Blown to Bits The Exploited

 Date: Wed, 6 Dec 1995 10:42:33 +0000 <br/>
 Subject: TAB blown_to_bits.crd by the_exploited <br/>
 <br/>
 Hi ! Here some stuff about THE EXPLOITED <br/>
 <br/>
 If you have comments, corrections, requests or something else, <br/>
 send them to:  <br/>
 <br/>
 MAURO BUROCCO <br/>
 MARCO FERRERO         sisinf21@vcldec1.polito.it <br/>
 <br/>
 <br/>
 <br/>
 COMING SOON :  RAMONES <br/>
    NOFX: The Brews + others <br/>
                  BAD RELIGION <br/>
  EXPLOITED: Dead Cities + others <br/>
  MEGADETH: Hangar 18, Symphony of Destruction ( if I have the time ...) <br/>
           <br/>
  ELIO & THE TROUBLE STORY ( an Italian group: Elio e le storie tese,  <br/>
                                                               tutto il primo album  :) <br/>
 <br/>
 <br/>
 I need material about SID VICIOUS and RANCID - if you have something <br/>
 please e-mail me <br/>
 Thanks  <br/>
 <br/>
 <br/>
 =========================================================================================== <br/>
                                BLOWN TO BITS <br/>
                                The Exploited <br/>
                       from the album "Punks Not Dead" <br/>
 <br/>
 <br/>
 <br/>
 "PUNK'S NOT DEAD ?" the cynic laughed, and how they choked on their <br/>
 hysterical false laughter as the new wave of real Punk smashed into <br/>
 their faces. By late 1979/ early 1980 the trendy Art students their ilk  <br/>
 were tired of their fashion as they moved from Punk onto the New <br/>
 Romantics craze. For some though punk had always been more than <br/>
 just a fashion and style, it had been a way of life, a way of changing <br/>
 a decrepit music scene, so much for "Punk is Dead"... wishful thinking  <br/>
 maybe ? <br/>
 <br/>
 The Exploited, more than any other band typified punk of the time, and <br/>
 confirmed and gelled toghether the strands of punk in the early 80's, <br/>
 hence why many people view this album as THE punk album and if not, <br/>
 only second to the Sex Pistols "Never Mind The Bollocks". The album <br/>
 sold over 150000 copies... Punk is Dead... are you sure mate ?? <br/>
 <br/>
 On it's initial release amid the trendy scoffing the album did actually <br/>
 receive a five star revieq from Sound's Gary Bushell, and a healthy <br/>
 spell in the indie charts, as well as making NO.20 in the UK album <br/>
 chart. Today this album is still relevant as it was when it was released, <br/>
 if not more so, and has earned The Exploited a place in rock  <br/>
 and punk history, like it or not, but nevertheless true. This album and <br/>
 The Exploited will be more important in ten years than any fo their now <br/>
 so called 'trendy-indie' peers... take my word on it chum... Punk is <br/>
 Dead ? ... Only time will tell !!! <br/>
 <br/>
                         [ Gary Fielding "Beat Of The Street" Magazine ] <br/>
 <br/>
 <br/>
 <br/>
 The Exploited are: Wattie   - lead vocals <br/>
                    Big John - guitar and vocals <br/>
                    Gary     - bass and vocals <br/>
                    Dru Stix - drums and vocals <br/>
 <br/>
                    Carol and Navi - backing vocals <br/>
                     <br/>
 <br/>
 Turn your overdrive on... here we go... <br/>
 <br/>
 <br/>
 Just a little bit more difficult... <br/>
 <br/>
 <br/>
 Intro/Verse:  [ RE  MI ]x3   SOL FA# FA <br/>
 <br/>
 Chorus:  SI  SOL  LA <br/>
 <br/>
 Break:   MI <br/>
 <br/>
 <br/>
 <br/>
 In the other notation:   intro/verse: [ D  E ]x3   G  F#  F <br/>
                          chorus: B  G  A <br/>
                          break:  E <br/>
 <br/>

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Blown to Bits

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{t:Blown to Bits}
 {st:The Exploited}
 {sot}
 
 #----------------------------------PLEASE&nbsp;NOTE---------------------------------# 
 #This&nbsp;file&nbsp;is&nbsp;the&nbsp;author's&nbsp;own&nbsp;work&nbsp;and&nbsp;represents&nbsp;their&nbsp;interpretation&nbsp;of&nbsp;the&nbsp;# 
 #song.&nbsp;You&nbsp;may&nbsp;only&nbsp;use&nbsp;this&nbsp;file&nbsp;for&nbsp;private&nbsp;study,&nbsp;scholarship,&nbsp;or&nbsp;research.&nbsp;# 
 
 
 Date:&nbsp;Wed,&nbsp;6&nbsp;Dec&nbsp;1995&nbsp;10:42:33&nbsp;+0000 
 Subject:&nbsp;TAB&nbsp;blown_to_bits.crd&nbsp;by&nbsp;the_exploited 
 
 Hi&nbsp;!&nbsp;Here&nbsp;some&nbsp;stuff&nbsp;about&nbsp;THE&nbsp;EXPLOITED 
 
 If&nbsp;you&nbsp;have&nbsp;comments,&nbsp;corrections,&nbsp;requests&nbsp;or&nbsp;something&nbsp;else, 
 send&nbsp;them&nbsp;to:&nbsp; 
 
 MAURO&nbsp;BUROCCO 
 MARCO&nbsp;FERRERO&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;sisinf21@vcldec1.polito.it 
 
 
 
 COMING&nbsp;SOON&nbsp;: &nbsp;RAMONES 
 &nbsp; &nbsp;NOFX:&nbsp;The&nbsp;Brews&nbsp;+&nbsp;others 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;BAD&nbsp;RELIGION 
 &nbsp;EXPLOITED:&nbsp;Dead&nbsp;Cities&nbsp;+&nbsp;others 
 &nbsp;MEGADETH:&nbsp;Hangar&nbsp;18,&nbsp;Symphony&nbsp;of&nbsp;Destruction&nbsp;(&nbsp;if&nbsp;I&nbsp;have&nbsp;the&nbsp;time&nbsp;...) 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
 &nbsp;ELIO&nbsp;&&nbsp;THE&nbsp;TROUBLE&nbsp;STORY&nbsp;(&nbsp;an&nbsp;Italian&nbsp;group:&nbsp;Elio&nbsp;e&nbsp;le&nbsp;storie&nbsp;tese,&nbsp; 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;tutto&nbsp;il&nbsp;primo&nbsp;album&nbsp;&nbsp;:) 
 
 
 I&nbsp;need&nbsp;material&nbsp;about&nbsp;SID&nbsp;VICIOUS&nbsp;and&nbsp;RANCID&nbsp;-&nbsp;if&nbsp;you&nbsp;have&nbsp;something 
 please&nbsp;e-mail&nbsp;me 
 Thanks&nbsp; 
 
 
 =========================================================================================== 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;BLOWN&nbsp;TO&nbsp;BITS 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The&nbsp;Exploited 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;from&nbsp;the&nbsp;album&nbsp;"Punks&nbsp;Not&nbsp;Dead" 
 
 
 
 "PUNK'S&nbsp;NOT&nbsp;DEAD&nbsp;?"&nbsp;the&nbsp;cynic&nbsp;laughed,&nbsp;and&nbsp;how&nbsp;they&nbsp;choked&nbsp;on&nbsp;their 
 hysterical&nbsp;false&nbsp;laughter&nbsp;as&nbsp;the&nbsp;new&nbsp;wave&nbsp;of&nbsp;real&nbsp;Punk&nbsp;smashed&nbsp;into 
 their&nbsp;faces.&nbsp;By&nbsp;late&nbsp;1979/&nbsp;early&nbsp;1980&nbsp;the&nbsp;trendy&nbsp;Art&nbsp;students&nbsp;their&nbsp;ilk&nbsp; 
 were&nbsp;tired&nbsp;of&nbsp;their&nbsp;fashion&nbsp;as&nbsp;they&nbsp;moved&nbsp;from&nbsp;Punk&nbsp;onto&nbsp;the&nbsp;New 
 Romantics&nbsp;craze.&nbsp;For&nbsp;some&nbsp;though&nbsp;punk&nbsp;had&nbsp;always&nbsp;been&nbsp;more&nbsp;than 
 just&nbsp;a&nbsp;fashion&nbsp;and&nbsp;style,&nbsp;it&nbsp;had&nbsp;been&nbsp;a&nbsp;way&nbsp;of&nbsp;life,&nbsp;a&nbsp;way&nbsp;of&nbsp;changing 
 a&nbsp;decrepit&nbsp;music&nbsp;scene,&nbsp;so&nbsp;much&nbsp;for&nbsp;"Punk&nbsp;is&nbsp;Dead"...&nbsp;wishful&nbsp;thinking&nbsp; 
 maybe&nbsp;? 
 
 The&nbsp;Exploited,&nbsp;more&nbsp;than&nbsp;any&nbsp;other&nbsp;band&nbsp;typified&nbsp;punk&nbsp;of&nbsp;the&nbsp;time,&nbsp;and 
 confirmed&nbsp;and&nbsp;gelled&nbsp;toghether&nbsp;the&nbsp;strands&nbsp;of&nbsp;punk&nbsp;in&nbsp;the&nbsp;early&nbsp;80's, 
 hence&nbsp;why&nbsp;many&nbsp;people&nbsp;view&nbsp;this&nbsp;album&nbsp;as&nbsp;THE&nbsp;punk&nbsp;album&nbsp;and&nbsp;if&nbsp;not, 
 only&nbsp;second&nbsp;to&nbsp;the&nbsp;Sex&nbsp;Pistols&nbsp;"Never&nbsp;Mind&nbsp;The&nbsp;Bollocks".&nbsp;The&nbsp;album 
 sold&nbsp;over&nbsp;150000&nbsp;copies...&nbsp;Punk&nbsp;is&nbsp;Dead...&nbsp;are&nbsp;you&nbsp;sure&nbsp;mate&nbsp;?? 
 
 On&nbsp;it's&nbsp;initial&nbsp;release&nbsp;amid&nbsp;the&nbsp;trendy&nbsp;scoffing&nbsp;the&nbsp;album&nbsp;did&nbsp;actually 
 receive&nbsp;a&nbsp;five&nbsp;star&nbsp;revieq&nbsp;from&nbsp;Sound's&nbsp;Gary&nbsp;Bushell,&nbsp;and&nbsp;a&nbsp;healthy 
 spell&nbsp;in&nbsp;the&nbsp;indie&nbsp;charts,&nbsp;as&nbsp;well&nbsp;as&nbsp;making&nbsp;NO.20&nbsp;in&nbsp;the&nbsp;UK&nbsp;album 
 chart.&nbsp;Today&nbsp;this&nbsp;album&nbsp;is&nbsp;still&nbsp;relevant&nbsp;as&nbsp;it&nbsp;was&nbsp;when&nbsp;it&nbsp;was&nbsp;released, 
 if&nbsp;not&nbsp;more&nbsp;so,&nbsp;and&nbsp;has&nbsp;earned&nbsp;The&nbsp;Exploited&nbsp;a&nbsp;place&nbsp;in&nbsp;rock&nbsp; 
 and&nbsp;punk&nbsp;history,&nbsp;like&nbsp;it&nbsp;or&nbsp;not,&nbsp;but&nbsp;nevertheless&nbsp;true.&nbsp;This&nbsp;album&nbsp;and 
 The&nbsp;Exploited&nbsp;will&nbsp;be&nbsp;more&nbsp;important&nbsp;in&nbsp;ten&nbsp;years&nbsp;than&nbsp;any&nbsp;fo&nbsp;their&nbsp;now 
 so&nbsp;called&nbsp;'trendy-indie'&nbsp;peers...&nbsp;take&nbsp;my&nbsp;word&nbsp;on&nbsp;it&nbsp;chum...&nbsp;Punk&nbsp;is 
 Dead&nbsp;?&nbsp;...&nbsp;Only&nbsp;time&nbsp;will&nbsp;tell&nbsp;!!! 
 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&nbsp;Gary&nbsp;Fielding&nbsp;"Beat&nbsp;Of&nbsp;The&nbsp;Street"&nbsp;Magazine&nbsp;] 
 
 
 
 The&nbsp;Exploited&nbsp;are:&nbsp;Wattie&nbsp;&nbsp;&nbsp;-&nbsp;lead&nbsp;vocals 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Big&nbsp;John&nbsp;-&nbsp;guitar&nbsp;and&nbsp;vocals 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Gary&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-&nbsp;bass&nbsp;and&nbsp;vocals 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Dru&nbsp;Stix&nbsp;-&nbsp;drums&nbsp;and&nbsp;vocals 
 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Carol&nbsp;and&nbsp;Navi&nbsp;-&nbsp;backing&nbsp;vocals 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
 
 Turn&nbsp;your&nbsp;overdrive&nbsp;on...&nbsp;here&nbsp;we&nbsp;go... 
 
 
 Just&nbsp;a&nbsp;little&nbsp;bit&nbsp;more&nbsp;difficult... 
 
 
 Intro/Verse:&nbsp;&nbsp;[&nbsp;RE&nbsp;&nbsp;MI&nbsp;]x3&nbsp;&nbsp;&nbsp;SOL&nbsp;FA#&nbsp;FA 
 
 Chorus:&nbsp;&nbsp;SI&nbsp;&nbsp;SOL&nbsp;&nbsp;LA 
 
 Break:&nbsp;&nbsp;&nbsp;MI 
 
 
 
 In&nbsp;the&nbsp;other&nbsp;notation:&nbsp;&nbsp;&nbsp;intro/verse:&nbsp;[&nbsp;D&nbsp;&nbsp;E&nbsp;]x3&nbsp;&nbsp;&nbsp;G&nbsp;&nbsp;F#&nbsp;&nbsp;F 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;chorus:&nbsp;B&nbsp;&nbsp;G&nbsp;&nbsp;A 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;break:&nbsp;&nbsp;E 
 
 
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Blown to Bits The Exploited

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