-----4--------4--|--4--4--4-----4--4--|<br/>
||------------4--------|--------------------|-----------4--------|<br/>
||---------------------|--------------------|--------------------|<br/>
<br/>
<br/>
|-----6--6--6--6--4---||<br/>
|-----7--7--7--7--7---||<br/>
|-----9--9--9--9--9--*||<br/>
|--4--4--4--4--4--4--*||<br/>
|---------------------||<br/>
|---------------------||<br/>
<br/>
D Bm A# C<br/>
<br/>
D F# G F#<br/>
<br/>
G D A G E<br/>
<br/>
G F# G A<br/>
<br/>
INTRO<br/>
<br/>
D Bm A# C<br/>
<br/>
D F# G F#<br/>
<br/>
G D A G E<br/>
<br/>
G F# G A<br/>
<br/>
D A C E/Gb E (ARPEGIATE)<br/>
<br/>
Em F# G A D<br/>
<br/>
C G C G<br/>
<br/>
|--0--0--0-----|<br/>
|--0--0--0--2--|<br/>
|--0--0--0--2--|<br/>
|--2--1--0--2--|<br/>
|--2--2--2--0--|<br/>
|--0--0--0-----|<br/>
<br/>
INTRO<br/>
<br/>
D Bm A# C<br/>
<br/>
D F# G F#<br/>
<br/>
G D A G E<br/>
<br/>
G F# G A<br/>
<br/>
D A C E/Gb E<br/>
<br/>
Em F# G A<br/>
<br/>
INTRO<br/>
<br/>
C# D<br/>
<br/>
-- Mike<br/>
<br/>
Date: Thu, 21 Sep 1995 09:48:52 -0400 (EDT)<br/>
From: Michael Smith <br/>
<br/>
<br/>
humbly submitted and with thanks to Michael Hanson who submitted the <br/>
tablature. here are the lyrics and the chords for the song 'NANCI' by<br/>
'toad the wet sprocket'. <br/>
chord diagram at end of document, please feel free to make changes<br/>
enjoy and please share.<br/>
<br/>
Nanci (toad the wet spocket: dulcinea) ** capo 4th fret **<br/>
<br/>
intro: (2x)<br/>
F# D#m D<br/>
I can't believe you You bend your words<br/>
E F# A#<br/>
Like Uri Geller's spoons Not quite safe here<br/>
B A# B<br/>
When every judgment Seems to smack of doom<br/>
F# C# B G# G#__<br/>
Are you OK? I'm just fine<br/>
G# A# B A# B C# F#<br/>
You take Nanci For me Loretta's fine<br/>
<br/>
intro (1x)<br/>
<br/>
F# D#m D<br/>
A legal precedent Could set us straight<br/>
E F# A#<br/>
But no one's brought up suit And I'm assuming<br/>
B A# B<br/>
That if they did The point would still be mute<br/>
F# C# B G# G#__<br/>
Are you joking? I'm just fine<br/>
G# A# B A# B C# F#<br/>
You take Nanci, For me Loretta's fine <br/>
A E ? G#<br/>
No I've changed my mind<br/>
G# A# B A# B C# F# F#<br/>
I'll take Nanci, For you Loretta's fine<br/>
E B<br/>
Still we walk without quite seeing things<br/>
E B<br/>
And I'll admit there's not that much to see<br/>
B A# 1 2<br/>
And I will follow through<br/>
3 (4)C#<br/>
And expect that you will follow suit<br/>
<br/>
intro (1x)<br/>
<br/>
F# D#m D<br/>
I can't believe you You bend your words<br/>
E F# A#<br/>
Like Uri Geller's spoons Not quite safe here<br/>
B A#<br/>
When every judgment Seems to smack of doom<br/>
F# C# B G# G#__<br/>
Are you OK? I'm just fine<br/>
G# A# B A# B C# F#<br/>
You take Nanci, For me Loretta's fine <br/>
A E ? G#<br/>
No I've changed my mind <br/>
G# A# B A# B C# F# F#<br/>
I'll take Nanci, For you Loretta's fine<br/>
<br/>
intro: Loretta's fine<br/>
<br/>
Loretta's fine...<br/>
<br/>
___________ ___________ ___________ ___________<br/>
intro: | | | | | | | | | | | | | | | | | | | | | | | |<br/>
| | | O | O | | | O | | | | | O | O | | | O | O<br/>
| | | | O | | | | | O | | | | | O | | | | | O |<br/>
| | | | | | | | | | | | | | | O | | | | | | | |<br/>
| | | | | | | | | | | | | | | | | | | | | O | |<br/>
<br/>
chords (capo on 4th fret)<br/>
<br/>
F#___________ D#m___________ D___________ E___________ A#___________<br/>
| | | | | | | | | | | | | - - - - O | | | | O | | | | | | |<br/>
| | | O | O | - - - - O | | | | | | | | | | | | | | | | O O<br/>
| | | | O | | | | | O | | | O O O | | | O | | | | | | O | |<br/>
| | | | | | | | O O | | | | | | | | | O | | | | | | O | | |<br/>
<br/>
B___________ C#___________ G#___________ G#m___________ ?___________<br/>
| | | | | | | | | | | | | | | O | | | | | | | | | | | O | |<br/>
| O | | | | | | O O O | | O O | | | | O O | | | | O | | | |<br/>
O | | | | O | | | | | | | | | | | | | | | | | | | | O | | |<br/>
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |<br/>
<br/>
___________ ___________ ___________ ___________<br/>
1 | | | | | | 2 | | O | | | 3 | | | | | | 4 | | | | | |<br/>
| O O | | | | O | | | | | O | | | | | | O O O |<br/>
| | | | | | | | | | | | | | | | | | | | | | | |<br/>
| | | | | | | | | | | | | | | | | | | | | | | |<br/>
<br/>
<br/>
<br/>
<br/>
Michael Smith<br/>
d000205c@dcfreenet.seflin.lib.fl.us<br/>
<br/>
<br/>
<br/>
<br/>
Date: Tue, 22 Apr 97 18:36:53 -0700<br/>
Subject: nanci by Toad the Wet Sprocket<br/>
<br/>
** NOTE ** <br/>
<br/>
This version augments the TAB work of Michael Hanson by giving a complete <br/>
transcription of the song with the chords and fingerings notated from the <br/>
capo (at the 4th fret) as opposed to the nut. The chords are slightly <br/>
different from Michael Smith's chord transcription, but the lyric is <br/>
exactly the same. My work was done independently, and is humbly submitted <br/>
to improve on what is already in existence in this suberb archive. Enjoy!<br/>
-------------------------------------------------------------------------<br/>
<br/>
"nanci" by Toad the Wet Sprocket (from the album "dulcinea")<br/>
<br/>
transcribed by Robert Andersen<br/>
<br/>
capo at 4th fret [sounds in the key of F#]: <br/>
<br/>
FIGURE #1 (play twice):<br/>
<br/>
D Daug5 D6 D7 <br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e-----2-2-----2-2-----2-0---2-0---|-----2-2-----2-2-----2-2.....----| <br/>
b-----3-3-----3-3-----3-----3-----|-----3-3-----3-3-----3-3.....----| <br/>
g-----2-2-----2-2-----3-----3-----|-----4-4-----4-4-----5-5.....----| <br/>
D-0---------------0---------------|-0---------------0---------------| <br/>
A---------0-----------------------|---------0-----------------------| <br/>
E---------------------------------|---------------------------------| <br/>
<br/>
FIGURE #2:<br/>
<br/>
D D/A Gsus4/B Gsus4/D Bb Bb/F C C/G<br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e-----2-2-----2-2-----2-2-----2-2-|---------------------------------| <br/>
b-----3-3-----3-3-----2-2-----2-2-|-----3-3-----3-3-----1-1-----1-1-| <br/>
g-----2-2-----2-2-----0-0-----0-0-|-----3-3-----3-3-----0-0-----0-0-| <br/>
D-0-----------------------0-------|-----3-3-----3-3-----2-2-----2-2-| <br/>
A---------0-------2---------------|-1---------------3---------------| <br/>
E---------------------------------|---------1---------------3-------|<br/>
I can't believe you you bend your words like Uri Geller's <br/>
<br/>
D D/A F# F#/C# G G/B F# F#/C#<br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e-----2-2-----2-2-----------------|---------------------------------| <br/>
b-----3-3-----3-3-----2-2-----2-2-|-----0-0-----0-0-----2-2-----2-2-| <br/>
g-----2-2-----2-2-----3-3-----3-3-|-----0-0-----0-0-----3-3-----3-3-| <br/>
D-0-------------------4-4-----4-4-|-----0-0-----0-0-----4-4-----4-4-| <br/>
A---------0---------------4-------|---------2---------------4-------| <br/>
E-----------------2---------------|-3---------------2---------------| <br/>
spoons Not quite safe here when every judgment seems to smack of<br/>
<br/>
G G D Csus2 G/B G E <br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e---------------------2-2-----3-3-|-----3-3-----3-3-0---------------| <br/>
b-----0-0-----0-0-----3-3-----3-3-|-----3-3-----3-3-0---------------| <br/>
g-----0-0-----0-0-----2-2-----0-0-|-----0-0-----0-0-1---------------| <br/>
D-----0-0-----0-0-0---------------|-----------------2---------------| <br/>
A-------------------------3-------|-2---------------2---------------| <br/>
E-3-------3-----------------------|---------3-------0---------------| <br/>
doom Are you okay? ______________ I'm just fine<br/>
<br/>
<br/>
<br/>
E G G/F# A A/E <br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' <br/>
e-0---------------|----------------------------------| <br/>
b-0---------------|------0-0-----0-0-----2-2-----2-2-| <br/>
g-1---------------|------0-0-----0-0-----2-2-----2-2-| <br/>
D-2---------------|------0-0-----0-0-----2-2-----2-2-| FIGURE #1 <br/>
A-2---------------|------------------0---------------| <br/>
E-0-----------0-2-|--3-------2---------------0-------| <br/>
You take Nanci, for me Loretta's fine<br/>
<br/>
<br/>
[same beginning as figure #2]<br/>
<br/>
D D/A Gsus4/B Gsus4/D Bb Bb/F C C/G <br/>
A legal precedent could set us straight but no one's brought up <br/>
<br/>
D D/A F# F#/C# G F# G <br/>
suit And I'm assuming that if they did the point would still be moot<br/>
<br/>
D Csus2 G/B G E E <br/>
Are you joking?___________ I'm just fine <br/>
<br/>
G G/F# A A/E [to FIGURE #3] <br/>
You take Nanci, for me Loretta's fine<br/>
<br/>
<br/>
FIGURE #3<br/>
<br/>
D D/A F# F#/C# C C B7 B7/F#<br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e-----2-2-----2-2-----------------|---------------------2-2-----2-2-| <br/>
b-----3-3-----3-3-----2-2-----2-2-|-----1-1-----1-1-----0-0-----0-0-| <br/>
g-----2-2-----2-2-----3-3-----3-3-|-----0-0-----0-0-----2-2-----2-2-| <br/>
D-0-------------------4-4-----4-4-|-----2-2-----2-2-----1-1-----1-1-| <br/>
A---------0---------------4-------|-3-------3-------2---------------| <br/>
E-----------------2---------------|-------------------------2-------| <br/>
No I've changed my mind<br/>
<br/>
G G/F# A A/E D Dsus4 D Dsus4<br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e---------------------------------|-----2-2---3-2-------2-2---3-2---| <br/>
b-----0-0-----0-0-----2-2-----2-2-|-----3-3-----3-------3-3-----3---| <br/>
g-----0-0-----0-0-----2-2-----2-2-|-----2-2-----2-------2-2-----2---| <br/>
D-----0-0-----0-0-----2-2-----2-2-|-0---------------0---------------| <br/>
A-----------------0---------------|---------------------------------| <br/>
E-3-------2---------------0-------|---------------------------------| <br/>
I'll take Nanci for you Loretta's fine<br/>
<br/>
<br/>
BRIDGE:<br/>
<br/>
C C/G C C/G G G/B G Gmaj7 G6<br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e---------------------------------|-----------------3-2---0---------| <br/>
b-----1-1-----1-1-----1-1-----1-1-|-----0-0-----0-0-0-----0---3-----| <br/>
g-----0-0-----0-0-----0-0-----0-0-|-----0-0-----0-0-0-----0-------0-| <br/>
D-----2-2-----2-2-----2-2-----2-2-|-----0-0-----0-0-0---------------| <br/>
A-3---------------3---------------|---------2-------2---------------| <br/>
E---------3---------------3-------|-3---------------3---------------| <br/>
And still we walk without quite seeing things<br/>
<br/>
<br/>
C C/G C C/G G G/B G<br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e---------------------------------|---------------------------------| <br/>
b-----1-1-----1-1-----1-1-----1-1-|-----0-0-----0-0-0-1-3-1---0-----| <br/>
g-----0-0-----0-0-----0-0-----0-0-|-----0-0-----0-0-0---------------| <br/>
D-----2-2-----2-2-----2-2-----2-2-|-----0-0-----0-0-0---------------| <br/>
A-3---------------3---------------|---------2-------2---------------| <br/>
E---------3---------------3-------|-3---------------3---------------| <br/>
And I'll admit there's not that much to see And<br/>
<br/>
Em Em(maj7) Em7 A A/E<br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e-0---------------0---------------|-0-------------------------------| <br/>
b-0---------------0---------------|-0-------------------2-2-----2-2-| <br/>
g-0---------------0---------------|-0-------------------2-2-----2-2-| <br/>
D-2---------------1---------------|-0-------------------2-2-----2-2-| <br/>
A-2---------------2---------------|-2---------------0---------------| <br/>
E-0---------------0---------------|-0-----------------------0-------| <br/>
I will follow through and expect that you would follow <br/>
<br/>
<br/>
FIGURE #1 (one time)<br/>
<br/>
...suit<br/>
<br/>
<br/>
repeat FIGURE #2, except with FIGURE #3 ending:<br/>
<br/>
I can't believe you, you bend your words like Uri Geller's spoons <br/>
Not quite safe here, when every judgment seems to smack of doom <br/>
Are you okay?______ I'm just fine<br/>
You take Nanci, for me Loretta's fine<br/>
No I've changed my mind, I'll take Nanci, for you Loretta's...<br/>
<br/>
[these two bars twice]:<br/>
<br/>
D Daug5 D6 D7 <br/>
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '<br/>
e-----2-2-----2-2-----2-0---2-0---|-----2-2-----2-2-----2-2-
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